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Matthew Krueger (10051 KP) rated 300 (2007) in Movies
Jan 5, 2021
This is Sparta
300- is a excellent film. Zack Snyder did a excellent job with this film. This was his 2nd film he did and it really put him on the map, cause after this he did "Watchman" and "Man of Steel". His remake of "Dawn of the Dead" was excellent. 300 has excellent visuals, gory, vengeances and epicnest. Gerald Bulter does a excellent job in this.
The plot: In 480 B.C. a state of war exists between Persia, led by King Xerxes (Rodrigo Santoro), and Greece. At the Battle of Thermopylae, Leonidas (Gerard Butler), king of the Greek city state of Sparta, leads his badly outnumbered warriors against the massive Persian army. Though certain death awaits the Spartans, their sacrifice inspires all of Greece to unite against their common enemy.
The film is a shot-for-shot adaptation of the comic book, similar to the film adaptation of Sin City.
Its a excellent movie and a must see.
The plot: In 480 B.C. a state of war exists between Persia, led by King Xerxes (Rodrigo Santoro), and Greece. At the Battle of Thermopylae, Leonidas (Gerard Butler), king of the Greek city state of Sparta, leads his badly outnumbered warriors against the massive Persian army. Though certain death awaits the Spartans, their sacrifice inspires all of Greece to unite against their common enemy.
The film is a shot-for-shot adaptation of the comic book, similar to the film adaptation of Sin City.
Its a excellent movie and a must see.
David McK (3770 KP) rated Sharpe's Honour in TV
Nov 14, 2021 (Updated Nov 14, 2021)
The fifth episode in the TV adaptations of the novels by Bernard Cornwell (which are well worth a read), based on the book of the same name.
I say 'based on' as, because while the main thrust of the storyline is the same, the TV movie of necessity abbreviates the novel somewhat: most noticeably (I felt) watering down quite substantially the role of El Matarife in the proceedings.
As this starts, Sharpe is still mourning the death of his wife Teresa, while Napoleon - in his first appearance in the series - is in retreat from Russia, and with Major Pierre Ducos hatching a plan to drive a wedge between the Spanish and British allies while also getting his revenge on Sharpe by provoking a duel between Sharpe and a Spanish nobleman who he (Ducos) later murders, with Sharpe then taking the rap for said murder (until he is later able to prove his innocence).
I say 'based on' as, because while the main thrust of the storyline is the same, the TV movie of necessity abbreviates the novel somewhat: most noticeably (I felt) watering down quite substantially the role of El Matarife in the proceedings.
As this starts, Sharpe is still mourning the death of his wife Teresa, while Napoleon - in his first appearance in the series - is in retreat from Russia, and with Major Pierre Ducos hatching a plan to drive a wedge between the Spanish and British allies while also getting his revenge on Sharpe by provoking a duel between Sharpe and a Spanish nobleman who he (Ducos) later murders, with Sharpe then taking the rap for said murder (until he is later able to prove his innocence).
Mark @ Carstairs Considers (2532 KP) rated Silent as the Grave in Books
Mar 13, 2025
Mayhem Behind the Scenes of Silent Pictures
When Molly visits her friends Ryan O’ Hara on the set of an early silent movie, her adopted daughter Bridie winds up getting discovered and cast in the lead. So Molly starts spending time on the set herself, where she sees some suspicious accidents. But when one hits very close to home, Molly starts investigating. Can she find proof of sabotage before someone dies?
I’ve always appreciated that this series has given us glimpses into many different worlds of 1900’s New York City. As a fan of movies, this setting was very fun. Having said that, the pacing was really off here, which was disappointing. The climax is satisfying, however. I enjoy spending time with the characters, although some growth would be nice. I did feel transported to the time period as I read. Fans of the series will appreciate time with the characters even if this isn’t the strongest book in the series.
I’ve always appreciated that this series has given us glimpses into many different worlds of 1900’s New York City. As a fan of movies, this setting was very fun. Having said that, the pacing was really off here, which was disappointing. The climax is satisfying, however. I enjoy spending time with the characters, although some growth would be nice. I did feel transported to the time period as I read. Fans of the series will appreciate time with the characters even if this isn’t the strongest book in the series.
Matthew Krueger (10051 KP) rated Doctor Sleep (2019) in Movies
Nov 11, 2019 (Updated Nov 12, 2019)
39 Years Later: Redrum aka Murder
Doctor Sleep- if you dont know is the sequel to the shining. I have been waiting for this movie to come out ever since it got announced. I read the book over two years again and i loved it. I didnt even know their was a sequel to the shining until i read the book. The book is phenomenal, it is acutally my first stephen king novel that i read and finshed, so to say at less, i was hyped and very anticpated, so what did i think. I thought it was good. I liked it alot.
Ewan McGregor was a perfect cast for Danny Torrance and Rebecca Ferguson was excellent as Rose The Hat and newcomer actress Kyliegh Curran was great as Abra Stone. Mike Flanagan was amazing choice for the dirctor. I liked his other movies that he directed and also loved The Haunting of Hill House which he created and directed.
