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Kirk Bage (1775 KP) rated Schitt's Creek in TV
Jan 22, 2021
This show was a little off my radar until it went ahead and won 9 Emmys earlier this year. I made a point of adding it to my watchlist, but remained largely unconvinced that it was going to be for me. Not based on anything solid, I just had a feeling.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
honingwords (32 KP) rated No Good Reason in Books
Jul 5, 2018
Cari Hunter is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Cari Hunter’s Dark Peak crime series, starting with No Good Reason, was recommended to me by a Lesfic author. I reckon you have to be pretty good for your peers to claim you are ‘top notch’ and after reading four of her books in quick succession I can guarantee that Cari is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Haley Mathiot (9 KP) rated Once Dead, Twice Shy (Madison Avery, #1) in Books
Apr 27, 2018
Madison Avery doesn't believe in fate—until a combination of fate and free will brings her to live with her dad (which her mom thinks is a good thing for her since she can't stay out of trouble at home), gets her a pity-date ("you got your boss to get his son to ask me out? what?"), and kills her (at her junior prom. On her seventeenth birthday. of all the luck.). Now, after having claimed the amulet of the timekeeper who killed her (which is the only thing that keeps her looking like she's alive), she has to learn how to live with death. If that's even possible.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Art of Escaping in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Hold on a second while I scream in my corner about how I am finally <em>on time</em> to write a review before a book actually releases. Just barely, but you know, it's still relatively on time. 😱
Maybe it's because I've decided to give up on the four books that have been there since 2016 and reset my priorities.
Okay, back on topic.
<em>The Art of Escaping</em> by Erin Callahan is a book that Roberta first introduced to me in sometime in a year far ago and honestly? Well, let's find out.
<h2 style="text-align: center;"><strong>A Few Things About <em>The Art of Escaping</em></strong></h2>
Erin Callahan's latest novel is about escapology, and maybe the title explains what escapology is, but there's probably multiple layers of meaning with the title aside from literally. (I approve of this approach.)
But here: I almost DNFed this one. But I wanted to know the end, so curiosity got better of me.
<h3><strong>Multiple POVs was meh but okay.</strong></h3>
<em>The Art of Escaping</em> is told in two views: Mattie and Will. Three, if you count diary entries as an intermission between chapters. I'm not against multiple views and maybe I was tired, but I struggled sometimes with this one.
There were times where it felt like the story was being told right now as it is happening, and then there were times where it felt the story was being told by a future version of the characters. And then there were times the story kind of repeated itself, then went onwards. 🤷🏻♀️
<h3><strong>Occasionally I liked a line or two. Or three.</strong></h3>
There are some great one-liners in here, but a lot of the writing I glossed over. To be honest, sometimes I was bored and maybe it was just me in a very bad time (I felt like doing nothing for the past few weeks if my lack of posts say anything).
But I was also reading another book, and it was more interesting? Lack of motivation did nothing there. So maybe I'm not the only one who felt meh about the writing.
<h3><strong>There is NO romance.</strong></h3>
Well, not exactly. There are snippets here and there, but it's not a part of the storyline, which is 11/10 okay with me because every book and its sequel has a romance somehow these days. (Am I complaining? Not really. I like books with no romance sometimes.) But the main point is, it's not a <i>huge</i> plot bunny.
<h3><strong>Friendship and sibling dynamics.</strong></h3>
Okay, so I can live for the friendship and sibling dynamics because they were developed quite well, or at least, in the few months timeframe. The brother/sister relationship isn't much, but the friendship is a huge part of the book for both new and old relationships. It was lovely seeing Will and Mattie grow a friendship over escapology and then bringing the other characters in.
<h3><strong>Miyu is a precious bean.</strong></h3>
Early on in <em>The Art of Escaping</em>, Callahan introduces readers to Miyu, who ends up being Mattie's mentor who is Crabby<sup>TM</sup>. Honestly though, I absolutely love Miyu - she's a crab, but deep down, she's a soft cookie filled with chocolate chips. Plus 95% of the best sentences in the book come from Miyu, so there is never a boring moment with her on the page.
