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Theatre in Scotland - A Field of Dreams
Joyce McMillan and Philip Howard
Book
'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new...
Gareth von Kallenbach (971 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Lee (2222 KP) rated Glass (2019) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
A strong start to this concluding chapter but ultimately Glass fails to deliver
Kevin Wendell Crumb, or more specifically the Horde within him, are up to their old tricks again - kidnapping and chaining up four cheerleaders in a disused warehouse, subjecting them to the impressive and unsettling array of characters so brilliantly introduced to us in Split. Meanwhile, David Dunn runs a security company with his son, venturing out on walks to try and get a sense of any bad guys out on the streets, continuing the work he began in Unbreakable. Delivering justice in his hooded poncho, he's earned himself many names but social media seem to have settled on 'The Overseer'. He's keen to find and save the cheerleaders and following a brush with their captor on a nearby street, manages to discover their location with the help of his son, who provides help and direction over an earpiece. He sets them free, just as The Beast returns. A fight breaks out and Glass gets off to an impressive start, finally bringing together two distinct parts of a movie universe that's been very slowly built over the last 19 years.
But their fight is cut short by Dr Ellie Staple, a psychiatrist specialising in people who believe they are superheroes. She's brought with her a team of heavily armed soldiers who capture both men and take them to the hospital where Dr Staple works, Raven Hill Memorial. Mr Glass is already being held in the hospital, slumped in a wheelchair - motionless and with just the occasional facial tic to show that he's still alive. Is he faking it? Spoiler alert: yes he is, but then I'm sure you knew that anyway!
With Kevin and David both trapped in specially designed cells, preventing any outbursts of strength or transformations into violent personalities, the movie immediately slows in pace while Dr Ellie sets about evaluating them, trying to prove that they're delusional in their beliefs regarding their abilities. It's another chance for James McAvoy to shine, showcasing 20 of the 24 personalities within him, while David Dunn takes a bit of a backseat, brooding in his cell for the most part. Meanwhile, Mr Glass is quietly masterminding something bigger than anyone can imagine. Pretty much the remainder of the movie is set within the confines of the hospital - a tricky juggling act combining the slow burn mystery of Unbreakable with the thrilling horror of Split, which for the most part I found to be enjoyable, entertaining and at times thrilling. The problems began for me when Mr Glass begins executing his big plan, and all three break free from their cells. This latter part of the movie is full of tension and repeatedly builds towards something that it never manages to fully deliver on, ultimately resulting in disappointment. It kind of just fizzles out, with a few twists and turns along the way that are nowhere near as impressive or inventive as previous M Night Shyamalan offerings. And while I fully appreciate and understand what he was aiming for with regards to the ending, it just didn't quite work for me at all. A bit of an anticlimax to what was a very strong and promising start to the concluding chapter of the trilogy.
But their fight is cut short by Dr Ellie Staple, a psychiatrist specialising in people who believe they are superheroes. She's brought with her a team of heavily armed soldiers who capture both men and take them to the hospital where Dr Staple works, Raven Hill Memorial. Mr Glass is already being held in the hospital, slumped in a wheelchair - motionless and with just the occasional facial tic to show that he's still alive. Is he faking it? Spoiler alert: yes he is, but then I'm sure you knew that anyway!
With Kevin and David both trapped in specially designed cells, preventing any outbursts of strength or transformations into violent personalities, the movie immediately slows in pace while Dr Ellie sets about evaluating them, trying to prove that they're delusional in their beliefs regarding their abilities. It's another chance for James McAvoy to shine, showcasing 20 of the 24 personalities within him, while David Dunn takes a bit of a backseat, brooding in his cell for the most part. Meanwhile, Mr Glass is quietly masterminding something bigger than anyone can imagine. Pretty much the remainder of the movie is set within the confines of the hospital - a tricky juggling act combining the slow burn mystery of Unbreakable with the thrilling horror of Split, which for the most part I found to be enjoyable, entertaining and at times thrilling. The problems began for me when Mr Glass begins executing his big plan, and all three break free from their cells. This latter part of the movie is full of tension and repeatedly builds towards something that it never manages to fully deliver on, ultimately resulting in disappointment. It kind of just fizzles out, with a few twists and turns along the way that are nowhere near as impressive or inventive as previous M Night Shyamalan offerings. And while I fully appreciate and understand what he was aiming for with regards to the ending, it just didn't quite work for me at all. A bit of an anticlimax to what was a very strong and promising start to the concluding chapter of the trilogy.
