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Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Andy K (10821 KP) rated Suspiria (2018) in Movies
Feb 25, 2019
Not the Suspiria you were looking for.
"Reimagined" would be the only word to describe this new vision of the original cult horror Argento classic from director Luca Guadagnino. It reminded me of a lot of other 70s and 80s horror including the original Hellraiser, The Wicker Man, or some early David Cronenberg body horror films.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
Andy K (10821 KP) rated Clerks (1994) in Movies
May 6, 2019
Dante and Randal - together forever
I had the pleasure of meeting Kevin Smith when he appeared at the Hollywood Video manager's meeting in Las Vegas in the summer of 1999. Clerks was revered at that time by all of us since we were living the life of Randal to a certain extent being video store managers. We could all relate to the examples of stupid customers and things we wanted to say to them, but couldn't since "the customer is always right".
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
Kyera (8 KP) rated Geekerella (Once Upon a Con #1) in Books
Jan 31, 2018
Geekerella is a modern day retelling of the classic fairytale, Cinderella. Our protagonist is Ella and the most important thing in her life is fandom, specifically her love of Starfleet. It was a show that she watched on re-runs with her dad and fell in love with. Her father even started a convention called Excelsicon because of his love of Starfleet. After her mother died when she was a small child, it was just Ella and her dad. Unfortunately, her father got remarried and later died in a car accident leaving Ella with her step-mother and two step-sisters. They didn’t understand her love of the sci-fi cult hit and treated her more like a servant than a sister.
Geekerella is a cute contemporary novel that will speak to your fandom loving heart. Even if you’re not super into sci-fi, comics, comic con, cosplay or those types of things, I think you will enjoy the classic human experience portrayed in this book. The Cinderella retelling aspect of the story was the least relevant to my reading experience. I personally enjoyed the development of friendly and romantic relationships, the geeking out over fandoms and the personal growth seen in this novel.
The main characters are likable and relatable, despite the fact that one of them is famous. He alternates between wanting to be normal, or down to earth, and succumbing to the intoxicating appeal of being famous. Even though you generally know the bones of the story if you’re familiar with Cinderella, the story itself doesn’t feel incredibly formulaic and can surprise you at times.
Highly recommended to young adult/teen fan of contemporary books, teen romance, nerd/geekdom, comic con, cosplay, fairytale retellings and simple, cute reads.
Geekerella is a cute contemporary novel that will speak to your fandom loving heart. Even if you’re not super into sci-fi, comics, comic con, cosplay or those types of things, I think you will enjoy the classic human experience portrayed in this book. The Cinderella retelling aspect of the story was the least relevant to my reading experience. I personally enjoyed the development of friendly and romantic relationships, the geeking out over fandoms and the personal growth seen in this novel.
The main characters are likable and relatable, despite the fact that one of them is famous. He alternates between wanting to be normal, or down to earth, and succumbing to the intoxicating appeal of being famous. Even though you generally know the bones of the story if you’re familiar with Cinderella, the story itself doesn’t feel incredibly formulaic and can surprise you at times.
Highly recommended to young adult/teen fan of contemporary books, teen romance, nerd/geekdom, comic con, cosplay, fairytale retellings and simple, cute reads.
Awix (3310 KP) rated Bright (2017) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
Orcz in da Hood
Fantasy-cop movie mash-up which probably sounded cool at the pitch meeting but doesn't really work as a full movie. Will Smith plays a careworn LA street cop saddled with an Orc (Joel Edgerton) as his partner, as this is a world where humans and fantasy creatures co-exist. The two of them end up contending with the anti-Orc racism of the LAPD and a cult of evil Elves seeking to use a magic wand to bring about the end of the world (Noomi Rapace and her cheekbones are well-cast as the baddie).
David Ayer seems much more comfortable handling the cop movie angle than the fantasy, but then at least this bit of the script actually makes a degree of sense. The movie no offers no clues as to how a world with Dark Lords and dragons and near-omnipotent magic wands ended up so closely resembling our own, with roughly the same history, countries, and cities (they even have Uber, for God's sake). And you have to wonder what kind of social commentary writer Max Landis is intent on when he implicitly draws parallels between Orcs (strong, dim, violent) and real-world ethnic groups.
Looking on the (wait for it) bright side, there is some snappy dialogue and good performances from Smith and (particularly) Edgerton, and most of the action is well-staged. One of those movies that works better if you just don't think about it, but let it wash over you; apparently a sequel is in the works and maybe they will address some of these issues there. David Ayer should definitely stick to writing his own scripts in future, though.
David Ayer seems much more comfortable handling the cop movie angle than the fantasy, but then at least this bit of the script actually makes a degree of sense. The movie no offers no clues as to how a world with Dark Lords and dragons and near-omnipotent magic wands ended up so closely resembling our own, with roughly the same history, countries, and cities (they even have Uber, for God's sake). And you have to wonder what kind of social commentary writer Max Landis is intent on when he implicitly draws parallels between Orcs (strong, dim, violent) and real-world ethnic groups.
