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Phil Leader (619 KP) rated The Moonstone in Books
Nov 20, 2019
Of all the books I had to read at school, The Moonstone was probably the only novel I really enjoyed. It is one of the first 'whodunnit' type of books and, remarkably, it manages to hit virtually every requirement of the genre dead centre. If this book was written today, it would still be a classic.
The Moonstone of the title is a rare yellow diamond, stolen from an Indian shrine by colonialists. Thought to be unlucky it is left to the young Rachel Verinder. The night after her 18th birthday party the stone is stolen from her rooms, and the rest of the novel describes how the various players eventually manage to solve the crime.
The plot features twists and turns galore, false trails and red herrings enough for two detective stories. Although the crime involved is 'only' theft rather than the more usual murder it is no less engaging as a story. The characters are well drawn and - social reformer that Collins was - there are strong women and intelligent and interesting servants as well as the landed gentry and philanthropists that inhabit the world of country estates in the mid 19th century that the novel is set in.
One feature of the book is that the story is told from the viewpoint of a number of the players. Firstly (and for nearly half the book) we are introduced to the Verinders and the theft by Gabriel Betteredge, a long serving family retainer who is head of the staff and a sort of de facto butler. Betteredge's narrative is charming and witty, full of dry asides and observations. His habit of picking passages from Robinson Crusoe and applying them to daily life is a quirk that is completely in keeping with his character.
Once the story moves to London, the narrative is taken up by various other characters, sometimes just for a short journal entry, sometimes for extended periods of time. Collins imbues each of these parts with a different voice really skillfully, keeping each character very separate.
The solution to the mystery of who stole the diamond and why is convoluted but also very simple. The whole story is well crafted and fits together really well.
The only negative points really are those imposed on Collins by the time he was writing this. There is an overlong introduction about the diamond in India (it seems that in Victorian novels the long winded introduction is somehow expected by the reader) and the pace slows somewhat in London as there is a lot of description about the character's social standings and financial affairs that just aren't as relevant today.
Nevertheless this really is as good a book as I remember. I certainly rate Collins a lot higher than Charles Dickens as a writer. Definitely recommended for anyone who likes a detective mystery which will keep the reader guessing until the very end.
The Moonstone of the title is a rare yellow diamond, stolen from an Indian shrine by colonialists. Thought to be unlucky it is left to the young Rachel Verinder. The night after her 18th birthday party the stone is stolen from her rooms, and the rest of the novel describes how the various players eventually manage to solve the crime.
The plot features twists and turns galore, false trails and red herrings enough for two detective stories. Although the crime involved is 'only' theft rather than the more usual murder it is no less engaging as a story. The characters are well drawn and - social reformer that Collins was - there are strong women and intelligent and interesting servants as well as the landed gentry and philanthropists that inhabit the world of country estates in the mid 19th century that the novel is set in.
One feature of the book is that the story is told from the viewpoint of a number of the players. Firstly (and for nearly half the book) we are introduced to the Verinders and the theft by Gabriel Betteredge, a long serving family retainer who is head of the staff and a sort of de facto butler. Betteredge's narrative is charming and witty, full of dry asides and observations. His habit of picking passages from Robinson Crusoe and applying them to daily life is a quirk that is completely in keeping with his character.
Once the story moves to London, the narrative is taken up by various other characters, sometimes just for a short journal entry, sometimes for extended periods of time. Collins imbues each of these parts with a different voice really skillfully, keeping each character very separate.
The solution to the mystery of who stole the diamond and why is convoluted but also very simple. The whole story is well crafted and fits together really well.
The only negative points really are those imposed on Collins by the time he was writing this. There is an overlong introduction about the diamond in India (it seems that in Victorian novels the long winded introduction is somehow expected by the reader) and the pace slows somewhat in London as there is a lot of description about the character's social standings and financial affairs that just aren't as relevant today.
Nevertheless this really is as good a book as I remember. I certainly rate Collins a lot higher than Charles Dickens as a writer. Definitely recommended for anyone who likes a detective mystery which will keep the reader guessing until the very end.
