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Elli H Burton (1288 KP) rated Gavin & Stacey in TV
Aug 20, 2019
Down to earth. (1 more)
Funny, witty and clever.
A classic
Okay before I added my rating it was at 6.7 đŁ... I'm actually quite surprised at this as I have found it to be an all rounder. It has everything a sitcom should have. The writing is fantastic (Thank you Ruth Jones and James Corden) the acting is excellently done (you can get the odd hero that over acts in a lovely simple sitcom like this - luckily this isn't the case with G&S), the casting is fantastic and I love the locations etc.. That sounds random but the homes they are in feel like the characters homes, the hometowns suit the actors that have been cast as well. In some sitcoms you can think of another actor or actress that could have played the part better etc.. but in this, the parts were perfectly cast.
There's nothing unrealistic about it, it feels real, something that could be happening to someone down the road from you. The meeting over the phone rings true with me as I met my husband through a mutual friend on xbox!!! (We have now been together 7 years and have a beautiful daughter)
So yeah, I'd recommend if you like a classic, British heartwarming comedy.
There's nothing unrealistic about it, it feels real, something that could be happening to someone down the road from you. The meeting over the phone rings true with me as I met my husband through a mutual friend on xbox!!! (We have now been together 7 years and have a beautiful daughter)
So yeah, I'd recommend if you like a classic, British heartwarming comedy.
Sarah (7800 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as âThe Truth Seekerâ. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma DâArcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barrattâs Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesnât rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched â think of all the known supernatural experiences youâd expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and youâll definitely find them here. However this doesnât matter as theyâre done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, itâs the comedy side that appears to be a little lacking. Donât get me wrong, this has itsâs funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesnât seem quite as edgy and quick witted as Frost and Peggâs previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayoâs Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gusâ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene heâs in gives rise to so many laughs and in particular thereâs one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what weâd expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well â nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and DâArcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesnât seem like enough â by the end of the eighth episode I was shocked to see there wasnât any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as âThe Truth Seekerâ. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma DâArcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barrattâs Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesnât rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched â think of all the known supernatural experiences youâd expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and youâll definitely find them here. However this doesnât matter as theyâre done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, itâs the comedy side that appears to be a little lacking. Donât get me wrong, this has itsâs funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesnât seem quite as edgy and quick witted as Frost and Peggâs previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayoâs Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gusâ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene heâs in gives rise to so many laughs and in particular thereâs one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what weâd expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well â nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and DâArcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesnât seem like enough â by the end of the eighth episode I was shocked to see there wasnât any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Awix (3310 KP) rated The World's End (2013) in Movies
May 22, 2018
Predictably smart and funny comedy-SF movie from the makers of Shaun of the Dead and Hot Fuzz; five old friends come back together on an ill-conceived pub crawl and find that revisiting past mistakes is less important than dealing with the alien forces apparently at work in their old home town.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films donât really come more powerful as this, Shane Meadows has delivered a film so intense itâll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
Itâs a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea theyâve ever had. Watching it almost makes you feel like youâre high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and heâs not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldnât be laughing in some scenes although it is hard not to, this doesnât detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
Itâs a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea theyâve ever had. Watching it almost makes you feel like youâre high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and heâs not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldnât be laughing in some scenes although it is hard not to, this doesnât detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
BankofMarquis (1832 KP) rated A Fish Called Wanda (1988) in Movies
Jul 2, 2020
A Jolly Good Time
A member of my family mentioned when discussing the 1988 John Cleese comedy A FISH CALLED WANDA that you can tell much about a person over what part of this film that you like the most. Do you like:
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated Early Man (2018) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
One Million Years F.C.
Another movie from the people who made Wallace and Gromit and Shaun the Sheep, and if you're familiar with either of those you will know that expectations will be high: Aardman are the British answer to Pixar or Studio Ghibli. Keeping such sky-high standards must be difficult, so we must try to be understanding when they fall a little short - as they do here.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
Gareth von Kallenbach (980 KP) rated Early Man (2018) in Movies
Jul 8, 2019
From the creators of Chicken Run and Wallace and Gromit comes the âtrueâ
story of the origin of the worldâs most popular sport-football (or soccer
as we call it in the U.S.). A charming film that takes us back to the dawn
of man, The Stone Age, where a motley band of cavemen and women live an
archaic lifestyle foraging and hunting for their food.
