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The Haunting (1999)
The Haunting (1999)
1999 | Horror, Mystery
5
5.8 (16 Ratings)
Movie Rating
The CGI (0 more)
Hill House
The Haunting- doesnt live up to the oringal, now thats with most horror remakes, and this is one of them. Liam Neeson and Lili Taylor did a good job. Why cast owen wilson, he does nothing in the film but just say "wow". Catherine Zeta-Jones was just there.

The plot: This horror tale focuses on visitors to the secluded mansion of Hill House who have been called to the isolated location by Dr. David Marrow (Liam Neeson) as part of a study on insomnia. However, Marrow is really investigating fear, and he plans to scare the subjects, including the introverted Nell (Lili Taylor) and the seductive Theo (Catherine Zeta-Jones). Unfortunately for Marrow and everyone staying at Hill House, the manor is actually haunted by an evil spirit out to torment its guests.

Steven Spielberg talked to Stephen King about doing a haunted house movie, and the two agreed that Robert Wise's 1963 film "The Haunting" was a benchmark of cinematic house horror, but after they started writing, the two had creative differences. Spielberg agreed with King's idea to use the real-life Winchester Mystery House, in San Jose, California, as a source of inspiration.

Just watch the oringal.
  
Megamind (2010)
Megamind (2010)
2010 | Action, Animation, Comedy
8
7.1 (27 Ratings)
Movie Rating
Holds up well - very entertaining
When one thinks of Animation studios, the first 2 names that come to mind are, probably, PIXAR and DISNEY ANIMATION. Coming in 3rd on that list is probably DREAMWORKS with such hit franchises as SHREK, HOW TO TRAIN YOUR DRAGON and KUNG FU PANDA. But Dreamworks also made a few, fun "one-off" films (animation films that spawned no sequels), most notably OVER THE HEDGE, SHARK TALE and the animated film I'm reviewing today, MEGAMIND.

What? You don't remember MEGAMIND? Well, you should. Spooffing SuperHero films by focusing on the villain, Megamind stars some incredible voice talents - Will Ferrell, Tina Fey, Brad Pitt, David Cross and Johan Hill - and tells the cautionary tale of "be careful what you wish for, you just might get it."

Ferrell, of course, stars as the titular Megamind, a Super Villain who after years of failure, finally defeats SuperHero Megaman (Brad Pitt). He realizes that without his arch-nemesis, his life is empty and begins to search for meaning in his life. Along for the journey is a reporter (Tina Fey), her Cameraman (Jonah Hill) and Megamind's Minion (long before Despicable Me), David Cross.

Sounds like pretty standard stuff, huh? But in the hands of comedians like Ferrell, Fey, Cross and Hill it elevates itself to something more. The comic sensibilities make a little more sense to me when I realized that Ben Stiller and Justin Theroux were the Excecutive Producers - both very funny men. They, smartly, turned the Direction of this film over to Dreamworks Animation veteran Tom McGrath (REN & STIMPY, some of the MADAGASCAR films and THE BOSS BABY), he keeps the events of the film moving swiftly and simply, being really clear of the events and motivations of the players while not getting too clever and complex.

I caught this film on HBO, and am sure you can stream it elsewhere. If you're looking for a fun film for the whole family this Holiday Season - especially one without Princes & Princesses in it - check out MEGAMIND, it's a fun way to spend a few hours.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
The Wolves of Savin Hill (2014)
The Wolves of Savin Hill (2014)
2014 | Drama
7
7.0 (1 Ratings)
Movie Rating
The indie movie, The Wolves of Savin Hill is a very fine directorial debut for John Beaton Hill. He also wrote this story where sentimentalities and brutality clash between two best friends who have lost touch over the years. In their youth, they made a promise youth that now haunts them as they are adults. In what results is a trial of what’s left of their friendship. In how this film treats the subject matter is like that of silent lucidity.

 

In what they have become, Tom (David Cooley) stayed in Boston only to grow up to be an alcoholic troublemaker and Sean (Brian Scannell) relocated to Los Angeles with Tom’s sister Emily to eventually work the beat as a cop with an axe to grind. Anyone who tries to mess with him often got the end of the stick. But when Emily is found dead and news reaches home, Tom goes to LA to confront Sean. The web of deceit he finds himself in is more than he can handle.

 

Cooley and Scannel deliver strong performances. The plot only gets stranger at every succeeding moment, and the draw this film creates gets viewers invested into wanting to understand the psyche of each of these leading men. Hill crafted a nicely enticing film that wraps two time periods together to reveal the darkest nature of what friends are willing to do for each other. The flashbacks are far more interesting than the now.

 

To reveal anymore information will only spoil the causality of how these two have to contend with each other. When this film hits more festivals, viewers can discover for themselves in what human nature means according to this filmmaker. The hills have eyes and what he sees may not be necessarily good.