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Goddess in the Stacks (553 KP) rated Queens of Geek in Books
May 1, 2018
THIS BOOK WAS GREAT. It was a fun, quick read, but it involved three BFFs, one of which is autistic with social anxiety, and her friends know this and are incredibly supportive. The second girl is openly bisexual. The third friend, the boy, is Hispanic. The three of them take an epic trip to a big Comicon in LA; the bisexual girl (Charlie) co-starred in a zombie movie, and is a popular Youtuber, so when she's invited to the Con she drags her two BFFs with her. Once there, she meets an idol of hers, another Youtuber, and discovers that her idol has a crush on her! So while dealing with her douchebag ex (her co-star from the movie), the other Youtuber asks Charlie out, and the two girls start a romance.
Meanwhile, the autistic girl (Taylor) and the Hispanic boy (Jamie) have loved each other for ages but been too afraid to admit how they feel. Largely left on their own, because Charlie's manager couldn't get them VIP passes, they explore the Con, geeking out over things and meeting another autistic woman, a comic book artist who gives Taylor some amazing advice about being afraid but doing things anyway.
I really really loved this book. I loved seeing autistic characters treated by their peers as just regular people with quirks, like everyone has. Taylor's friends support her when her brain freaks out, and make allowances for her needs, but don't treat her like she's disabled or fragile. I loved seeing how tight the bonds of friendship were between the three teens, and how excited for each other they were, even when good things happening meant less time to spend with each other.
This was just a really lovely, feel-good book with lots of minority representation, by an autistic author who knows what she's talking about. This is one more book off my Autism Reading List, and my pick for a book about friendship from the Litsy Booked 2018 Challenge.
You can find all my reviews, and the full Autism Reading List, at http://goddessinthestacks.wordpress.com
Meanwhile, the autistic girl (Taylor) and the Hispanic boy (Jamie) have loved each other for ages but been too afraid to admit how they feel. Largely left on their own, because Charlie's manager couldn't get them VIP passes, they explore the Con, geeking out over things and meeting another autistic woman, a comic book artist who gives Taylor some amazing advice about being afraid but doing things anyway.
I really really loved this book. I loved seeing autistic characters treated by their peers as just regular people with quirks, like everyone has. Taylor's friends support her when her brain freaks out, and make allowances for her needs, but don't treat her like she's disabled or fragile. I loved seeing how tight the bonds of friendship were between the three teens, and how excited for each other they were, even when good things happening meant less time to spend with each other.
This was just a really lovely, feel-good book with lots of minority representation, by an autistic author who knows what she's talking about. This is one more book off my Autism Reading List, and my pick for a book about friendship from the Litsy Booked 2018 Challenge.
You can find all my reviews, and the full Autism Reading List, at http://goddessinthestacks.wordpress.com
Kristin (149 KP) rated M in the Demon Realm (M in the Demon Realm, #1) in Books
Dec 7, 2018
Disclaimer: I received a free copy in exchange for an honest (not necessarily positive) review.
When I read the blurb for this book, I was highly intrigued, so I was excited to be able to read it for review. The story is very interesting, with an exciting premise, and it's definitely pulled me in to where I want to read the second part.
The only drawback (for me personally, not necessarily a bad thing for everyone) was the writing style itself. It comes across as more of a description of something, as if someone were dictating a movie or TV show to someone who hadn't seen it (an episode synopsis, if you will). It doesn't have a very narrative flow, which seemed rather odd to me at times, but it's still a very good story, so I was pulled into it regardless. As I said, I'm looking forward to the next part, so it didn't hinder my enjoyment too much. =)
4 stars
When I read the blurb for this book, I was highly intrigued, so I was excited to be able to read it for review. The story is very interesting, with an exciting premise, and it's definitely pulled me in to where I want to read the second part.
The only drawback (for me personally, not necessarily a bad thing for everyone) was the writing style itself. It comes across as more of a description of something, as if someone were dictating a movie or TV show to someone who hadn't seen it (an episode synopsis, if you will). It doesn't have a very narrative flow, which seemed rather odd to me at times, but it's still a very good story, so I was pulled into it regardless. As I said, I'm looking forward to the next part, so it didn't hinder my enjoyment too much. =)
4 stars
Great writing (2 more)
Never slows down
Great characters
Of the few children's horror books out there, Neil Gaiman's 2002 short novel Coraline, is one of the must-read for that age group. When a young girl named Coraline, and her family move into a new house (one which shares its basement and attic with other tenets), she finds a locked door that leads to nowhere, but soon after the door opens to a house that mirrors her own, yet the people there are a little bit "different. "
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
Gareth von Kallenbach (980 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
Haley Mathiot (9 KP) rated The Forgotten Girls in Books
Apr 27, 2018
The Forgotten Girls was a pretty good book. I can’t say it was amazing, but it definitely wasn’t bad. It is a book in a series. It’s designed so you don't have to read the others to enjoy this one and even though I didn’t need the other books in the series to know what was going on, I did feel a little lost at times, and I felt like I was thrown into the middle of a movie (like I skipped the first scene) and it was disconcerting.
