Search
Search results
Darren (1599 KP) rated Regarding Henry (1991) in Movies
Jul 25, 2019
Story: Regarding Henry starts as we meet hotshot lawyer Henry Turner (Ford) he closes cases with ease and has the full trust of the partners in the firm, his strict behaviour does return home too with the way he controls his daughter Rachel (Allen), with his wife Sarah (Bening) dealing with reminding him of names at parties.
Henry’s life is turned upside down when he is shot in a head, leaving him with no memory, speech or mobility. Bradley (Nunn) his physical Therapist comes into this life to help teach him again as Sarah must adapt without the income that Henry once bought in. with Henry’s recovery going well, can a return home make him better, both in health and in his own personal standards of treating people.
Thoughts on Regarding Henry
Characters – Henry is a lawyer, he closes cases with ease, but doesn’t seem to be close to his family or friends, busy working for the most part of his life. When he gets shot in the head, he must learn to recover and learn everything again, this shows Henry a new way to look at life which will make him a better person. Sarah is the wife of Henry, she supports him through the tough time knowing he will remember his life in time. Bradley is the physical therapist that helps Henry break the first hurdles in his recovery.
Performances – Harrison Ford gives a performance we wouldn’t know him for, he does well for the most part, but there are moments he doesn’t hit the performance like he should. Annette Bening is good in her role through the film with Bill Nunn adding the extra moments needed in this film.
Story – The story here plays out like a fantasy film in places, we have one man that has a lift changing injury that makes him see life in a different point of view. We see his recovery process which shows us how the people in his life can change their opinions on one person after an injury impairs their abilities. This does tell the recovery process and clearly shows the changes Henry goes though which are good to see through the film.
Romance – The romance of the film is standard it shows the life both Henry and Sarah have had before and after the injury.
Settings – The film is set mostly in New York city, which is great as I always say, which helps show how the busy life of Henry affected his life.
Scene of the Movie – The rehab.
That Moment That Annoyed Me – Moments Ford doesn’t hit the injury the way you believe.
Final Thoughts – This is a good drama that shows how injuries can affect lives, not just the person that is injured but the people close to them too.
Overall: Good Film which shows Ford in different light.
Henry’s life is turned upside down when he is shot in a head, leaving him with no memory, speech or mobility. Bradley (Nunn) his physical Therapist comes into this life to help teach him again as Sarah must adapt without the income that Henry once bought in. with Henry’s recovery going well, can a return home make him better, both in health and in his own personal standards of treating people.
Thoughts on Regarding Henry
Characters – Henry is a lawyer, he closes cases with ease, but doesn’t seem to be close to his family or friends, busy working for the most part of his life. When he gets shot in the head, he must learn to recover and learn everything again, this shows Henry a new way to look at life which will make him a better person. Sarah is the wife of Henry, she supports him through the tough time knowing he will remember his life in time. Bradley is the physical therapist that helps Henry break the first hurdles in his recovery.
Performances – Harrison Ford gives a performance we wouldn’t know him for, he does well for the most part, but there are moments he doesn’t hit the performance like he should. Annette Bening is good in her role through the film with Bill Nunn adding the extra moments needed in this film.
Story – The story here plays out like a fantasy film in places, we have one man that has a lift changing injury that makes him see life in a different point of view. We see his recovery process which shows us how the people in his life can change their opinions on one person after an injury impairs their abilities. This does tell the recovery process and clearly shows the changes Henry goes though which are good to see through the film.
Romance – The romance of the film is standard it shows the life both Henry and Sarah have had before and after the injury.
Settings – The film is set mostly in New York city, which is great as I always say, which helps show how the busy life of Henry affected his life.
Scene of the Movie – The rehab.
That Moment That Annoyed Me – Moments Ford doesn’t hit the injury the way you believe.
Final Thoughts – This is a good drama that shows how injuries can affect lives, not just the person that is injured but the people close to them too.
Overall: Good Film which shows Ford in different light.
Steph Freeman (26 KP) rated It (2017) in Movies
Jan 4, 2018
IT was unique from the book and previous miniseries while still maintaining the story line. (2 more)
The kids were funny, and the personalities were similar to those in the book.
