Search
LeftSideCut (3778 KP) rated Frank Miller's Sin City: A Dame to Kill For (2014) in Movies
Jan 17, 2021
I think that I actually prefer A Dame to Kill For over the first Sin City...
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Emma @ The Movies (1786 KP) rated The Lego Movie 2: The Second Part (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
It's close to call... I absolutely love the first LEGO movie and this one might be better. Ugh, I just don't know.
With Emmet's same cheery disposition and Lucy's same never-ending scepticism you might say that it's just the first movie with more cameos and in-jokes for the adults. You're probably right, but it's still good.
The song and dance routines have been knocked up a notch, everything is still so upbeat... I love it. I am a little sad though that "This Song's Gonna Get Stuck Inside Your Head" didn't get stuck in my head (even after listening to some of the ten-hour video on LEGO's YouTube account). I actually still came out singing "Everything Is Awesome".
Queen of the songs and actual queen, Watevra Wa'Nabi, demolishes the competition. She maybe doesn't understand the subtleties of getting people to trust you but her heart is in the right place. Tiffany Haddish was fantastic, the only way she could have been better in this was if they'd Barbie dolled her for it, Welcome To Marwen style. The animation of the Duplo royal was really quite expressive, it was an ingenious way to do it.
It was great that they didn't try to fiddle around with anything animation-wise from the first film. Not that there would have been much they could have done but when you think things like that they go and surprise you with something awful. It was all just as fun, but I have never seen anything as cute as those damned hearts and stars! Oooooooh the cuteness!
Most of the cameo parts are the same as last time too, although we get a fun little addition of Bruce Willis chillin' in some air ducts.
When I sum it up like this I realise how little it really has changed but the underlying family story is sweet, it also makes for a casting addition of Maya Rudolph. She's barely in it but my god her acting is on point, I can't really tell you the scene without spoiling it but you'll see it and think the same thing.
What you should do
Well, it's half term so it's a no brainer to go and see it at some point but even at any other time of the year I'd tell you to go along and have some fun.
Movie thing you wish you could take home
I would like to take home something for use in all films... dinosaurs with subtitles.
With Emmet's same cheery disposition and Lucy's same never-ending scepticism you might say that it's just the first movie with more cameos and in-jokes for the adults. You're probably right, but it's still good.
The song and dance routines have been knocked up a notch, everything is still so upbeat... I love it. I am a little sad though that "This Song's Gonna Get Stuck Inside Your Head" didn't get stuck in my head (even after listening to some of the ten-hour video on LEGO's YouTube account). I actually still came out singing "Everything Is Awesome".
Queen of the songs and actual queen, Watevra Wa'Nabi, demolishes the competition. She maybe doesn't understand the subtleties of getting people to trust you but her heart is in the right place. Tiffany Haddish was fantastic, the only way she could have been better in this was if they'd Barbie dolled her for it, Welcome To Marwen style. The animation of the Duplo royal was really quite expressive, it was an ingenious way to do it.
It was great that they didn't try to fiddle around with anything animation-wise from the first film. Not that there would have been much they could have done but when you think things like that they go and surprise you with something awful. It was all just as fun, but I have never seen anything as cute as those damned hearts and stars! Oooooooh the cuteness!
Most of the cameo parts are the same as last time too, although we get a fun little addition of Bruce Willis chillin' in some air ducts.
When I sum it up like this I realise how little it really has changed but the underlying family story is sweet, it also makes for a casting addition of Maya Rudolph. She's barely in it but my god her acting is on point, I can't really tell you the scene without spoiling it but you'll see it and think the same thing.
What you should do
Well, it's half term so it's a no brainer to go and see it at some point but even at any other time of the year I'd tell you to go along and have some fun.
Movie thing you wish you could take home
I would like to take home something for use in all films... dinosaurs with subtitles.
Gareth von Kallenbach (965 KP) rated Rock the Kasbah (2016) in Movies
Aug 6, 2019
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
Gareth von Kallenbach (965 KP) rated Motherless Brooklyn (2019) in Movies
Oct 31, 2019
With all the recent big action blockbuster movie releases recently, there is a genre that has been overlooked for some time, a good detective story. Most movies that take place in the 50’s tend to focus more on mob related backdrops and ruthless hits to draw in audiences. Motherless Brooklyn written, directed and starring Edward Norton looks to tell a story that harkens back to the day where gumshoes spoke to key individuals and followed the clues to get to the bottom of the case. This is long before forensics was a thing, and there were no fancy computer databases or DNA matching to utilize to narrow down the suspect pool. This was when it took the skills and abilities of the individual themselves to follow the clues and piece them together like a puzzle to solve each and every case.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Kirk Bage (1775 KP) rated Glass (2019) in Movies
Mar 3, 2020
This doesn’t need to be a long review; the film itself doesn’t merit a lot of reflection. But, I have set myself the task of recording every piece of cultural media I consume, and there is already a backlog. So, here come a few quickfire bits on things that I found less than impressive. There is some value in identifying why something failed. Especially, as in the case of Glass, when there was an expectation it might be quite exciting.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
Gareth von Kallenbach (965 KP) rated The Astronaut Farmer (2006) in Movies
Aug 14, 2019
Charles Farmer (Billy Bob Thornton) is a man with a dream. Unlike some men, he does not dream of wealth, fame, or material goods, instead he dreams simply of traveling into space. While to most who share Charles’s dream would be resigned to simply leave it at that, Charles is not like most men and is determined to make his dream a reality.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
Gareth von Kallenbach (965 KP) rated The Expendables 3 (2014) in Movies
Jun 19, 2019
Many times when a film series reaches it”s third installment, it is out of ideas and running on fumes. The idea that if a film has spawned a successful sequel it must have a trilogy is nothing new in Hollywood, but far too many times the third films loses momentum and goes through the motions for one last payday for the cast and studio.