Looking on the (wait for it) bright side, there is some snappy dialogue and good performances from Smith and (particularly) Edgerton, and most of the action is well-staged. One of those movies that works better if you just don't think about it, but let it wash over you; apparently a sequel is in the works and maybe they will address some of these issues there. David Ayer should definitely stick to writing his own scripts in future, though.
Kristy H (1252 KP) rated Movie Star by Lizzie Pepper in Books
Feb 13, 2018
Lizzie Pepper became a famous actress as a teen -- growing up before America's eyes on her TV show. Eventually Lizzie meets America's most famous movie star, Rob Mars -- and quickly their courtship and marriage becomes tabloid fodder and her life changes forever. At first, Lizzie is head over heels in love with Rob and all that he brings: romance, lavish trips, and instant stardom. But soon, her life is taken over by Rob's wealth and fame -- his constant absences, a complete lack of privacy, and a world overshadowed by Rob's total commitment to One Cell Studio, a form of study and practice that nears cult status. Once they have children, Lizzie begins to doubt everything about their relationship -- and what her husband stands for.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
Acanthea Grimscythe (300 KP) rated Secrets of the Weird in Books
Jun 5, 2018
Chad Stroup’s novel, Secrets of the Weird is a piece of bizarro fiction that leaves me with more questions than answers. That’s not to say the book is bad by any means; I just feel that it does not live up to its full potential. Sweetville is a decidedly dark setting, with its own underground that we as readers get a brief glimpse of and nothing more. It’s as if Stroup teases us.
What I loved: the dynamic cast of characters Stroup creates. His ability to write lifelike and engaging characters is astounding. The main character, Trixie, is so real in her struggles that I imagine she’s quite relatable for several people. Her trek to being a woman is filled with bump after bump, and yet she still finds a reason to carry on, to seek her own happiness. In fact, much of this book focuses on her journey to self-acceptance, culminating in a beautiful metamorphosis. Other characters are equally fleshed out, but in ways that make my stomach turn. For instance, Cypress and the Angelghoul are despicable. Were either character to perish, I’d be fine. But its these anti-heroes that open up a lot of unanswered questions – if they can be called that.
First, there’s the Withering Wyldes. A creature whose purpose is to convert others into joining their cult like organization. Their history is explained, and they consistently show up throughout the book, but after a few chapters in which a linguist tries to understand their method of communication, they become background noise. The Angelghoul’s quest for enlightenment goes uncompleted. Trixie’s boyfriend fades away into nothing. And finally, Cypress’s threats seem to… well, not come to fruition.
The book is most definitely a fun read, but with those plot issues it falls short of a five skull rating for me. I’ll have to give it three.
What I loved: the dynamic cast of characters Stroup creates. His ability to write lifelike and engaging characters is astounding. The main character, Trixie, is so real in her struggles that I imagine she’s quite relatable for several people. Her trek to being a woman is filled with bump after bump, and yet she still finds a reason to carry on, to seek her own happiness. In fact, much of this book focuses on her journey to self-acceptance, culminating in a beautiful metamorphosis. Other characters are equally fleshed out, but in ways that make my stomach turn. For instance, Cypress and the Angelghoul are despicable. Were either character to perish, I’d be fine. But its these anti-heroes that open up a lot of unanswered questions – if they can be called that.
First, there’s the Withering Wyldes. A creature whose purpose is to convert others into joining their cult like organization. Their history is explained, and they consistently show up throughout the book, but after a few chapters in which a linguist tries to understand their method of communication, they become background noise. The Angelghoul’s quest for enlightenment goes uncompleted. Trixie’s boyfriend fades away into nothing. And finally, Cypress’s threats seem to… well, not come to fruition.
The book is most definitely a fun read, but with those plot issues it falls short of a five skull rating for me. I’ll have to give it three.
ClareR (5711 KP) rated Valkyrie (2008) in Movies
Jun 23, 2019
Surprisingly good!
I will hold my hands up and admit that I can be very critical of films set in Germany and particularly during the Second World War. I’m a bit of a germanophile - I studied German language, literature and history at university. I read into the furore that surrounded the making of this film: the Germans didn’t want Tom Cruise to play the main part because of his affiliation with Scientology (Germans believe it’s a cult, and therefore want nothing to do with it), and Claus von Stauffenberg’s eldest son even asked Cruise to stand down from the role. They all had a rethink though, and decided that it was more important that this story was actually told. And I have to agree with them. There’s a belief that all Germans were complicit in the actions of Hitler and his National Socialists, but this isn’t true. What might be true, is that people were terrified that they would be killed for any opposing thoughts or actions - and they were right.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
Andy K (10821 KP) rated Basket Case (1982) in Movies
Oct 26, 2019
Basket full o' fun!
What would your life be like if you were a former conjoined twin, couldn't tell anyone about it, and then also carried around your now separated deformed, menacing killer twin in a wicker basket?
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
Matthew Krueger (10051 KP) rated Black Christmas (1974) in Movies
Dec 11, 2019
Answer The Phone
With anethor remake coming out this friday, and that i already reviewed the 2006 remake. In going back to the oringal, were it alll started from. So lets take a little trip back to 1974.
Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.
The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.
Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).
Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.
A overall classic slasher horror movie based around a hoilday.
Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.
The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.
Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).
Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.
A overall classic slasher horror movie based around a hoilday.