The Recreated sences from the oringal film was intresting, i liked it not to bad. The hotel looks the same, old, crooked, haunted, scary, horrorfying and terrorfying. The replacements for Dick Hallorann, young Danny, Wendy and Llyod/Jack were intresting. I really liked the actress who played Wendy. As for Dick, i liked the actor who played him. As for young Danny he was good and Llyod/Jack the actor who played him was okay/bad, he just did a impression of Jack Nichoslon and looked like a young Jack Nicolson.
This is intresting, i just found this out: Danny Lloyd, who played Danny Torrance in The Shining, makes a cameo appearance as Bradley Trevor's father. Lloyd had been retired from acting for roughly 38 years, and was direct-messaged on Twitter by Flanagan to appear in the film. Producer Trevor Macy said of Lloyd's involvement, "[Lloyd] was excited to do [the cameo]. He hadn't acted since [the original]. He's a schoolteacher, and a very successful one at that, [who] like[s] making the world better. He came back for a day, and we were thrilled to have him." When pressed as to why the filmmakers did not extend the same offer to Jack Nicholson, Macy responded, "With Jack, I knew that they approached him for Ready Player One, and that he seems to be very serious about being retired. I had known that he was supportive [of the sequel] but retired." Flanagan admitted, "I didn't know how that would really work. Even if he were to come back, if he were appearing as a different character, I thought that would set people's hair on fire. He was absolutely a presence on set, though, whether he knew it or not."
So thats intresting. I would of loved to see Jack Nichloson come out of retirement and play old Jack Torrance.
Doctor Sleep was a great/excellent sequel to the shining and what Mike Flanagan did was perfect he toke elements from Stanley Kubrick's film and made it his own. The cast is great, the story is great, the hotel is great.
If you havent seen the shining than watch it and read it. If you havent seen this movie, than go watch it and read it.
Ewan McGregor was a perfect cast for Danny Torrance and Rebecca Ferguson was excellent as Rose The Hat and newcomer actress Kyliegh Curran was great as Abra Stone. Mike Flanagan was amazing choice for the dirctor. I liked his other movies that he directed and also loved The Haunting of Hill House which he created and directed.
The Recreated sences from the oringal film was intresting, i liked it not to bad. The hotel looks the same, old, crooked, haunted, scary, horrorfying and terrorfying. The replacements for Dick Hallorann, young Danny, Wendy and Llyod/Jack were intresting. I really liked the actress who played Wendy. As for Dick, i liked the actor who played him. As for young Danny he was good and Llyod/Jack the actor who played him was okay/bad, he just did a impression of Jack Nichoslon and looked like a young Jack Nicolson.
This is intresting, i just found this out: Danny Lloyd, who played Danny Torrance in The Shining, makes a cameo appearance as Bradley Trevor's father. Lloyd had been retired from acting for roughly 38 years, and was direct-messaged on Twitter by Flanagan to appear in the film. Producer Trevor Macy said of Lloyd's involvement, "[Lloyd] was excited to do [the cameo]. He hadn't acted since [the original]. He's a schoolteacher, and a very successful one at that, [who] like[s] making the world better. He came back for a day, and we were thrilled to have him." When pressed as to why the filmmakers did not extend the same offer to Jack Nicholson, Macy responded, "With Jack, I knew that they approached him for Ready Player One, and that he seems to be very serious about being retired. I had known that he was supportive [of the sequel] but retired." Flanagan admitted, "I didn't know how that would really work. Even if he were to come back, if he were appearing as a different character, I thought that would set people's hair on fire. He was absolutely a presence on set, though, whether he knew it or not."
So thats intresting. I would of loved to see Jack Nichloson come out of retirement and play old Jack Torrance.
Doctor Sleep was a great/excellent sequel to the shining and what Mike Flanagan did was perfect he toke elements from Stanley Kubrick's film and made it his own. The cast is great, the story is great, the hotel is great.
If you havent seen the shining than watch it and read it. If you havent seen this movie, than go watch it and read it.
Film tie-in
I received this book for free through Goodreads First Reads.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
My rating: 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Nominated for an Oscar, BAFTA and Golden Globe, <i>Trumbo</i> is a recent film based on the original biography <i>Dalton Trumbo</i> written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as <i>Papillon, Lonely Are The Brave</i> and <i>Roman Holiday</i> as well as author of the novel <i>Johnny Got His Gun</i>. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of <i>Trumbo</i> contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
<i>Trumbo</i> is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
<i>I received this book for free through Goodreads First Reads.</i>
Nominated for an Oscar, BAFTA and Golden Globe, <i>Trumbo</i> is a recent film based on the original biography <i>Dalton Trumbo</i> written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as <i>Papillon, Lonely Are The Brave</i> and <i>Roman Holiday</i> as well as author of the novel <i>Johnny Got His Gun</i>. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of <i>Trumbo</i> contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
<i>Trumbo</i> is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
LaBMaC (116 KP) rated Brain on Fire (2016) in Movies
Aug 3, 2019
Highlights the real life presentation of anti-NMDA receptor encephalitis (2 more)
Engaging and emotive plot
Highlights issues surrounding misdiagnosis and psychiatric incarceration
Contains spoilers, click to show
This movie is unsettling as it is based on a true story, told in the book of the same name by Suzannah Cahalan.