Their way of life
is shattered as the Bronze age approaches, and mining for metal becoming
superior, along with the love of football (soccer) playing second. The
leader of the Bronze Age conquerors Lord Nooth strips the cavemen from
their land to mine for more metal and for smelting. Eager to keep their
way of life and get their home back, the Cavemen challenge Lord Nooth to a
game of football.
Who doesnât love a good underdog story? As you can guess, itâs hysterical
slapstick humor and sheer silliness of epic proportion. In true Wallace
and Gromit fashion, Aardman animation create a movie with an underlying
sweetness that makes the audience fall in love with such delightful
characters.
Featuring an all-star British voice cast featuring Tom
Hiddleston, Maisie Williams, Tom Redmayne, and Timothy Spall, Early Man may
not be your typical run of the mill bright, boisterous, tug at the
heartstrings type of movie, but it definitely provides enough physical
comedy to keep the audience laughing and a great message about teamwork and
learning to coexist.
story of the origin of the worldâs most popular sport-football (or soccer
as we call it in the U.S.). A charming film that takes us back to the dawn
of man, The Stone Age, where a motley band of cavemen and women live an
archaic lifestyle foraging and hunting for their food.
Their way of life
is shattered as the Bronze age approaches, and mining for metal becoming
superior, along with the love of football (soccer) playing second. The
leader of the Bronze Age conquerors Lord Nooth strips the cavemen from
their land to mine for more metal and for smelting. Eager to keep their
way of life and get their home back, the Cavemen challenge Lord Nooth to a
game of football.
Who doesnât love a good underdog story? As you can guess, itâs hysterical
slapstick humor and sheer silliness of epic proportion. In true Wallace
and Gromit fashion, Aardman animation create a movie with an underlying
sweetness that makes the audience fall in love with such delightful
characters.
Featuring an all-star British voice cast featuring Tom
Hiddleston, Maisie Williams, Tom Redmayne, and Timothy Spall, Early Man may
not be your typical run of the mill bright, boisterous, tug at the
heartstrings type of movie, but it definitely provides enough physical
comedy to keep the audience laughing and a great message about teamwork and
learning to coexist.
Alan Tudyk recommended Sexy Beast (2000) in Movies (curated)
BankofMarquis (1832 KP) rated See how they run (2022) in Movies
Dec 8, 2022
Despite a miscast Sam Rockwell - it works well...enough
The British Comedy/Murder Mystery SEE HOW THEY RUN came and went in movie theaters (at least in the U.S.) pretty quickly last fall and, consequently, most folks missed that this was even a thing.
The good news is that it is now streaming on multiple streaming services so as people gather for the Holidays there is a fun, family friendly (but good for adults) film that young and old alike could gather around the TV to watch together.
Written by Mark Chappell and Directed by Tom George (both of whom who have quite a few BBC TV Series under their belts, but it looks like this is the Major Motion Picture debut for them both), SEE HOW THEY RUN is a comedic look at the British Murder Mystery with a frumpy detective, a victim who âdeserved itâ and a plethora of potential suspects who are all brought into a room by the Detective on a âdark and stormyâ night to reveal âwhodunnitâ.
Normally, with these types of films, it comes down to the casting and while there are some very good - and fun - actors in many of the roles, one of the roles is terribly miscast and that brings down the quality of this film quite a bit.
So, letâs start with what works - the central murder mystery is cleverâŚenoughâŚ(for this sort of thing) and is wonderfully constructed around the London Stage debut of the long-running Agatha Christie murder mystery play THE MOUSETRAP in the 1950âs and, thus, this film is a period piece and that atmosphere adds - in a positive way - to the look and feel of this movie.
Saoirse Ronan, as always, is very good as the young Policewoman who is brought in to aide the main detective and proves out to be quite the Detective herself. She really holds this film together tightly in the middle. Adrien Brody, Ruth Wilson, David Oyelowo and Harris Dickinson all bring something to the film in their characters (and suspects) that add color and life to the central mystery.
Unfortunately, the usually good Sam Rockwell is miscast as the lead sleuth on this case. His frumpy, disheveled Detective was reminiscent of Columbo and just didnât fit in this British Murder Mystery. While this performance is not a distraction to this film, it doesnât elevate or lift this movie either, and - in a murder mystery - the detective solving the mystery is a major cog in the movie machine and this cog just isnât that interesting.
Rockwell is not helped by a green Director and Writer who are looking to make the leap from television to film and this film feels more like a made for TV film, than a major motion picture.
