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Sarah (7799 KP) rated Cube (1997) in Movies
Oct 14, 2019
A cult classic
I first watched Cube when I was at college, it was a bit of a cult classic at the time and I absolutely loved it. Sadly watching it back now is maybe a tad disappointing.
Plot wise this is a brilliant idea, and a great early example of the type of torture style horror that we're used to from the likes of Saw and Hostel. Some of the CGI is a bit dodgy (not a surprise considering it was made in 1997) but the deaths and traps are still really inventive and well thought out. The story may get a little too deep into Maths later on but it's still a very good idea. The problem with this film is mainly the acting. Aside from David Hewlett (who I can't fault after his turn as McKay in Stargate), there is a lot of very hammy over acting going on in this, notably from the character of Quentin but the others are at fault too. And when paired with a very patchy script- I mean who the hell says "holy cats" - it brings this film down a couple of notches that the plot really doesn't deserve. I loved the ending though, and I do think this is a film worthy of a cult classic.
Plot wise this is a brilliant idea, and a great early example of the type of torture style horror that we're used to from the likes of Saw and Hostel. Some of the CGI is a bit dodgy (not a surprise considering it was made in 1997) but the deaths and traps are still really inventive and well thought out. The story may get a little too deep into Maths later on but it's still a very good idea. The problem with this film is mainly the acting. Aside from David Hewlett (who I can't fault after his turn as McKay in Stargate), there is a lot of very hammy over acting going on in this, notably from the character of Quentin but the others are at fault too. And when paired with a very patchy script- I mean who the hell says "holy cats" - it brings this film down a couple of notches that the plot really doesn't deserve. I loved the ending though, and I do think this is a film worthy of a cult classic.
Blazing Minds (92 KP) rated Mission: Impossible - Fallout (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Way back in 1996 we were introduced to the movie franchise of Mission: Impossible, now 22 years later (yes you read that right!), we’ve got to the sixth movie, Mission: Impossible Fallout, with Tom Cruise reprising his role of Ethan Hunt and showing us that he is still one heck of an adrenaline junkie with even more edge of the seat stunts and action.
I’ve been looking forward to seeing the team of Tom Cruise, Ving Rhames, Simon Pegg and Rebecca Ferguson back together in the latest movie and to see Henry Cavill (with that moustache that caused some CGI removal in Justice League), so I popped over to the Scala Cinema in Prestatyn to check out the movie.
Now with all the previous Mission: Impossible movies I went into this one, not really knowing too much about the movie, I like to have the surprises that the franchise throws at you and not have any spoilers, so long story short, all I knew is that the IMF is trying to get their hands back on some stolen plutonium that a new rogue faction called The Apostles want to use to wipe out a third o the world’s population and on the way Hunt (Tom Cruise) and his team have to get their hands back on Soloman Lane (Sean Harris) who we last saw in Mission: Impossible Rogue Nation.
I’ve been looking forward to seeing the team of Tom Cruise, Ving Rhames, Simon Pegg and Rebecca Ferguson back together in the latest movie and to see Henry Cavill (with that moustache that caused some CGI removal in Justice League), so I popped over to the Scala Cinema in Prestatyn to check out the movie.
Now with all the previous Mission: Impossible movies I went into this one, not really knowing too much about the movie, I like to have the surprises that the franchise throws at you and not have any spoilers, so long story short, all I knew is that the IMF is trying to get their hands back on some stolen plutonium that a new rogue faction called The Apostles want to use to wipe out a third o the world’s population and on the way Hunt (Tom Cruise) and his team have to get their hands back on Soloman Lane (Sean Harris) who we last saw in Mission: Impossible Rogue Nation.