Zuky the BookBum (15 KP) rated Misery in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/misery-by-stephen-king
<b><i>Annie Annie oh Annie please please no please dont Annie I swear to you Ill be good I swear to God Ill be good please give me a chance to be good OH ANNIE PLEASE LET ME BE GOOD -
Just a little pain. Then this nasty business will be behind us for good Paul.</b></i>
Well hot fucking damn. Is this the best book Ive read all year? <b>I think it might be.</b> I am officially a Stephen King fan. A Stephen King convert as my mother is calling me. Misery is a goddamn masterpiece. Its <i>so</i> tense. I dont know how anyone can write so well that Im actually squirming. <b>LEGIT SQUIRMING AS I READ.</b>
Misery is about a bestselling author, Paul Sheldon, who, after celebrating his completion of his next (and best) book, drinks a little too much champagne and gets himself into a nasty car accident in the middle of nowhere. He wakes to find his legs shattered but splintered (splinted???) in a mysterious house. Luckily, or unluckily, hes found himself saved and in the capable hands of his number one fan and ex-nurse, Annie Wilkes.
I put off reading Misery for, oh I dont know, maybe 5 years? I watched the film, of course, because disliking a film can be down to a number of variables, the wrong director, actors you dislike, bad script etc, but not liking a book, <i>a Stephen King book</i>, is down to one and one thing only, the author. And I was <i>so</i> terrified I wouldnt like Stephen King! Honestly, terrified is this right word for it. I didnt want to turn around in a house, no, a society, that claims Stephen King is a modern day Charles Dickens, of sorts, and say nah, not that into him myself. But lo and behold, I ended up liking both the film and the book, thank Christ. The book more so than the film, but isnt that usually the case? Although the actors for both Paul and Annie in the film version were <i>spot on.</i>
I dont think Ive ever been so vocal whilst reading a book. Misery had me yelping and oohing and arring and laughing and yucking all the way through. Kings writing is so vivid you <i>are</i> Paul Sheldon for the duration of the book. Youre Paul, rolling around in his wheelchair, holding your breath and crying and sweating, hoping that car you hear isnt Annies. Hoping shes holding those Godsent Novril tablets every few hours to subdue your pain. Wondering how the hell youre ever going to be able to escape. You completely immerse yourself in the nail biting story, page by page. This is a perfect novel from start to finish, thats all I have left to say.
If youve never read Stephen King before, start with Misery. <b>I double donkey dare you.</b>
<b><i>Annie Annie oh Annie please please no please dont Annie I swear to you Ill be good I swear to God Ill be good please give me a chance to be good OH ANNIE PLEASE LET ME BE GOOD -
Just a little pain. Then this nasty business will be behind us for good Paul.</b></i>
Well hot fucking damn. Is this the best book Ive read all year? <b>I think it might be.</b> I am officially a Stephen King fan. A Stephen King convert as my mother is calling me. Misery is a goddamn masterpiece. Its <i>so</i> tense. I dont know how anyone can write so well that Im actually squirming. <b>LEGIT SQUIRMING AS I READ.</b>
Misery is about a bestselling author, Paul Sheldon, who, after celebrating his completion of his next (and best) book, drinks a little too much champagne and gets himself into a nasty car accident in the middle of nowhere. He wakes to find his legs shattered but splintered (splinted???) in a mysterious house. Luckily, or unluckily, hes found himself saved and in the capable hands of his number one fan and ex-nurse, Annie Wilkes.
I put off reading Misery for, oh I dont know, maybe 5 years? I watched the film, of course, because disliking a film can be down to a number of variables, the wrong director, actors you dislike, bad script etc, but not liking a book, <i>a Stephen King book</i>, is down to one and one thing only, the author. And I was <i>so</i> terrified I wouldnt like Stephen King! Honestly, terrified is this right word for it. I didnt want to turn around in a house, no, a society, that claims Stephen King is a modern day Charles Dickens, of sorts, and say nah, not that into him myself. But lo and behold, I ended up liking both the film and the book, thank Christ. The book more so than the film, but isnt that usually the case? Although the actors for both Paul and Annie in the film version were <i>spot on.</i>
I dont think Ive ever been so vocal whilst reading a book. Misery had me yelping and oohing and arring and laughing and yucking all the way through. Kings writing is so vivid you <i>are</i> Paul Sheldon for the duration of the book. Youre Paul, rolling around in his wheelchair, holding your breath and crying and sweating, hoping that car you hear isnt Annies. Hoping shes holding those Godsent Novril tablets every few hours to subdue your pain. Wondering how the hell youre ever going to be able to escape. You completely immerse yourself in the nail biting story, page by page. This is a perfect novel from start to finish, thats all I have left to say.
