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Merissa (11758 KP) rated Where You Are in Books
Aug 18, 2022
The spark is instantaneous between these two!
WHERE YOU ARE is a standalone story that also has overlapping characters from other Felice Stevens books. You don't need to have read the other books, but I would recommend you do, simply because they are excellent stories.
Isaac is a forty-year-old firefighter who has also been on TV and a model. He is out and proud. Levi is a twenty-seven-year-old volunteer firefighter who also helps his brother run a bar. Levi is firmly in the closet, worried about how his family (especially his brother) will react when or if they find out.
The story flows smoothly, leading you from Isaac visiting where Levi lives, which is the main part of the story, to Levi visiting New York. The characters are wonderful, especially Amanda and Daisy! I adored seeing Gabriel and Ronan again, and hearing about Matty and Bryce still being happy! Yey!!
I loved Levi's character. He tries so hard to please everyone else that he puts their happiness before his own. That's not healthy, long-term, but Levi has to work that out for himself. And Isaac, he's the one I struggled with. There was so much about him I loved, but then he'd do or say something I didn't like. I know he's out, and he knows Levi isn't, but I swear my own pulse rate shot through the roof when he would kiss Levi at the bar, or his aunt and uncle's place. It almost felt as though he didn't care if Levi was caught out, which surprised me. He has many positive aspects to his character, but this, I just couldn't get on board with.
All in all, this was a brilliant story that I thoroughly enjoyed, apart from the few 'Isaac' niggles. I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Isaac is a forty-year-old firefighter who has also been on TV and a model. He is out and proud. Levi is a twenty-seven-year-old volunteer firefighter who also helps his brother run a bar. Levi is firmly in the closet, worried about how his family (especially his brother) will react when or if they find out.
The story flows smoothly, leading you from Isaac visiting where Levi lives, which is the main part of the story, to Levi visiting New York. The characters are wonderful, especially Amanda and Daisy! I adored seeing Gabriel and Ronan again, and hearing about Matty and Bryce still being happy! Yey!!
I loved Levi's character. He tries so hard to please everyone else that he puts their happiness before his own. That's not healthy, long-term, but Levi has to work that out for himself. And Isaac, he's the one I struggled with. There was so much about him I loved, but then he'd do or say something I didn't like. I know he's out, and he knows Levi isn't, but I swear my own pulse rate shot through the roof when he would kiss Levi at the bar, or his aunt and uncle's place. It almost felt as though he didn't care if Levi was caught out, which surprised me. He has many positive aspects to his character, but this, I just couldn't get on board with.
All in all, this was a brilliant story that I thoroughly enjoyed, apart from the few 'Isaac' niggles. I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (971 KP) rated The Hitman's Bodyguard (2017) in Movies
Jun 19, 2019
For professional Bodyguard Michael Bryce (Ryan Reynolds), life is good. As an elite member of his craft, he is well paid and lives a very good life keeping high-profile targets safe the world over. When things unexpectedly take a turn we find Michael two years on having hit the skids and struggling to claw his way back to prominence in the new film “The Hitman’s Bodyguard”.
Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence. That is with the exception of one Darius Kincaid (Samuel L. Jackson). Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom. Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off.
Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels. Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another.
Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way.
Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural. The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam.
While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer.
If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film.
http://sknr.net/2017/08/17/the-hitmans-bodyguard/
Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence. That is with the exception of one Darius Kincaid (Samuel L. Jackson). Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom. Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off.
Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels. Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another.
Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way.
Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural. The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam.
While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer.
If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film.
http://sknr.net/2017/08/17/the-hitmans-bodyguard/
Gareth von Kallenbach (971 KP) rated Night Swim (2024) in Movies
Jan 5, 2024
The first major release of 2024 has arrived in the form of “Night Swim” and the Blumhouse production looks to follow on the success of “M3gan” and
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5
MaryAnn (14 KP) rated Secrets (Beauties from Ashes, #1) in Books
Mar 5, 2019
Every girl has a secret she hopes the light will never find–but the demons already have.
