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Simon Templar is a saint. Or at least he was named after one by his amused but bemusing parents....
David McK (3557 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 10, 2023
This was a movie that, while I had no real plans to see it in the cinema myself, if somebody had asked me to go along with them I probably would have said "aye, why not?" to.
In this, Nic Cage plays a fictionalised version of himself who is thinking of giving up acting and then accepts a 1 million dollar pay-day from a superfan (the internets current BFF Pedro Pascal) to come and visit him for his birthday celebrations, unaware that the FBI believe that superfan to be a drug kingpin and with the FBI then suborning Cage to spy on said fan.
The rest of the film then plays out as a sort of buddy comedy, with Cage and Pascal (not all as he seems) then finding themselves caught up in various, sometimes ridiculous, situations and as they start using their experiences more and more towards the plot of a film that Gutierrez has dreamed up for Cage to star in.
So, yeah, better than I was expecting and it did even make me laugh once or twice!
In this, Nic Cage plays a fictionalised version of himself who is thinking of giving up acting and then accepts a 1 million dollar pay-day from a superfan (the internets current BFF Pedro Pascal) to come and visit him for his birthday celebrations, unaware that the FBI believe that superfan to be a drug kingpin and with the FBI then suborning Cage to spy on said fan.
The rest of the film then plays out as a sort of buddy comedy, with Cage and Pascal (not all as he seems) then finding themselves caught up in various, sometimes ridiculous, situations and as they start using their experiences more and more towards the plot of a film that Gutierrez has dreamed up for Cage to star in.
So, yeah, better than I was expecting and it did even make me laugh once or twice!
Gareth von Kallenbach (980 KP) rated Keanu (2016) in Movies
Aug 6, 2019
When Keegan Michael-Key and Jordan Peele announced that they would be ending their program Key and Peele, I was saddened. Their lively antics, comedic sensibilities, and ability to it on political and social issues in a way that allows them to make America reflect were what their fan base love about them. We saw original, sketch comedy that was actually funny and insightful as missing in today’s environment. As part of their “retirement,” they informed their fans that this was not the end of Key and Peele, just that they were going to entertain other projects.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
The Sinister Sitcom Caper
8.0
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Sandy Fairfax, former teen idol and star of the '70s hit TV show Buddy Brave, Boy Sleuth, is now...
Sideways (2004)
7.2
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Movie Watch
The misadventures begin when Miles (Paul Giamatti), an un-recovered divorcé and would-be novelist...
LoganCrews (2861 KP) rated Half Baked (1998) in Movies
Jul 4, 2021
Ironically, not even that much better while high. I liked this for the majority of the runtime but that third act really tried my patience - falls into the exact line as other late 90s/early 00s buddy comedies in vein of 𝘋𝘶𝘥𝘦, 𝘞𝘩𝘦𝘳𝘦'𝘴 𝘔𝘺 𝘊𝘢𝘳? and the like that I just fucking hate, where the film completely gives up and a bunch of tiring 'wacky' stuff happens until it abruptly ends. Pretty typical hit-or-miss stoner comedy of the era but easy to forgive when the thing isn't even 85 minutes in length. It's agreeable enough with some seriously funny shit in it every now and again, mostly only holding its own in the sea of other similar movies due to its trio of three sharp, exuberant lead performances - Jim Breuer's final boss tie-dyed pothead steals the show with extreme prejudice (seriously, has anyone else in a movie ever exuded *more* stoner energy than this guy?). Can be lumped right in with 𝘔𝘪𝘴𝘴 𝘔𝘢𝘳𝘤𝘩 in the "kind of funny, semi-decent films written by people who are clearly above such work but also maybe that was the point of it to begin with?" pile. But Bob Saget's "I used to suck dick for coke!" bit remains as iconic and effortlessly hysterical as ever.
Murder Buys a One-Way Ticket
8.0
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It’s the funny side of homicide in acclaimed TV comedy writer and novelist Laura Levine’s newest...
Bob Mann (459 KP) rated Long Shot (2019) in Movies
Sep 28, 2021
#Punching.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
Going in Style (2017)
6.7
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Movie Watch
Oscar winners Morgan Freeman (Million Dollar Baby), Michael Caine (The Cider House Rules, Hannah and...
Gareth von Kallenbach (980 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.