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Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
Natacha (374 KP) rated The Last Smile in Sunder City -(The Fetch Phillips Archives #1) in Books
Feb 18, 2020 (Updated Feb 19, 2020)
More Review Here: https://natachainreviewland.wordpress...
I really, really had a blast reading this story and I flew through it!
Think I liked:
-The Last Smile in Sunder is an urban fantasy with a very noir atmosphere. Luke Arnold writing really immerses you into this world and makes it come to life. As a rule, I don't like lengthy descriptions in my stories, but all descriptions in this book were exactly the right amount and the way they were written grab my interest and didn't let it go.
-I liked the concept of a world where magic disappeared and seeing how that affected all magical beings was something I haven't seen before.
-Fecht personally had some issues but his back story was so interesting. As a was reading about Fetch past I kept thinking that his back story deserved a book on its own. But on the other hand, it was so nicely tied into the main story that by the end I was sold on all those lengthy flashbacks on his past.
-They are so many magical beings, all living in the same world and it was very interesting seeing Arnold's take on them and what back story it gave them.
-Everyone in this story is a grey character. There are not good or bad people/magical beings, it all depends on which version of the story you are listening and we unusually get both sides and I really like that.
-(view spoiler)
Things I didn't like:
-So this one is not something that I didn't like but more like something that some readers might not like. It has some tropes that we've seen a lot. Fecht is your very classic alcoholic and pain killer addict detective that doesn't care about anything and spends his time self pitting because of all the crap he's done in the past and also the love of his life is dead because of him. We've seen that a lot and I can see how other readers might be tired of that trope. Personally, I didn't mind.
-It took me more than 60% to make peace with the fact that the main plot is more like a device for us to get to know the world and Fetch. Yes, everything does come together at the end in a really nice way but at around d 50% of the book I knew almost everything about the world and Fetch's back story but nothing had really happened regarding the investigation. Once I made peace with that fact the slow-moving main stopped bothering me.
-I got an advance copy some maybe it won't be the case with the final version but I wish there was a map to better understand what is going where.
In conclusion, I personally had a really good time reading this story. I will definitely keep an eye on the rest of the series and I've already ordered my physical copy because I need it on my shelf!
I really, really had a blast reading this story and I flew through it!
Think I liked:
-The Last Smile in Sunder is an urban fantasy with a very noir atmosphere. Luke Arnold writing really immerses you into this world and makes it come to life. As a rule, I don't like lengthy descriptions in my stories, but all descriptions in this book were exactly the right amount and the way they were written grab my interest and didn't let it go.
-I liked the concept of a world where magic disappeared and seeing how that affected all magical beings was something I haven't seen before.
-Fecht personally had some issues but his back story was so interesting. As a was reading about Fetch past I kept thinking that his back story deserved a book on its own. But on the other hand, it was so nicely tied into the main story that by the end I was sold on all those lengthy flashbacks on his past.
-They are so many magical beings, all living in the same world and it was very interesting seeing Arnold's take on them and what back story it gave them.
-Everyone in this story is a grey character. There are not good or bad people/magical beings, it all depends on which version of the story you are listening and we unusually get both sides and I really like that.
-(view spoiler)
Things I didn't like:
-So this one is not something that I didn't like but more like something that some readers might not like. It has some tropes that we've seen a lot. Fecht is your very classic alcoholic and pain killer addict detective that doesn't care about anything and spends his time self pitting because of all the crap he's done in the past and also the love of his life is dead because of him. We've seen that a lot and I can see how other readers might be tired of that trope. Personally, I didn't mind.
-It took me more than 60% to make peace with the fact that the main plot is more like a device for us to get to know the world and Fetch. Yes, everything does come together at the end in a really nice way but at around d 50% of the book I knew almost everything about the world and Fetch's back story but nothing had really happened regarding the investigation. Once I made peace with that fact the slow-moving main stopped bothering me.
-I got an advance copy some maybe it won't be the case with the final version but I wish there was a map to better understand what is going where.
In conclusion, I personally had a really good time reading this story. I will definitely keep an eye on the rest of the series and I've already ordered my physical copy because I need it on my shelf!
Graham Massey recommended The Nubians of Plutonia by Sun Ra in Music (curated)
Matthew Krueger (10051 KP) rated Rocky (1976) in Movies
Nov 24, 2020
Underdog Tale
Rocky is a classic. A tale of a underdog rising to the top. At the same time its a story of rocky. A underdog, a fighter, a lover, a southpaw, a man who wont give up.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
Gareth von Kallenbach (980 KP) rated Mortal Kombat (2021) in Movies
Apr 22, 2021
Fans of the Mortal Kombat series have known that the path to bringing the violent and controversial game to live-action formats has been a mixed bag. While the first film in 1995 was a decent hit; the follow-up in 1997 disappointed fans who had grown weary of the PG-13 take on the series.
Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.
An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.
The latest offering in the series “Mortal Kombat”; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.
Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.
What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.
While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.
While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.
The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; “Mortal Kombat” gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.
3.5 stars out of 5
Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.
An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.
The latest offering in the series “Mortal Kombat”; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.
Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.
What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.
While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.
While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.
The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; “Mortal Kombat” gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.
