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Blazing Minds (89 KP) rated Here Today (2021) in Movies
Oct 29, 2021 (Updated Nov 2, 2021)
Here Today starring and directed by Billy Crystal, this is a film that I had heard people mention but to be honest, wasn’t sure about the story other than what I had read from the synopsis.
Written by Billy Crystal and Alan Zweibel the story is a touching one, the film is also directed by Crystal and I have to say I really enjoy his directing work as well as his acting.
Maybe not a movie for the action junkies, but if like me you like the occasional movie that touches the heartstrings then Here Today is certainly that movie, it’s not everyone’s cup of tea but I really enjoyed it.
Written by Billy Crystal and Alan Zweibel the story is a touching one, the film is also directed by Crystal and I have to say I really enjoy his directing work as well as his acting.
Maybe not a movie for the action junkies, but if like me you like the occasional movie that touches the heartstrings then Here Today is certainly that movie, it’s not everyone’s cup of tea but I really enjoyed it.
Robz H (21 KP) rated Howl's Moving Castle (2004) in Movies
May 24, 2017
Audio available in original Japanese, but also a magnificent English dub (3 more)
An excellent adaption of a brilliant book
The music. Oh my beating heart.
English dub specific: you CANNOT go wrong with Billy Crystal.
IMO: The very best of Studio Ghibli.
Such a delightful movie. Everything about it makes me happy, or content, or understanding of the world, or takes the edge off whatever is bothering me IRL.
Suswatibasu (1701 KP) rated Monsters, Inc. (2001) in Movies
Aug 12, 2017
Literally one of my favourite Disney Pixar films
I find Monsters Inc to be on par with Toy Story. Such a heartfelt story of an almost father - daughter relationship between Sully and Boo, unlike most Disney films where there is a love interest. The voices from Billy Crystal and John Goodman are genius and the ending still makes me shed a happy tear. And I actually watched it from the beginning again straight after seeing it for the first time.
AquaWoman (37 KP) rated The Princess Bride (1987) in Movies
Jun 11, 2019
Phenomenal Casting (2 more)
Terrific writing
Great scenery
Epic Adventure Awaits!
My favorite movie of all time. I have seen this movie over a million times it seems. I can never get enough. The chemistry between Mandy Patinkin, Andre the Giant and Shawn Wallace is amazing. Billy Crystal is Miracle Max, adlibbing his way through the movie is total genius. Who wouldn't love an adorable blonde pirate played by Cary Elwes and Buttercup played by Robin Wright, in her first movie role. This is a not to be missed movie. Fun for all ages.
Sarah (7798 KP) rated When Harry Met Sally (1989) in Movies
Feb 15, 2018
My all time favourite rom-com
As rom-coms go, you really can't beat the classics. When Harry Met Sally is an absolute gem of a rom-com, and to date I still haven't see anything that can really compete.
There's chemistry between Meg Ryan and Billy Crystal and you really believe in their characters, who are endearing but not entirely faultless. It's very funny without being crude or ridiculous, and the romantic side is sweet and believable, without being too sickly and cheesy. Harry also delivers my favourite romantic line from any film, and for that alone I can't help but love this film.
There's chemistry between Meg Ryan and Billy Crystal and you really believe in their characters, who are endearing but not entirely faultless. It's very funny without being crude or ridiculous, and the romantic side is sweet and believable, without being too sickly and cheesy. Harry also delivers my favourite romantic line from any film, and for that alone I can't help but love this film.
Gareth von Kallenbach (962 KP) rated Futurama: Bender's Game (2008) in Movies
Aug 14, 2019
The third of the straight to DVD Futurama movies, “Futurama: Bender’s Game” has arrived and continues the winning formula of the television series and two previous films.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
LeftSideCut (3778 KP) rated Seed of Chucky (2004) in Movies
Nov 26, 2019 (Updated Jan 7, 2020)
What even is this film!?
Seed of Chucky is the fifth in the Child's Play series, and definitely is the peak of absurdity in this particular franchise.
After writing the first four, Don Mancini steps behind the camera for the first time to direct this entry, and it's crystal clear he wanted to take it into comedic territory, and honestly, it works for the most part.
A lot of Seed is so ridiculous, you can't help but laugh.
Chucky plans to transfer his soul into Redman of all people, Britney Spears gets blown up, there's a live ventriloquist competition that looks more jumping than a metal concert, there's a member of S Club 7 in it, Jennifer Tilly, John Waters, Redman, and Jason Flemyng (because why the hell not) all play themselves - I could go on.
Jennifer Tilly especially deserves credit, as her willingness to poke fun at herself is a big part of what makes this film fun.
Billy Boyd voices Glen/Glenda, the spawn of Chucky, and that's also just ridiculous as it sounds.
