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Keeping Up Appearances
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Keeping Up Appearances is a British sitcom created and written by Roy Clarke. It aired on BBC One...
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Awix (3310 KP) rated Sightseers (2012) in Movies
Mar 8, 2018
Extremely offbeat study in British eccentricity works better as a very black comedy than a horror movie, but the level of gore suggests it really wants to be the latter; animal lovers may want to look away at some points, too. New-minted couple embark on caravan tour/erotic odyssey around northern England and manage to find time for a little light serial killing, too.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
Awix (3310 KP) rated On Chesil Beach (2018) in Movies
Jun 1, 2018
Bleak British Repressed Sexuality a Go Go!
Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Sarah (7798 KP) rated Hot Fuzz (2007) in Movies
Aug 24, 2018
Hilarious
I've re-watched this again recently and it's just as funny now as it was when I first saw it in the cinema.
It's hilarious, full of wit and British humour. Not only is it a brilliant comedy, it's a great action and mystery flick too. The pairing of Simon Pegg and Nick Frost works as well here as it did in Shaun of the Dead, and there's a great supporting cast in Jim Broadbent, Paddy Considine and the rest, including those blink and you'll miss it cameos.
Whilst I work for a large urban police force, there are a lot of areas of policing I recognise in this film, which for me makes it even funnier watching it back. From having to bring cake (bribes) in for colleagues, to the old school Vauxhall cars, office banter and the more onerous side of policing, they really have done their research. Although I can safely say I've never met an officer quite as dedicated as Angel! But I do reckon a lot of our new recruits have the same view of policing as Danny does...
Such an entertaining film that doesn't get old.
It's hilarious, full of wit and British humour. Not only is it a brilliant comedy, it's a great action and mystery flick too. The pairing of Simon Pegg and Nick Frost works as well here as it did in Shaun of the Dead, and there's a great supporting cast in Jim Broadbent, Paddy Considine and the rest, including those blink and you'll miss it cameos.
Whilst I work for a large urban police force, there are a lot of areas of policing I recognise in this film, which for me makes it even funnier watching it back. From having to bring cake (bribes) in for colleagues, to the old school Vauxhall cars, office banter and the more onerous side of policing, they really have done their research. Although I can safely say I've never met an officer quite as dedicated as Angel! But I do reckon a lot of our new recruits have the same view of policing as Danny does...
Such an entertaining film that doesn't get old.
James Koppert (2698 KP) rated Rory O'Shea Was Here (aka Inside I'm Dancing) (2004) in Movies
Nov 6, 2019
One of the best films Britain made yet no one watched
You've seen Brassed Off, you've seen Four Weddings and Funeral, you've seen Notting Hill and the Full Monty. But you didn't watch this. So few people watched Inside I'm Dancing that they re-released it with the new name Rory O'Shea Was Here and removed any images of wheelchairs from the cover.
It must have been the wheelchairs that did it. No one watched this incredible film about two disabled friends and their rebellion against disability stereotypes. It's absolutely incredible and it will make you laugh, it will make you cry and will make you think and challenge your perspectives.
There are two friends, one is a reserved chap who does as he's told, the other is a punk rock rebel in a wheelchair and refuses to confirm how everyone says he has to. Watch how one comes out of their shell and the other wrestles with their sense of self.
I've shown this film to so many people who haven't heard of it but then rate it full marks after laughing and crying. Will you be another one?
It must have been the wheelchairs that did it. No one watched this incredible film about two disabled friends and their rebellion against disability stereotypes. It's absolutely incredible and it will make you laugh, it will make you cry and will make you think and challenge your perspectives.
There are two friends, one is a reserved chap who does as he's told, the other is a punk rock rebel in a wheelchair and refuses to confirm how everyone says he has to. Watch how one comes out of their shell and the other wrestles with their sense of self.
I've shown this film to so many people who haven't heard of it but then rate it full marks after laughing and crying. Will you be another one?
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