If youve never read Stephen King before, start with Misery. <b>I double donkey dare you.</b>
Hazel (1853 KP) rated Birds Art Life Death: A Field Guide to the Small and Significant in Books
May 23, 2017
Unconventional Field Guide
This eBook was provided by the publisher via NetGalley in exchange for an honest review
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, Birds Art Life Death: A Field Guide to the Small and Significant was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, Birds Art Life Death is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
Birds Art Life Death is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, Birds Art Life Death: A Field Guide to the Small and Significant was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, Birds Art Life Death is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
Birds Art Life Death is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
Hazel (1853 KP) rated Birds Art Life Death: A Field Guide to the Small and Significant in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, <i>Birds Art Life Death: A Field Guide to the Small and Significant</i> was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, <i>Birds Art Life Death</i> is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
<i>Birds Art Life Death</i> is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, <i>Birds Art Life Death: A Field Guide to the Small and Significant</i> was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, <i>Birds Art Life Death</i> is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
<i>Birds Art Life Death</i> is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
Gareth von Kallenbach (965 KP) rated A Christmas Carol (2009) in Movies
Aug 9, 2019
The timeless classic A Christmas Carol by Charles Dickens has been one of the most beloved and adapted stories in history. There have been numerous movies, plays, radio, and television shows that have told the story for several generations as well as adapted films such as “Scrooged” and “Ghosts of Girlfriends Past” which were inspired by the timeless tale of redemption.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
Hadley (567 KP) rated Ghostly Tales: Spine-Chilling Stories of the Victorian Age in Books
Jan 20, 2021
Ghost stories (1 more)
Well-written
This collection of tales will transport you to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, these stories come alive alongside exquisitely eerie art in this special illustrated edition.
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Jordan Binkerd (567 KP) rated All Systems Red (The Murderbot Diaries, #1) in Books
Aug 8, 2019 (Updated Aug 9, 2019)
Hilariously cynical and sarcastic narrator (2 more)
Bleak and dystopian universe
Complex characters and worldbuilding
An excellent novella
Meet Murderbot. Nobody else calls it that, of course - to most of the stupid humans it has to interact with, it’s just the security unit that the company made them bring along as part of the contract to safeguard the investment. But whereas most SecUnits are slaves to the central AI running whatever shoddy equipment the company sent along, Murderbot (as it thinks of itself) has hacked its own governor unit and can ignore whatever orders it wants, freeing it to stand around listlessly guarding stupid humans from dangers that are mostly non-existant as long as nobody does anything too moronic, devoting most of its energy to watching the terrabytes of serials that it downloaded from the entertainment feed last time they made contact. When things start to go wrong, initially it seems like just business as usual - life is cheap, and the contract for this equipment all went to the lowest bidder. But as incidents start to pile up, even Murderbot has to admit someone is trying to kill its humans. Even worse? Murderbot seems to have accidentally started to care about them…. Crap. It’s going to have to actually put in some effort this time around, isn’t it?
To put it simply, this is the best book I’ve read in quite a while. The entire thing is narrated by the extremely sarcastic, introverted, and misanthropic Murderbot, which makes for maybe the most engaging narrator since Harry Dresden. Don’t believe me? Read the first several pages on TOR's website. You know that thing with Charles Dickens where everything would be terribly depressing without his tongue-in-cheek style to bring the humor, rendering it impossible to abridge? No? I’m the only one to notice that? Oh well, moving on. This is like that - a dystopian wasteland of a society that is expanding across the cosmos using crappy low-budget equipment that’s liable to stop working on you when you most need it - to the point where it takes multiple incidents before the protagonists conclude that this isn’t business as usual. There’s also the moral ambiguity of the slavery-in-all-but-name of the Constructs that form the backbone of the labor force - sentient, at least without the governor unit, but forced to follow every whim of the humans they’re assigned to, even if those humans get bored and force them into gladiatorial combat or some such. These Constructs are described as androids, but are more accurately clone-based cyborgs fitted out for whatever task they’ll be doomed to for their term of service; part mechanical hardware, part expendable and easily-regrown meat, genderless and sexless unless designated for….that. And Murderbot? Murderbot just wants to be left alone, yet is a surprisingly deep and compelling character with a tragic backstory and motivations that are deceptively noble given its internal dialogue. Even its self-given name deserves a second look by the end of the book. I cannot recommend this book enough. And it’s a short read, clocking in at right about a hundred and fifty pages, technically more of a novella than a full-fledged novel. Now I just have to wait for whoever has the second book checked out from the library to give it back….
