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Kristy H (1252 KP) rated The Dark Lake in Books
Dec 24, 2017 (Updated Dec 24, 2017)
intriguing (2 more)
compelling
surprising
Rosalind Ryan, a popular yet mysterious teacher, is found dead by the local lake. She's been murdered, her body left floating with red roses surrounding her. Detective Sergeant Gemma Woodstock and her partner, Felix, are called in to investigate Rosalind's case. Nothing about Rosalind adds up--everyone seemed to like her, but no one really knew her. She lived in a cheap apartment, but clearly had expensive taste in wine and makeup. She was the youngest of four, with three brothers, one of with whom she'd quarreled recently. Her father, George, is ill and runs a large business conglomerate in Australia, yet seemed to adore his inscrutable daughter. As for Gemma, she has memories of Rosalind from their time together in high school, when the beautiful Rose seemed enigmatic even then. Gemma and Felix have their hands full, focusing on Rosalind's co-workers, students, family, and more. Who is responsible for the death of this lovely teacher?
This is an intriguing and compelling two part mystery, with the present-day case focusing on Rosalind, combined with flashes to Gemma's past, focusing on her history with her former boyfriend Jacob, who died as a teen. The majority of our story is told from Gemma's present-day point of view, but we get a few key snippets from the townspeople and occasionally Gemma's point of view flashes to the past.
I really liked Gemma as a narrator. The intersection of the case with her past was extremely well-done. I read some reviews where the readers didn't care for Gemma, but that wasn't the case for me, though I could understand, as the story wore on, how they came to that point of view. She doesn't always make the right decisions, and I'm intrigued to see what she'll be like in the next novel (Goodreads tell me this is the first book in the series). But for me, I identified with her in many ways and, because she was so well-written, really enjoyed the story from her point of view, even if I didn't always agree with her actions. It was also great to get to see a character dealing with the challenges of being female and a mother in a small police force--in a small town no less--in what seemed to be, overall, a fairly realistic fashion.
The story itself is great. There are several twists that really got me, so major kudos to Bailey. I read a lot of thrillers, and it's not always easy to surprise me! For a huge portion of this book, I had *no idea* where this was going to go, or who killed Rosalind. Several times I found myself genuinely shocked by the happenings and was completely enthralled by the story and Bailey's characters. (I also can't believe this is a debut novel - wow.) She does an excellent job at creating tension in the story and the characters, slowing unfurling plot points and details as we go along. This novel is truly a puzzle, the pieces fitting into place as we go along, and putting them together is a joy. It is so well-done and Bailey's weaving together the past and the present is excellent. I wound up really liking Gemma, and her boss Jonesy, and I'm quite excited this is a series. I can't wait to see where Bailey takes us (and Gemma) next. 4.5 stars.
This is an intriguing and compelling two part mystery, with the present-day case focusing on Rosalind, combined with flashes to Gemma's past, focusing on her history with her former boyfriend Jacob, who died as a teen. The majority of our story is told from Gemma's present-day point of view, but we get a few key snippets from the townspeople and occasionally Gemma's point of view flashes to the past.
I really liked Gemma as a narrator. The intersection of the case with her past was extremely well-done. I read some reviews where the readers didn't care for Gemma, but that wasn't the case for me, though I could understand, as the story wore on, how they came to that point of view. She doesn't always make the right decisions, and I'm intrigued to see what she'll be like in the next novel (Goodreads tell me this is the first book in the series). But for me, I identified with her in many ways and, because she was so well-written, really enjoyed the story from her point of view, even if I didn't always agree with her actions. It was also great to get to see a character dealing with the challenges of being female and a mother in a small police force--in a small town no less--in what seemed to be, overall, a fairly realistic fashion.
The story itself is great. There are several twists that really got me, so major kudos to Bailey. I read a lot of thrillers, and it's not always easy to surprise me! For a huge portion of this book, I had *no idea* where this was going to go, or who killed Rosalind. Several times I found myself genuinely shocked by the happenings and was completely enthralled by the story and Bailey's characters. (I also can't believe this is a debut novel - wow.) She does an excellent job at creating tension in the story and the characters, slowing unfurling plot points and details as we go along. This novel is truly a puzzle, the pieces fitting into place as we go along, and putting them together is a joy. It is so well-done and Bailey's weaving together the past and the present is excellent. I wound up really liking Gemma, and her boss Jonesy, and I'm quite excited this is a series. I can't wait to see where Bailey takes us (and Gemma) next. 4.5 stars.
