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A Fall of Light
8.0
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LJ Greene brings to life one of her most compelling characters: the intensely creative bass...
Contemporary MM Romance
Double Blind
8.0
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Double Blind follows three close friends and their circle through a year of extraordinary...
Chasing Harmony
Book
A refreshing YA debut from Canadian author Melanie Bell, perfect for fans of Rainbow Rowell, Becky...
Young Adult LGBTQIA+
Otway93 (580 KP) rated The 7th Voyage of Sinbad (1958) in Movies
Dec 29, 2021
Special Effects (for the time) (2 more)
Story
Acting
Casting (1 more)
Acting
A film ahead of it's time.
An incredibly fun film, only improved by the the very special effects of Ray Harryhausen.
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
Mark @ Carstairs Considers (2488 KP) rated Once Upon a Murder in Books
Feb 21, 2024
Not as Strong as the First Book
It’s 1784, and spinster Tiffany Woodall is hoping to put the chaos and intrigue of the last few months behind her. However, when she finds a dead body on her way to work at the castle one morning, she knows that isn’t going to happen. When the local bookseller, the man Tiffany loves, is accused of the crime, she can’t help but get involved. Can she figure out what happened?
The first book in this series was one of my favorites of last year. This book wasn’t as good, but it was still enjoyable. As with the first book, the mystery takes a backseat at times. However, here the other storylines weren’t as compelling. This is especially true of the romance. I was glad it wasn’t dragged out too much and I bought it in a way I wouldn’t in other series, but I wasn’t as invested in it. When the murder really kicks in during the second half, I was more fully on board, and I love how that was resolved. Likewise, I still loved all the characters and did enjoy seeing what happened to them. Fans of the first will want to pick this up. If you missed the first, you’ll definitely want to start there.
The first book in this series was one of my favorites of last year. This book wasn’t as good, but it was still enjoyable. As with the first book, the mystery takes a backseat at times. However, here the other storylines weren’t as compelling. This is especially true of the romance. I was glad it wasn’t dragged out too much and I bought it in a way I wouldn’t in other series, but I wasn’t as invested in it. When the murder really kicks in during the second half, I was more fully on board, and I love how that was resolved. Likewise, I still loved all the characters and did enjoy seeing what happened to them. Fans of the first will want to pick this up. If you missed the first, you’ll definitely want to start there.
What Remains
Book
What Remains is a haunting dual-timeline mystery that bridges centuries-and secrets-between ancient...
Historical Fiction Dual Timeline Time Slip Fiction Historical Thriller Forensic Fiction Ancient Rome
Excalibur (The Arthurian Chronicles, #1)
6.0
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The sword has the power of Britain in its steel, men will follow and fight for whoever wields it......
Mark @ Carstairs Considers (2488 KP) rated Stuff to Spy For in Books
Jan 24, 2025
Spying, Even Accidentally, Can Be Deadly
When Skip Moore lands a sale for a company looking to upgrade their security system, he thinks he’s finally made the big time. He even gets his best friend, James Lessor, a job on the installation team. Then Skip is offered a couple of extra assignments with big paydays. What could possibly go wrong? A suspicious death for starters. Then there are things that aren’t adding up, and evidence that someone is spying on them. Can the pair figure out what is going on?
This series is a mixed bag for me, and this book was no exception. I appreciate the friendship between Skip and James, but the ideas and James leads them into make me smack my head sometimes. I appreciate some of the humor, but other bits make me cringe. The plot was compelling, but the ending was rushed. And a key scene makes little sense (why are the characters there?). Then there’s also the needless tease in the opening. Yet, I plan to keep going forward with this series. If you pick the book up, keep in mind that it came out in 2009, which explains some of the dated technology. If the premise sounds interesting pick up the series. Otherwise, you can skip them.
This series is a mixed bag for me, and this book was no exception. I appreciate the friendship between Skip and James, but the ideas and James leads them into make me smack my head sometimes. I appreciate some of the humor, but other bits make me cringe. The plot was compelling, but the ending was rushed. And a key scene makes little sense (why are the characters there?). Then there’s also the needless tease in the opening. Yet, I plan to keep going forward with this series. If you pick the book up, keep in mind that it came out in 2009, which explains some of the dated technology. If the premise sounds interesting pick up the series. Otherwise, you can skip them.
Kristy H (1252 KP) rated The Late Show (Renée Ballard, #1) in Books
Feb 13, 2018
THE LATE SHOW introduces us to a new character in the Connelly canon: Renee Ballard, a young female detective in the LAPD striving to prove herself. Ballard works the night shift, where she picks up evening cases. But Ballard hates that she never gets to see an investigation to fruition--always turning her cases over to the daytime detectives. So when she is assigned two late shift cases, the shooting of a young female in a nightclub and the horrible beating of a transsexual prostitute, she finagles a way to stay involved with both. This means still working the night shift while--mostly secretly--tracking down leads on her cases during the day. In doing so, Ballard gets caught up in department politics and a case that could lead her to immense danger.
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.