CONTENT: Some violence, not too gruesomely described. Some sexual references, including offhand mentions that some of the characters are in relationships that would be far outside the norm today (one character is said to have three romantic partners waiting together at home for them, for example). Murderbot also makes disparaging references to pleasurebots, but nothing explicit. Occasional R-rated profanity, but not too gratuitous.
To put it simply, this is the best book I’ve read in quite a while. The entire thing is narrated by the extremely sarcastic, introverted, and misanthropic Murderbot, which makes for maybe the most engaging narrator since Harry Dresden. Don’t believe me? Read the first several pages on TOR's website. You know that thing with Charles Dickens where everything would be terribly depressing without his tongue-in-cheek style to bring the humor, rendering it impossible to abridge? No? I’m the only one to notice that? Oh well, moving on. This is like that - a dystopian wasteland of a society that is expanding across the cosmos using crappy low-budget equipment that’s liable to stop working on you when you most need it - to the point where it takes multiple incidents before the protagonists conclude that this isn’t business as usual. There’s also the moral ambiguity of the slavery-in-all-but-name of the Constructs that form the backbone of the labor force - sentient, at least without the governor unit, but forced to follow every whim of the humans they’re assigned to, even if those humans get bored and force them into gladiatorial combat or some such. These Constructs are described as androids, but are more accurately clone-based cyborgs fitted out for whatever task they’ll be doomed to for their term of service; part mechanical hardware, part expendable and easily-regrown meat, genderless and sexless unless designated for….that. And Murderbot? Murderbot just wants to be left alone, yet is a surprisingly deep and compelling character with a tragic backstory and motivations that are deceptively noble given its internal dialogue. Even its self-given name deserves a second look by the end of the book. I cannot recommend this book enough. And it’s a short read, clocking in at right about a hundred and fifty pages, technically more of a novella than a full-fledged novel. Now I just have to wait for whoever has the second book checked out from the library to give it back….
CONTENT: Some violence, not too gruesomely described. Some sexual references, including offhand mentions that some of the characters are in relationships that would be far outside the norm today (one character is said to have three romantic partners waiting together at home for them, for example). Murderbot also makes disparaging references to pleasurebots, but nothing explicit. Occasional R-rated profanity, but not too gratuitous.
The Bandersnatch (199 KP) rated The Hunchback of Notre-Dame in Books
Nov 7, 2019
The Hunchback of Notre Dame is set in 1829's Paris, France where the gypsy Esmeralda (Born Agnes) captures the hearts of several men including captain Phoebus and Pierre Gringoire but especially Quasimodo the bell ringer and his guardian the Archdeacon Claude Frollo.
Frollo orders Quasimodo to bring Esmeralda to him and after a lot of chaos where the guards under Phoebus capture Quasimodo, Gringoire is knocked out and only rescued from hanging when Esmeralda saves him with promise of marriage and Quasimodo flogged and placed on a pillory for several hours of public exposure. When Esmeralda is accused of attempted murder Quasimodo helps by giving her space in the cathedral of Notre Dame under law of sanctuary. Frollo finds out that the court of parliament has voted the removal of Esmeralda's right for sanctuary and orders her to be taken and killed. Clopin the head of the gypsies hears this and leads a rescue party to help Esmeralda. During the chaos Quasimodo mistakes who is wanting to help the Gypsy he loves and ends up in aiding in her arrest. Frollo after failing to win her love betrays Esmeralda and sends her to be hung. Frollo laughs as Esmeralda dies and is pushed from the top of the Cathedral by Quasimodo. Quasimodo dies of starvation after joining Esmeralda's body in the cemetery.