LeftSideCut (3776 KP) rated The Forever Purge (2021) in Movies
Jul 6, 2022
At this point, we all know what we're getting when a new Purge film shuffles it's way into the harsh light of day. Lots of shooting, CGI blood spatters, characters looking super serious as their protective shutters roll over the windows and doors of their houses, and some vague message about society and the state of America. All of this is present and correct for the latest installment of this ever popular franchise, and to be quite honest, it's entertaining as hell. It may be predictable, it may be on the nose with what it's trying to say, but it pulls off some genuinely tense action scenes (there's one extended long shot in particular, later on in the runtime, that looks incredible), shakes up the formula by showing us what a Purge night may look like from the viewpoint of immigrants, and delivers a film that not only portrays America descending into absolute chaos, but does a good job at making it feel legit.
The Forever Purge is hardly breaking new ground, but still manages to feel somewhat fresh in a horror series that is 5 films deep. It's also a decent recovery after the last film seriously stumbled. All in all, a popcorn movie that will surely be a bucket of bloody fun if you leave your brain at the door.
The Forever Purge is hardly breaking new ground, but still manages to feel somewhat fresh in a horror series that is 5 films deep. It's also a decent recovery after the last film seriously stumbled. All in all, a popcorn movie that will surely be a bucket of bloody fun if you leave your brain at the door.
LeftSideCut (3776 KP) rated Orphan:First Kill (2022) in Movies
Oct 12, 2022
The first Orphan is great for many reasons, chief amongst them being the truly infamous and batshit plot twist. Orphan: First Kill then, has some big footsteps to follow, or precede I guess. This prequel is a little worrisome at first. Although it's great to have Esther back on our screens, the first third of First Kill treads some extremely territory. It's entertaining for sure, and the violence may be a bit more savage, but the narrative threatens to be a little rinse-and-repeat. However, I found myself with egg on my face whilst thinking this, when a new, and arguably more batshit plot twist hits in the mid section, and suddenly First Kill commands more respect.
This sharp turn in proceedings ensures that we're being shown something new, an aspect that so many horror sequels seem to glaze over.
Isabelle Fuhrman returns as Esther, and honestly, she is noticeably older even though this is a prequel. However, I can't help but admire the decision to go down this route instead of using CGI. The use of make up and camera tricks do a good job of least ensuring that it doesn't look fake.
Although it doesn't quite hit the heights of the first film, First Kill is still a good time, with one of the most underrated villains of horror, and I for one want more dammit.
This sharp turn in proceedings ensures that we're being shown something new, an aspect that so many horror sequels seem to glaze over.
Isabelle Fuhrman returns as Esther, and honestly, she is noticeably older even though this is a prequel. However, I can't help but admire the decision to go down this route instead of using CGI. The use of make up and camera tricks do a good job of least ensuring that it doesn't look fake.
Although it doesn't quite hit the heights of the first film, First Kill is still a good time, with one of the most underrated villains of horror, and I for one want more dammit.
Steven Sklansky (231 KP) rated Beauty and the Beast (2017) in Movies
Nov 25, 2017
Beauty and the Plot Holes
I know I shouldn't be looking to much in to animated movies turned in to live action, but this movie really had some obvious plot holes. I will get to a few of those in a bit. First I would like to say this was not a bad movie. I actually enjoyed it more then I thought I would have. The CGI was really good and the music/songs were done really well and really funny.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
Lee (2222 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 18, 2019
Much better than I was expecting
I never really 'got' Pokémon. I've never watched it, never read it, never had any interest in it whatsoever. I actually gave the game Pokémon Go a shot, as I was already a big fan of Niantic's previous game, Ingress. But swiping balls randomly at floating animated creatures on the screen? Yeah, not really my idea of fun. So, why then would I go watch a Pokémon movie where, for some strange reason, Deadpool is voicing the lead character, a cute little fluffy Pikachu? Well, in the interests of providing balanced, impartial Smashbomb reviews that's why. And, because my nephew asked me to take him...
I guess one of my concerns before heading in to see Detective Pikachu was how exactly the Pokémon we're going to be portrayed. If this was going to be some kind of Smurfs or Alvin and the Chipmunks style movie, where over-the-top CGI characters are thrust upon the world of over-the-top human characters in some crazy adventure aimed at six year olds, then I wouldn't be very happy. Thankfully, it turned out to be the compete opposite.