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
Ross (3282 KP) rated Split (2016) in Movies
Apr 19, 2019
A half-decent film in its own right. A dreadful desperate attempt to link to Unbreakable at the end
Contains spoilers, click to show
I had watched over half of this film before someone mentioned to me it was part of the Unbreakable "trilogy". I had heard of Glass, and had noticed that McAvoy looked similar in the two films but hadn't realised they were linked (I guess I assumed he got bored of growing his hair back to then have to become Professor X again). I had wondered what the second film in the trilogy was. Unbeknownst to me, I was watching it.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
Gareth von Kallenbach (965 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Gareth von Kallenbach (965 KP) rated Cop Out (2010) in Movies
Aug 8, 2019
For Detectives Jimmy Monroe (Bruce Willis), and Paul Hodges (Tracy Morgan), life on the beat is about to become very dangerous and complex. In the new movie “Cop Out” the two buddies find themselves at odds with their supervisor after a case goes horribly wrong and looking at a thirty day unpaid suspension.
This is a disaster for Jimmy as his only daughter is about to get married and he needs the money to pay for the wedding to avoid his ego having to absorb the insult of having his former wives new husband pick up the tab.
Undaunted Jimmy decides to sell a prized baseball card to cover the 48K wedding tab, and looks forward to being able to make his daughters dream wedding a reality. Things do not go as planned as Jimmy has his card stolen which forces Paul and Jimmy to take drastic actions to recover it.
The duo track down the card thief (Seann William Scott), and learn that he traded the card to a local drug lord who is as passionate about baseball as he is deadly to all those who stand in his way.
Jimmy and Paul soon realize that they must deal with the enemy in an effort to retrieve the card as his request that they find his stolen Mercedes seems a small price to pay for the safe return of the prized card.
Upon locating the Mercedes, Jimmy and Paul learn that a much larger game is afoot and find themselves on the run for goons and their fellow cops as they try to keep a key witness safe and retrieve the card.
The film has some very funny moments and Director Kevin Smith gets some good laughs from the material but the film suffers from a disjointed plot and some glaring holes which requires some major leaps of faith from the audience.
For example, we are expected to believe that a couple of thieves would steal a car and sell it but nowhere in the process would the thieves or new owner bother to look in the trunk much less hear the noises coming from within.
We are given a few bits about Jimmy and Paul, such as Paul’s paranoia regarding his wife and his inability to question a suspect, but the duo are so thinly developed the seem to have been crafted from the Buddy Cop film 101 guide.
Smith has always been a favorite of mine as I have always liked the way he blends biting satire and humor with interesting characters and conversations.
Action does not seem to yet be an area of comfort for Smith as he does pull off the action sequences in the film but they seem very restrained for what audiences have come to expect from today’s action films.
This time out Smith was limited to directing and editing and the film seems to be badly in need of his writing abilities.
Given his past issues with trying to do films for a big studio, it was a surprise to me that Smith did the film which was originally entitled “The Two Dicks”.
Thankfully his skilled handling of the cast and humor is what tips the scales in the films favor making “Cop Out” a flawed but at times very funny film.
This is a disaster for Jimmy as his only daughter is about to get married and he needs the money to pay for the wedding to avoid his ego having to absorb the insult of having his former wives new husband pick up the tab.
Undaunted Jimmy decides to sell a prized baseball card to cover the 48K wedding tab, and looks forward to being able to make his daughters dream wedding a reality. Things do not go as planned as Jimmy has his card stolen which forces Paul and Jimmy to take drastic actions to recover it.
The duo track down the card thief (Seann William Scott), and learn that he traded the card to a local drug lord who is as passionate about baseball as he is deadly to all those who stand in his way.
Jimmy and Paul soon realize that they must deal with the enemy in an effort to retrieve the card as his request that they find his stolen Mercedes seems a small price to pay for the safe return of the prized card.
Upon locating the Mercedes, Jimmy and Paul learn that a much larger game is afoot and find themselves on the run for goons and their fellow cops as they try to keep a key witness safe and retrieve the card.
The film has some very funny moments and Director Kevin Smith gets some good laughs from the material but the film suffers from a disjointed plot and some glaring holes which requires some major leaps of faith from the audience.
For example, we are expected to believe that a couple of thieves would steal a car and sell it but nowhere in the process would the thieves or new owner bother to look in the trunk much less hear the noises coming from within.
We are given a few bits about Jimmy and Paul, such as Paul’s paranoia regarding his wife and his inability to question a suspect, but the duo are so thinly developed the seem to have been crafted from the Buddy Cop film 101 guide.
Smith has always been a favorite of mine as I have always liked the way he blends biting satire and humor with interesting characters and conversations.
Action does not seem to yet be an area of comfort for Smith as he does pull off the action sequences in the film but they seem very restrained for what audiences have come to expect from today’s action films.
This time out Smith was limited to directing and editing and the film seems to be badly in need of his writing abilities.
Given his past issues with trying to do films for a big studio, it was a surprise to me that Smith did the film which was originally entitled “The Two Dicks”.
Thankfully his skilled handling of the cast and humor is what tips the scales in the films favor making “Cop Out” a flawed but at times very funny film.