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Paul "xenomorph" Warren (15 KP) rated American Gods - Season 1 in TV
Jun 13, 2017
Ian McShane (1 more)
Rich story
High quality thriller. Well worth investing time into
You can see the style of Brian fuller instantly in this high consept tv fantasy thriller from the creator of the excellent Hannibal tv series. If you enjoyed Hannibal for the richness of its style and hard imagery then this will be your bag.
Blazing Minds (92 KP) rated Adverse (2020) in Movies
Oct 29, 2021 (Updated Nov 2, 2021)
Brian A. Metcalf certainly has a look to his films and that goes for the direction as well, I really enjoy his style of shooting and what he brings out of the cast and in particular, when Metcalf and Nicholas work together in productions they produce something worth watching and Adverse is no exception. There are some great moments from cinematographer Derrick Cohan, look out for a scene on the rooftop at night it looks fantastic.
Adverse is a film that has some excellent surprises throughout the film, it can be emotional at times with some of the flashbacks and brutal at others with some of the action sequences that aren’t afraid to throw some of the red stuff about. This is certainly a film worth checking out.
Adverse is a film that has some excellent surprises throughout the film, it can be emotional at times with some of the flashbacks and brutal at others with some of the action sequences that aren’t afraid to throw some of the red stuff about. This is certainly a film worth checking out.
tonidavis (353 KP) rated Limitless - Season 1 in TV
Jan 6, 2018
Premise (3 more)
Finch and Rebecca's relationship
Mike and Ike
Bradley Cooper
Better than the film
I've always liked the limitless premise however for me the movie didn't work that well. I was dubious to watch the tv show but a friend convinced me it was worth doing.
The first episode took me a while to get into mainly because I'm so used to Jake Mc Dorman play Evan in Greek it took a while to adjust to seeing him as Brian Finch. That being said when I got into it I really enjoyed the show.
Brian Finch is a lovable character who has a kind heart but gets into trouble and Rebbeca Harris is just the FBI agent who has the sternness to keep him in check but also the capability to care which makes the team work well. The side characters in the FBI are intresting and amusing poor Mike and Ike ( not there real names but names finch make up.) End up with the rough end of the stick more than once the Janitor is a little hard core.
The first episode took me a while to get into mainly because I'm so used to Jake Mc Dorman play Evan in Greek it took a while to adjust to seeing him as Brian Finch. That being said when I got into it I really enjoyed the show.
Brian Finch is a lovable character who has a kind heart but gets into trouble and Rebbeca Harris is just the FBI agent who has the sternness to keep him in check but also the capability to care which makes the team work well. The side characters in the FBI are intresting and amusing poor Mike and Ike ( not there real names but names finch make up.) End up with the rough end of the stick more than once the Janitor is a little hard core.
Chris Sawin (602 KP) rated Carriers (2009) in Movies
Jun 20, 2019
Brian and Danny grew up as two brothers who were relatively close to one another. They cherish the memories they have of Turtle Beach, a beach their family vacationed to every summer. The abandoned motel in Turtle Beach may be their best bet of surviving the highly contagious disease that now plagues the entire country and possibly the world. Not much is known about the virus other than the victims coughing up blood and bleeding from the ears as their condition worsens. Brian actually came up with a few rules that will hopefully get him, his girlfriend Bobby, his brother Danny, and Danny's friend Kate through this disease ridden world to Turtle Beach clean. The rules include avoiding the infected at all costs, disinfecting anything they've touched in the past 24 hours, and that the infected are already dead as there is no cure. You may survive if you stick to the rules, but actually abiding by them is an entirely different story.
Right off the bat, people are probably going to compare Carriers to Zombieland because of the rules. Carriers was released a full month before Zombieland, but Paramount Vantage folded upon its initial release causing its wide release to be an extremely limited one at the last minute (I think it wound up playing at only two theaters in the country). Expectations rise unintentionally in situations such as this. "This is that horror film that was practically shelved earlier this year and is finally being released." The result is a horror film that is well worth watching, but may not be entirely what you're expecting.