21 year old Tim receives news that his father, top detective Harry Goodman, has gone missing following a car accident, and is presumed dead. He travels to his father's place of work - Ryme City, a modern metropolis where humans and Pokémon live happily side by side - and joins forces with Harry's Pokémon partner, Detective Pikachu. Tim discovers that he can understand what the wise cracking, cute little Pikachu is saying to him and they set about trying to get to the bottom of the mystery surrounding Harry's suspected death.
I was pretty impressed from the offset just how well this movie is presented. It's set in a world where humans and these strange, wonderful creatures live alongside each other in harmony, yet the Pokémon are never really presented in that wacky manner that I described earlier with other CGI character movies. It's extremely well done and feels both natural and believable. And because the focus of the movie is more on the story, and the mystery to be solved, rather than revelling in the fact that this is a live action Pokémon movie, it made it all the more enjoyable. This felt to me something more alike to 'Who Framed Roger Rabbit'. And I really liked it!
Better still, I rarely felt as though I needed any prior knowledge of Pokémon in order to appreciate and enjoy it. There's a brief explainer near the beginning regarding the whole trainer/balls/battles concept, which didn't make it any less ridiculous as far as I'm concerned, but that just didn't matter as it wasn't really necessary to the main plot. Having never experienced Pokémon in any other media form, I obviously can't comment on how faithful this is to any of that, but as a family movie I'd say this is a pretty big hit.
I guess one of my concerns before heading in to see Detective Pikachu was how exactly the Pokémon we're going to be portrayed. If this was going to be some kind of Smurfs or Alvin and the Chipmunks style movie, where over-the-top CGI characters are thrust upon the world of over-the-top human characters in some crazy adventure aimed at six year olds, then I wouldn't be very happy. Thankfully, it turned out to be the compete opposite.
21 year old Tim receives news that his father, top detective Harry Goodman, has gone missing following a car accident, and is presumed dead. He travels to his father's place of work - Ryme City, a modern metropolis where humans and Pokémon live happily side by side - and joins forces with Harry's Pokémon partner, Detective Pikachu. Tim discovers that he can understand what the wise cracking, cute little Pikachu is saying to him and they set about trying to get to the bottom of the mystery surrounding Harry's suspected death.
I was pretty impressed from the offset just how well this movie is presented. It's set in a world where humans and these strange, wonderful creatures live alongside each other in harmony, yet the Pokémon are never really presented in that wacky manner that I described earlier with other CGI character movies. It's extremely well done and feels both natural and believable. And because the focus of the movie is more on the story, and the mystery to be solved, rather than revelling in the fact that this is a live action Pokémon movie, it made it all the more enjoyable. This felt to me something more alike to 'Who Framed Roger Rabbit'. And I really liked it!
Better still, I rarely felt as though I needed any prior knowledge of Pokémon in order to appreciate and enjoy it. There's a brief explainer near the beginning regarding the whole trainer/balls/battles concept, which didn't make it any less ridiculous as far as I'm concerned, but that just didn't matter as it wasn't really necessary to the main plot. Having never experienced Pokémon in any other media form, I obviously can't comment on how faithful this is to any of that, but as a family movie I'd say this is a pretty big hit.
Movie Metropolis (309 KP) rated The Great Wall (2016) in Movies
Jun 11, 2019
Disappointingly Pedestrian
Acclaimed director Zhang Yimou has been at the helm of some of China’s greatest film assets. 1991’s Raise the Red Lantern is widely regarded as one of the defining foreign-language films of its period and 2004’s House of Flying Daggers received huge critical acclamation for its stunning cinematography and exceptional script.
Here, Yimou teams up with one of Hollywood’s greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within China’s magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, it’s all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimou’s previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like you’re sat watching a very expensive video game. As with last year’s Gods of Egypt, there’s a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. It’s definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. It’s crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Here, Yimou teams up with one of Hollywood’s greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within China’s magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, it’s all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimou’s previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like you’re sat watching a very expensive video game. As with last year’s Gods of Egypt, there’s a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. It’s definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. It’s crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.