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Gareth von Kallenbach (965 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
Charlie Cobra Reviews (1840 KP) rated The Boys in TV
Jul 7, 2020
A Gritty Superhero Drama With Equal Parts Dark Comedy, Blood And Violence
The Boys is a 2019 black comedy/action/superhero/drama web tv series developed by Eric Kripke for Amazon. It was produced by Sony Pictures Television, Amazon Studios, Kripke Enterprises, Point Grey Pictures, Original Film, Kickstart Entertainment and KFL Knightsky Productions. Executive producters on the show include Erick Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Dan Trachtenberg, Ken. F. Levin and Jason Netter. The series stars actors Karl Urban, Jack Quaid, Anthony Starr, Erin Moriarty, Dominique McElligot and Jessie T. Usher.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
BankofMarquis (1832 KP) rated All of Me (1984) in Movies
Jul 28, 2020
Wonderful physical comedy performance by Martin
Over the history of cinema, there are certain Director/Lead Actor pairings that are perfect for each other. John Ford/John Wayne, Alfred Hitchcock/Jimmy Stewart, Martin Scorcese/Robert DeNiro, Steven Spielberg/Tom Hanks all come to mind. Add to that the inspired comedic pairing of Director Carl Reiner and the great Steve Martin.
Starting with THE JERK (1979), Martin and Reiner would make 4 films together the last of which was the 1984 comedy ALL OF ME starring Martin and Lilly Tomlin. And like all Reiner/Martin comedies this one is smartly written with heart and a physically comedic performance by Martin that must be seen to believed.
Martin stars as Lawyer Martin Cobb, an aspiring musician who views his lawyer job as a means to support his dream of becoming a musician. Lilly Tomlin co-stars as one of Martin's clients - a dour, serious millionaire who's dying wish is to have her soul transferred into the body of a younger woman. When the transfer goes wrong, Tomlin finds herself inside Martin's body and the two polar opposites spar each other whilst inside the same body.
A pretty ridiculous premise that is executed wonderfully under the watchful Direction of Reiner. He pushes the premise far - but not too far - focusing (wisely) most of the attention of this movie on Martin and his body's maniacal behavior as both Martin and Tomlin wrestle for control of his body.
Martin, of course, is perfectly cast in a role that was tailor made for him. His physical comedy skills are well used by Reiner and the scene of Martin walking down the street in control of the left side of his body while Tomlin is in control of the right side of his body is worth the price of admission right there. But Martin brings a heart and warmth to his character as well as his well known personae of a person who thinks he is the only sane one in the room - where, in fact, he is the INSANE one.
Tomlin fares less well in her role - being trapped (literally) inside Martin's body and is only seen as reflections in a mirror. Here character is the polar opposite of Martin's, so while Martin is "wild and crazy", she is dour and buttoned up - and this doesn't do her any favors.
Special notice needs to be made of Richard Libertini's turn as Prahka Lasa, the well-meaning "yogi" who is the conduit of the body switching soul. His limited English, earnest and well meaning almost steals the film from Martin.
All in all, an enjoyable evening at the movies which showcases Reiner's ability as a Director and Martin's ability as a gifted, physical comedian very well.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starting with THE JERK (1979), Martin and Reiner would make 4 films together the last of which was the 1984 comedy ALL OF ME starring Martin and Lilly Tomlin. And like all Reiner/Martin comedies this one is smartly written with heart and a physically comedic performance by Martin that must be seen to believed.
Martin stars as Lawyer Martin Cobb, an aspiring musician who views his lawyer job as a means to support his dream of becoming a musician. Lilly Tomlin co-stars as one of Martin's clients - a dour, serious millionaire who's dying wish is to have her soul transferred into the body of a younger woman. When the transfer goes wrong, Tomlin finds herself inside Martin's body and the two polar opposites spar each other whilst inside the same body.
A pretty ridiculous premise that is executed wonderfully under the watchful Direction of Reiner. He pushes the premise far - but not too far - focusing (wisely) most of the attention of this movie on Martin and his body's maniacal behavior as both Martin and Tomlin wrestle for control of his body.
Martin, of course, is perfectly cast in a role that was tailor made for him. His physical comedy skills are well used by Reiner and the scene of Martin walking down the street in control of the left side of his body while Tomlin is in control of the right side of his body is worth the price of admission right there. But Martin brings a heart and warmth to his character as well as his well known personae of a person who thinks he is the only sane one in the room - where, in fact, he is the INSANE one.
