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Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Movie Metropolis (309 KP) rated Kingsman: The Secret Service (2015) in Movies
Jun 10, 2019
Simply Brilliant
Director Matthew Vaughn has brought some visually striking films to the big screen in his fairly short career, from the brilliant Layer Cake, to the movie which many credit as saving the X-Men franchise, First Class, he certainly knows his way around a camera.
However, Kingsman: The Secret Service is probably his riskiest proposition yet. Can a dark comedy about upper-class British spies with their tailor-made suits compete with the very best films in the genre?
Thankfully the answer is a resounding yes. The spectacular cinematography and fantastic performances in Kingsman ensure it is one of the most memorable and cleverly crafted blockbusters of the last decade.
The film follows the story of underprivileged Eggsy, played wonderfully by Taron Egerton in his first full role, as he does his best to join The Kingsmen, a secret society of spies working to bring down evil in the world.
An absolutely marvellous Colin Firth and a slightly underused Michael Caine also play part of this group – possibly creating the poshest ensemble of characters seen in a film for years.
Naturally a spy flick isn’t complete without a villain and Samuel L Jackson is on course here to become one of the cheesiest megalomaniacs ever put to the big screen. His deliberately camp performance goes well with the dark humour throughout.
Kingsman is also genuinely funny and a real treat to watch with explosive, over-the-top visuals and beautiful scenery which utilises what the world has to offer rather than delving into the CGI drawer many directors employ nowadays.
It all feels decidedly old fashioned and all the better for it with an almost grainy quality to the production – think The Avengers TV series but with a higher budget.
The plot is top notch and whilst it may border on cliché at times, Kingsman manages to steer the story in enough directions to make sure the audience never settles into a rut, the use of our reliance on modern technology being a particular highlight.
Special effects wise, it holds up well with most other blockbusters and has just a few lapses in CGI at the start and towards the riveting finale,Taron_Egerton_SDCC_2014 though these are barely noticeable if you’re not looking hard enough.
Moreover, it is a true pleasure to sit in a film and not wonder what the producers had to cut to achieve a crowd-pleasing 12A certification. Kingsman pulls no punches, this is a violent rollercoaster ride and well deserves the BBFC 15 rating it has been given. Whether or not this hurts its box-office performance remains to be seen.
Overall, Kingsman: The Secret Service is one of the only films which combines the ever-popular spy genre with comedy and manages to keep its dignity in tact as the end credits role.
So many films, Johnny English: Reborn and Get Smart to name a couple, simply delve into slapstick territory once the writers run out of ideas – this isn’t the case here.
From its exciting plot and brutally dark humour, to the engaging performances from every single character, Kingsman: The Secret Service is simply brilliant.
https://moviemetropolis.net/2015/01/30/simply-brilliant-kingsman-the-secret-service-review/
However, Kingsman: The Secret Service is probably his riskiest proposition yet. Can a dark comedy about upper-class British spies with their tailor-made suits compete with the very best films in the genre?
Thankfully the answer is a resounding yes. The spectacular cinematography and fantastic performances in Kingsman ensure it is one of the most memorable and cleverly crafted blockbusters of the last decade.
The film follows the story of underprivileged Eggsy, played wonderfully by Taron Egerton in his first full role, as he does his best to join The Kingsmen, a secret society of spies working to bring down evil in the world.
An absolutely marvellous Colin Firth and a slightly underused Michael Caine also play part of this group – possibly creating the poshest ensemble of characters seen in a film for years.
Naturally a spy flick isn’t complete without a villain and Samuel L Jackson is on course here to become one of the cheesiest megalomaniacs ever put to the big screen. His deliberately camp performance goes well with the dark humour throughout.
Kingsman is also genuinely funny and a real treat to watch with explosive, over-the-top visuals and beautiful scenery which utilises what the world has to offer rather than delving into the CGI drawer many directors employ nowadays.
It all feels decidedly old fashioned and all the better for it with an almost grainy quality to the production – think The Avengers TV series but with a higher budget.