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Gareth von Kallenbach (971 KP) rated Rocketman (2019) in Movies
Jun 19, 2019
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
Gareth von Kallenbach (971 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jul 8, 2019
I have ben a huge fan of dinosaurs since about the age of five, especially when the first Jurassic Park was released. One, it had dinosaurs in it and two, my cousin had worked on the film so it was a double whammy for me. As I grew, the franchise grew and now at the age of thirty I am amazed and thrilled to see how far the franchise has grown with it’s latest film Jurassic World: Fallen Kingdom.
Isla Nublar has been abandoned for three years after Jurassic World was overtaken by the dinosaurs that inhabited the theme park. Since then, the dinosaurs have had to survive by fending for themselves amongst each other. After the outcome of the containment breach in the lavish amusement park. The public became fearsome and torn. Should they save the dinosaurs or, should they be left to be decimated by the islands dormant volcano that has now awoken? Claire (Bryce Dallas Howard) is back along with a couple new characters and are at the head of a group aimed to rescue any remaining dinosaurs from what could end up being the second extinction. When Claire realizes that Blue the most intelligent raptor might still be out in the jungle; she reunites with Owen (Chris Pratt) in the hopes that he would want to help the cause. It will be their mission to save the dinosaurs from the raging volcano ravaging the island. Is that the only threat though and are the dinosaurs really the threat are we the threat?
The film serves up some action packed, edge of your seat styled entertainment from start to finish. The same action that we have come to love throughout the franchise. I actually prefer this film to the last film and I’m not quite sure why. The acting and chemistry between the actors still worked very well. Although, my favorite will always be Ian Malcolm (Jeff Goldblum) whom sadly we only really get to see a couple of times in the film” The humorous antics and nods to past films can still be noticed only if your truly paying attention. I still to this day miss the use of animatronics as apposed to all the computer generation used. I do understand that filmmakers must change with the times and it can in some scenes be viewed as more realistic than not. I have a feeling that the film might have mixed reviews but in my opinion it was fantastic. As a huge fan since the beginning, I have to say this one can’t be missed because it is RAWR-some!! Also as a special note, please stay after the credits.
Isla Nublar has been abandoned for three years after Jurassic World was overtaken by the dinosaurs that inhabited the theme park. Since then, the dinosaurs have had to survive by fending for themselves amongst each other. After the outcome of the containment breach in the lavish amusement park. The public became fearsome and torn. Should they save the dinosaurs or, should they be left to be decimated by the islands dormant volcano that has now awoken? Claire (Bryce Dallas Howard) is back along with a couple new characters and are at the head of a group aimed to rescue any remaining dinosaurs from what could end up being the second extinction. When Claire realizes that Blue the most intelligent raptor might still be out in the jungle; she reunites with Owen (Chris Pratt) in the hopes that he would want to help the cause. It will be their mission to save the dinosaurs from the raging volcano ravaging the island. Is that the only threat though and are the dinosaurs really the threat are we the threat?
The film serves up some action packed, edge of your seat styled entertainment from start to finish. The same action that we have come to love throughout the franchise. I actually prefer this film to the last film and I’m not quite sure why. The acting and chemistry between the actors still worked very well. Although, my favorite will always be Ian Malcolm (Jeff Goldblum) whom sadly we only really get to see a couple of times in the film” The humorous antics and nods to past films can still be noticed only if your truly paying attention. I still to this day miss the use of animatronics as apposed to all the computer generation used. I do understand that filmmakers must change with the times and it can in some scenes be viewed as more realistic than not. I have a feeling that the film might have mixed reviews but in my opinion it was fantastic. As a huge fan since the beginning, I have to say this one can’t be missed because it is RAWR-some!! Also as a special note, please stay after the credits.
Gareth von Kallenbach (971 KP) rated The Hitman's Wife's Bodyguard (2021) in Movies
Jun 9, 2021
When audiences last saw Bodyguard Michael Bryce (Ryan Reynolds); he was dealing with the aftermath of helping save the day and his long-time nemesis Darius Kincaid (Samuel L. Jackson). Taking place shortly after the events of the first film; “The Hitman’s Wife’s Bodyguard” finds Michael trying therapy after he has a reoccurring and disturbing dream following the loss of his AAA Bodyguard license.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.
