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Jpb (34 KP) rated Malignant (2021) in Movies
Sep 12, 2021
Not your typical Wan
Contains spoilers, click to show
So I went see this , And with it being James Wan I expected a serious supernatural horror so, I started watching it with a mind set it might be a supernatural or entity type movie like the conjuring but I couldn’t of been more wrong. Its different in a good way its on the verge of silly but by damn he made it work. The visuals, the camera angles, the music, the gore its all one fun head fu**ed up ride! The special effects are crazy cool looking and the movie even gives you a hint of nostalgia to all those original horror movies. This movie is an unexpected mind blow I enjoyed every plot twist and hidden joke because there is some comedy in the mix or perhaps its just my dark sense of humor lol. Over all a good movie to watch a refreshing plot line to be honest. James Wan is a master at what he does and once again he delivered.
I came out thinking if this was the late 80s I would of just watched elm street about a serial kill that kills u in your sleep , which was also silly fun and scary. If you want something that pushes the boundaries then this is for you.
I came out thinking if this was the late 80s I would of just watched elm street about a serial kill that kills u in your sleep , which was also silly fun and scary. If you want something that pushes the boundaries then this is for you.
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Bob Mann (459 KP) rated David Brent: Life on the Road (2017) in Movies
Sep 29, 2021
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Sarah (7798 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 18, 2018
Frances McDormand (2 more)
Sam Rockwell
Comedy
Darkly funny and depressing
I went into this film with a lot of preconceptions, having seen earlier reviews and loved Martin McDonagh’s previous films. I’m not entirely sure for me that it quite lived up to the hype.
Don’t get me wrong, it was a very good film. There are some fantastic performances in it from Frances McDormand and Sam Rockwell and they deserve every accolade that gets thrown at them. The rest of the supporting cast too are great, with the exception of Abbie Cornish who I really don’t rate. I know she’s Australian but her accent in this seems very changeable and atrocious.
The cinematography itself is beautiful and the plot takes some very good and unexpected twists and turns. The bits of dark humour throughout really help lift what would otherwise be a very depressing and sad film. My issue is that for me it seemed very slow paced. For me it felt like it had been on for far too long and dragged a little, but I was surprised when it finished that it had been on for less than 2 hours.
I’ll happily acknowledge that this will likely be one of the best films I’ll see in 2018, impressive as it’s only January. But I feel like I need to reserve a final judgement until after a second viewing (preferably in a nice peaceful environment - not a noisy cinema screen).
Don’t get me wrong, it was a very good film. There are some fantastic performances in it from Frances McDormand and Sam Rockwell and they deserve every accolade that gets thrown at them. The rest of the supporting cast too are great, with the exception of Abbie Cornish who I really don’t rate. I know she’s Australian but her accent in this seems very changeable and atrocious.
The cinematography itself is beautiful and the plot takes some very good and unexpected twists and turns. The bits of dark humour throughout really help lift what would otherwise be a very depressing and sad film. My issue is that for me it seemed very slow paced. For me it felt like it had been on for far too long and dragged a little, but I was surprised when it finished that it had been on for less than 2 hours.
I’ll happily acknowledge that this will likely be one of the best films I’ll see in 2018, impressive as it’s only January. But I feel like I need to reserve a final judgement until after a second viewing (preferably in a nice peaceful environment - not a noisy cinema screen).
Ronnie (304 KP) rated Hollow City: The Second Novel of Miss Peregrine's Children in Books
Mar 2, 2020
setting (1 more)
characters
so visibly you feel as though you are there
After their loop is raided and Miss Peregrine is captured, the children flee to London, chasing after their only hope of getting her back. Throughout the journey, relationships are tested, enemies are defeated, and new friends are made. Dangerous hide around every corner and Jacob must make a life altering decision about his love for Emma.
Throughout the book Riggs once again manages to weave a story so intriguing you can’t put it down and describes scenes so visibly you feel as though you are there. I loved this book, more than the first. Having different settings made the book very interesting and enjoyable for me and I loved how, no matter how dark the story was, there is still comedy woven through the book. I also loved that new characters were added into this book, adding another dimension. It was also amazing to watch Jacob grow more comfortable and confident with his peculiarity. The only negative thing I have to say about the book is that I don’t like Emma and Jacob’s relationship. I often forget about it and the whole thing seems uncomfortable and unnecessary, only being used when it’s convenient. Another reason the relationship didn’t sit well with me because Emma used to be with Jacob’s grandad, so the whole relationship feels a bit wrong to me. Despite this, I still loved the book and can’t wait to start reading ‘Library Of Souls’.
Throughout the book Riggs once again manages to weave a story so intriguing you can’t put it down and describes scenes so visibly you feel as though you are there. I loved this book, more than the first. Having different settings made the book very interesting and enjoyable for me and I loved how, no matter how dark the story was, there is still comedy woven through the book. I also loved that new characters were added into this book, adding another dimension. It was also amazing to watch Jacob grow more comfortable and confident with his peculiarity. The only negative thing I have to say about the book is that I don’t like Emma and Jacob’s relationship. I often forget about it and the whole thing seems uncomfortable and unnecessary, only being used when it’s convenient. Another reason the relationship didn’t sit well with me because Emma used to be with Jacob’s grandad, so the whole relationship feels a bit wrong to me. Despite this, I still loved the book and can’t wait to start reading ‘Library Of Souls’.
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