3.5 stars out of 5
Shirley Manson recommended Sulk by The Associates in Music (curated)
BankofMarquis (1832 KP) rated The Woman in the Window (2021) in Movies
May 24, 2021
It is NOT Rear Window
A piece of advice for you when you start to watch the “Alfred Hitchcock-esque” thriller, THE WOMAN IN THE WINDOW. If you are at all a Hitchcock fan, you will be spending the first part of this film comparing it to the 1954 classic REAR WINDOW and this would be a disservice to this film.
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Bad Times at the El Royale (2018) in Movies
Sep 25, 2019
What can I say about this one? I left the cinema pondering. I'm still pondering this morning trying to work out what to score it. I wasn't bored, yet I wasn't enthralled. It felt long, but not too long. I could follow the story lines, but some of them didn't quite make sense... It's definitely a contender for Goldilocks of the Year.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.
Emma @ The Movies (1786 KP) rated Beetlejuice (1988) in Movies
Sep 25, 2019
I'm really enjoying the classic movie re-releases at Cineworld. I've been along to several in the last year and enjoyed every one of them, so when Beetlejuice came up in the listings it was a must see for me as I loved this from the very first time I saw it.
With the other releases I didn't have much to worry about, they were either brand new to me or I'd never seen them the whole way through so it was going to be a new experience... but this time... could I be risking those great memories? While it did run through my head while I waited for the film to start I wasn't going to deny myself the chance to see it on the big screen. It did bring up a few moments that made me ponder, but all in all I'm glad that I got the chance to see it in the cinema.
At 30 years old you'd expect things to be a little dated, and perhaps the general feel of the film is with some old fashioned clothing, but most of it still holds up. The one thing that makes you notice the age is the cast. Everyone looks so young!
It's a fantastic cast too. Alec Baldwin and Geena Davis, Adam and Barbara, the perfect couple living a peaceful life out in the country. Winona Ryder, Lydia, the dark and brooding teenage daughter of Jeffrey Jones' Charles and step-daughter to Catherine O'Hara's Delia. We of course can't forget the film's (almost) namesake, Michael Keaton as Betelgeuse. Each one brings a little something different to the film and you get some fun interactions between them all as well as with the supporting cast.
The only real thing that struck me after rewatching this after a few years is that Beetlejuice doesn't actually feature in it as much as I remember. But then the film itself also feels quite short, which at 1 and a half hours it is, again, I just didn't remember it that way.
Some of Beetlejuice's antics may feel a little cringe worthy to newer viewers. To be fair some did to me as a seasoned veteran of the movie. But his over the top nature and motor mouth lead to some entertaining diversions throughout.
The highlights for me as always are the dance routines. (And possibly some of the earliest twerking in the movie biz?) I think we were all dancing a little in our seats as they played out in front of us.
It still brings just as much fun as it did before, it's one of those favourites that you can watch anytime you need something a bit upbeat
What you should do
You should watch this at least once. It's daft and some fun lighthearted humour to break up a dull day.
Movie thing you wish you could take home
If I could have the full backing band when I sing at home that would be great!
With the other releases I didn't have much to worry about, they were either brand new to me or I'd never seen them the whole way through so it was going to be a new experience... but this time... could I be risking those great memories? While it did run through my head while I waited for the film to start I wasn't going to deny myself the chance to see it on the big screen. It did bring up a few moments that made me ponder, but all in all I'm glad that I got the chance to see it in the cinema.
At 30 years old you'd expect things to be a little dated, and perhaps the general feel of the film is with some old fashioned clothing, but most of it still holds up. The one thing that makes you notice the age is the cast. Everyone looks so young!
It's a fantastic cast too. Alec Baldwin and Geena Davis, Adam and Barbara, the perfect couple living a peaceful life out in the country. Winona Ryder, Lydia, the dark and brooding teenage daughter of Jeffrey Jones' Charles and step-daughter to Catherine O'Hara's Delia. We of course can't forget the film's (almost) namesake, Michael Keaton as Betelgeuse. Each one brings a little something different to the film and you get some fun interactions between them all as well as with the supporting cast.
The only real thing that struck me after rewatching this after a few years is that Beetlejuice doesn't actually feature in it as much as I remember. But then the film itself also feels quite short, which at 1 and a half hours it is, again, I just didn't remember it that way.
Some of Beetlejuice's antics may feel a little cringe worthy to newer viewers. To be fair some did to me as a seasoned veteran of the movie. But his over the top nature and motor mouth lead to some entertaining diversions throughout.
The highlights for me as always are the dance routines. (And possibly some of the earliest twerking in the movie biz?) I think we were all dancing a little in our seats as they played out in front of us.
It still brings just as much fun as it did before, it's one of those favourites that you can watch anytime you need something a bit upbeat
What you should do
You should watch this at least once. It's daft and some fun lighthearted humour to break up a dull day.
Movie thing you wish you could take home
If I could have the full backing band when I sing at home that would be great!
Lee (2222 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 28, 2019 (Updated Aug 28, 2019)
Well, that was a fun surprise!
While my youngest daughter was growing up, I watched a lot of Dora the Explorer on TV. She absolutely loved the show and its characters, its catchphrases and the music all ended up becoming a permanent fixture in my brain for a few years. When news broke of a live action movie, Dora and The Lost City of Gold, accompanied by a trailer and poster, I wasn't really sure what to make of it all. My daughter on the other hand, now aged 14, basically couldn't care less. But, when a succession of fairly positive reviews started coming through, including comparisons to Spy Kids and the classic Indiana Jones movies, I managed to convince her to come with me. And it's pretty fair to say, we both had a great time!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!