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Ross (3284 KP) rated The Bone Ships in Books
Oct 28, 2019
This book is the start of RJ Barker's second fantasy series - a swashbuckling adventure. Where in his first series, the Wounded Kingdom, the world-building was minimal (or rather, it was just enough to be able to tell the story he wanted to tell), here the reader is thrown in at the deep end. The world the book takes place in is one where the bones of sea dragons are used to build ships, which themselves are generally used to battle against other nations' ships to steal their bones. This is because there are no more of these dragons, or so they thought ...
The first quarter of this book feels like wading through treacle, it is so thick with unexplained terms, creatures, materials and nautical job titles. Even things like trees are renamed as "gion" or "varisk", making it really hard to make head or tale of.
The story follows Joron, a depressed man lumbered with the role of shipwife (captain) on a black ship (one manned by those serving a prolonged death sentence for numerous crimes). His ship is abruptly taken over by Lucky Meas, shipwife of great renown, and his mediocre crew miraculously turned into one that would die for each other.
The crew soon find themselves secretly hunting down a rumoured dragon, not to kill it and take its bones, but to protect it from those trying to do so. And then kill it where nobody can salvage its bones and, hey presto, the world will be at peace.
The journey part of the story is really quite painfully dragged out, with some long sections of ship training (I am now very well versed in how to load, aim and fire a made up ship's crossbow!) and some mediocre action scenes thrown in to pad the story out (most of which involve the crew embarking on an impossible mission that they accomplish nonetheless).
Joron is not a likeable main character. He, much like the main character in the Wounded Kingdom, is a whiney brat who has to be battered into submission before adding any value to those around him. I didn't care in the least about him, or the fate of those on the ship. There was a point where my reading ground to a halt, when I could no longer take the seemingly endless sea voyage and cringeworthy pirate speak.
The final quarter of the book is more action-packed and some scenes are massive improvements, compelling the reader to carry on. However, by that point I was fed up with the book and the crew and their bloody pointless journey.
The first quarter of this book feels like wading through treacle, it is so thick with unexplained terms, creatures, materials and nautical job titles. Even things like trees are renamed as "gion" or "varisk", making it really hard to make head or tale of.
The story follows Joron, a depressed man lumbered with the role of shipwife (captain) on a black ship (one manned by those serving a prolonged death sentence for numerous crimes). His ship is abruptly taken over by Lucky Meas, shipwife of great renown, and his mediocre crew miraculously turned into one that would die for each other.
The crew soon find themselves secretly hunting down a rumoured dragon, not to kill it and take its bones, but to protect it from those trying to do so. And then kill it where nobody can salvage its bones and, hey presto, the world will be at peace.
The journey part of the story is really quite painfully dragged out, with some long sections of ship training (I am now very well versed in how to load, aim and fire a made up ship's crossbow!) and some mediocre action scenes thrown in to pad the story out (most of which involve the crew embarking on an impossible mission that they accomplish nonetheless).
Joron is not a likeable main character. He, much like the main character in the Wounded Kingdom, is a whiney brat who has to be battered into submission before adding any value to those around him. I didn't care in the least about him, or the fate of those on the ship. There was a point where my reading ground to a halt, when I could no longer take the seemingly endless sea voyage and cringeworthy pirate speak.
The final quarter of the book is more action-packed and some scenes are massive improvements, compelling the reader to carry on. However, by that point I was fed up with the book and the crew and their bloody pointless journey.
BankofMarquis (1832 KP) rated The Favourite (2018) in Movies
Jan 24, 2019
Quirky and original with strong performances and direction
Greek Director Yorgos Lanthimos is the director of such quirky, bizarre comedy/dramas as DOGTOOTH, THE LOBSTER and KILLING OF A SACRED DEER and his latest, THE FAVOURITE is no different, so when it was nominated for 10 Oscars, I thought I'd better go see what all the fuss was all about.
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
Kristy H (1252 KP) rated Little Fires Everywhere in Books
Mar 19, 2020
Truly, I've been meaning to read this one for ages, but those Hulu promos with Reese Witherspoon and Kerry Washington really did push me over the edge. Shaker Heights is a planned community in Ohio, focused on perfection. No one loves the community more than Elena Richardson, who has lived there most of her life. She and her husband have four children, and Elena works as a reporter for a local paper. They also rent a townhouse to deserving tenants. Their latest project is Mia Warren and her daughter, Pearl. Mia is an artist and Pearl goes to high school with the Richardson kids. Mia is everything Shaker is not--mysterious, interesting, and different. When Elena's friends try to adopt a Chinese-American baby, a battle erupts within Shaker Heights that splits the town--and Mia and Elena. Elena starts digging into Mia's past, but her obsession with this woman will soon put both Mia and herself at risk.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
Gareth von Kallenbach (980 KP) rated Riddick (2013) in Movies
Aug 6, 2019
Vin Diesel hits the silver screen in the third installment of the Chronicles of Riddick series. As you would expect, Diesel delivers on a role crafted solely for him.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.
One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.
One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
Kristy H (1252 KP) rated Strike Me Down in Books
Apr 23, 2020
This was certainly an intriguing book with an interesting premise. Nora and her firm are given only a few days to find the money missing from Strike's coffers. Strike is run and controlled solely by Logan and Greg, without outside influence from shareholders. As such, they are self-made. But that's also made them vulnerable to such a theft. I honestly would have liked to see more of the forensic accounting pieces--I'm a big dork. For instance, Nora's company has a computer named Inga who searches emails for clues and patterns. I would have been fine seeing and learning more about Inga at work.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
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