The plot is top notch and whilst it may border on cliché at times, Kingsman manages to steer the story in enough directions to make sure the audience never settles into a rut, the use of our reliance on modern technology being a particular highlight.
Special effects wise, it holds up well with most other blockbusters and has just a few lapses in CGI at the start and towards the riveting finale,Taron_Egerton_SDCC_2014 though these are barely noticeable if you’re not looking hard enough.
Moreover, it is a true pleasure to sit in a film and not wonder what the producers had to cut to achieve a crowd-pleasing 12A certification. Kingsman pulls no punches, this is a violent rollercoaster ride and well deserves the BBFC 15 rating it has been given. Whether or not this hurts its box-office performance remains to be seen.
Overall, Kingsman: The Secret Service is one of the only films which combines the ever-popular spy genre with comedy and manages to keep its dignity in tact as the end credits role.
So many films, Johnny English: Reborn and Get Smart to name a couple, simply delve into slapstick territory once the writers run out of ideas – this isn’t the case here.
From its exciting plot and brutally dark humour, to the engaging performances from every single character, Kingsman: The Secret Service is simply brilliant.
https://moviemetropolis.net/2015/01/30/simply-brilliant-kingsman-the-secret-service-review/
Darren (1599 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: Three Billboards Outside Ebbing, Missouri starts as Mildred Hayes (McDormand) puts up three billboards in a quiet road questioning how Willoughby (Harrelson) hasn’t solved the case of her daughter’s rape and murder. Fellow officer Dixon (Rockwell) who has a chequered past is enraged by the signs, while officer Willoughby tries to clean up the situation and prove there isn’t enough to solve the case, but with his dying he does want to solve the case before he goes.
As the billboards stay up longer, the town starts to become divided on the support in catching the killer and Mildred does to extremes in her battle with Dixon to get the case solved.
Thoughts on Three Billboards Outside Ebbing, Missouri
Characters – Mildred Hayes is a mother that has run out of patience when it comes to the police finding the killer off her daughter, she did have the full support of the town, but this stunt pushes the people away even if it could get her the killer to identify themselves. Willoughby is the lead investigator in the case, he has done everything he could to solve the case, but he is now facing his own battle with cancer, while keeping the peace in the town. Dixon is the hot-headed police officer that clashes with Mildred and anyone who supports her in finding out the truth.
Performances – Frances McDormand shows us that she can reach the Fargo levels whenever the material is given to her, as she shines through as the best part of this movie. Woody Harrelson is great again this year, showing us he can step into any role and be great. Sam Rockwell is wonderful too as we see that this cast is filled with talent character performers.
Story – The story shows the extremes of losing a child, the stress of noting being able to solve one of the worst cases in the town. This does turn into a character studio on the people involved and how their lives need to move on without a chance of every being able to. It is hard to describe this story in much more depth because it is interesting, it does have a lot going on that keeps us wanting to see where the film will go.
Comedy/Crime – This does use dark humour throughout as we are seeing the effects of the crime on people’s lives, don’t expect to see an investigation though, we are focusing on the relationship between the mother of the victim and the police.
Settings – The film takes place in this small town where everyone seems to know everyone, so they have all felt the effects of the crime, this helps when things start to get exposed.
Scene of the Movie – Window smashing, it is a well shot single looking take.
That Moment That Annoyed Me – The answer is frustrating.
Final Thoughts – This is a dark humour that can be enjoyed by the fans of that genre, it does have a good subject matter but doesn’t get to a level in the story that I enjoyed watching.
Overall: Dark comedy through a serious subject matter.
https://moviesreview101.com/2018/01/12/three-billboards-outside-ebbing-missouri-2017/
As the billboards stay up longer, the town starts to become divided on the support in catching the killer and Mildred does to extremes in her battle with Dixon to get the case solved.