That being said, the story itself was okay. It was a good execution of a concept that just wasn't that high. The climax didn’t feel that phenomenal and I felt like it ended just as it got going.
All in all, it was a fine read, I wasn’t annoyed by it, I certainly enjoyed the process, but it didn’t force me to keep reading like some books, and I wasn’t that impressed with the overall experience.
Content/Recommendation: Some language, violence, rape scene (not overly-grotesque). Ages 18+
That being said, the story itself was okay. It was a good execution of a concept that just wasn't that high. The climax didn’t feel that phenomenal and I felt like it ended just as it got going.
All in all, it was a fine read, I wasn’t annoyed by it, I certainly enjoyed the process, but it didn’t force me to keep reading like some books, and I wasn’t that impressed with the overall experience.
Content/Recommendation: Some language, violence, rape scene (not overly-grotesque). Ages 18+
Whatchareadin (174 KP) rated 11th Hour (Women's Murder Club, #11) in Books
May 10, 2018
I really really liked this book. All of the WMC books keep me on the edge of my seat for what is going to happen next, but in this one, I really couldn't see what was coming next. Lindsay Boxer is pregnant, Cindy & Yuki are in relationships with Lindsay's partner and Boss(respectively). Someone has buried seven heads in the backyard of a famous movie star. Not too long ago, he was aquitted of his wife's murder, could he really be the murderer. Some vigilante is killing drug dealers. While this may be a great help to the city of San Francisco, this really isn't the best way to go about getting rid of the dirty laundry.
<spoiler> There was one part of the book that baffled me. Before the killer for the drug dealers went out on his last kill, he gave his wife something to help explain why he killed one of his victims. I didn't hear anymore about that after the killer was stopped.</spolier>
<spoiler> There was one part of the book that baffled me. Before the killer for the drug dealers went out on his last kill, he gave his wife something to help explain why he killed one of his victims. I didn't hear anymore about that after the killer was stopped.</spolier>
Katarzyna Krasuska (81 KP) rated Find Her in Books
Aug 15, 2018 (Updated Aug 16, 2018)
Very strong female character (2 more)
Very gripping
Female Charles Bronson
Make this into a movie!
This is definitely a book that should be made into a film.
I saw this interview with Reese Witherspoon, where she talks about books, that she has made into films, because they're female driven. Yet the books she focuses her attention on are not strong or interesting enough, like "Gone girl " or "Husband's secret" . Here we have a female author, a female kick ass character, that is not just strong, but smart, brave and I would happily say dangerous. Not just that, I genuinely believe men would like to watch this too.
The main character of this book was abducted by a psycho and kept in a box for 472 days. When she gets rescued, instead of just trying to move on with her life, she goes into avenger mode. She learns how to fight, reads awful lot about self defense and decides to get the justice herself.
Amazing story, that I think all women should read.
I saw this interview with Reese Witherspoon, where she talks about books, that she has made into films, because they're female driven. Yet the books she focuses her attention on are not strong or interesting enough, like "Gone girl " or "Husband's secret" . Here we have a female author, a female kick ass character, that is not just strong, but smart, brave and I would happily say dangerous. Not just that, I genuinely believe men would like to watch this too.
The main character of this book was abducted by a psycho and kept in a box for 472 days. When she gets rescued, instead of just trying to move on with her life, she goes into avenger mode. She learns how to fight, reads awful lot about self defense and decides to get the justice herself.
Amazing story, that I think all women should read.
Mark @ Carstairs Considers (2572 KP) rated Fatal Fudge Swirl in Books
Jun 29, 2023
The Bride’s a Corpse
Ice cream shop manager Riley Rhodes has been asked to create an ice cream cake for the upcoming wedding of Diantha Collins, the head of a prominent family in Penniman, Connecticut. However, the morning of the wedding, Diantha is found dead in her bed. Something about the scene seems off to Riley. Can she figure out how Diantha died?
