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Great writing (2 more)
Never slows down
Great characters
Of the few children's horror books out there, Neil Gaiman's 2002 short novel Coraline, is one of the must-read for that age group. When a young girl named Coraline, and her family move into a new house (one which shares its basement and attic with other tenets), she finds a locked door that leads to nowhere, but soon after the door opens to a house that mirrors her own, yet the people there are a little bit "different. "
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
Gareth von Kallenbach (980 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
Haley Mathiot (9 KP) rated The Forgotten Girls in Books
Apr 27, 2018
The Forgotten Girls was a pretty good book. I can’t say it was amazing, but it definitely wasn’t bad. It is a book in a series. It’s designed so you don't have to read the others to enjoy this one and even though I didn’t need the other books in the series to know what was going on, I did feel a little lost at times, and I felt like I was thrown into the middle of a movie (like I skipped the first scene) and it was disconcerting.
That being said, the story itself was okay. It was a good execution of a concept that just wasn't that high. The climax didn’t feel that phenomenal and I felt like it ended just as it got going.
All in all, it was a fine read, I wasn’t annoyed by it, I certainly enjoyed the process, but it didn’t force me to keep reading like some books, and I wasn’t that impressed with the overall experience.
Content/Recommendation: Some language, violence, rape scene (not overly-grotesque). Ages 18+
That being said, the story itself was okay. It was a good execution of a concept that just wasn't that high. The climax didn’t feel that phenomenal and I felt like it ended just as it got going.
All in all, it was a fine read, I wasn’t annoyed by it, I certainly enjoyed the process, but it didn’t force me to keep reading like some books, and I wasn’t that impressed with the overall experience.
Content/Recommendation: Some language, violence, rape scene (not overly-grotesque). Ages 18+
Whatchareadin (174 KP) rated 11th Hour (Women's Murder Club, #11) in Books
May 10, 2018
I really really liked this book. All of the WMC books keep me on the edge of my seat for what is going to happen next, but in this one, I really couldn't see what was coming next. Lindsay Boxer is pregnant, Cindy & Yuki are in relationships with Lindsay's partner and Boss(respectively). Someone has buried seven heads in the backyard of a famous movie star. Not too long ago, he was aquitted of his wife's murder, could he really be the murderer. Some vigilante is killing drug dealers. While this may be a great help to the city of San Francisco, this really isn't the best way to go about getting rid of the dirty laundry.
<spoiler> There was one part of the book that baffled me. Before the killer for the drug dealers went out on his last kill, he gave his wife something to help explain why he killed one of his victims. I didn't hear anymore about that after the killer was stopped.</spolier>
<spoiler> There was one part of the book that baffled me. Before the killer for the drug dealers went out on his last kill, he gave his wife something to help explain why he killed one of his victims. I didn't hear anymore about that after the killer was stopped.</spolier>
Katarzyna Krasuska (81 KP) rated Find Her in Books
Aug 15, 2018 (Updated Aug 16, 2018)
Very strong female character (2 more)
Very gripping
Female Charles Bronson
Make this into a movie!
This is definitely a book that should be made into a film.
I saw this interview with Reese Witherspoon, where she talks about books, that she has made into films, because they're female driven. Yet the books she focuses her attention on are not strong or interesting enough, like "Gone girl " or "Husband's secret" . Here we have a female author, a female kick ass character, that is not just strong, but smart, brave and I would happily say dangerous. Not just that, I genuinely believe men would like to watch this too.
The main character of this book was abducted by a psycho and kept in a box for 472 days. When she gets rescued, instead of just trying to move on with her life, she goes into avenger mode. She learns how to fight, reads awful lot about self defense and decides to get the justice herself.
Amazing story, that I think all women should read.
I saw this interview with Reese Witherspoon, where she talks about books, that she has made into films, because they're female driven. Yet the books she focuses her attention on are not strong or interesting enough, like "Gone girl " or "Husband's secret" . Here we have a female author, a female kick ass character, that is not just strong, but smart, brave and I would happily say dangerous. Not just that, I genuinely believe men would like to watch this too.
The main character of this book was abducted by a psycho and kept in a box for 472 days. When she gets rescued, instead of just trying to move on with her life, she goes into avenger mode. She learns how to fight, reads awful lot about self defense and decides to get the justice herself.
Amazing story, that I think all women should read.