Gareth von Kallenbach (971 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
CSI: Crime Scene Investigation - Season 15
6.0
Rate It
TV Season
Finlay finds her car rigged to explode ("The CSI Effect") as Sara and Greg are quarantined ("Bad...
The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders
Book
A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with...
The Sound and the Fury: An Authoritative Text, Backgrounds and Contexts, Criticism
William Faulkner and Michael Gorra
Book
William Faulkner's provocative and enigmatic 1929 novel, The Sound and the Fury, is widely...
3/11 TSUNAMI PHOTO PROJECT
News and Book
App
Photographers from around the globe converged on remote areas devastated by the Japan...
Bob Mann (459 KP) rated Star Trek II: The Wrath of Khan (1982) in Movies
Sep 28, 2021
Wowee! From the ridiculous to the sublime. This is how to make a Star Trek movie! If you were trying to bring back the action and fun of the original TV series, then what better than to bring back one of the original villains in a sequel to that story? And being able to cast the original actor (Ricardo Montalban) is just perfect.
Nicholas Meyer also clearly had the same frustrations about that first movie. The film barely pauses for breath. Interestingly, it clearly reuses footage from the original movie in travelling to the Enterprise in space dock, but cuts that 6 minute special-effects-porn-fest to about 20 seconds! It’s a striking comparison!
The movie “introduces” Kirstie (“Cheers”) Alley as Vulcan officer Saavik (although she was in a student-made feature the year before). She makes quite an impression. Also new to the series is Merritt Buttrick, playing Kirk’s son David. Sadly, like Khambatta from the last film, his Trek-voyage was to be short lived. Although he appeared in Star Trek III, he died of Aids just three years later.
The movie is also notable for launching the late James Horner onto the world stage as a leading film composer. Horner cleverly associates the “ship” in starship with a roistering seafaring motif that would be equally at home in a Hornblower movie as it is here. I remember leaving the cinema when this was released and heading STRAIGHT into HMV to buy the vinyl soundtrack!
There are very few things I can find to critique in this movie. It all holds up pretty well, even after nearly 40 years (MAN, I FEEL OLD NOW!) The only scene that perhaps grates with modern sensitivities is in the (supposedly comic) “lady driver” reactions from Kirk.
Nicholas Meyer also clearly had the same frustrations about that first movie. The film barely pauses for breath. Interestingly, it clearly reuses footage from the original movie in travelling to the Enterprise in space dock, but cuts that 6 minute special-effects-porn-fest to about 20 seconds! It’s a striking comparison!
The movie “introduces” Kirstie (“Cheers”) Alley as Vulcan officer Saavik (although she was in a student-made feature the year before). She makes quite an impression. Also new to the series is Merritt Buttrick, playing Kirk’s son David. Sadly, like Khambatta from the last film, his Trek-voyage was to be short lived. Although he appeared in Star Trek III, he died of Aids just three years later.
The movie is also notable for launching the late James Horner onto the world stage as a leading film composer. Horner cleverly associates the “ship” in starship with a roistering seafaring motif that would be equally at home in a Hornblower movie as it is here. I remember leaving the cinema when this was released and heading STRAIGHT into HMV to buy the vinyl soundtrack!
There are very few things I can find to critique in this movie. It all holds up pretty well, even after nearly 40 years (MAN, I FEEL OLD NOW!) The only scene that perhaps grates with modern sensitivities is in the (supposedly comic) “lady driver” reactions from Kirk.
PopcornPaul (3 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 15, 2017
Returning cast, soundtrack is great, special effects and action, cameos (1 more)
Baby Groot
Guardians of the Galaxy Vol. 2
Writer/director James Gunn takes us back to Knowhere to join Star-Lord, Drax, Gamora, Rocket and Baby Groot in the follow-up to the unexpected smash Guardians of the Galaxy.
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)