Bill Skarsgård played on the fluidity of Pennywise without forcing too much comparison to Tim Curry
Most of the movie was spent wondering how they were going to finish within the time frame. (1 more)
Henry Bowers and crew were much less prominent than in the book, this might be corrected during flashbacks in the second movie.
Contains spoilers, click to show
As a die hard Stephen King fan this book entered my consciousness at 14, before the mini-series which is unusual for my age group. I've devoured all 1400 pages of the novel at least 5 times in the last 20 years, and always felt the mini-series was "good for it's time".
This movie has delivered on the promise for more in a way that was amazing and over the top. Bill Skarsgård clearly did his homework on both Pennywise from the novel and Tim Curry's terrifying rendition. I loved his ability to show the infinite being's vulnerability and desire to be included, while at the same time showing it's ferocity and anger.
The special effects delivered what the promotional material promised, and sucked me right into the world of Derry without a second thought. I loved the references to the shed burning down, the refrigerator where Bowers suffocated the dog, and the phenomenal rendition of the Neibolt street house.
If the next movie is anything like the first it's worth seeing opening night. I look forward to seeing the Loser's Club as adults.
This movie has delivered on the promise for more in a way that was amazing and over the top. Bill Skarsgård clearly did his homework on both Pennywise from the novel and Tim Curry's terrifying rendition. I loved his ability to show the infinite being's vulnerability and desire to be included, while at the same time showing it's ferocity and anger.
The special effects delivered what the promotional material promised, and sucked me right into the world of Derry without a second thought. I loved the references to the shed burning down, the refrigerator where Bowers suffocated the dog, and the phenomenal rendition of the Neibolt street house.
If the next movie is anything like the first it's worth seeing opening night. I look forward to seeing the Loser's Club as adults.
Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
EasterBunnyKiller (31 KP) rated It: Chapter Two (2019) in Movies
Sep 16, 2019
Contains spoilers, click to show
Saw this before starting my shift the Saturday of opening weekend. I would have rated this higher if it hadn't hurt my fanboy feelings as much as it did, but I am of two minds about this movie.
Visually, it's stunning. The differences in the color palette between the teenage and adult version of the Losers Club and the tunnels beneath the house on Neibolt street was great, just like in the first movie. Andy Muschietti did a great job capturing the frenetic dread during the final conflict with Pennywise. The acting is great. And I'm very pleased at how effective the movie is with horror in the light, instead of relying o the dark for tension.
The dialogue is fun and Bill Hader knocked it out of the park. I enjoyed the departure from the source material in regard to the specifics of the final confrontation, which changed the specifics, but managed the retain the theme and feeling of the book's conclusion.
Now the bad:
At times, It: Chapter Two felt like a high concept comedy starring Bill Hader. Now I understand and appreciate the character of Ritchie and his wisecracking timbre, but at times, it felt a bit much and took me out of the tension of the story.
I wasn't a huge fan of some of the characterisations of the adult versions of the characters. Specifically, Eddie and Mike. For Mike, one would have thought that given the he is the entire reason the the Losers reunite, he would have had some kind of plan better than "get everyone together and hope that's enough." The way he tries to convince them all to stick around and fight It seems contrived, considering that the film very much moves away from the idea of Bill being the leader of the group.
As far as Eddie, I felt like it was a missed opportunity with regard to him facing his fears. In the novel, adult Eddie is still very much ruled by his own fears. It didn't feel like a very big moment for him to overcome his fear in the movie, because there is very little prove-up for his fearfulness as an adult.
There were certain things I wasn't very much of a fan of, like the abbreviated inclusion of Henry Bowers, and the decided lack of a cosmic Turtle, but all in all, it was an enjoyable movie, with a couple of legitimately creepy scenes on it.
Visually, it's stunning. The differences in the color palette between the teenage and adult version of the Losers Club and the tunnels beneath the house on Neibolt street was great, just like in the first movie. Andy Muschietti did a great job capturing the frenetic dread during the final conflict with Pennywise. The acting is great. And I'm very pleased at how effective the movie is with horror in the light, instead of relying o the dark for tension.
The dialogue is fun and Bill Hader knocked it out of the park. I enjoyed the departure from the source material in regard to the specifics of the final confrontation, which changed the specifics, but managed the retain the theme and feeling of the book's conclusion.