Mark @ Carstairs Considers (2355 KP) rated Fatal Fudge Swirl in Books
Jun 29, 2023
The Bride’s a Corpse
Ice cream shop manager Riley Rhodes has been asked to create an ice cream cake for the upcoming wedding of Diantha Collins, the head of a prominent family in Penniman, Connecticut. However, the morning of the wedding, Diantha is found dead in her bed. Something about the scene seems off to Riley. Can she figure out how Diantha died?
The how done it in this book is a strong element of the plot, and I loved the creative murder method. Of course, Riley also has to figure out the who and why, and those also kept me guessing until the end. The suspects are all strong, and the series regulars are a lot of fun as always. A storyline involving a movie being filmed in town leads to a sub-plot with some great laughs. Meanwhile, the Halloween setting is used well for the mystery. Add in a couple of hot fudge recipes at the end, and you have a winner. Grab a dish of your favorite ice cream and enjoy this book today.
The how done it in this book is a strong element of the plot, and I loved the creative murder method. Of course, Riley also has to figure out the who and why, and those also kept me guessing until the end. The suspects are all strong, and the series regulars are a lot of fun as always. A storyline involving a movie being filmed in town leads to a sub-plot with some great laughs. Meanwhile, the Halloween setting is used well for the mystery. Add in a couple of hot fudge recipes at the end, and you have a winner. Grab a dish of your favorite ice cream and enjoy this book today.
Acanthea Grimscythe (300 KP) rated It (2017) in Movies
May 12, 2018
Contains spoilers, click to show
My mom took me to see the new It – and it was great. It does have a few changes that are worth noting though – and I’m curious as to how they will play out in the next part. Presently, the film only covers the part that takes place in 1957-1958 (though in the movie, it’s 1988), which leaves things open for another film.
First, I want to say that I have a thing for Bill Skarsgård. I have since I watched Hemlock Grove, where he plays an upir. So finding out that he would be playing Pennywise somehow dispelled my fear of clowns (which actually formed when I was eight and watched the It miniseries – or at least, the first bit of it). Skarsgård performance is spectacular and I have no complaints regarding his acting.
For the most part, It follows a line between the miniseries and the book. When it comes to a tome the size of It, obviously things have need cutting out. To expect more would likely have mean an entire series (not that I’d complain). There are a few things that really bugged me though. First, Richie does not do his voices in It. This is a major character trait that I feel should have been included – especially since he uses his voice imitations in the book to get past Pennywise. To leave out one of Richie’s defining characteristics is disappointing, as I really wanted to see how it would play out.
Second, once again, what Stan sees differs from the book. Those that have read It know that Stan ends up trapped in a standpipe. Here, a corpse comes at him and in order to escape, he recites the names of birds from a book he keeps in his pocket. This causes the door to open and thus Stan Uris lives. His obsession with birds, like Richie’s voice imitations, is another defining characteristic of the boys that is left out.
Because the movie is pressed for time, it’s easier to understand why other elements are left out – such as the real reason behind Eddie Corcoran’s death (which is left simply at “missing” in the film). In fact, several of the disappearance are touched upon just enough to remind viewers how threatening Pennywise is – and that’s perfect for this film.
Overall, I really enjoyed It. I feel that leaving out those two defining characteristics of Richie and Stan was unnecessary. Despite that, It comes in as one of my favorite film so far this year and I might have to bug Mom to get it for me on DVD.
First, I want to say that I have a thing for Bill Skarsgård. I have since I watched Hemlock Grove, where he plays an upir. So finding out that he would be playing Pennywise somehow dispelled my fear of clowns (which actually formed when I was eight and watched the It miniseries – or at least, the first bit of it). Skarsgård performance is spectacular and I have no complaints regarding his acting.
For the most part, It follows a line between the miniseries and the book. When it comes to a tome the size of It, obviously things have need cutting out. To expect more would likely have mean an entire series (not that I’d complain). There are a few things that really bugged me though. First, Richie does not do his voices in It. This is a major character trait that I feel should have been included – especially since he uses his voice imitations in the book to get past Pennywise. To leave out one of Richie’s defining characteristics is disappointing, as I really wanted to see how it would play out.
