Search
Search results
BankofMarquis (1832 KP) rated Encanto (2021) in Movies
Dec 28, 2021
Fun Family Friendly Film with GREAT Music
The good thing about travelling by plane over the Holidays is that it is an opportunity to catch up on Movies that were missed. Such is the case with the Disney Animation Film ENCANTO - a film that “came and went” earlier this fall.
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Night of the Vampire (Deathless Night - Into the Dark #1)
8.0
Rate It
Book
Killian walked into my new voodoo shop late one night with an urgent request - he needed me to heal...
Paranormal Romance Vampires Witches
Steven Sklansky (231 KP) rated Beauty and the Beast (2017) in Movies
Nov 25, 2017
Beauty and the Plot Holes
I know I shouldn't be looking to much in to animated movies turned in to live action, but this movie really had some obvious plot holes. I will get to a few of those in a bit. First I would like to say this was not a bad movie. I actually enjoyed it more then I thought I would have. The CGI was really good and the music/songs were done really well and really funny.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
Gareth von Kallenbach (980 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Goddess in the Stacks (553 KP) rated Bright Smoke, Cold Fire in Books
Apr 15, 2018
Fantastic Shakespeare retelling (3 more)
Excellent characters
Interesting worldbuilding
Romeo & Juliet + Zombies!
I read the description of this book somewhere and immediately requested it from the library - a re-imagining of Romeo and Juliet in a dying world with necromancers? SIGN ME UP. And it did not disappoint!
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Piano with Songs
Music and Games
5.0
Rate It
App
Piano Free has the largest song catalog of any piano on the app store. With over 1,500 songs to...
Anne (15117 KP) rated The Will and the Wilds in Books
Nov 4, 2019
Thanks so much to NetGalley and 47North Publishing for letting me read and review this awesome eARC. I discovered Charlie N. Holmberg through Deep Magic e-zine a few years or so back now and I love her writing. This book reminded me of how much I love her writing and the story here in The Will and the Wilds also reminded me a bit of her earlier book, Followed by Frost. I also feel like there are some similarities to Beauty and the Beast as well, but it's also its very own unique, amazing and magical story.
This story is heartbreaking, beautiful and soul-wrenching and I love it so much. I think it's a definite must-read especially if you like kissing books and romance although it's not only for that part that it is awesome, it's also for the adventure, the magic and the journey from within each of these two characters.
This story is about a girl who lives with her father, just the two of them by the edge of the wildwood and one day she's outside and a mysting from within the wildwood comes after her to get the magic stone she has on her wrist. Enna decides when this mysting comes after her to fight back so she gets another mysting to help her and his name is Maekallus. He wants her to pay him for his help with a kiss, which gives him the power to steal her soul, but the kiss has to be given willingly by Enna. The deal ends up getting Maekallus stuck in the mortal realm where he starts to get eaten alive. They become bound together through the bargain and share in each other's suffering because Maekallus feels for the first time with part of Enna's soul in him.
Enna is the only thing saving him by having kissed him and given him part of her soul to save him from dying so they have to break the deal that has bound him to the mortal realm to save them both.
It's a wonderful and moving story that I would give more than 5 stars if I could because of what you take away from it. If you don't have this one on your list, then put it on your list, preorder it and get ready for an amazing and beautiful magical mystical tale to sweep you away.
This story is heartbreaking, beautiful and soul-wrenching and I love it so much. I think it's a definite must-read especially if you like kissing books and romance although it's not only for that part that it is awesome, it's also for the adventure, the magic and the journey from within each of these two characters.
This story is about a girl who lives with her father, just the two of them by the edge of the wildwood and one day she's outside and a mysting from within the wildwood comes after her to get the magic stone she has on her wrist. Enna decides when this mysting comes after her to fight back so she gets another mysting to help her and his name is Maekallus. He wants her to pay him for his help with a kiss, which gives him the power to steal her soul, but the kiss has to be given willingly by Enna. The deal ends up getting Maekallus stuck in the mortal realm where he starts to get eaten alive. They become bound together through the bargain and share in each other's suffering because Maekallus feels for the first time with part of Enna's soul in him.
Enna is the only thing saving him by having kissed him and given him part of her soul to save him from dying so they have to break the deal that has bound him to the mortal realm to save them both.
It's a wonderful and moving story that I would give more than 5 stars if I could because of what you take away from it. If you don't have this one on your list, then put it on your list, preorder it and get ready for an amazing and beautiful magical mystical tale to sweep you away.
Merissa (12552 KP) rated Heart of the Fae (The Otherworld #1) in Books
Dec 8, 2017
Heart of the Fae (The Otherworld #1) by Emma Hamm
Heart of the Fae is the first book in The Otherworld series, and we find a world full of Irish Celtic mythology, plus fantasy, which equals a novel of superb quality in my opinion. Sorcha's mother was burnt at the stake for being a witch. Sorcha herself is a midwife, although she longs to be a full-blown healer. She was brought up to respect the Old Ways and the Fae, and follows those teachings to the best of her ability. She lives with her sisters and her father, in the brothel they own. Unfortunately, a plague has swept the land, and has afflicted her father. The good doctor's won't listen to her because she is a woman, even though she has had success in treating the plague and stopping it from spreading. She makes a desperate plea, and is heard, which in turn leads her to cross the sea in search of an island only visible every seven years.
This is an excellent story that grips you from the start. The descriptions of the blood beetle are enough to curl your toes, and therefore it becomes just as important to the reader that Sorcha finds a cure. The author has certainly done her research with regards to Irish mythology, and it certainly shows in this story. Yes, it is a retelling of Beauty and the Beast, but to be honest, that was second to the mythology that I was reading. Descriptive and smoothly paced, this story is full of Fae (both Seelie and UnSeelie), old legends and new stories. There is never a dull moment in this story, and the scenes flowed from one to the next. The characters are all fully developed, and I can't wait to read more about them. I love how they are 'complicated', there isn't a single one that is just "good" or "bad". If I had to say one bad thing about this book, it's that I was NOT ready for it to end. However, it did *sigh* and now I must wait impatiently for book 2!
A fantastic Fantasy that I highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an excellent story that grips you from the start. The descriptions of the blood beetle are enough to curl your toes, and therefore it becomes just as important to the reader that Sorcha finds a cure. The author has certainly done her research with regards to Irish mythology, and it certainly shows in this story. Yes, it is a retelling of Beauty and the Beast, but to be honest, that was second to the mythology that I was reading. Descriptive and smoothly paced, this story is full of Fae (both Seelie and UnSeelie), old legends and new stories. There is never a dull moment in this story, and the scenes flowed from one to the next. The characters are all fully developed, and I can't wait to read more about them. I love how they are 'complicated', there isn't a single one that is just "good" or "bad". If I had to say one bad thing about this book, it's that I was NOT ready for it to end. However, it did *sigh* and now I must wait impatiently for book 2!
A fantastic Fantasy that I highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
The Gardener's Guide to Growing Fuchsias: the Complete Guide to Cultivating Fuchsias, with Step-by-step Gardening Techniques, an Illustrated Directory of Over 500 Varieties and 800 Beautiful Photographs
Book
Beginning with the outdoor garden, this book shows how to grow fuchsias as specimen plants, for...