Victor Hugo began writing the book in 1829The novels original title was Notre Dame de Paris, it was largely to make his contemporaries more aware of the value of the Gothic architecture, Notre Dame Cathedral had been in disrepair at the time and along with other buildings which were neglected and often destroyed to be replaced by new buildings or defaced by replacement of parts of buildings in a newer style. During the summer of 1830 Gosselin demanded that Hugo complete the book by February 1831, Hugo -starting in September 1830- worked non stop on the book finishing it six months later. Several ballets, comics, TV show, theatre, music, musical theatre and films have been inspired by The Hunchback of Notre Dame most notably has been the 1996 Walt Disney animated movie of the same name.
I think that The Hunchback of Notre Dame is a very prolific book which promotes the fact that it doesn't matter what you look like on the outside, its how you deal with people and what is on the inside that counts. The books portrayal of the romantic era as an extreme through the architecture, passion and religion as well as the exploration of determinism, revolution and social strife adds to the ultimately magical make up of the book. I believe that most people would see themselves in the position of Quasimodo, Esmeralda and Phoebus rather than that of Frollo. I know I certainly wouldn't see myself otherwise.
Victor Marie Hugo was born on February 26th 1802 in Besançon. eastern Franche-Combe as the third son of Joseph Leopold Sigisbert Hugo (1774-1828) and Sophie Trebuchet (1772-1821). Victor was a French poet, novelist and dramatist of the romantic movement, he's also considered one of the greatest and best known French writers. Victors childhood was a period of national political turmoil with Napoleon being proclaimed Emperor two years after he was born and the Bourbon monarchy was restored before his 13th birthday. His parents held vastly different political and religious views which prompted a brief separation in 1803, during that time Hugo's mother dominated his education and upbringing. Hugos work reflected her devotion to king and faith. However during the events leading up to France's 1848 revolution, Hugos work changed to that of Republicanism and free thought. Hugo went on to married to his childhood sweetheart Adele Foucher in 1822 and they had five children.
Victor Hugo's works hold a vast collection of poetry, novels and music. His first Novel Han D'Islande was published in 1823 and he published five volumes of poetry between 1829 and 1840 which cemented his reputation as a great elagiac and lyric poet. Hugos first mature work of fiction was published in February 1829 by Charles Gosselin without his name attached, this would infuse with his later work Le Dernier Jour d'un Condamne (The last day of a Condemned man) and go on to not only influence other writers including Charles Dickens and Albert Camus, and be a precursor to Hugo's work Les Miserables published in 1862.
After three attempts Hugo was finally elected to Academie francaise in 1841and in 1845 King Louis-Phillipe elevated him to the peerage and in 1848 he was elected to the national assembly of the second republic. When Louis Napoleon the 3rd seized power in 1851 Hugo openly declared him a traitor to France then relocated to Brussels, Jersey (where he was thrown out of for supporting a paper criticising Queen Victoria) and ending up in guernsey where he remained an exile until 1870. after returning to France a hero in 1870 Hugo spent the rest of his life writing and just living and died from pneumonia on may 22nd 1885 at the age of 83. He was given a state funeral by degree of president Jules Grevy, more than two million people joined his funeral procession in Paris which went form the Arc Du Triomphe to the Pantheon where he was consequently buried, he shared a crypt with Alexandre Dumas and Emile Zola. Most French towns and cities have streets named after him.
Victor Hugo in my opinion is one of those naturally born creative souls who had felt compelled to both write and at least try to make the world a better place. He definitely attempted to do so from the positions he accumulated in his life time and despite this the three mistresses he had in his later years definitely shows that his love life left something to be desired.
And there you have it a book for all the ages, its definitely under the banner of AWESOME!!!.