Now the bad:
At times, It: Chapter Two felt like a high concept comedy starring Bill Hader. Now I understand and appreciate the character of Ritchie and his wisecracking timbre, but at times, it felt a bit much and took me out of the tension of the story.
I wasn't a huge fan of some of the characterisations of the adult versions of the characters. Specifically, Eddie and Mike. For Mike, one would have thought that given the he is the entire reason the the Losers reunite, he would have had some kind of plan better than "get everyone together and hope that's enough." The way he tries to convince them all to stick around and fight It seems contrived, considering that the film very much moves away from the idea of Bill being the leader of the group.
As far as Eddie, I felt like it was a missed opportunity with regard to him facing his fears. In the novel, adult Eddie is still very much ruled by his own fears. It didn't feel like a very big moment for him to overcome his fear in the movie, because there is very little prove-up for his fearfulness as an adult.
There were certain things I wasn't very much of a fan of, like the abbreviated inclusion of Henry Bowers, and the decided lack of a cosmic Turtle, but all in all, it was an enjoyable movie, with a couple of legitimately creepy scenes on it.
Phil Leader (619 KP) rated Grey Areas - The Saga (Books 1-4) in Books
Nov 14, 2019
The Grey Areas saga encompasses 4 books - each pretty long in themselves - which can be read separately or all in one go, as each follows directly from the last.
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
Acanthea Grimscythe (300 KP) rated It in Books
May 16, 2018
As seen first on <a href="http://theghastlygrimoire.com/"; target="_new"><i>The Ghastly Grimoire</i></a>.
If you're looking for an absolute tome of horror to read, It by Stephen King definitely fits that bill. I still prefer The Stand over this book, though. Wrought with the horrific trials visited upon children in the town of Derry, Maine, readers learn to love and loathe an extremely wide range of characters. While much of this book is entertaining, there are a few things I simply cannot condone.
There's a few scenes in here that are sexually graphic. This isn't uncommon in the horror market, and normally doesn't bother me. Only, I made the mistake of laughing off one of my ex's remarks regarding pre-pubescent intercourse and circle-jerking. I'm throwing that out there, in case it's something my readers wish to steer clear of. Not only that, but... Let's just say I prefer the movie's approach to Bev not being afraid, to the actual... what happened in the book, and we'll leave it at that. I cannot stomach some of the scenes of this book, not because they are terrifying, but because they are downright wrong, disgusting, and rather unnecessary.
That rant aside, this massive tome tells two stories alongside one another: the past and present battles with Pennywise the Dancing Clown mingle and cross between one another and, perhaps because I was listening to the audiobook (a whopping 45 hour track, if we're rounding), this made it difficult for me to keep the two straight. In fact, I had to rewind now and then to make sure I was hearing things properly (i.e. aforementioned rant). I've said it before, and I'll say it again: alternating time periods in this manner between the same characters in a story is maddeningly distracting for me.
King's character depth will always astound me. He makes even the briefest characters of his books memorable, giving them a backstory that is fully developed. There are several times he managed to goad emotions out of me that I didn't want to feel, and I love that. Ben Hanscom is by far my favorite, perhaps because in many ways, we share similar childhoods. Parents that care, the bullies, the blossoming from pre-pubescent torture - though the entire Loser's Club endured this, I feel Hanscom had it worst. Not counting Eddie's run in with Henry. His heartfelt devotion for Bev is mesmerizing, and I can only hope they had their happy-ending.
Which... is heartbreaking, in its own right. While I have no doubt there are many things about the sewers of Derry that would be horrible to live with for the rest of your life, can you imagine forgetting chunks of your life, of your past? It has to be absolutely disorienting, and readers can feel it in the conclusion of Bill and Audra's future. They'll never know the incident that happened, nor will they remember their childhood friends whom they loved.
On a brighter note, Steven Weber, the narrator for several of King's books, puts on a dazzling performance in It. He's easily carried away now and then, and it's nice to have a reader that is truly invested into the material he's recording. Weber earns a spot right next to Amanda Dolan as one of my all-time favorite narrators and this production is amazing.
Reluctantly, I have compromised with myself to give this a mid-grade rating. I am a tough critic, and this is something that has caused disagreements between myself and other readers, but in the end, there are elements of this book I simply cannot accept, no matter whose hand wrote them.