Bob Mann (459 KP) rated The Hitman's Wife's Bodyguard (2021) in Movies
Jun 22, 2021
No tension in the thriller elements (1 more)
Some shoddy special effects.
A movie that’s a pain in the A-double-dollar sign.
Struck-off bodyguard Michael Bryce (Ryan Reynolds) is plagued with nightmares about his failures, brought about by his nemesis Darius Kincaid (Samuel L Jackson) and his potty-mouthed wife Sonia (Salma Hayek). On doctor’s orders, he ‘retires’ from the business. But when Europe’s infrastructure is threatened by Greek megalomaniac Aristotle Papdopolous (Antonio Banderas) he is rudely dragged away from his briefly peaceful life and pitched back into utter mayhem.
Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.
- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.
- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)
Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.
- If there was an award for the clumsiest movie title of 2021, we may already have a winner.
Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.
Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.
- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.
- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)
Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.
- If there was an award for the clumsiest movie title of 2021, we may already have a winner.
Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.
Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
LeftSideCut (3778 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
Movie Metropolis (309 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 10, 2019
A bold new era
“We’re not on an island anymore” barks Chris Pratt’s Owen Grady towards the finale of Jurassic World: Fallen Kingdom. And he’s not wrong, the fifth film in the Jurassic franchise says goodbye to Isla Nublar in rip-roaring fashion, transforming itself into a a family friendly gothic horror film in its last hour.
Ok, ok, let’s start from the beginning. The Jurassic franchise has often been criticised for relying too heavily on the same story points to make a film. 2015’s Jurassic World, whilst becoming one of the highest-grossing films of all time, was lambasted for being a modern-day reimagining of 1993’s classic, Jurassic Park. And while some of that criticism was justified, it was still pure sugary, popcorn entertainment.
Now, three years later, director J.A. Bayona (The Impossible, A Monster Calls) takes over from Colin Trevorrow to bring us a film that starts out like we expect, but ends on a note that will transform the series beyond recognition. The question is, does it actually work?
Three years after the destruction of the Jurassic World theme park, Owen Grady (Pratt) and Claire Dearing (Bryce Dallas Howard) return to the island of Isla Nublar to save the remaining dinosaurs from a volcano that’s about to erupt. They soon encounter terrifying new breeds of gigantic dinos while uncovering a conspiracy that threatens the entire planet and our own existence.
Fallen Kingdom begins with a pre-title card sequence situated in the lagoon of Isla Nublar that is up there with the best in the series. J.A. Bayona masterfully uses light and shadow to create a really compelling opening that is sure to be one of the summer’s best action scenes. And that is a trait that is brought to the rest of the film. Fallen Kingdom is absolutely beautiful.
The cinematography is exquisite and much better than the staid filming style of Bayona’s predecessor. There are scenes throughout this film that feel like they could be pulled straight from the screen and hung in your living room: it’s gorgeous.
Despite Bayona’s inexperience at creating a juggernaut film like this, his previous films are felt throughout. There’s a deep, earthy colour palatte that is the polar opposite of what we saw in Jurassic World. Where that was clinical and far too blue, Bayona’s colourings feel real, raw and grounded in reality.
The cast is also an incredibly strong part of the film. Pratt and Bryce Dallas Howard both sizzle with on-screen chemistry and there’s a cheeky nod to the backlash Howard faced after wearing high-heels for much of Jurassic World’s runtime. Newcomers Justice Smith and Daniella Pineda are terrific as a jumpy IT wiz and veterinary surgeon respectively. James Cromwell is nicely ret-conned into the story as John Hammond’s business partner, Benjamin, and adds a touch of class to proceedings.
Rafe Spall is excellent as the slimy assistant of Benjami, Eli and Toby Jones hams up the screen as an auctioneer. So far, so good then?
