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LeftSideCut (3776 KP) rated The Batman (2022) in Movies
Mar 7, 2022
Like many others, I've been pretty much sold on The Batman since the first trailer dropped, to the point where I was worried that my own hype would leave me disappointed. Luckily that's not the case. Matt Reeves has crafted the definitive live action Batman experience.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
Emma @ The Movies (1786 KP) rated The Prodigy (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Here we are, a turning point of sorts. I had said to myself that I would try to be less of a scaredy cat and see all the films at the cinema. I'm not at a point where I can happily say "it's a no from me". Horror and I mix fine if I can watch them at home in the daylight and I can shout at the characters when they do dumb things like go into basements and don't turn on lights.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
MaryAnn (14 KP) rated Delayed Justice (Hidden Justice #3) in Books
Mar 5, 2019
She had long given up the desire to be loved. Now she only needed to be heard. Jaime Nichols went to law school to find the voice she never had as a child, and her determination to protect girls and women in the path of harm drives her in ways both spoken and unspoken. As Jamie, now a criminal defense attorney, prepares to press charges against someone who wronged her long ago, she must face not only her demons but also the unimaginable forces that protect the powerful man who tore her childhood apart. Chandler Bolton, a retired veteran, is tasked with helping a young victim who must testify in court—and along with his therapy dog, Aslan, he’s up for the task. When he first meets Jaime, all brains, beauty, and brashness, he can’t help but be intrigued. As Chandler works to break through the wall Jaime has built around herself, the two of them discover that they may have more to offer one another than they ever could have guessed—and that together, they may be able to help this endangered child. This thrilling installment of the Hidden Justice series explores the healing power of resolution and the weight of words given voice. And as Jaime pursues delayed justice of her own, she unearths eternal truths that will change the course of her life.
My Thoughts: Cara Putman has written a powerful novel that focuses on issues we see every day. This is a novel about strength, recovery, trust and finding hope in God. This is a fast-moving story-line that keeps the reader's interest, there are no dull moments in this novel.
The characters were easy for the reader to identify with. Jaime has worked hard to work through her trauma and to seek justice. Chandler the veteran who suffers from mild PTSD. The author did a wonderful job with Chandler, a man who has also with the help of Aslan push past his trauma. As I said the author has touched on topics that I believe everyone has or knows someone touched by these traumas. The author has done a wonderful job bringing these to the readers' attention and showing that with counseling, the victims can obtain justice and freedom from the past.
I enjoyed that C.S. Lewis' "The Lion, the Witch and the Wardrobe" from "Narnia" were brought into the storyline. I immediately fell in love with Aslan and the job he performed in the story.
This was a wonderful and a joy to read. I highly recommend this one, especially to those who enjoy action and suspense with a little romance mixed in.
My Thoughts: Cara Putman has written a powerful novel that focuses on issues we see every day. This is a novel about strength, recovery, trust and finding hope in God. This is a fast-moving story-line that keeps the reader's interest, there are no dull moments in this novel.
The characters were easy for the reader to identify with. Jaime has worked hard to work through her trauma and to seek justice. Chandler the veteran who suffers from mild PTSD. The author did a wonderful job with Chandler, a man who has also with the help of Aslan push past his trauma. As I said the author has touched on topics that I believe everyone has or knows someone touched by these traumas. The author has done a wonderful job bringing these to the readers' attention and showing that with counseling, the victims can obtain justice and freedom from the past.
I enjoyed that C.S. Lewis' "The Lion, the Witch and the Wardrobe" from "Narnia" were brought into the storyline. I immediately fell in love with Aslan and the job he performed in the story.
This was a wonderful and a joy to read. I highly recommend this one, especially to those who enjoy action and suspense with a little romance mixed in.
Andy K (10823 KP) rated Dragged Across Concrete (2019) in Movies
May 5, 2019
What a thrill ride!
So to say director S. Craig Zahler is one of my favorites working today is an understatement. I was a HUGE fan of his first two films, Bone Tomahawk and Brawl in Cell Block 99 (read my reviews on both on Smashbomb) so I was really looking forward to this one. Of course the film did not play at a cinema local to me, so I had to wait until Blu Ray to give it a watch and I was enthralled.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Fred (860 KP) rated Case Closed in TV
May 27, 2019
If you can overlook the silly & useless premise, this is one great anime
Every review you'll see of this show or book, will tell you the back story of "Case Closed". They'll tell you how the teenage Shinichi Kudo (a genius detective) is given an experimental pill by some thugs and is transformed into a child again. He calls himself Conan Edogawa & wherever he goes, a crime happens & he solves the crime. He keeps his predicament to himself & an inventor friend of his. The inventor gives him Bond type gadgets that help him get by, since he's a child again. One of these gadgets, a bow-tie, changes his voice, so he can sound exactly like anyone. When he solves the crime, he knocks out an adult with a dart hidden in his watch, hides behind the sleeping adult, talks through his bow-tie to sound like the adult & tells everyone within earshot who the criminal is.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
Darren (1599 KP) rated A Prophet (Un prophete) (2010) in Movies
Jun 20, 2019
Story: A Prophet starts as Malik (Rahim) enters prison, he wants to keep to himself and get out quickly, but this doesn’t happen because crime boss Cesar (Arestrup) sees him as a potential new employee in need of protection on the inside, but in exchange Malik must do some of the dirty work for Cesar.