Carriers is more about establishing an atmosphere than anything else. Everything is abandoned and rightfully so as most people were picked off handfuls at a time by this pandemic. The entire film is more like the first half hour of 28 Days Later where Jim wakes up in an abandoned hospital and realizes how empty the streets of London are. There aren't masses of the infected running around lusting for brains or wanting to tear humans apart in Carriers. The story follows these four friends as they journey across the country to this supposed sanctuary where they hope to tough it out until this disease runs its course. Carriers is more of a slow burn as things turn from bad to worse very slowly and snowball as the film goes on.
Chris Pine is really the drawing factor of the film. His role as Brian is kind of like a more intense version of his role as Kirk in Star Trek from earlier this year. Brian comes off as an inconsiderate prick the first half of the film and seems to only do things that benefit himself. The second half is where his character gets interesting though. The speech he gives Danny about their parents and telling Danny that he only told him what he wanted to hear is the turning point for Brian. Chris Pine shines as things begin to roll downhill for Brian as his emotions take center stage and his true demeanor is revealed.
Everything else in the film pretty much feels like routine manuevers when it comes to films revolving around viral outbreaks as some main characters contract the disease, they resort to drastic measures to survive, and begin to question their humanity along the way. The most disappointing part of the film is the ending as things just seem to kind of stop without much of a resolution. It seems like films like this either end this way or have a really depressing ending and that's its biggest flaw. Movie buffs who have seen films concerning pandemics already have a rough idea of how the film is going to end and it's about time to mix that up a bit. There's got to be a decent way to end the film that offers something a bit different that could wrap everything up until that point, but also leave enough room open for a sequel if need be.
Carriers may be a bit slow at first and doesn't really offer anything you probably haven't seen before in a film like this, but is still worth seeing for Chris Pine's performance. It's kind of a more serious take on Zombieland without actual zombies running or stumbling around with an atmosphere similar to the one established in Danny Boyle's 28 Days Later. If you're a fan of films involving a virus that has wiped out most of the human population, then this is still worth a watch.
Right off the bat, people are probably going to compare Carriers to Zombieland because of the rules. Carriers was released a full month before Zombieland, but Paramount Vantage folded upon its initial release causing its wide release to be an extremely limited one at the last minute (I think it wound up playing at only two theaters in the country). Expectations rise unintentionally in situations such as this. "This is that horror film that was practically shelved earlier this year and is finally being released." The result is a horror film that is well worth watching, but may not be entirely what you're expecting.
Carriers is more about establishing an atmosphere than anything else. Everything is abandoned and rightfully so as most people were picked off handfuls at a time by this pandemic. The entire film is more like the first half hour of 28 Days Later where Jim wakes up in an abandoned hospital and realizes how empty the streets of London are. There aren't masses of the infected running around lusting for brains or wanting to tear humans apart in Carriers. The story follows these four friends as they journey across the country to this supposed sanctuary where they hope to tough it out until this disease runs its course. Carriers is more of a slow burn as things turn from bad to worse very slowly and snowball as the film goes on.
Chris Pine is really the drawing factor of the film. His role as Brian is kind of like a more intense version of his role as Kirk in Star Trek from earlier this year. Brian comes off as an inconsiderate prick the first half of the film and seems to only do things that benefit himself. The second half is where his character gets interesting though. The speech he gives Danny about their parents and telling Danny that he only told him what he wanted to hear is the turning point for Brian. Chris Pine shines as things begin to roll downhill for Brian as his emotions take center stage and his true demeanor is revealed.