The first half of the film, situated on Isla Nublar as it pops into life is astounding and features some of the best destruction ever put to film. The CGI is leaps and bounds ahead of its predecessor and the dinosaurs feel absolutely real throughout. What I didn’t expect however, is poignancy. There are moments in Fallen Kingdom that have real emotional whack, especially as the rescue operation leaves the island. A lone Brachiosaur standing at the dock is heart-breaking and beautifully done.
J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series
Unfortunately, Fallen Kingdom’s biggest selling point is also its biggest downfall. In trying to do something new, the film stalls as we head to a gothic-esque mansion for the final hour. The confines of the house slow the pacing right down and despite the constant onslaught of action, it really does lag. The special effects and animatronics remain flawless and the action is thrilling, but the script lets them down.
Speaking of the script, this was Jurassic World’s biggest weakness and the same can be said here. Colin Trevorrow and Derek Connelly should be applauded for bringing this franchise back from the edge of extinction, but my god, they cannot write dialogue to save their lives. The characters often converse in what feels like speech bubbles and this can really bring you out of the moment.
There’s also a laughably poor plot twist that feels like it was written by a five-year-old to add some wow factor to the film’s final third. It fails miserably. Then there’s the film’s ‘villain’, the Indoraptor. This genetically modified beast is a sorely underdeveloped entity throughout the film. Sure, she’s menacing enough, but it feels shoehorned in. Trevorrow has stated that Fallen Kingdom will be the last Jurassic movie to feature hybrid dinosaurs: this is absolutely the right decision.
Trevorrow has said that his Jurassic vision is a new trilogy, but the ending of Fallen Kingdom feels like it simply can’t be fixed in one more film. It’s Planet of the Apes-esque in scale.
When we take a look at the score, it’s a story of two halves. Michael Giacchino is one of the greatest composers working today and his music for Jurassic World was absolutely sublime. Here, however, the music is unrecognisable as Jurassic in its construction. John Williams’ iconic theme is rendered to a few bars here and there and that’s a real shame. It’s a good score most definitely, but it could have been so much better.
Finally, we have to circle back around to the cast and the elephant in the room: Jeff Goldblum. His return as Dr Ian Malcolm in this film adds a nice bookend, beginning and end, but you have seen all but two or three lines of his dialogue in the trailer. A horrifically underused presence, but a nice cameo nonetheless.
Overall, Jurassic World: Fallen Kingdom is a solid addition to the ever-expanding series. J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series with superb set pieces, well-choreographed action and gorgeous cinematography. However, once again the film is let down by poor scriptwriting from Trevorrow and Connelly and a second half that struggles to keep pace with the stunning first.
Is it better than Jurassic World? Well that’s for you to decide, but comparing them is almost impossible.
https://moviemetropolis.net/2018/06/07/jurassic-world-fallen-kingdom-review-a-bold-new-era/
Ok, ok, let’s start from the beginning. The Jurassic franchise has often been criticised for relying too heavily on the same story points to make a film. 2015’s Jurassic World, whilst becoming one of the highest-grossing films of all time, was lambasted for being a modern-day reimagining of 1993’s classic, Jurassic Park. And while some of that criticism was justified, it was still pure sugary, popcorn entertainment.
Now, three years later, director J.A. Bayona (The Impossible, A Monster Calls) takes over from Colin Trevorrow to bring us a film that starts out like we expect, but ends on a note that will transform the series beyond recognition. The question is, does it actually work?
Three years after the destruction of the Jurassic World theme park, Owen Grady (Pratt) and Claire Dearing (Bryce Dallas Howard) return to the island of Isla Nublar to save the remaining dinosaurs from a volcano that’s about to erupt. They soon encounter terrifying new breeds of gigantic dinos while uncovering a conspiracy that threatens the entire planet and our own existence.
Fallen Kingdom begins with a pre-title card sequence situated in the lagoon of Isla Nublar that is up there with the best in the series. J.A. Bayona masterfully uses light and shadow to create a really compelling opening that is sure to be one of the summer’s best action scenes. And that is a trait that is brought to the rest of the film. Fallen Kingdom is absolutely beautiful.