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
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Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
REPORT THIS AD
Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/
BookblogbyCari (345 KP) rated The Dark Net in Books
Jan 26, 2019
Eye-opening!
For those who don’t know, the dark net is hidden seedier internet just below the regular surface internet. In this work of non-fiction, Bartlett explores the dark net’s various elusive and somewhat criminal goings-on; often going out of his way in the name of research.
The book kicks off with a dramatic introduction, talking about the Assassination Market. The assassination market is basically an online list of names and dates. Participants bet on what date an individual on the list will die. If a bet is correctly “guessed”, the winner walks away with all the winnings. Unfortunately, this was the shortest chapter and had the least amount of research made evident.
The drama continues in the following chapter which is about trolling, however this chapter read like a history book, and didn’t live up to the precedent set in the introduction. Shortly afterward though, Bartlett goes on to talk about one-man political parties, who set up several accounts on several sites to get their propaganda trending.
Later on Bartlett journeys into the strange real world community of Calafou. Here he meets cypherpunks and explains the crypto-currency Bitcoin to the reader. This unfortunately was another rather drab chapter.
The shortest chapter following the introduction was entitled “Three clicks”, which was named so when the author tried to find out how long it would take him to find child porn using free software known as “The Onion Router” and the “Hidden Wiki”. (Of course the author reported it to the police.)
There’s also a chapter on pro-anorexia and pro-self-harm sites.
And when I said the author often went out of his way in the name of research, I wasn’t kidding! The author went on the online “Silk Road” to purchase a very small amount of marijuana! And later still Bartlett is in the actual bedroom of a webcam star as she performs a rude show with 3 other women!
Reading a book on the dark net is the closest I’m ever going to get to actually using the dark net, so I wanted a lot from this book. I learned that the dark net would be pretty easy to navigate if I really wanted to use it. That said there was nothing in the book that would entice me to do anything that might involve covering my tracks.
So although there were a couple of chapters that were unnecessarily long, the other chapters definitely made up for it! Aside from the lack of detail on the Assassination Market, the remainder of the book appears well researched, with a lot of face to face and online meetings between the author and the people in the know.
The book kicks off with a dramatic introduction, talking about the Assassination Market. The assassination market is basically an online list of names and dates. Participants bet on what date an individual on the list will die. If a bet is correctly “guessed”, the winner walks away with all the winnings. Unfortunately, this was the shortest chapter and had the least amount of research made evident.
The drama continues in the following chapter which is about trolling, however this chapter read like a history book, and didn’t live up to the precedent set in the introduction. Shortly afterward though, Bartlett goes on to talk about one-man political parties, who set up several accounts on several sites to get their propaganda trending.
Later on Bartlett journeys into the strange real world community of Calafou. Here he meets cypherpunks and explains the crypto-currency Bitcoin to the reader. This unfortunately was another rather drab chapter.
The shortest chapter following the introduction was entitled “Three clicks”, which was named so when the author tried to find out how long it would take him to find child porn using free software known as “The Onion Router” and the “Hidden Wiki”. (Of course the author reported it to the police.)
There’s also a chapter on pro-anorexia and pro-self-harm sites.
And when I said the author often went out of his way in the name of research, I wasn’t kidding! The author went on the online “Silk Road” to purchase a very small amount of marijuana! And later still Bartlett is in the actual bedroom of a webcam star as she performs a rude show with 3 other women!
Reading a book on the dark net is the closest I’m ever going to get to actually using the dark net, so I wanted a lot from this book. I learned that the dark net would be pretty easy to navigate if I really wanted to use it. That said there was nothing in the book that would entice me to do anything that might involve covering my tracks.
So although there were a couple of chapters that were unnecessarily long, the other chapters definitely made up for it! Aside from the lack of detail on the Assassination Market, the remainder of the book appears well researched, with a lot of face to face and online meetings between the author and the people in the know.
Gareth von Kallenbach (980 KP) rated Justice League: War (2014) in Movies
Aug 16, 2019
February 4th saw the release of another Warner Bros. Animation film in the
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.