Fun fact: My fear of clowns began when I was eight years old and witnessed Tim Curry's Pennywise. It ended with Bill Skarsgard's.
If you're looking for an absolute tome of horror to read, It by Stephen King definitely fits that bill. I still prefer The Stand over this book, though. Wrought with the horrific trials visited upon children in the town of Derry, Maine, readers learn to love and loathe an extremely wide range of characters. While much of this book is entertaining, there are a few things I simply cannot condone.
There's a few scenes in here that are sexually graphic. This isn't uncommon in the horror market, and normally doesn't bother me. Only, I made the mistake of laughing off one of my ex's remarks regarding pre-pubescent intercourse and circle-jerking. I'm throwing that out there, in case it's something my readers wish to steer clear of. Not only that, but... Let's just say I prefer the movie's approach to Bev not being afraid, to the actual... what happened in the book, and we'll leave it at that. I cannot stomach some of the scenes of this book, not because they are terrifying, but because they are downright wrong, disgusting, and rather unnecessary.
That rant aside, this massive tome tells two stories alongside one another: the past and present battles with Pennywise the Dancing Clown mingle and cross between one another and, perhaps because I was listening to the audiobook (a whopping 45 hour track, if we're rounding), this made it difficult for me to keep the two straight. In fact, I had to rewind now and then to make sure I was hearing things properly (i.e. aforementioned rant). I've said it before, and I'll say it again: alternating time periods in this manner between the same characters in a story is maddeningly distracting for me.
King's character depth will always astound me. He makes even the briefest characters of his books memorable, giving them a backstory that is fully developed. There are several times he managed to goad emotions out of me that I didn't want to feel, and I love that. Ben Hanscom is by far my favorite, perhaps because in many ways, we share similar childhoods. Parents that care, the bullies, the blossoming from pre-pubescent torture - though the entire Loser's Club endured this, I feel Hanscom had it worst. Not counting Eddie's run in with Henry. His heartfelt devotion for Bev is mesmerizing, and I can only hope they had their happy-ending.
Which... is heartbreaking, in its own right. While I have no doubt there are many things about the sewers of Derry that would be horrible to live with for the rest of your life, can you imagine forgetting chunks of your life, of your past? It has to be absolutely disorienting, and readers can feel it in the conclusion of Bill and Audra's future. They'll never know the incident that happened, nor will they remember their childhood friends whom they loved.
On a brighter note, Steven Weber, the narrator for several of King's books, puts on a dazzling performance in It. He's easily carried away now and then, and it's nice to have a reader that is truly invested into the material he's recording. Weber earns a spot right next to Amanda Dolan as one of my all-time favorite narrators and this production is amazing.
Reluctantly, I have compromised with myself to give this a mid-grade rating. I am a tough critic, and this is something that has caused disagreements between myself and other readers, but in the end, there are elements of this book I simply cannot accept, no matter whose hand wrote them.
Fun fact: My fear of clowns began when I was eight years old and witnessed Tim Curry's Pennywise. It ended with Bill Skarsgard's.
BankofMarquis (1832 KP) rated The French Dispatch (2021) in Movies
Jan 4, 2022
Weak Stories Can't Support the STUNNING Visuals
Filmmaker Wes Anderson is an acquired taste. He is one of the most visually stunning filmmakers working today, but his films are often time difficult to grasp and can get lost in their own weirdness.
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Execution is the sixth book set in Elizabethan world of Giordano Bruno. I have read the first book in this series, so it was definitely on my radar, but as so often happens with me, I got distracted by other books 🤯
The fact that I haven’t (yet) read books 2-5 has made no difference at all to my great reading enjoyment, so this can be read as a one off (but why would you do that? Books 1 and 6 are fab, so I’ll be reading books 2-5 without a doubt).
Bruno is working undercover for Elizabeth I’s spymaster, Francis Walsingham, and they hope to stop what becomes known as The Babington Plot - a plot to kill Elizabeth I, break Mary Queen of Scots out of prison and put her on England’s throne instead. This is all about Elizabeth’s claim to be queen. Henry VIII has disowned her as illegitimate when Anne was beheaded, and she was a Protestant to boot! Babington and his crew are staunch catholics, and they want a catholic on the throne. Mary fits the bill.