Frollo orders Quasimodo to bring Esmeralda to him and after a lot of chaos where the guards under Phoebus capture Quasimodo, Gringoire is knocked out and only rescued from hanging when Esmeralda saves him with promise of marriage and Quasimodo flogged and placed on a pillory for several hours of public exposure. When Esmeralda is accused of attempted murder Quasimodo helps by giving her space in the cathedral of Notre Dame under law of sanctuary. Frollo finds out that the court of parliament has voted the removal of Esmeralda's right for sanctuary and orders her to be taken and killed. Clopin the head of the gypsies hears this and leads a rescue party to help Esmeralda. During the chaos Quasimodo mistakes who is wanting to help the Gypsy he loves and ends up in aiding in her arrest. Frollo after failing to win her love betrays Esmeralda and sends her to be hung. Frollo laughs as Esmeralda dies and is pushed from the top of the Cathedral by Quasimodo. Quasimodo dies of starvation after joining Esmeralda's body in the cemetery.
Victor Hugo began writing the book in 1829The novels original title was Notre Dame de Paris, it was largely to make his contemporaries more aware of the value of the Gothic architecture, Notre Dame Cathedral had been in disrepair at the time and along with other buildings which were neglected and often destroyed to be replaced by new buildings or defaced by replacement of parts of buildings in a newer style. During the summer of 1830 Gosselin demanded that Hugo complete the book by February 1831, Hugo -starting in September 1830- worked non stop on the book finishing it six months later. Several ballets, comics, TV show, theatre, music, musical theatre and films have been inspired by The Hunchback of Notre Dame most notably has been the 1996 Walt Disney animated movie of the same name.
I think that The Hunchback of Notre Dame is a very prolific book which promotes the fact that it doesn't matter what you look like on the outside, its how you deal with people and what is on the inside that counts. The books portrayal of the romantic era as an extreme through the architecture, passion and religion as well as the exploration of determinism, revolution and social strife adds to the ultimately magical make up of the book. I believe that most people would see themselves in the position of Quasimodo, Esmeralda and Phoebus rather than that of Frollo. I know I certainly wouldn't see myself otherwise.
Victor Marie Hugo was born on February 26th 1802 in Besançon. eastern Franche-Combe as the third son of Joseph Leopold Sigisbert Hugo (1774-1828) and Sophie Trebuchet (1772-1821). Victor was a French poet, novelist and dramatist of the romantic movement, he's also considered one of the greatest and best known French writers. Victors childhood was a period of national political turmoil with Napoleon being proclaimed Emperor two years after he was born and the Bourbon monarchy was restored before his 13th birthday. His parents held vastly different political and religious views which prompted a brief separation in 1803, during that time Hugo's mother dominated his education and upbringing. Hugos work reflected her devotion to king and faith. However during the events leading up to France's 1848 revolution, Hugos work changed to that of Republicanism and free thought. Hugo went on to married to his childhood sweetheart Adele Foucher in 1822 and they had five children.
Victor Hugo's works hold a vast collection of poetry, novels and music. His first Novel Han D'Islande was published in 1823 and he published five volumes of poetry between 1829 and 1840 which cemented his reputation as a great elagiac and lyric poet. Hugos first mature work of fiction was published in February 1829 by Charles Gosselin without his name attached, this would infuse with his later work Le Dernier Jour d'un Condamne (The last day of a Condemned man) and go on to not only influence other writers including Charles Dickens and Albert Camus, and be a precursor to Hugo's work Les Miserables published in 1862.
After three attempts Hugo was finally elected to Academie francaise in 1841and in 1845 King Louis-Phillipe elevated him to the peerage and in 1848 he was elected to the national assembly of the second republic. When Louis Napoleon the 3rd seized power in 1851 Hugo openly declared him a traitor to France then relocated to Brussels, Jersey (where he was thrown out of for supporting a paper criticising Queen Victoria) and ending up in guernsey where he remained an exile until 1870. after returning to France a hero in 1870 Hugo spent the rest of his life writing and just living and died from pneumonia on may 22nd 1885 at the age of 83. He was given a state funeral by degree of president Jules Grevy, more than two million people joined his funeral procession in Paris which went form the Arc Du Triomphe to the Pantheon where he was consequently buried, he shared a crypt with Alexandre Dumas and Emile Zola. Most French towns and cities have streets named after him.
Victor Hugo in my opinion is one of those naturally born creative souls who had felt compelled to both write and at least try to make the world a better place. He definitely attempted to do so from the positions he accumulated in his life time and despite this the three mistresses he had in his later years definitely shows that his love life left something to be desired.
And there you have it a book for all the ages, its definitely under the banner of AWESOME!!!.