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Awix (3310 KP) rated Highlander (1986) in Movies
Feb 12, 2018 (Updated Feb 12, 2018)
Cult fantasy movie which kind of flopped on its initial release but spawned a franchise which seemed to go on forever (and may not in fact be completely defunct). Scottish highlander (played by a Frenchman) discovers he is immortal; is mentored by ancient Egyptian immortal (played by a Scotsman); must do battle with rival Russian immortal (played by an American) to decide the destiny of the world.
Pretty much as goofy as it sounds, but very likeable - strives for a sort of mythic grandeur, doesn't quite manage it. None of the battles in the story are quite as brutal as the one between Christopher Lambert and the English language, but Sean Connery is having fun; some decent fight choreography too. Benefits immensely from the Queen soundtrack.
Pretty much as goofy as it sounds, but very likeable - strives for a sort of mythic grandeur, doesn't quite manage it. None of the battles in the story are quite as brutal as the one between Christopher Lambert and the English language, but Sean Connery is having fun; some decent fight choreography too. Benefits immensely from the Queen soundtrack.
D-Tox (Eye See You) (2002)
6.0
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A brutal serial killer is targeting cops, and detective Jake Malloy (Sylvester Stallone) is on the...
Slasher remote location Thriller
The Karate Kid, Part III (1989)
6.9
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Karate Kid, Daniel Larusso, risks losing it all when he places pride before principle in this...
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
8.2
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Blacksmith Will Turner (Orlando Bloom) teams up with eccentric pirate "Captain" Jack Sparrow (Johnny...
Turns of Event: Nineteenth-Century American Literary Studies in Motion
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American literary studies has undergone a series of field redefinitions over the past two decades...
RWBY
7.6
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Team RWBY (Ruby, Weiss, Belladonna and Yang) trains at Beacon Academy, to fight crime and monsters...
Rooster Teeth RWBY Grimm
LeftSideCut (3778 KP) rated Possessor (2020) in Movies
Dec 4, 2020
From the mind of Brandon Cronenberg comes his second feature length, Possessor, and the best way I could sum it up is that it's a subtle assault on the senses. Although it occasionally throws unsettling imagery at the screen now and again, these moments are seldom and fleeting. The main assault comes from the constant sense of dread that is present from it's visually striking and bloody opening, straight through to it's pretty insane climax. I just felt on edge consistently, thanks to the minimal but forboding score, top notch editing on display, and some quite brilliant performances.
Andrea Riseborough is great, as she was in Mandy, and her presence in modern horror is a welcome one. Her character is the overarching glue that holds all the emotional strains of the plot together with a cold core.
Christopher Abbott is wonderful, as he essentially plays two seperate characters, and sells his descent into madness perfectly.
The supporting cast include the likes of Jennifer Jason Leigh, Tuppence Middleton, and Sean Bean, and it's honestly just a pretty solid cast all around.
The plot is intriguing in a dystopian sci-fi kind of way, and has enough horror elements to really get under the skin. The scene that the already recognisable poster image is taken from is one of the most recoil inducing and uncomfortable scenes I've seen in a while. This premise played out with a decent screenplay, accompanied by sudden bursts of extreme violence, give Possessor an identity of it's own, and make it a modern horror entry that can stand shoulder to shoulder with the big boys.
One of the films of the year for me!
Andrea Riseborough is great, as she was in Mandy, and her presence in modern horror is a welcome one. Her character is the overarching glue that holds all the emotional strains of the plot together with a cold core.
Christopher Abbott is wonderful, as he essentially plays two seperate characters, and sells his descent into madness perfectly.
The supporting cast include the likes of Jennifer Jason Leigh, Tuppence Middleton, and Sean Bean, and it's honestly just a pretty solid cast all around.
The plot is intriguing in a dystopian sci-fi kind of way, and has enough horror elements to really get under the skin. The scene that the already recognisable poster image is taken from is one of the most recoil inducing and uncomfortable scenes I've seen in a while. This premise played out with a decent screenplay, accompanied by sudden bursts of extreme violence, give Possessor an identity of it's own, and make it a modern horror entry that can stand shoulder to shoulder with the big boys.
One of the films of the year for me!
Borderlands Granular
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Borderlands Granular is a new musical instrument that enables people of all ages to touch,...
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.