Search

Search only in certain items:

Fight Club 2
Fight Club 2
David Mack, Chuck Palahniuk, Cameron Stewart | 2016 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
I am Jack's emerging sense of Nerd Rage...

Firstly, WHY? Why on earth would you even think about writing a sequel to one of the best books ever written that spawned one of the best cult classic movies ever made?

Secondly, WHAT? I mean, I read it and all, but...

Thirdly, OH WOW.

This book will be polarizing for fans. You will either love it or hate it. Period. I doubt there will be any middle ground here. Some fans will argue that Palahniuk is spent creatively, or that this was a giant FU to the Tyler Durden fan club, or that it was just ill conceived all they way around.

Others will think it's the most beautiful messed up thing they've ever read.

At the moment, I fall very much into the later category, but I just finished this set, and the resonance of the final pages have left me a little shell shocked. I need to discuss this with friends, like NOW.

More to come as it unravels for me...
  
40x40

Awix (3310 KP) rated Monkey in TV

Mar 4, 2018 (Updated Mar 4, 2018)  
Monkey
Monkey
1978 | Adventure, Comedy, Fantasy
The Nature of Monkey is Irrepressible
Only mildly unhinged Japanese adaptation of the famous Journey to the West stories, which became a cult TV show when exported to the UK, Australia, and South America. Classic 16th century Chinese novel is transformed into something almost indescribable; a mixture of off-the-wall humour, hyperactive martial arts sequences, and cheesy special effects - the English dub may take a few liberties with the original scripts as well.

A representative episode sees our heroes visiting a small village terrorised by a giant catfish monster, which proceeds to eat three of them; they end up going to a disco which is held in the bad guy's stomach, before persuading him to vomit them up so they can fight him and his followers. Frequently silly, and the low budget often shows, but made with relentless energy and cheerfulness; hugely imaginative, often genuinely very funny. A generation of UK viewers grew up able to sing the theme tune 'Monkey Magic' (and misremember the name of the show as a result).
  
The Texas Chain Saw Massacre (1974)
The Texas Chain Saw Massacre (1974)
1974 | Horror
This movie is odd for me. It's seen as a cult classic and a 'must watch' but when I watched it I found myself extremely disappointed.

It's not that the movie is bad, don't get me wrong it's not... But it's so hyped up that you can't help but feel disappointed when the gore level is low and so is the kill count.

Be that as it may it is a good movie. The acting is decent, the plot is good and the characters are memorable. It's also greatly improved for any serial killer nerds like myself when you see all of the connections to Ed Gein throughout the movie and Leatherface being inspired by him. Not to mention the respect you gain for the cast and crew when you see the filming conditions they had to put up with.

So yeah, this movie is good and any horror fan should watch it at least once but..... Don't get your hopes up for a full on blood bath.
  
40x40

Awix (3310 KP) rated Blade Runner (1982) in Movies

Nov 25, 2019 (Updated Nov 26, 2019)  
Blade Runner (1982)
Blade Runner (1982)
1982 | Sci-Fi
8
8.5 (75 Ratings)
Movie Rating
Cult thriller from Ridley Scott. In present-day Los Angeles, investigator Harrison Ford finds himself obliged to hunt down and destroy four androids who have illegally returned to Earth from colonies in outer space. Yes, yes: I know it's a timeless classic and a visionary piece of science fiction (if not a particularly accurate piece of prognostication), but it's not a film I've ever found myself able to particularly warm to.

One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
  
Journey To The West: Conquering the Demons (2014)
Journey To The West: Conquering the Demons (2014)
2014 | Action, Drama, International
Transcendent. A purified gonzo spectacle with enough madcap panache to measure on the Richter scale. Stephen Chow really is the *fucking* man, like if Ang Lee in the early aughts did enough acid to choke out a small village. Like all of Chow's work, it's got it all: riveting emotion, uproarious comedy, zany action, stellar production, and less than zero visible self consciousness to speak on. Exactly what these movies oughta be - plays with space like a champ and stages itself like an old school cult classic with a heavy emphasis on rubberlike physicality and Rube Goldberg-esque setpieces brought lovingly into the modern era, then injected with numerous hallucinogens. A gigantic Buddha bitch slaps the entire planet in this (literally). Have some issues with underwriting in its core relationship, and a bit too loose of pacing near the end; but it whips itself into shape enough to hardly notice too much. Balances silly with serious really formidably. The tectonic, slapstick partner piece to the blood-gushing, limb-loathing 𝘕𝘪𝘯𝘫𝘢 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯.
  
    Tomb Raider II

    Tomb Raider II

    Games

    (0 Ratings) Rate It

    App

    THE LEGEND CONTINUES The multi award winning classic action adventure game from the glorious days...

Carnival of Souls (1962)
Carnival of Souls (1962)
1962 | Horror
8.0 (4 Ratings)
Movie Favorite

"Another incredible thing about Criterion is that in addition to the classics, the treasures, the widely acclaimed, they also have a true love for cult and lowbrow cinema. Director Herk Harvey explains on the Carnival of Souls commentary that they had hoped the film would have an art-house release, and they actually approached a distributor successful in that market and were told that, since it wasn’t in a foreign language, it didn’t really fit. I’m sure being American-made wasn’t the only reason this was a hard fit for distributors, but it was interesting in terms of what art houses were looking for at that time and how the filmmakers saw the film’s niche. This film taught me how to watch Mulholland Drive . . . which is to say, if you stay with the mood, without fighting it, your intuition will serve you far better than the plot and structure and logic your brain is craving. Because essentially all stories are simple; what isn’t simple is the underneath of it all. And that’s more rewarding in the end. I was on a plane about ten years ago when a businessman sat down next to me. Like most people, I dreaded having to talk to someone new. I figured he wouldn’t talk to me anyway, ’cause I have tattoos and he looked very straight-up corporate. He immediately smiled and asked me who I was, what I did for a living. I told him I made movies, but probably none he’d ever heard of. Indie movies. I figured that would shut him up so I could look out the window and mope. He smiled big—“Oh, you mean like cult movies?” I shrugged kindly—well, yeah, I guess you could say that, hopefully that. He said his sister had been in a movie when he was a youngster. A film as independent as it gets. One that had become a cult classic. Somehow I just knew what he was going to say next. His sister was not Candace but another girl in the film, and that man and I talked about Carnival of Souls for well over an hour. And then we spent the next two hours of our flight engrossed in each other as he told me vividly of the supremely radical life he’d led prior to becoming a businessman for the environment! You just never know . . ."

Source