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Matthew Krueger (10051 KP) rated the Xbox 360 version of BioShock in Video Games
Oct 21, 2019
Would You Kindly
Contains spoilers, click to show
Bioshock- is a horrorfying game, it has adventure, chills, thrills, twist, turns and so much more. It is a fantasic game to play. If you havent not played it, than i would highly reccordmend it. Lets talk about it...
The Plot: BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city's turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture's past.
The player, as Jack, can defeat foes in several ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture's defenses against them.
The twist is unexpected and once you find out, it is so unexpected. It's revealed that Atlas is actually the gangster Frank Fontaine, who'd smuggled Jack to the surface several years earlier with the intention of bringing him back as a weapon, as "your" DNA can operate a lot of Rapture's systems that only Ryan would otherwise have access to. Jack has been abused, hypnotized to carry fabricated memories and respond to a key phrase: "Would you kindly." Fontaine has been, to this point in the game, using it to control Jack's progression through Rapture.
Bioshock aslo has two different ends: The ending depends on how the player interacted with the Little Sisters:
1. If the player rescues all of the Little Sisters (or harvests only one of them), Jack takes them back to the surface with him and adopts five of them as his daughters, and Tenenbaum happily narrates how they go on to live full lives under his care, eventually surrounding him on his deathbed. This ending is consideredc anon in BioShock Infinite: Burial at Sea.
2. If the player harvests more than one Little Sister, Jack turns on the Little Sisters to harvest their ADAM. Tenenbaum sadly narrates what occurred, condemning Jack and his actions. A US Navy submarine then comes across the wreckage of the plane and finds itself suddenly surrounded by bathyspheres containing Splicers who attack the crew and take control of it. The submarine is revealed to be carrying nuclear missiles, with Tenenbaum claiming that Jack has now "stolen the terrible secrets of the world": the more Little Sisters are harvested, the harsher and more furious Tenenbaum's narrative becomes.
Dont forget about the big daddy.
I love this game, it is a classic. I wouls highly reccordmend playing this game.
The Plot: BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city's turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture's past.
The player, as Jack, can defeat foes in several ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture's defenses against them.
The twist is unexpected and once you find out, it is so unexpected. It's revealed that Atlas is actually the gangster Frank Fontaine, who'd smuggled Jack to the surface several years earlier with the intention of bringing him back as a weapon, as "your" DNA can operate a lot of Rapture's systems that only Ryan would otherwise have access to. Jack has been abused, hypnotized to carry fabricated memories and respond to a key phrase: "Would you kindly." Fontaine has been, to this point in the game, using it to control Jack's progression through Rapture.
Bioshock aslo has two different ends: The ending depends on how the player interacted with the Little Sisters:
1. If the player rescues all of the Little Sisters (or harvests only one of them), Jack takes them back to the surface with him and adopts five of them as his daughters, and Tenenbaum happily narrates how they go on to live full lives under his care, eventually surrounding him on his deathbed. This ending is consideredc anon in BioShock Infinite: Burial at Sea.
2. If the player harvests more than one Little Sister, Jack turns on the Little Sisters to harvest their ADAM. Tenenbaum sadly narrates what occurred, condemning Jack and his actions. A US Navy submarine then comes across the wreckage of the plane and finds itself suddenly surrounded by bathyspheres containing Splicers who attack the crew and take control of it. The submarine is revealed to be carrying nuclear missiles, with Tenenbaum claiming that Jack has now "stolen the terrible secrets of the world": the more Little Sisters are harvested, the harsher and more furious Tenenbaum's narrative becomes.
Dont forget about the big daddy.
I love this game, it is a classic. I wouls highly reccordmend playing this game.
Ryan Hill (152 KP) rated The Amazing Spider-Man (2012) in Movies
Jul 20, 2019
"You know in the future if you're gonna steal cars, don't dress like a car thief man"
So Sony had two choices, either sell the Spider-Man rights back to Marvel or press the reboot button on the Spider-Man franchise, so we got this and I see a lot of mixed opinions about this film, some love it, some don't, I think it's a good film but it's not as good as Sam Raimi's 2002 classic Spider-Man.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
Sensitivemuse (246 KP) rated The Hunting Party in Books
Jul 3, 2019
Not what it's hyped up to be
I somewhat liked the mystery aspect of the novel. That’s what got me into reading this one in the first place. However it wasn’t what I thought it would and I finished the novel only because I wanted to know who it was that did the murder and the story behind it.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
LeftSideCut (3776 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
Phillip McSween (751 KP) rated Baby Driver (2017) in Movies
Feb 1, 2020
Will Baby Get Out of the Game?
A young getaway driver finds himself in over his head when he tries to get out of the crime game.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
JT (287 KP) rated Let Me In (2010) in Movies
Mar 10, 2020
t’s a hard thing remaking or rebooting a classic, whatever you want to call it, you have to make sure of one thing…don’t balls it up! Thankfully director Matt Reeves doesn’t do that, in fact he takes a brilliant original and puts his own spin on it.
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
Gareth von Kallenbach (980 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Aug 7, 2019
A Very Harold and Kumar 3D Christmas is the third movie in the Harold and Kumar series. This movie takes place six years after the events of Escape from Guantanamo Bay. Harold Lee (John Cho) and Kumar Patel (Kal Penn) have fallen out of touch since Harold got married, got a job on Wall Street and moved to the suburbs. Kumar is still smoking tons of weed. Harold on the other hand has stopped smoking weed and is desperately trying to find a way to impress his father in-law, Mr. Perez, played by Danny Trejo. Mr. Perez is obsessed with Christmas. Every year his family uses a Christmas tree that he has grown. This year he brought his home grown tree to Harold’s house for Christmas. In an attempt to win Mr. Perez over, Harold encourages Mr. Perez to take the family to midnight mass while Harold decorates the tree while they are gone.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Ronyell (38 KP) rated Pinocchio and the Emperor of the Night (1987) in Movies
Jul 24, 2020
That Creepy Version of Pinocchio
This movie is basically a sequel to the original “Pinocchio” and the movie starts off with Gepetto giving Pinocchio a jewel box to take to the Mayor. As Pinocchio goes to town to deliver the jewel box, he meets up with Igor and Scalawag, two con artists who eventually convince Pinocchio to give them the jewel box, which ends up getting Pinocchio into trouble with Gepetto. Pinocchio was so upset about disappointing his father that he decided to run away and get the jewel box back. It was then that Pinocchio ended up getting into all kinds of strange and frightening situations such as meeting the frightening Puppetino at the circus and eventually meeting up with the Emperor of the Night!
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Matthew Krueger (10051 KP) rated Re-Animator (1985) in Movies
Oct 30, 2020
Jeffrey Combs (2 more)
Bruce Abbott
Stuart Gordan
Mad Man
Re-Animator- is frankenstien. But alot more gorer. So much gory, so much viloence, so much horror. Its different than frankenstein, but has a lot in common.
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film