Everything else in the film pretty much feels like routine manuevers when it comes to films revolving around viral outbreaks as some main characters contract the disease, they resort to drastic measures to survive, and begin to question their humanity along the way. The most disappointing part of the film is the ending as things just seem to kind of stop without much of a resolution. It seems like films like this either end this way or have a really depressing ending and that's its biggest flaw. Movie buffs who have seen films concerning pandemics already have a rough idea of how the film is going to end and it's about time to mix that up a bit. There's got to be a decent way to end the film that offers something a bit different that could wrap everything up until that point, but also leave enough room open for a sequel if need be.
Carriers may be a bit slow at first and doesn't really offer anything you probably haven't seen before in a film like this, but is still worth seeing for Chris Pine's performance. It's kind of a more serious take on Zombieland without actual zombies running or stumbling around with an atmosphere similar to the one established in Danny Boyle's 28 Days Later. If you're a fan of films involving a virus that has wiped out most of the human population, then this is still worth a watch.
Edgar Wright recommended This Is Spinal Tap (1984) in Movies (curated)
Joe Goodhart (27 KP) rated Saga in Books
Nov 30, 2020
I'm old! Like I've pro'lly been reading comics for way too long (I was there the first time Jean Grey died)! But, when I say this what I consider one of the best comics EVER, I am behind that statement 100%!
Brian K. Vaughn has created an amazing story, with characters that are far from perfect but at the same time have merit and worth. It is clear that a lot of time went into the creations of each of the characters introduced, as well as the various settings. Long story short? This dude is a frigging GENIUS! Just sayin'..
And hey, how about those visuals from series artist Fiona Staples? Man, those covers she turns in are ridiculously rich in detail, but the inside stuff? Dear God, she has it goin' on! While I have some love for a number of Marvel characters, I am glad that Marvel never tried to lure her in, because she is far too good for them!
I could go on and on about the series and how good it is, but well, there's a more than fair number of users on here have said it better. Let's just leave it at this: Best.Comic.EVER! Now, scoot, go read it already!!
Brian K. Vaughn has created an amazing story, with characters that are far from perfect but at the same time have merit and worth. It is clear that a lot of time went into the creations of each of the characters introduced, as well as the various settings. Long story short? This dude is a frigging GENIUS! Just sayin'..
And hey, how about those visuals from series artist Fiona Staples? Man, those covers she turns in are ridiculously rich in detail, but the inside stuff? Dear God, she has it goin' on! While I have some love for a number of Marvel characters, I am glad that Marvel never tried to lure her in, because she is far too good for them!
I could go on and on about the series and how good it is, but well, there's a more than fair number of users on here have said it better. Let's just leave it at this: Best.Comic.EVER! Now, scoot, go read it already!!
LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
Eleanor Luhar (47 KP) rated Batman the Killing Joke in Books
Jun 24, 2019
I went to London Super Comic Con on Friday and bought a few image books/graphic novels (I can't wait to read them!) and decided to start taking advantage of my boyfriend's extensive comic/graphic novel collection. As I've been intending to read The Killing Joke for ages now, I decided to start with that.
The edition I read included an introduction by Tim Sales, an afterword by Brian Bolland, and a final scene written and illustrated by Bolland.
This is one of the most famous and successful novels - and I can see why. The story is just fantastic - the Joker tries to prove that anyone can go insane after just one bad day, using Jim Gordon as his example. The colour palettes are so cleverly thought out, giving an eerie, creepy tone to most scenes, while the Joker's (possible) origin story is mostly black and white with just small details in red.
Batman is obviously included, but is not a massive character in this story. The focus is on the Gordons and the Joker.
I really loved this. The origin story for the Joker that's included can be taken as true or false - the Joker makes a comment about not actually remembering his past, and liking it to be "multiple choice". This gives the reader the choice of believing it or not. And the Joker's ways of putting Jim Gordon through hell are definitely in line with his character.
The Joker always fascinates me, and I would love to read all his stories. But whether you're a "fan" of his or not, this book is definitely worth the read. 5 stars; an fantastic novel.