Thoughts on Three Billboards Outside Ebbing, Missouri
Characters – Mildred Hayes is a mother that has run out of patience when it comes to the police finding the killer off her daughter, she did have the full support of the town, but this stunt pushes the people away even if it could get her the killer to identify themselves. Willoughby is the lead investigator in the case, he has done everything he could to solve the case, but he is now facing his own battle with cancer, while keeping the peace in the town. Dixon is the hot-headed police officer that clashes with Mildred and anyone who supports her in finding out the truth.
Performances – Frances McDormand shows us that she can reach the Fargo levels whenever the material is given to her, as she shines through as the best part of this movie. Woody Harrelson is great again this year, showing us he can step into any role and be great. Sam Rockwell is wonderful too as we see that this cast is filled with talent character performers.
Story – The story shows the extremes of losing a child, the stress of noting being able to solve one of the worst cases in the town. This does turn into a character studio on the people involved and how their lives need to move on without a chance of every being able to. It is hard to describe this story in much more depth because it is interesting, it does have a lot going on that keeps us wanting to see where the film will go.
Comedy/Crime – This does use dark humour throughout as we are seeing the effects of the crime on people’s lives, don’t expect to see an investigation though, we are focusing on the relationship between the mother of the victim and the police.
Settings – The film takes place in this small town where everyone seems to know everyone, so they have all felt the effects of the crime, this helps when things start to get exposed.
Scene of the Movie – Window smashing, it is a well shot single looking take.
That Moment That Annoyed Me – The answer is frustrating.
Final Thoughts – This is a dark humour that can be enjoyed by the fans of that genre, it does have a good subject matter but doesn’t get to a level in the story that I enjoyed watching.
Overall: Dark comedy through a serious subject matter.
https://moviesreview101.com/2018/01/12/three-billboards-outside-ebbing-missouri-2017/
Three Graves Full
Jon Gray and Jamie Mason
Book
Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...
Neon's Nerd Nexus (360 KP) rated The Fifth Element (1997) in Movies
May 13, 2019
Shes so fragile, so human.
Number 4 in my #top10 #favourite films 'The Fifth Element'
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Flawless #comedy, bursting with creativity, a fantastic & unique story, visually outstanding with stunningly intricate costume & set design #TheFifthElement is a masterpiece. #LucBesson is a genius & really has managed to create a #scifi #world brimming with #life, progress & great ancient lore while housing complex/interesting characters that are all played by the perfect cast. Luc is such a talented director creating a clever contrast of #dark, #violent, disturbing & adult themes mixed with wacky, #camp, #comedic & #childish tones that #complement each other & that flow together so technically well that most #superhero movie directors these days still struggle with getting this balance right. #Music invokes such dread & wonder too while dialog is so sensational it makes The Fifth Element possibly the most quotable film I've ever seen. Its really a #film that I can not praise highly enough & having such a great mix of genres makes it easily accessible to everyone. Without a doubt one of my favourite #love stories of all time & definitely my favourite sci-fi, if you haven't seen it you really are missing out. ------------------------------------------------
#brucewillis #millajovovich #christucker #alien #fantasy #beauty #tuesday #filmbuff #comic #nerd #geek #garyoldman
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Flawless #comedy, bursting with creativity, a fantastic & unique story, visually outstanding with stunningly intricate costume & set design #TheFifthElement is a masterpiece. #LucBesson is a genius & really has managed to create a #scifi #world brimming with #life, progress & great ancient lore while housing complex/interesting characters that are all played by the perfect cast. Luc is such a talented director creating a clever contrast of #dark, #violent, disturbing & adult themes mixed with wacky, #camp, #comedic & #childish tones that #complement each other & that flow together so technically well that most #superhero movie directors these days still struggle with getting this balance right. #Music invokes such dread & wonder too while dialog is so sensational it makes The Fifth Element possibly the most quotable film I've ever seen. Its really a #film that I can not praise highly enough & having such a great mix of genres makes it easily accessible to everyone. Without a doubt one of my favourite #love stories of all time & definitely my favourite sci-fi, if you haven't seen it you really are missing out. ------------------------------------------------
#brucewillis #millajovovich #christucker #alien #fantasy #beauty #tuesday #filmbuff #comic #nerd #geek #garyoldman
JT (287 KP) rated I Love You Phillip Morris (2010) in Movies
Mar 23, 2020
Good performances (1 more)
Genuine emotion
Carrey and McGregor on top form
Jim Carrey is an up and down sort of an actor, one minute he’s displaying comedic or dramatic genius and the next he’s falling flat on this face out of his depth. Thankfully this turn is one of his best and was arguably one of the funniest films of 2009.