Francis Walsingham is desperate to find an excuse to dispose of Mary, and Babington is providing the goods. There is a secret letter exchange going on between the plotters and that Walsingham knows about, but he needs to catch them in the act - and he needs to ensure that Mary implicates herself completely.
This is all historical fact, as is Bruno’s existence, and I think that’s what puts the icing on the cake for me. I love historical fiction that brings real characters to life on the page. Bruno is a great character - he’s intelligent, funny and emotional. Basically, he’s a great character to build a story around.
So much research must have gone in to this book, and I really appreciate that. The side characters add couloir and substance to the whole story.
Many thanks to The Pigeonhole for serialising this book, and I’ve now given myself the rather enjoyable task of catching up with Bruno!
The fact that I haven’t (yet) read books 2-5 has made no difference at all to my great reading enjoyment, so this can be read as a one off (but why would you do that? Books 1 and 6 are fab, so I’ll be reading books 2-5 without a doubt).
Bruno is working undercover for Elizabeth I’s spymaster, Francis Walsingham, and they hope to stop what becomes known as The Babington Plot - a plot to kill Elizabeth I, break Mary Queen of Scots out of prison and put her on England’s throne instead. This is all about Elizabeth’s claim to be queen. Henry VIII has disowned her as illegitimate when Anne was beheaded, and she was a Protestant to boot! Babington and his crew are staunch catholics, and they want a catholic on the throne. Mary fits the bill.
Francis Walsingham is desperate to find an excuse to dispose of Mary, and Babington is providing the goods. There is a secret letter exchange going on between the plotters and that Walsingham knows about, but he needs to catch them in the act - and he needs to ensure that Mary implicates herself completely.
This is all historical fact, as is Bruno’s existence, and I think that’s what puts the icing on the cake for me. I love historical fiction that brings real characters to life on the page. Bruno is a great character - he’s intelligent, funny and emotional. Basically, he’s a great character to build a story around.
So much research must have gone in to this book, and I really appreciate that. The side characters add couloir and substance to the whole story.
Many thanks to The Pigeonhole for serialising this book, and I’ve now given myself the rather enjoyable task of catching up with Bruno!
Gareth von Kallenbach (980 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
I’ve always been a fan of Stephen King movies, even some of those that were not particularly good or well received. For someone who is a fan you think that would inspire me to pick up at least one of his books to get a feel for what the author truly intended over the stripped down,
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
Gareth von Kallenbach (980 KP) rated Slither (2006) in Movies
Aug 14, 2019
Mixing elements of The Blob, The Fly, Invasion of the Body Snatchers, Night of the Creeps and countless other horror films, the new Horror/Comedy Slither has oozed its way into theaters with a mix that will likely delight hardcore horror fans.
The film is set in a small southern town and features the usual mix of horror film stereotypes. There is the Chief of Police named Bill Pardy (Nathan Fillon) who watched over the sleepy town while secretly holding a torch for the lovely Starla Grant (Elizabeth Banks). The only issue is Starla’s older husband Grant (Michael Rooker), who is not only a very prosperous man, but took Starla in when she was younger and provided for her.
Of course there are also the stock characters of the loud and obnoxious Mayor of the town (Gregg Henry), who is more trouble than he is good and spouts a string of profanity and insensitive remarks that would make a Drill Instructor blush. Add to the mix the various assortments of yokels, deputies and towns folk, and you have a setting ripe for invasion.
The invasion arrives in the form of a meteor that breaks apart in the atmosphere save for a small segment that lands harmlessly in the woods. Unfortunately, an organism has hitched a ride on the meteor and in short order a parasitic organism has infected Grant causing him to exhibit odd behavior and have a ravenous desire for large amounts of meat in all forms.
Despite the changes, Grant still has his eye firmly on his wife and as the changes become more and more radical, he becomes even more fixated upon his wife.
Eventually Grant’s odd behavior and ongoing transformation has him on the run from the authorities who organize a manhunt to bring him in and end the carnage in his path.
Naturally things do not go as planned as before long there are hordes of slug like creatures unleashed upon the town whose entire purpose is to infect the town making zombies out of all who are infected.
As if all of this was not bad enough, Bill must figure out how to protect those uninfected people as well as search for a way to end the devastation at all cost.