Tomlin fares less well in her role - being trapped (literally) inside Martin's body and is only seen as reflections in a mirror. Here character is the polar opposite of Martin's, so while Martin is "wild and crazy", she is dour and buttoned up - and this doesn't do her any favors.
Special notice needs to be made of Richard Libertini's turn as Prahka Lasa, the well-meaning "yogi" who is the conduit of the body switching soul. His limited English, earnest and well meaning almost steals the film from Martin.
All in all, an enjoyable evening at the movies which showcases Reiner's ability as a Director and Martin's ability as a gifted, physical comedian very well.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Daddy's Home 2 (2017) in Movies
Dec 8, 2017
Starts off great but soon veers off into not so great territory.
This year hasn't been good for the comedy movie genre. Will Ferrell in particular managed to star in one of the worst 'comedy' movies I've seen in a long time with 'The House' and even the anticipated sequel to one of the better comedies in recent years, Bad Moms, turned out to be a complete dud. So when a similar, Christmas themed sequel to what was essentially one of the more average movies in recent years came along, my hopes weren't exactly high. The original Daddys Home coasted along on the likeable pairing of Will Ferrell and Mark Wahlberg but did feature a handful of funny elements, obviously enough to greenlight a sequel.
As mentioned previously, Daddys Home 2 is set at Christmas time. Brad and Dusty (Ferrell and Wahlberg) have worked out their differences from the first movie and are getting along just fine as 'co-dads' to the kids. When their own dads (Mel Gibson and John Lithgow) pay a visit, they decide to have a 'together' family Christmas, and Kurt (Gibson) even manages to book a luxury cabin in the snow for them to enjoy it all in. It's a bit of a whirlwind setup, but for a while it all works surprisingly well. I found myself really laughing at some scenes, it was like watching a classic Christmas family disaster along the lines of National Lampoons Christmas Vacation.
But sadly, the momentum soon drops. Scene after scene fails to hit home, and some scenes even leave you wondering what the hell they were thinking by including them in the movie in the first place. Mel Gibsons character becomes increasingly annoying and it's all just a bit of a shame really. Things manage to get back on track towards the end of the movie but it's disappointing that it doesn't retain the high level of laughs and entertainment that kicked off the first third or so.
As mentioned previously, Daddys Home 2 is set at Christmas time. Brad and Dusty (Ferrell and Wahlberg) have worked out their differences from the first movie and are getting along just fine as 'co-dads' to the kids. When their own dads (Mel Gibson and John Lithgow) pay a visit, they decide to have a 'together' family Christmas, and Kurt (Gibson) even manages to book a luxury cabin in the snow for them to enjoy it all in. It's a bit of a whirlwind setup, but for a while it all works surprisingly well. I found myself really laughing at some scenes, it was like watching a classic Christmas family disaster along the lines of National Lampoons Christmas Vacation.
But sadly, the momentum soon drops. Scene after scene fails to hit home, and some scenes even leave you wondering what the hell they were thinking by including them in the movie in the first place. Mel Gibsons character becomes increasingly annoying and it's all just a bit of a shame really. Things manage to get back on track towards the end of the movie but it's disappointing that it doesn't retain the high level of laughs and entertainment that kicked off the first third or so.
Michael Packner (32 KP) rated Halloween (2018) in Movies
Jun 15, 2019 (Updated Jun 15, 2019)
The film starts off really good. The first half of the film is definitely quality. (1 more)
The strongest point of the film is an absolutely beautiful and brutal tracking shot that lasts about two minutes. Really epic stuff.
The second half of the film. At about halfway the film hits a wall and freefalls from there. (3 more)
Vicki's death scene is played for cheap laughs when the scene should've been dead serious. This is the start of the freefall.
The twist with the "New Loomis" is BRUTALLY awful.
The "epic" final act and long awaited showdown between Laurie and Michael is epically meh.