The edition I read included an introduction by Tim Sales, an afterword by Brian Bolland, and a final scene written and illustrated by Bolland.
This is one of the most famous and successful novels - and I can see why. The story is just fantastic - the Joker tries to prove that anyone can go insane after just one bad day, using Jim Gordon as his example. The colour palettes are so cleverly thought out, giving an eerie, creepy tone to most scenes, while the Joker's (possible) origin story is mostly black and white with just small details in red.
Batman is obviously included, but is not a massive character in this story. The focus is on the Gordons and the Joker.
I really loved this. The origin story for the Joker that's included can be taken as true or false - the Joker makes a comment about not actually remembering his past, and liking it to be "multiple choice". This gives the reader the choice of believing it or not. And the Joker's ways of putting Jim Gordon through hell are definitely in line with his character.
The Joker always fascinates me, and I would love to read all his stories. But whether you're a "fan" of his or not, this book is definitely worth the read. 5 stars; an fantastic novel.
Tim Booth recommended 1992-2002 by Underworld in Music (curated)
LeftSideCut (3778 KP) rated Trick 'r Treat (2007) in Movies
Oct 6, 2020
Quite possibly the epitome of fun Halloween based horrors, Trick 'r Treat has a lot to offer.
There isn't one solid narrative, but rather several different stories with different characters, all taking place in the same town, on Halloween night. This format means we get treated to a multitude of genre staples - werewolves, zombies, serial killers, vampires - they're all tidyly woven together to give us a decent semi-anthology adventure. Well eventually anyway... It does feel a little messy to start with, erratically jumping from story to story, but a little perseverance is rewarded around the half way point where everything is put together in a satisfying manner.
The aesthetic of Trick 'r Treat is great. It has a distinct Halloween-y look, whilst managing to feel otherworldly in places. The swamp zombies look pretty creepy, and the werewolf transformations are visceral and inspired. The true star is the glue that holds this all together though - Sam. This little sack headed creepy fucker somehow manages to be adorable, and horrifying. I mean, he uses a bitten on candy-lolly to slash people up! Only people who don't respect the more traditional aspects of Halloween however. He's become something of an beloved character in the horror world - it would be great to see Sam return in a follow up some day.
Trick 'r Treat is a little cheesy at times, and takes a while to reveal it's clever side, but it's a perfectly enjoyable slice of Halloween horror, with a good cast (featuring Anna Paquin, Dylan Baker, and Brian Cox), a memorable anti-hero (the adorable little shit), some great effects and make up work, and a great music score by Douglas Pipes.
Certianly worth a watch, even if it's a seasonal thing.
There isn't one solid narrative, but rather several different stories with different characters, all taking place in the same town, on Halloween night. This format means we get treated to a multitude of genre staples - werewolves, zombies, serial killers, vampires - they're all tidyly woven together to give us a decent semi-anthology adventure. Well eventually anyway... It does feel a little messy to start with, erratically jumping from story to story, but a little perseverance is rewarded around the half way point where everything is put together in a satisfying manner.
The aesthetic of Trick 'r Treat is great. It has a distinct Halloween-y look, whilst managing to feel otherworldly in places. The swamp zombies look pretty creepy, and the werewolf transformations are visceral and inspired. The true star is the glue that holds this all together though - Sam. This little sack headed creepy fucker somehow manages to be adorable, and horrifying. I mean, he uses a bitten on candy-lolly to slash people up! Only people who don't respect the more traditional aspects of Halloween however. He's become something of an beloved character in the horror world - it would be great to see Sam return in a follow up some day.
Trick 'r Treat is a little cheesy at times, and takes a while to reveal it's clever side, but it's a perfectly enjoyable slice of Halloween horror, with a good cast (featuring Anna Paquin, Dylan Baker, and Brian Cox), a memorable anti-hero (the adorable little shit), some great effects and make up work, and a great music score by Douglas Pipes.
Certianly worth a watch, even if it's a seasonal thing.