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Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies

Nov 4, 2019 (Updated Nov 4, 2019)  
The Golem (Der Golem) (1920)
The Golem (Der Golem) (1920)
1920 | Fantasy, Horror
Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.

Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
  
Conspiracy of Ravens (Raven Crawford #1)
Conspiracy of Ravens (Raven Crawford #1)
J.C. McKenzie | 2019 | Paranormal, Romance, Science Fiction/Fantasy
8
9.0 (2 Ratings)
Book Rating
CONSPIRACY OF RAVENS is the first book in the Raven Crawford series, and we meet Raven who is half-Fae and half-shifter. She is living on a knife's edge financially due to her ex-boyfriend and is too proud to ask for help. Instead, she gives up on her dreams and works at a dead-end job.

Her life changes when her twin disappears and two dark Fae Lords enter her life. Her mother has always warned her away from the Underworld, although she doesn't really know why. This means she has a woeful lack of knowledge where this is concerned, which doesn't help when she figures out her brother's disappearance and the appearance of those two are linked.

This was a great fantasy book with plenty of detail given. I will admit to finding the first half of the book a bit slower than the second half. Some parts of it seem to be repeated, but so long as you don't mind that, it's all good. The attraction between Cole and Raven is intense and instantaneous, but Raven doesn't trust it. This book concludes nicely for this part, but also leaves it wide open for the next book.

I thoroughly enjoyed this story and look forward to reading more. Most definitely recommended by me.
  
    Lost Frontier

    Lost Frontier

    Games and Entertainment

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    Lost Frontier is a turn-based strategy game, brought to you from the creators of the Battleheart and...

Welcome to the Dollhouse (1995)
Welcome to the Dollhouse (1995)
1995 | Comedy, Drama
9.0 (2 Ratings)
Movie Favorite

"I’ve always been fascinated by the film Welcome to the Dollhouse, the Todd Solondz film. It’s a really dark comedy. It might be because I grew up in Long Island and it feels like where I grew up. A lot of the strangeness of it feels familiar to me. I love the look of it. I love the tone of it. When we started working on Freaks and Geeks, I thought a lot about Welcome to the Dollhouse, in terms of how it was lit, the production design, the strange cadences of its comedy, and these kids who feel like they’re in hell, their families and how their parents treat them. She (Heather Matarazzo) and that character (Dawn Wiener) is one of the greatest outcast nerd characters ever created in film or television. So it’s for someone who always loves a great underdog story. That’s one of my favorites and not a movie that makes it a triumphant fantasy for the nerdy girl either. That is never the Todd Solondz way. I thought about it when we did Freaks and Geeks because we often thought, “This movie is about how you handle failure. It’s not about succeeding. It’s not a show about wish fulfillment.” You see that in a lot of Todd Solondz work. I don’t think we had half the balls that he has."

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