Before I start I want to qualify this by saying other than the first two films which are classics, I really do not like this series. It's overrated and boring and truthfully everything past part 2 is mediocre to crap, so I went into this honestly expecting to hate it and watched it more for my wife than myself. That being said, the first half hour I felt like I was right, but then it did get better. This was a better sequel than the previous ones. Michael is evil again and he is BRUTAL. The use of comedy in this film was overdone to a huge fault, especially one kill scene where they used comedy to absolutely kill the tension and the scene came off absolutely disrespectful and just mean spirited in a bad way. The new Loomis subplot was awful. Why? Just why? A father with his son makes the dumbest decision ever in a horror movie and that's ok, but people forgive it because it's this franchise. I did enjoy the final showdown between Michael and Laurie though so that's a positive. I rank the film as at least 3 or 4 in the franchise so there's that. At least I had fun and enjoyed it for the most part. Never let a comedian write a horror movie ever again.
Phillip McSween (751 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Feb 24, 2018 (Updated Feb 24, 2018)
Jumanji: Welcome to the Jungle is a solid film-going experience, albeit a little cheesy at times. While its overdone ending keeps it just short of a being an action/adventure classic, I have to say I was impressed with how well they were able to take the source material of the original and truly make it something entirely new. In this newer version of the remake, four kids in detention get trapped inside a video game and have to play their way out. They are eached armed with a set of "lives" and, just like in a game, losing lives brings you closer to losing everything. They must rely on the skills of their avatars to traverse the dangerous jungle terrain.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Daniel Boyd (1066 KP) rated A Simple Favor (2018) in Movies
Sep 25, 2018 (Updated Sep 25, 2018)
Simply Messy
So I went to see A Simple Favor at the weekend, which was my girlfriend's choice and I actually ended up enjoying some parts of it. I hate everything else that Paul Feig has done, so I was going into this expecting to hate every aspect and I surprisingly didn't. Anna Kendrick plays the same character that she does in everything else, but she is good at it and it works well for this film too. Blake Lively's character is funny in a cruel way at certain points, but at other points the mean spirited nature of the character feels forced and tacky. The rest of the cast are forgettable and Rupert Friend isn't given nearly enough to do in his role.
There are certain points that this movie made me legitimately laugh, granted the majority of the time it was because Blake Lively's character would say something vulgar and Kendrick's character would respond with something innocent and cringey and this joke would be rinsed and repeated a lot throughout the movie, but still I laughed way more during this than I thought I would.
The absolute worst thing about the movie is it's tone. It's not just inconsistent, it is absolutely all over the place. For the first two thirds of the film it is a weird mix of serious suspense and absurd comedy and then in the last third it absolutely cannot decide what it wants to be. From the point that Anna Kendrick's character leaves to go and dig around in Lively's character's past to the end credits, this movie is an utter mess.
Overall, I was surprised I didn't hate the movie and actually enjoyed parts of it. Anna Kendrick is great in everything she does, even if she does do the same thing in everything. Unfortunately this doesn't make the film a great comedy, nor is it a great suspense movie either, but hey, at least it's better than the Ghostbusters reboot.
There are certain points that this movie made me legitimately laugh, granted the majority of the time it was because Blake Lively's character would say something vulgar and Kendrick's character would respond with something innocent and cringey and this joke would be rinsed and repeated a lot throughout the movie, but still I laughed way more during this than I thought I would.
The absolute worst thing about the movie is it's tone. It's not just inconsistent, it is absolutely all over the place. For the first two thirds of the film it is a weird mix of serious suspense and absurd comedy and then in the last third it absolutely cannot decide what it wants to be. From the point that Anna Kendrick's character leaves to go and dig around in Lively's character's past to the end credits, this movie is an utter mess.
Overall, I was surprised I didn't hate the movie and actually enjoyed parts of it. Anna Kendrick is great in everything she does, even if she does do the same thing in everything. Unfortunately this doesn't make the film a great comedy, nor is it a great suspense movie either, but hey, at least it's better than the Ghostbusters reboot.
Gareth von Kallenbach (965 KP) rated Cold Pursuit (2019) in Movies
Jun 19, 2019
Nels Coxman (Liam Neeson) is a simple man who spends his days clearing the roads in a remote Colorado Ski Town and spends his days with his wife and his son. Nels is so unassuming that when he is awarded Citizen of the Year he states that there are others far more worthy and fusses over getting dressed up to accept the award and make a speech.
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
Gareth von Kallenbach (965 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Gareth von Kallenbach (965 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.