Kristy H (1252 KP) rated Best Intentions in Books
Feb 13, 2018
Marti Trailor is a beleaguered mother of three young children, struggling to hold on to any pieces of her own self as she takes care of her household and family while her husband, Elliot, works endless hours as an obstetrician. When her youngest daughter starts kindergarten, Marti, a former social worker, decides to go back to work. She gets a job, which, coincidentally happens to be in her husband's hospital--something he doesn't seem too thrilled about. Once there, Marti realizes just how overworked many of the doctors are. She also can't help but get a little too involved in the lives of her clients. It's while helping a client--and skirting that precarious line between social worker and friend--that Marti sees something horrible happen at the hospital. This event will change the course of her life forever and threaten everything she holds dear.
<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
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<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
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Midge (525 KP) rated The Girl in the Corner in Books
Jan 13, 2019 (Updated Jan 13, 2019)
Very relatable (2 more)
Compelling, mature and thought-provoking
Great depth and plenty of humour
A Very Enjoyable Read - 4 Stars ! ⭐⭐⭐⭐
I was excited to read this latest novel by Amanda Prowse, having been lured by the attractive cover design and the very relatable premise of a woman who feels the need to re-evaluate her whole life, following her husband's guilty admission of his betrayal.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
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Merissa (13600 KP) rated Blood & Thunder (THIRDS #2) in Books
Jun 27, 2017
Blood & Thunder (THIRDS #2) by Charlie Cochet
Blood and Thunder takes place approximately eight months after Hell & High Water. Dex is now firmly entrenched within Destructive Delta and is continuing his relationship with Sloane, although he does want more than what Sloane is prepared to give. He is patient though, and doesn't push things, especially when he knows that Sloane has no more to give right now. On top of this, they are still hunting for Isaac and putting out the numerous fires that he is starting.
What can I say about this? It's been over a month since I read Hell & High Water but I was immediately immersed back into their world. So much going on, and I loved every thrilling, fast-paced moment of it. Not only do we see more of Sloane and Dex, but we get a couple more hints into Calvin and Hobbs, plus Ash and Cael. It's not all plain sailing for Sloane and Dash though, and my heart broke for both of them, although I did still want to wump Sloane upside the head with his 'official reprimand'. There way many, MANY laugh out loud moments, surprisingly enough involving Dex. I honestly don't think I could cope with him in real life, but as a character, he is brilliant!
This was an exceptionally well written addition to the series, deepening and developing all the characters and their relationships with each other. There were no editing or grammatical errors that I noticed, and the story itself was compelling reading. Absolutely recommended by me.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
What can I say about this? It's been over a month since I read Hell & High Water but I was immediately immersed back into their world. So much going on, and I loved every thrilling, fast-paced moment of it. Not only do we see more of Sloane and Dex, but we get a couple more hints into Calvin and Hobbs, plus Ash and Cael. It's not all plain sailing for Sloane and Dash though, and my heart broke for both of them, although I did still want to wump Sloane upside the head with his 'official reprimand'. There way many, MANY laugh out loud moments, surprisingly enough involving Dex. I honestly don't think I could cope with him in real life, but as a character, he is brilliant!
This was an exceptionally well written addition to the series, deepening and developing all the characters and their relationships with each other. There were no editing or grammatical errors that I noticed, and the story itself was compelling reading. Absolutely recommended by me.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
Nick Friesen (96 KP) rated Suicide Squad (2016) in Movies
Jul 18, 2017
Margot Robbie's Harley Quinn (2 more)
Will Smith is Actually a Great Deadshot
The Two Seconds Batman is Involved
Weak Story (3 more)
Terrible Villain
PG-13 was an Underwhelming Choice
Most of the Characters are Forgettable
A Half-Assed Suicide (Squad) Attempt
After the success of Deadpool six months prior, an R-Rated anti-hero action movie that pushed the envelope, Suicide Squad just felt weak. The movie about DC's most famous rogues should have took a chance on an R rating as well. There's just something not quite right with these characters participating in a (mostly) family friendly romp. They fight black, faceless zombies, sort-of curse, and sometimes make lame jokes along the way. Along with that, there's too many characters crammed into the movie without any previous introduction or characterization. At the very least, Harley and the Joker should have been in an entire Batman movie before the Suicide Squad movie happened, if not Deadshot as well. Instead we get a miniature helping of Batman versus these foes in the early minutes of the movie, and then this ragtag group of baddies is thrown together to fight an evil bigger than themselves without much in the way of good storytelling. It's sad, really, because these characters are compelling in their own right. If DC really wants to have a cohesive movie universe, they need to slow down and build the movie versions of these characters before slapping them all together and expecting people to care. That, or at least give these awesome anti-heroes an equally awesome antagonist to square off with; the Enchantress is just lame.