The cinematography is exquisite and much better than the staid filming style of Bayona’s predecessor. There are scenes throughout this film that feel like they could be pulled straight from the screen and hung in your living room: it’s gorgeous.
Despite Bayona’s inexperience at creating a juggernaut film like this, his previous films are felt throughout. There’s a deep, earthy colour palatte that is the polar opposite of what we saw in Jurassic World. Where that was clinical and far too blue, Bayona’s colourings feel real, raw and grounded in reality.
The cast is also an incredibly strong part of the film. Pratt and Bryce Dallas Howard both sizzle with on-screen chemistry and there’s a cheeky nod to the backlash Howard faced after wearing high-heels for much of Jurassic World’s runtime. Newcomers Justice Smith and Daniella Pineda are terrific as a jumpy IT wiz and veterinary surgeon respectively. James Cromwell is nicely ret-conned into the story as John Hammond’s business partner, Benjamin, and adds a touch of class to proceedings.
Rafe Spall is excellent as the slimy assistant of Benjami, Eli and Toby Jones hams up the screen as an auctioneer. So far, so good then?
The first half of the film, situated on Isla Nublar as it pops into life is astounding and features some of the best destruction ever put to film. The CGI is leaps and bounds ahead of its predecessor and the dinosaurs feel absolutely real throughout. What I didn’t expect however, is poignancy. There are moments in Fallen Kingdom that have real emotional whack, especially as the rescue operation leaves the island. A lone Brachiosaur standing at the dock is heart-breaking and beautifully done.
J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series
Unfortunately, Fallen Kingdom’s biggest selling point is also its biggest downfall. In trying to do something new, the film stalls as we head to a gothic-esque mansion for the final hour. The confines of the house slow the pacing right down and despite the constant onslaught of action, it really does lag. The special effects and animatronics remain flawless and the action is thrilling, but the script lets them down.
Speaking of the script, this was Jurassic World’s biggest weakness and the same can be said here. Colin Trevorrow and Derek Connelly should be applauded for bringing this franchise back from the edge of extinction, but my god, they cannot write dialogue to save their lives. The characters often converse in what feels like speech bubbles and this can really bring you out of the moment.
There’s also a laughably poor plot twist that feels like it was written by a five-year-old to add some wow factor to the film’s final third. It fails miserably. Then there’s the film’s ‘villain’, the Indoraptor. This genetically modified beast is a sorely underdeveloped entity throughout the film. Sure, she’s menacing enough, but it feels shoehorned in. Trevorrow has stated that Fallen Kingdom will be the last Jurassic movie to feature hybrid dinosaurs: this is absolutely the right decision.
Trevorrow has said that his Jurassic vision is a new trilogy, but the ending of Fallen Kingdom feels like it simply can’t be fixed in one more film. It’s Planet of the Apes-esque in scale.
When we take a look at the score, it’s a story of two halves. Michael Giacchino is one of the greatest composers working today and his music for Jurassic World was absolutely sublime. Here, however, the music is unrecognisable as Jurassic in its construction. John Williams’ iconic theme is rendered to a few bars here and there and that’s a real shame. It’s a good score most definitely, but it could have been so much better.
Finally, we have to circle back around to the cast and the elephant in the room: Jeff Goldblum. His return as Dr Ian Malcolm in this film adds a nice bookend, beginning and end, but you have seen all but two or three lines of his dialogue in the trailer. A horrifically underused presence, but a nice cameo nonetheless.
Overall, Jurassic World: Fallen Kingdom is a solid addition to the ever-expanding series. J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series with superb set pieces, well-choreographed action and gorgeous cinematography. However, once again the film is let down by poor scriptwriting from Trevorrow and Connelly and a second half that struggles to keep pace with the stunning first.
Is it better than Jurassic World? Well that’s for you to decide, but comparing them is almost impossible.
https://moviemetropolis.net/2018/06/07/jurassic-world-fallen-kingdom-review-a-bold-new-era/