The how done it in this book is a strong element of the plot, and I loved the creative murder method. Of course, Riley also has to figure out the who and why, and those also kept me guessing until the end. The suspects are all strong, and the series regulars are a lot of fun as always. A storyline involving a movie being filmed in town leads to a sub-plot with some great laughs. Meanwhile, the Halloween setting is used well for the mystery. Add in a couple of hot fudge recipes at the end, and you have a winner. Grab a dish of your favorite ice cream and enjoy this book today.
The how done it in this book is a strong element of the plot, and I loved the creative murder method. Of course, Riley also has to figure out the who and why, and those also kept me guessing until the end. The suspects are all strong, and the series regulars are a lot of fun as always. A storyline involving a movie being filmed in town leads to a sub-plot with some great laughs. Meanwhile, the Halloween setting is used well for the mystery. Add in a couple of hot fudge recipes at the end, and you have a winner. Grab a dish of your favorite ice cream and enjoy this book today.
Acanthea Grimscythe (300 KP) rated It (2017) in Movies
May 12, 2018
Contains spoilers, click to show
My mom took me to see the new It – and it was great. It does have a few changes that are worth noting though – and I’m curious as to how they will play out in the next part. Presently, the film only covers the part that takes place in 1957-1958 (though in the movie, it’s 1988), which leaves things open for another film.
First, I want to say that I have a thing for Bill Skarsgård. I have since I watched Hemlock Grove, where he plays an upir. So finding out that he would be playing Pennywise somehow dispelled my fear of clowns (which actually formed when I was eight and watched the It miniseries – or at least, the first bit of it). Skarsgård performance is spectacular and I have no complaints regarding his acting.
For the most part, It follows a line between the miniseries and the book. When it comes to a tome the size of It, obviously things have need cutting out. To expect more would likely have mean an entire series (not that I’d complain). There are a few things that really bugged me though. First, Richie does not do his voices in It. This is a major character trait that I feel should have been included – especially since he uses his voice imitations in the book to get past Pennywise. To leave out one of Richie’s defining characteristics is disappointing, as I really wanted to see how it would play out.
Second, once again, what Stan sees differs from the book. Those that have read It know that Stan ends up trapped in a standpipe. Here, a corpse comes at him and in order to escape, he recites the names of birds from a book he keeps in his pocket. This causes the door to open and thus Stan Uris lives. His obsession with birds, like Richie’s voice imitations, is another defining characteristic of the boys that is left out.
Because the movie is pressed for time, it’s easier to understand why other elements are left out – such as the real reason behind Eddie Corcoran’s death (which is left simply at “missing” in the film). In fact, several of the disappearance are touched upon just enough to remind viewers how threatening Pennywise is – and that’s perfect for this film.
Overall, I really enjoyed It. I feel that leaving out those two defining characteristics of Richie and Stan was unnecessary. Despite that, It comes in as one of my favorite film so far this year and I might have to bug Mom to get it for me on DVD.
First, I want to say that I have a thing for Bill Skarsgård. I have since I watched Hemlock Grove, where he plays an upir. So finding out that he would be playing Pennywise somehow dispelled my fear of clowns (which actually formed when I was eight and watched the It miniseries – or at least, the first bit of it). Skarsgård performance is spectacular and I have no complaints regarding his acting.
For the most part, It follows a line between the miniseries and the book. When it comes to a tome the size of It, obviously things have need cutting out. To expect more would likely have mean an entire series (not that I’d complain). There are a few things that really bugged me though. First, Richie does not do his voices in It. This is a major character trait that I feel should have been included – especially since he uses his voice imitations in the book to get past Pennywise. To leave out one of Richie’s defining characteristics is disappointing, as I really wanted to see how it would play out.
Second, once again, what Stan sees differs from the book. Those that have read It know that Stan ends up trapped in a standpipe. Here, a corpse comes at him and in order to escape, he recites the names of birds from a book he keeps in his pocket. This causes the door to open and thus Stan Uris lives. His obsession with birds, like Richie’s voice imitations, is another defining characteristic of the boys that is left out.
Because the movie is pressed for time, it’s easier to understand why other elements are left out – such as the real reason behind Eddie Corcoran’s death (which is left simply at “missing” in the film). In fact, several of the disappearance are touched upon just enough to remind viewers how threatening Pennywise is – and that’s perfect for this film.
Overall, I really enjoyed It. I feel that leaving out those two defining characteristics of Richie and Stan was unnecessary. Despite that, It comes in as one of my favorite film so far this year and I might have to bug Mom to get it for me on DVD.
Algorithms of the Intelligent Web
Douglas G. McIlwraith, Haralambos Marmanis and Dmitry Babenko
Book
DESCRIPTION There's priceless insight trapped in the flood of data users leave behind as they...