Slither is a film that strives to blend horror and comedy but seems better suited to be a comedic send up of the horror genre. Unlike the “Scary Movie” series, it does not come in as a parody but rather presents itself as a horror film, yet one that seems devoid of any real suspense or frights. There is plenty of gore, violence, and other mayhem in the film, but at my advanced screenings the vast majority of the film garnered laughs from the audience rather than shrieks.
Since there were several segments of the film that were obviously intended to create laughs such as the zombie family trying to coax their uninfected daughter out of hiding by proclaiming she is missing out on family fun day, and a very gory, yet humorous outcome for a yokel who decides to stand down a very infected Grant armed only with a pistol.
James Gunn who did such a good job with the “Dawn of the Dead” lets it all out as writer and Director for Slither, but seems unsure if he is trying to make a comedy or a horror film with comedic elements. To me the film works best as a comedy as the over simplified resolution combined with the strained performances and simple plot as well as the genuine lack of any suspense or scares seriously undermined this film for me as a horror film.
That being said, if you look at the film as a gross out comedy set amidst a generic horror backdrop where the plot, acting, and other pitfalls were designed elements, then the film works.
If you are looking for a bad horror movie with some funny moments, than Slither may indeed be your thing, as it is either a very bad horror film, or one of the best satirical tributes of the genre to date. I choose to pick the latter.
The film is set in a small southern town and features the usual mix of horror film stereotypes. There is the Chief of Police named Bill Pardy (Nathan Fillon) who watched over the sleepy town while secretly holding a torch for the lovely Starla Grant (Elizabeth Banks). The only issue is Starla’s older husband Grant (Michael Rooker), who is not only a very prosperous man, but took Starla in when she was younger and provided for her.
Of course there are also the stock characters of the loud and obnoxious Mayor of the town (Gregg Henry), who is more trouble than he is good and spouts a string of profanity and insensitive remarks that would make a Drill Instructor blush. Add to the mix the various assortments of yokels, deputies and towns folk, and you have a setting ripe for invasion.
The invasion arrives in the form of a meteor that breaks apart in the atmosphere save for a small segment that lands harmlessly in the woods. Unfortunately, an organism has hitched a ride on the meteor and in short order a parasitic organism has infected Grant causing him to exhibit odd behavior and have a ravenous desire for large amounts of meat in all forms.
Despite the changes, Grant still has his eye firmly on his wife and as the changes become more and more radical, he becomes even more fixated upon his wife.
Eventually Grant’s odd behavior and ongoing transformation has him on the run from the authorities who organize a manhunt to bring him in and end the carnage in his path.
Naturally things do not go as planned as before long there are hordes of slug like creatures unleashed upon the town whose entire purpose is to infect the town making zombies out of all who are infected.
As if all of this was not bad enough, Bill must figure out how to protect those uninfected people as well as search for a way to end the devastation at all cost.
Slither is a film that strives to blend horror and comedy but seems better suited to be a comedic send up of the horror genre. Unlike the “Scary Movie” series, it does not come in as a parody but rather presents itself as a horror film, yet one that seems devoid of any real suspense or frights. There is plenty of gore, violence, and other mayhem in the film, but at my advanced screenings the vast majority of the film garnered laughs from the audience rather than shrieks.
Since there were several segments of the film that were obviously intended to create laughs such as the zombie family trying to coax their uninfected daughter out of hiding by proclaiming she is missing out on family fun day, and a very gory, yet humorous outcome for a yokel who decides to stand down a very infected Grant armed only with a pistol.
James Gunn who did such a good job with the “Dawn of the Dead” lets it all out as writer and Director for Slither, but seems unsure if he is trying to make a comedy or a horror film with comedic elements. To me the film works best as a comedy as the over simplified resolution combined with the strained performances and simple plot as well as the genuine lack of any suspense or scares seriously undermined this film for me as a horror film.
That being said, if you look at the film as a gross out comedy set amidst a generic horror backdrop where the plot, acting, and other pitfalls were designed elements, then the film works.
If you are looking for a bad horror movie with some funny moments, than Slither may indeed be your thing, as it is either a very bad horror film, or one of the best satirical tributes of the genre to date. I choose to pick the latter.