Carrey is in his element playing con artist Steven Russell who after coming to terms with his sexuality following a freak car crash ends up in prison and in the arms of the loveable Phillip Morris.
Writer/directors Glenn Ficarra and John Requa who also penned another dark yet hilariously funny comedy Bad Santa keep the script tight. The jokes are well thought out and areas such as company fraud and anal sex are highlighted in detail, but tastefully done.
The more serious areas of the film are attacked with compassionate subtly and I don’t think anyone would be offended, no lines have been crossed at all.
Through all the humour there are definitive dramatic performances from both Carrey and McGregor which create lots of genuine emotion, let’s not forget this is a love story. It’s a great return to form from Carrey and well worth a watch.
Carrey is in his element playing con artist Steven Russell who after coming to terms with his sexuality following a freak car crash ends up in prison and in the arms of the loveable Phillip Morris.
Writer/directors Glenn Ficarra and John Requa who also penned another dark yet hilariously funny comedy Bad Santa keep the script tight. The jokes are well thought out and areas such as company fraud and anal sex are highlighted in detail, but tastefully done.
The more serious areas of the film are attacked with compassionate subtly and I don’t think anyone would be offended, no lines have been crossed at all.
Through all the humour there are definitive dramatic performances from both Carrey and McGregor which create lots of genuine emotion, let’s not forget this is a love story. It’s a great return to form from Carrey and well worth a watch.
Finding Ourselves at the Movies: Philosophy for a New Generation
Book
Academic philosophy may have lost its audience, but the traditional subjects of philosophy-love,...
Emma @ The Movies (1786 KP) rated The House (2017) in Movies
Sep 25, 2019
It was a beautiful day in June as I strolled through the streaming sunshine... to go and sit in the cinema. I know, I know, I should have been enjoying the mysterious yellow thing in the sky. As it turns out though, I prefer sitting in the dark with a raspberry slushie. I skipped seeing The House on Friday because of the hoards of people at the cinema, so that was today's selection.
Scott and Kate have been looking forward to sending their daughter to college with a local scholarship, but when it is frittered away by an official they are faced with finding the money to replace it. With their down on his luck neighbour, the trio start their own underground casino and are soon seeing another side of their community, and themselves...
While I wouldn't actively seek out a film that has Will Ferrell in it, I have to say that this one was a good laugh. Was it groundbreaking film? No. But it did everything you want from a comedy. The cast were great, and I really enjoyed watching Lennon Parham and Andrea Savage.
One thing I noticed from the movie I didn't realise that axes were that effective.
Scott and Kate have been looking forward to sending their daughter to college with a local scholarship, but when it is frittered away by an official they are faced with finding the money to replace it. With their down on his luck neighbour, the trio start their own underground casino and are soon seeing another side of their community, and themselves...
While I wouldn't actively seek out a film that has Will Ferrell in it, I have to say that this one was a good laugh. Was it groundbreaking film? No. But it did everything you want from a comedy. The cast were great, and I really enjoyed watching Lennon Parham and Andrea Savage.
One thing I noticed from the movie I didn't realise that axes were that effective.
A Bleaker Predicklement
Games
App
The year is 1884 and Victorian London is ready for the greatest Adventure ever told. Part story,...
Face Swap App- Funny Face Changer Photo Effects
Photo & Video and Entertainment
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The Original Fully Automatic Face Swap App! Instantly swaps all the faces in your photos!! We've...