Second, once again, what Stan sees differs from the book. Those that have read It know that Stan ends up trapped in a standpipe. Here, a corpse comes at him and in order to escape, he recites the names of birds from a book he keeps in his pocket. This causes the door to open and thus Stan Uris lives. His obsession with birds, like Richie’s voice imitations, is another defining characteristic of the boys that is left out.
Because the movie is pressed for time, it’s easier to understand why other elements are left out – such as the real reason behind Eddie Corcoran’s death (which is left simply at “missing” in the film). In fact, several of the disappearance are touched upon just enough to remind viewers how threatening Pennywise is – and that’s perfect for this film.
Overall, I really enjoyed It. I feel that leaving out those two defining characteristics of Richie and Stan was unnecessary. Despite that, It comes in as one of my favorite film so far this year and I might have to bug Mom to get it for me on DVD.
Algorithms of the Intelligent Web
Douglas G. McIlwraith, Haralambos Marmanis and Dmitry Babenko
Book
DESCRIPTION There's priceless insight trapped in the flood of data users leave behind as they...
Gareth von Kallenbach (980 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
I’ve always been a fan of Stephen King movies, even some of those that were not particularly good or well received. For someone who is a fan you think that would inspire me to pick up at least one of his books to get a feel for what the author truly intended over the stripped down,
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
MelanieTheresa (997 KP) rated Smashbomb in Apps
Apr 3, 2019
I’ve been on Smashbomb for nearly a year now, and let me tell you that when they say “rate anything,” they’re not kidding. Got an opinion on a new app you downloaded? Review it. Can’t believe how good the last book you read was? Review it. Listened to a mind-blowing podcast? Review it. Hated the new Motley Crue movie? Review it. Tell the world what you think! Obviously I’m partial to the Book Reviews. ?
But it’s not all reviews & ratings. Smashbomb also features giveaways, polls, orbs (groups), lists (yay!) and more. I’ve joined a number of orbs, and even participated in a Christmas Book Exchange.
Those “thumbs up” icons you see are “kudos,” which are awarded for many things: reviewing, adding items, etc. Each user is given a set number of “kudos points” each day, which the user can then award to other Smashbomb users. Think of it like those ubiquitous Facebook likes, except with a daily limit. The more things you do, the more your limit increases. Other users can award you kudos as well.
One of my favorite features is the ability to add an item that doesn’t yet exist on the site. For instance: Once I finish a book, I search for it on Smashbomb in order to review it. If the book does not exist, I can add it to the site, including details and a cover photo. Once you’ve added an item, others can also rate it and add it to their own lists. I’ve so far added nine books, and I'm sure I'll add many more!
You can also earn badges for completing various actions, and choose which badges to display on your profile. I’m currently an “Oracle” (hmm…possible new nickname), and I’m about halfway to “Guru.” ?
And, of course, there’s a Smashbomb app as well, so you’re not married to the desktop site.
Smashbomb is fun because it’s different. It’s a social networking site, but more, and less. You won’t find lengthy political rants, duckface selfies, or neverending #hashtags here. And honestly? Sometimes it’s nice to take a break from all of that.
But it’s not all reviews & ratings. Smashbomb also features giveaways, polls, orbs (groups), lists (yay!) and more. I’ve joined a number of orbs, and even participated in a Christmas Book Exchange.
Those “thumbs up” icons you see are “kudos,” which are awarded for many things: reviewing, adding items, etc. Each user is given a set number of “kudos points” each day, which the user can then award to other Smashbomb users. Think of it like those ubiquitous Facebook likes, except with a daily limit. The more things you do, the more your limit increases. Other users can award you kudos as well.
One of my favorite features is the ability to add an item that doesn’t yet exist on the site. For instance: Once I finish a book, I search for it on Smashbomb in order to review it. If the book does not exist, I can add it to the site, including details and a cover photo. Once you’ve added an item, others can also rate it and add it to their own lists. I’ve so far added nine books, and I'm sure I'll add many more!
You can also earn badges for completing various actions, and choose which badges to display on your profile. I’m currently an “Oracle” (hmm…possible new nickname), and I’m about halfway to “Guru.” ?
And, of course, there’s a Smashbomb app as well, so you’re not married to the desktop site.
Smashbomb is fun because it’s different. It’s a social networking site, but more, and less. You won’t find lengthy political rants, duckface selfies, or neverending #hashtags here. And honestly? Sometimes it’s nice to take a break from all of that.