<h2><strong>Honestly I was hoping <i>The Art of Escaping</i> would be good, but there were a few things missing to make it to that level. It wasn't a mess, but maybe a few sweeps needed.</strong></h2>
<a href="https://bookwyrmingthoughts.com/the-art-of-escaping-by-erin-callahan-thank-you-death-come-again/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hold on a second while I scream in my corner about how I am finally <em>on time</em> to write a review before a book actually releases. Just barely, but you know, it's still relatively on time. 😱
Maybe it's because I've decided to give up on the four books that have been there since 2016 and reset my priorities.
Okay, back on topic.
<em>The Art of Escaping</em> by Erin Callahan is a book that Roberta first introduced to me in sometime in a year far ago and honestly? Well, let's find out.
<h2 style="text-align: center;"><strong>A Few Things About <em>The Art of Escaping</em></strong></h2>
Erin Callahan's latest novel is about escapology, and maybe the title explains what escapology is, but there's probably multiple layers of meaning with the title aside from literally. (I approve of this approach.)
But here: I almost DNFed this one. But I wanted to know the end, so curiosity got better of me.
<h3><strong>Multiple POVs was meh but okay.</strong></h3>
<em>The Art of Escaping</em> is told in two views: Mattie and Will. Three, if you count diary entries as an intermission between chapters. I'm not against multiple views and maybe I was tired, but I struggled sometimes with this one.
There were times where it felt like the story was being told right now as it is happening, and then there were times where it felt the story was being told by a future version of the characters. And then there were times the story kind of repeated itself, then went onwards. 🤷🏻♀️
<h3><strong>Occasionally I liked a line or two. Or three.</strong></h3>
There are some great one-liners in here, but a lot of the writing I glossed over. To be honest, sometimes I was bored and maybe it was just me in a very bad time (I felt like doing nothing for the past few weeks if my lack of posts say anything).
But I was also reading another book, and it was more interesting? Lack of motivation did nothing there. So maybe I'm not the only one who felt meh about the writing.
<h3><strong>There is NO romance.</strong></h3>
Well, not exactly. There are snippets here and there, but it's not a part of the storyline, which is 11/10 okay with me because every book and its sequel has a romance somehow these days. (Am I complaining? Not really. I like books with no romance sometimes.) But the main point is, it's not a <i>huge</i> plot bunny.
<h3><strong>Friendship and sibling dynamics.</strong></h3>
Okay, so I can live for the friendship and sibling dynamics because they were developed quite well, or at least, in the few months timeframe. The brother/sister relationship isn't much, but the friendship is a huge part of the book for both new and old relationships. It was lovely seeing Will and Mattie grow a friendship over escapology and then bringing the other characters in.
<h3><strong>Miyu is a precious bean.</strong></h3>
Early on in <em>The Art of Escaping</em>, Callahan introduces readers to Miyu, who ends up being Mattie's mentor who is Crabby<sup>TM</sup>. Honestly though, I absolutely love Miyu - she's a crab, but deep down, she's a soft cookie filled with chocolate chips. Plus 95% of the best sentences in the book come from Miyu, so there is never a boring moment with her on the page.
<h2><strong>Honestly I was hoping <i>The Art of Escaping</i> would be good, but there were a few things missing to make it to that level. It wasn't a mess, but maybe a few sweeps needed.</strong></h2>
<a href="https://bookwyrmingthoughts.com/the-art-of-escaping-by-erin-callahan-thank-you-death-come-again/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Frost in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Chris Sawin (602 KP) rated World's Greatest Dad (2009) in Movies
Jun 22, 2019
Lance Clayton is a pretty well-established writer, in a sense. He's written several novels and children's books. The problem is none of his work has ever been published. Every submission to publishers has been denied. So Lance tells himself that if his next novel is rejected, he'll give up writing. Lance is also a high school poetry teacher that's on the verge of losing his course due to not having enough student interest. During all of this, Lance has his hands full with his son Kyle. Kyle doesn't seem too interested in much of anything other than the most disturbing type of pornographic videos while continually acting out at school and is on the verge of being transferred to a school for students with special needs. Then, as if that wasn't enough, Lance is seeing the art teacher, Claire, who wants to keep their relationship a secret while not getting too serious. So, it's safe to say that Lance has his hands full. On top of it all though, he's afraid of dying alone. Lance winds up getting everything he's ever wanted after a certain situation presents itself, but soon realizes having all of that doesn't automatically make you happy.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
Lyndsey Gollogly (2893 KP) rated The Reddening in Books
Oct 27, 2019
Fantastic
Contains spoilers, click to show
One million years of evolution didn't change our nature. Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect.
Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.
Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.
Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.
I was lucky enough to have a signed limited edition brought for my birthday first off the art work is just brilliant. After trying my hardest not to devour it within two days I made it last and enjoyed it so much. The imagery was just fantastic helped along with pictures posted by Adam showing his inspiration while writing. Chapter 21 all I can say is poor Steve. You felt everything these two women experienced from Helene's swim to Kat's captivity. The one thing I didn't like while reading was my kids and husbands need to keep interrupting me!! Thank you Adam for another fantastic book!

Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.
Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.
Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.
I was lucky enough to have a signed limited edition brought for my birthday first off the art work is just brilliant. After trying my hardest not to devour it within two days I made it last and enjoyed it so much. The imagery was just fantastic helped along with pictures posted by Adam showing his inspiration while writing. Chapter 21 all I can say is poor Steve. You felt everything these two women experienced from Helene's swim to Kat's captivity. The one thing I didn't like while reading was my kids and husbands need to keep interrupting me!! Thank you Adam for another fantastic book!

My Fight / Your Fight: The Official Ronda Rousey Autobiography
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This book is the winner of British Sports Book Awards. It is also the Sports Book of the Year. 'I...
C Tuner - The accurate and easy-to-use tuner for guitar, bass, ukulele, violin and pipe
Music and Utilities
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What People Say We think you'll love C Tuner - The accurate and easy-to-use tuner for guitar, bass,...
Kevin Wilson (179 KP) rated Jurassic Park (1993) in Movies
Jul 23, 2018
The music!!! (3 more)
Incredible cast
The dinosaurs look incredible
The writing
Are there any flaws to this movie? I think not!
Wow what can I say about this? A classic. A masterpiece. The greatest dinosaur movie of all time by far....in fact 1 of the greatest movies in general of all time.
The soundtrack is iconic. John Williams is a genius. You hear that song anywhere and you immediately know what movie it is.
Sam neills greatest role, shirtless Jeff goldblum, a young(er) Samuel l Jackson and a great Richard attenborough. The cast is great with fantastic writing. In a film about dinosaurs the acting is believable, I love the relationships between the characters.
We can't forget the other main cast member.....the dinosaurs. The looked incredible. The use of animatronics were genius mixed with some visual effects. They looked believable, they were scary and there were many different types to keep you interested. The sounds were perfect along with the intense feeling of seeing water shake letting you know something big is coming.
Spielburgs directing is on top form for this movie and is easily 1 of his best and that is saying a lot. Only he can present a scene to you that invokes both awe and fear at the same time.
It does make you think too even now about where technology is going and Jeff goldblum says it best in 1 seen. "Your scientists were so preoccupied with whether or not they could that didn't stop to think if they should" this line has stuck with me for a long time because it's true even today.
Fantastic movie that belongs in anyone's top 10. It is the only Dino movie worth watching. Nothing else comes close.
The soundtrack is iconic. John Williams is a genius. You hear that song anywhere and you immediately know what movie it is.
Sam neills greatest role, shirtless Jeff goldblum, a young(er) Samuel l Jackson and a great Richard attenborough. The cast is great with fantastic writing. In a film about dinosaurs the acting is believable, I love the relationships between the characters.
We can't forget the other main cast member.....the dinosaurs. The looked incredible. The use of animatronics were genius mixed with some visual effects. They looked believable, they were scary and there were many different types to keep you interested. The sounds were perfect along with the intense feeling of seeing water shake letting you know something big is coming.
Spielburgs directing is on top form for this movie and is easily 1 of his best and that is saying a lot. Only he can present a scene to you that invokes both awe and fear at the same time.
It does make you think too even now about where technology is going and Jeff goldblum says it best in 1 seen. "Your scientists were so preoccupied with whether or not they could that didn't stop to think if they should" this line has stuck with me for a long time because it's true even today.
Fantastic movie that belongs in anyone's top 10. It is the only Dino movie worth watching. Nothing else comes close.