Nick Friesen (96 KP) rated Baby Driver (2017) in Movies
Jul 18, 2017
Ansel Elgort's Baby is Compelling and Well Acted (3 more)
The Criminals Each Have Interesting & Distinct Personalities
The Movie Drives to the Infectious Soundtrack
Punchy & Skillfuly Edited Cinematography
So-so Love Interest (1 more)
Ends With a Stereotypical Action Movie Climax
Edgar Wright Goes Fast & Furious (In a Good Way)
Edgar Wright has yet to direct a bad movie. Baby Driver doesn't ruin his streak, but it doesn't quite raise the bar. It does do something new, for Wright at least, in transposing his humor and musicality on top of more mature and serious subject matter. The issue is that the story isn't as original or creative as his previous works. Instead, the creativity and originality exists in the way the movie is executed. Bank heists, a getaway driver, and the shadowy mastermind are all well-worn tropes; but Wright sets it all to an eclectic and rhythmic soundtrack that drives the movie forward. Baby Driver is masterfully edited to sync up with the rhythm of the music, for the first two-thirds at least, until it devolved into a bit of a frantic mess. I almost wonder if that was intentional, however, as it perfectly mirrors Baby's situation. In the first two acts he is calm, in control, and driving to the music on his many iPods. In the third act, his predicament devolves into a disaster beyond his control, and he is knocked out of the rhythm he normally operates in. In the end, none of Baby Driver is bad or poorly done, it just isn't quite as memorable as the Cornetto Trilogy or Scott Pilgrim.
Characters you care about (1 more)
An interesting, well thought out plot
A creepy thriller, well worth the watch!
23 years ago Carys Howell goes missing from a small Welsh village. The case is never solved. After the sudden and horrific death of her mother, Matilda Gray, celebrity cello player, finds herself drawn to the village and the case. Followed by close friend Hal, who has clear but unreciprocated feelings towards Matilda, she slowly begins to unravel the events around the case. What Matilda finds leads her into the world of the dark supernatural.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
graveyardgremlin (7194 KP) rated A Cast of Killers in Books
Feb 15, 2019
A CAST OF KILLERS is a compelling look back into the 1922 unsolved murder of William Desmond Taylor. The author tells the story through the eyes of director King Vidor, using his actual research of the murder during the years sixty-six and sixty-seven.
Once I picked this up, I could not put it back down, or rather, I didn't want to put it down for a second. Sydney D. Kirkpatrick knows how to grab ahold of a reader and keep them locked into the book until the very end. To make sure nothing spoiled the book for me, I didn't look anything up online (as I'm apt to do) until after I had read the last sentence. This proved to be for the best. Unfortunately, this is not the definitive answer to an unsolved crime, but just Vidor's (and I assume the author's) theory in a case that will likely never be truly solved. Also, the newsletter called <a href="http://www.taylorology.com" target="_blank">Taylorology</a>, which specializes in the murder, found 175 errors and contradictions in the 1986 edition of the book (the one I read). According to their website, most of those errors were corrected in the Twentieth Anniversary Edition.
Still, I found the book to be absolutely riveting and was a good starting place to learn the basics of a crime I had never heard of before. A CAST OF KILLERS is written like a novel, therefore it's a fast read and very entertaining. I take the theory used in it with a grain of salt, but all-in-all, it was a worthwhile read.
Once I picked this up, I could not put it back down, or rather, I didn't want to put it down for a second. Sydney D. Kirkpatrick knows how to grab ahold of a reader and keep them locked into the book until the very end. To make sure nothing spoiled the book for me, I didn't look anything up online (as I'm apt to do) until after I had read the last sentence. This proved to be for the best. Unfortunately, this is not the definitive answer to an unsolved crime, but just Vidor's (and I assume the author's) theory in a case that will likely never be truly solved. Also, the newsletter called <a href="http://www.taylorology.com" target="_blank">Taylorology</a>, which specializes in the murder, found 175 errors and contradictions in the 1986 edition of the book (the one I read). According to their website, most of those errors were corrected in the Twentieth Anniversary Edition.
Still, I found the book to be absolutely riveting and was a good starting place to learn the basics of a crime I had never heard of before. A CAST OF KILLERS is written like a novel, therefore it's a fast read and very entertaining. I take the theory used in it with a grain of salt, but all-in-all, it was a worthwhile read.







