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David McK (3185 KP) rated Casino Royale Vintage 007 in Books
Jan 30, 2019
The very first James Bond (now a cultural phenomenon) book, and I'm sorry, but - much like the most recent Bond film of the same name - it's very hard to make high stakes gambling interesting or exciting (without being personally involved).
And that's the crux of this book: British (not-so) secret Agent James Bond is chosen to go undercover to bankrupt Le Chiffre in gambling at the Casino Royale of the title.
THis Bond is also quite 'hard', more akin to the Bond of the Dalton or Craig era of the films than to that of (say) the Moore era or - my favourite - the Brosnan era. As the first novel in the series, this also highlights to Bond just how cold the spy game an be, with the inclusion of Vesper Lynd: one of only two female's in his (literary) life who have such an impact on him.
While the prose does flow well enough, and the novel is short enough not to out-stay it's welcome, it none-the-less failed to ignite any desire in me to hunt down any other of Ian Fleming's Bond novels: I'm not going to avoid them (or say no if I come across them), but neither I am going to actively hunt them out.
And that's the crux of this book: British (not-so) secret Agent James Bond is chosen to go undercover to bankrupt Le Chiffre in gambling at the Casino Royale of the title.
THis Bond is also quite 'hard', more akin to the Bond of the Dalton or Craig era of the films than to that of (say) the Moore era or - my favourite - the Brosnan era. As the first novel in the series, this also highlights to Bond just how cold the spy game an be, with the inclusion of Vesper Lynd: one of only two female's in his (literary) life who have such an impact on him.
While the prose does flow well enough, and the novel is short enough not to out-stay it's welcome, it none-the-less failed to ignite any desire in me to hunt down any other of Ian Fleming's Bond novels: I'm not going to avoid them (or say no if I come across them), but neither I am going to actively hunt them out.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.
LeftSideCut (3778 KP) rated Hot Fuzz (2007) in Movies
Aug 3, 2019
An instant classic
Hot Fuzz is a glorious film, plain and simple.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!