Seed has some genuinely nice gore effects going on but as a horror film, it's rubbish. Nothing scary happens at all. But as an all out, stupid comedy with horror leanings, it hard not to like.
I love the more unsettling Chucky of the first two movies, and would take him over the quippy Chucky of the later movies - a huge reason why I didn't care much for Bride of Chucky - but when it's this over the top, I can get on board without too much fuss.
After writing the first four, Don Mancini steps behind the camera for the first time to direct this entry, and it's crystal clear he wanted to take it into comedic territory, and honestly, it works for the most part.
A lot of Seed is so ridiculous, you can't help but laugh.
Chucky plans to transfer his soul into Redman of all people, Britney Spears gets blown up, there's a live ventriloquist competition that looks more jumping than a metal concert, there's a member of S Club 7 in it, Jennifer Tilly, John Waters, Redman, and Jason Flemyng (because why the hell not) all play themselves - I could go on.
Jennifer Tilly especially deserves credit, as her willingness to poke fun at herself is a big part of what makes this film fun.
Billy Boyd voices Glen/Glenda, the spawn of Chucky, and that's also just ridiculous as it sounds.
Seed has some genuinely nice gore effects going on but as a horror film, it's rubbish. Nothing scary happens at all. But as an all out, stupid comedy with horror leanings, it hard not to like.
I love the more unsettling Chucky of the first two movies, and would take him over the quippy Chucky of the later movies - a huge reason why I didn't care much for Bride of Chucky - but when it's this over the top, I can get on board without too much fuss.
Gareth von Kallenbach (962 KP) rated Monsters University (2013) in Movies
Aug 7, 2019
Monsters University brings Billy Crystal, John Goodman, and the whole gang back in what I can only describe as a huge win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
BankofMarquis (1832 KP) rated Onward (2020) in Movies
Mar 25, 2020
Fun...but..."lesser" PIxar
I am a big fan of the PIXAR films. I am a big fan of Chris Pratt and Tom Holland. I am a big fan of Fantasy films (wizards, elves, dwarves and so on...) So when I heard there was going to be a Pixar flick featuring the voice talents of Pratt and Holland about characters in a Fantasy world, I was excited to check it out.
I should have lowered my expectations.
Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.
Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.
It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.
You get the drift.
I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.
Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).
I would put ONWARD in the LESSER category.
Letter Grade: B (even a "lesser" Pixar film is still above average)
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
I should have lowered my expectations.
Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.
Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.
It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.
You get the drift.
I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.
Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).
I would put ONWARD in the LESSER category.
Letter Grade: B (even a "lesser" Pixar film is still above average)
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (962 KP) rated Parental Guidance (2012) in Movies
Aug 7, 2019
I don’t really know where to start with this review. I guess I’ll start with what I’m expecting to see when I see a preview. I’m really bad at assuming I know what’s going to happen. Sometimes I’m right, happily sometimes I’m wrong, and then there are times, like with this movie, where it’s half and half.
The movie starts out with Artie Decker (Billy Crystal) as ‘de voice’ of his local Grizzlies’ baseball team. He’s really good at commentating and he loves doing it but after the last game of the season he gets fired. It’s predictable why he’s fired, basically he doesn’t poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. He’s lost for a moment since he wasn’t ready to stop but then decides he should chase his dream to commentate for the Giants though he doesn’t know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Diane’s daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that it’s actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Phil’s dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artie’s old school, tough love and strict rules. They use phrases like ‘use your words’ or if you give a ‘put down’ you have to give ‘three ups’ and you can’t use the word ‘no’ you have to say ‘think about the consequences’.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids don’t really like. Long story short, it’s supposed to be about being open to new ideas but it just feels like old school versus new school. Billy’s Crystal’s comedy and Bette Middler’s and Marisa Tomei’s acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but that’s about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. It’s a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really can’t do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.
The movie starts out with Artie Decker (Billy Crystal) as ‘de voice’ of his local Grizzlies’ baseball team. He’s really good at commentating and he loves doing it but after the last game of the season he gets fired. It’s predictable why he’s fired, basically he doesn’t poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. He’s lost for a moment since he wasn’t ready to stop but then decides he should chase his dream to commentate for the Giants though he doesn’t know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Diane’s daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that it’s actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Phil’s dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artie’s old school, tough love and strict rules. They use phrases like ‘use your words’ or if you give a ‘put down’ you have to give ‘three ups’ and you can’t use the word ‘no’ you have to say ‘think about the consequences’.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids don’t really like. Long story short, it’s supposed to be about being open to new ideas but it just feels like old school versus new school. Billy’s Crystal’s comedy and Bette Middler’s and Marisa Tomei’s acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but that’s about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. It’s a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really can’t do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.