Which is why this film is a good one to catch on one of the streaming services it is currently on. It is a fun enough film that will entertain young and old alike over the Holidays.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
The good news is that it is now streaming on multiple streaming services so as people gather for the Holidays there is a fun, family friendly (but good for adults) film that young and old alike could gather around the TV to watch together.
Written by Mark Chappell and Directed by Tom George (both of whom who have quite a few BBC TV Series under their belts, but it looks like this is the Major Motion Picture debut for them both), SEE HOW THEY RUN is a comedic look at the British Murder Mystery with a frumpy detective, a victim who âdeserved itâ and a plethora of potential suspects who are all brought into a room by the Detective on a âdark and stormyâ night to reveal âwhodunnitâ.
Normally, with these types of films, it comes down to the casting and while there are some very good - and fun - actors in many of the roles, one of the roles is terribly miscast and that brings down the quality of this film quite a bit.
So, letâs start with what works - the central murder mystery is cleverâŚenoughâŚ(for this sort of thing) and is wonderfully constructed around the London Stage debut of the long-running Agatha Christie murder mystery play THE MOUSETRAP in the 1950âs and, thus, this film is a period piece and that atmosphere adds - in a positive way - to the look and feel of this movie.
Saoirse Ronan, as always, is very good as the young Policewoman who is brought in to aide the main detective and proves out to be quite the Detective herself. She really holds this film together tightly in the middle. Adrien Brody, Ruth Wilson, David Oyelowo and Harris Dickinson all bring something to the film in their characters (and suspects) that add color and life to the central mystery.
Unfortunately, the usually good Sam Rockwell is miscast as the lead sleuth on this case. His frumpy, disheveled Detective was reminiscent of Columbo and just didnât fit in this British Murder Mystery. While this performance is not a distraction to this film, it doesnât elevate or lift this movie either, and - in a murder mystery - the detective solving the mystery is a major cog in the movie machine and this cog just isnât that interesting.
Rockwell is not helped by a green Director and Writer who are looking to make the leap from television to film and this film feels more like a made for TV film, than a major motion picture.
Which is why this film is a good one to catch on one of the streaming services it is currently on. It is a fun enough film that will entertain young and old alike over the Holidays.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated David Brent: Life on the Road (2017) in Movies
Sep 29, 2021
A squirm-athon from beginning to end.
âLife on the Roadâ is a mockumentary sequel to the classic British version of the TV comedy âThe Officeâ (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in âLife on the Roadâ we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called âForegone Conclusion (2)â. Gathering around him his ethnic rapper âfriendâ Dom Johnson (Doc Brown) and a band of session musicians (who canât stand him), Brent cashes in âseveral pensionsâ to fund a tour of the venues of Berkshire⌠or at least, those that will give stage time over to a âshite bandâ. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Cooganâs Alan Partridge has come closest with âAlan Partridge â Alpha Papaâ and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent â as this film makes much clearer â has real mental illness.
Brent - the sun shines out of his earhole.
Brent â the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brentâs progressive decline, with his nervous laugh as a constant âfingernails on chalk boardâ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesnât outstay its welcome, and at 96 minutes it doesnât. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst âsweetâ, it is also implausible given whatâs happened before and I would have suspected the interference of the director in lightening the mood of the writerâs original intent. However, as Gervais is both writer and director, there is no such excuse. Thatâs a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Here in âLife on the Roadâ we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called âForegone Conclusion (2)â. Gathering around him his ethnic rapper âfriendâ Dom Johnson (Doc Brown) and a band of session musicians (who canât stand him), Brent cashes in âseveral pensionsâ to fund a tour of the venues of Berkshire⌠or at least, those that will give stage time over to a âshite bandâ. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Cooganâs Alan Partridge has come closest with âAlan Partridge â Alpha Papaâ and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent â as this film makes much clearer â has real mental illness.
Brent - the sun shines out of his earhole.
Brent â the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brentâs progressive decline, with his nervous laugh as a constant âfingernails on chalk boardâ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesnât outstay its welcome, and at 96 minutes it doesnât. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst âsweetâ, it is also implausible given whatâs happened before and I would have suspected the interference of the director in lightening the mood of the writerâs original intent. However, as Gervais is both writer and director, there is no such excuse. Thatâs a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Lee (2222 KP) Aug 21, 2019
Elli H Burton (1288 KP) Aug 21, 2019