A healthy young woman in her early 20's suddenly and inexplicably withdraws from life. As her personality is destroyed as is much of her life. The illness begins with sensory sensitivity and confusion and ends in catatonia.
When watching it I found myself trying to figure out what exactly what could make someone act like this. Epilepsy, stress, schizophrenia, mental breakdown. The diagnosis was none of these and it reminds the viewer that the brain is a complex and vulnerable entity that could fail in numerous ways.
A healthy young woman in her early 20's suddenly and inexplicably withdraws from life. As her personality is destroyed as is much of her life. The illness begins with sensory sensitivity and confusion and ends in catatonia.
When watching it I found myself trying to figure out what exactly what could make someone act like this. Epilepsy, stress, schizophrenia, mental breakdown. The diagnosis was none of these and it reminds the viewer that the brain is a complex and vulnerable entity that could fail in numerous ways.
Brain on Fire (2016)
8.2
Rate It
Movie Watch
Based on the true story of Susannah Cahalan and her book by the same name, this movie follows a 21...
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Veronica Pena (690 KP) rated Call Me by Your Name (2017) in Movies
Jan 19, 2020
I think this film is wonderfully made. I love the story, the characters, the plot, the setting, all of it. I almost wish they didn't set it in time though. It's supposed to be 1983, but what I loved so much about the book is how timeless the story felt. It didn't feel like it belonged to any one decade, it felt like something that could withstand the tests of time and I wish they would've let that play in the movie too.
I love Timothée Chalamet as Elio so much, I think he's perfect. I loved Armie Hammer as Oliver too, there were some points, though, where he definitely seemed older than 24. I loved their chemistry, I think it's obvious that they got along and they had a lot of trust in one another. My favorite character though is Mr. Pearlman. I love his love for Elio and the way that he talks to him, especially after Oliver leaves and he sees that Elio is so obviously heartbroken. I love that he is just accepting and loves him unconditionally but also pushes him to not run from his feelings and to allow them to wash over him. I hope to be that kind of parent when I have kids.
I think this is the type of film that the LGBTQ+ community has been asking for for so long. I love coming out stories and coming of age stories as much as the next person but the stories where it's just comfortable and it's already there and there isn't any need for them to question who they are, those stories are important too. I don't know that this film entirely fits that box, but I think it fits more into that one than the coming of age type. I don't think Elio ever questioned whether or not he liked boys, I think he just questioned whether or not he should if that makes any sense.
I would've loved to see some scenes in the book make it to the screen, but I know that that isn't always possible. Additionally, the only other downside to this film in it's comparison to the book is that the book is written from Elio's perspective so you get all his thoughts and his loves and his assumptions about Oliver as he falls for him and you can only portray so much of that on film without a narration of sorts and if they did that, it would just take away from the story and the things that aren't said.
Lastly, a random side note, in this film, Timothée reminds me a lot of Shia LaBeouf. I have absolutely no idea why, but he does. I wonder if this would be a film Shia would've done if it was made when he was younger.
Anyways, phenomenal film.
I love Timothée Chalamet as Elio so much, I think he's perfect. I loved Armie Hammer as Oliver too, there were some points, though, where he definitely seemed older than 24. I loved their chemistry, I think it's obvious that they got along and they had a lot of trust in one another. My favorite character though is Mr. Pearlman. I love his love for Elio and the way that he talks to him, especially after Oliver leaves and he sees that Elio is so obviously heartbroken. I love that he is just accepting and loves him unconditionally but also pushes him to not run from his feelings and to allow them to wash over him. I hope to be that kind of parent when I have kids.
I think this is the type of film that the LGBTQ+ community has been asking for for so long. I love coming out stories and coming of age stories as much as the next person but the stories where it's just comfortable and it's already there and there isn't any need for them to question who they are, those stories are important too. I don't know that this film entirely fits that box, but I think it fits more into that one than the coming of age type. I don't think Elio ever questioned whether or not he liked boys, I think he just questioned whether or not he should if that makes any sense.
I would've loved to see some scenes in the book make it to the screen, but I know that that isn't always possible. Additionally, the only other downside to this film in it's comparison to the book is that the book is written from Elio's perspective so you get all his thoughts and his loves and his assumptions about Oliver as he falls for him and you can only portray so much of that on film without a narration of sorts and if they did that, it would just take away from the story and the things that aren't said.
Lastly, a random side note, in this film, Timothée reminds me a lot of Shia LaBeouf. I have absolutely no idea why, but he does. I wonder if this would be a film Shia would've done if it was made when he was younger.
Anyways, phenomenal film.