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Sarah Betts (103 KP) rated David Bowie in Books
Dec 31, 2019
I received this copy of David Bowie from a wish granted by Quarto Publishing Group in exchange for an honest review.
David Bowie has always been one of my favorites and in a very few pages this book does him justice. It's a fantastic intro to for kids into the world of a brilliant artist.
The illustrations are wonderfully charming.
David Bowie has always been one of my favorites and in a very few pages this book does him justice. It's a fantastic intro to for kids into the world of a brilliant artist.
The illustrations are wonderfully charming.
Sean Astin recommended L.A. Confidential (1997) in Movies (curated)
Phil Leader (619 KP) rated The First Chronicles of Druss the Legend (The Drenai Saga #6) in Books
Nov 13, 2019
As with any David Gemmell book the synopsis makes it sound like any one of a hundred similar fantasy titles. Man comes home to find village murdered and his wife taken by slavers but he has a huge axe and plenty of muscles, blah blah blah
But if there is one person who can turn something so absurdly cliched into gold, it is Gemmell. There are a number of factors here; he knows his weaponcraft so the fight scenes are grittly realistic, his characters are very subtly drawn with many layers and shades of grey. But the thing that always makes Gemmell stand out for me is the dialogue. When the characters speak, everything they say is not only completely in character but there are no cheesy lines or absurd speeches.
If you like your fantasy epic with a complex hero wading through a sea of adversaries for reasons of love and a sense of justice, this book will not disappoint
But if there is one person who can turn something so absurdly cliched into gold, it is Gemmell. There are a number of factors here; he knows his weaponcraft so the fight scenes are grittly realistic, his characters are very subtly drawn with many layers and shades of grey. But the thing that always makes Gemmell stand out for me is the dialogue. When the characters speak, everything they say is not only completely in character but there are no cheesy lines or absurd speeches.
If you like your fantasy epic with a complex hero wading through a sea of adversaries for reasons of love and a sense of justice, this book will not disappoint
Andy K (10823 KP) rated Band Of Brothers in TV
Dec 31, 2017
Ensemble cast (2 more)
Interviews
Right tone
I remember when I read they were making a mini-series called Band of Brothers about "Easy Company" I thought there would be no way to do it justice and it was too closely released and trying to capitalize on the success of Saving Private Ryan.
I couldn't have been more wrong.
I was enthralled from the first frame when I began watching the DVDs and didn't stop until I was complete. The characters represented in this harrowing true story are some of the most compelling I have ever seen. You believe every moment of their emotional, unending, unimaginable journey and feel like you are right with them along for the ride.
The interwoven interviews give context and real-life coupling to the story you are watching and makes the story all the more poignant.
The all-star cast is brilliant and every one of them carried their weight as part of the ensemble. I have rewatched several times since and it keeps getting better with every viewing.
I couldn't have been more wrong.
I was enthralled from the first frame when I began watching the DVDs and didn't stop until I was complete. The characters represented in this harrowing true story are some of the most compelling I have ever seen. You believe every moment of their emotional, unending, unimaginable journey and feel like you are right with them along for the ride.
The interwoven interviews give context and real-life coupling to the story you are watching and makes the story all the more poignant.
The all-star cast is brilliant and every one of them carried their weight as part of the ensemble. I have rewatched several times since and it keeps getting better with every viewing.
Suswatibasu (1702 KP) rated The Death and Life of Marsha P. Johnson (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Tremendous and hugely tragic
David France’s finely wrought documentary seeks justice for a pivotal figure in queer history from the beginning of Stonewall, whose death was said to have never been investigated properly.
Marsha P. Johnson was many things: outspoken LGBT activist, downtown superstar, model muse to Andy Warhol. In 1992, her body was found in the Hudson River, with police classifying her death as a suicide. The documentary is almost a resurrection of this transgender icon, but also a vivid portrayal of the immense suffering the community has faced over decades, even until this day.
The movie methodically explores who might have had cause to kill her - the local mafia, who were heavily involved in then-still-underground gay bar scene? A violent john or a passing group of straight men bent on hate crime? One of the most important characters in this film alongside Johnson was Sylvia Riviera, and her own tragic life just reflects the dire situation people are left to deal with.
Death is what leads the title and drives the movie. But it's her life - vibrant, pioneering, and much too short - that gives Marsha her flamboyant, beautiful heart. A truly moving portrayal.
Marsha P. Johnson was many things: outspoken LGBT activist, downtown superstar, model muse to Andy Warhol. In 1992, her body was found in the Hudson River, with police classifying her death as a suicide. The documentary is almost a resurrection of this transgender icon, but also a vivid portrayal of the immense suffering the community has faced over decades, even until this day.
The movie methodically explores who might have had cause to kill her - the local mafia, who were heavily involved in then-still-underground gay bar scene? A violent john or a passing group of straight men bent on hate crime? One of the most important characters in this film alongside Johnson was Sylvia Riviera, and her own tragic life just reflects the dire situation people are left to deal with.
Death is what leads the title and drives the movie. But it's her life - vibrant, pioneering, and much too short - that gives Marsha her flamboyant, beautiful heart. A truly moving portrayal.
Lindsay (1717 KP) rated Shadow of Murder (A Mac Faraday Mystery #14) in Books
Jun 7, 2022
Are you looking for some fun cold cases to solve? Maybe even a bit of mystery to solve with a twist. Lauren Carr's latest book "Shadow of Murder" does just that. We get a prologue full of mystery and murder. You will be wondering how a gunman kills an entire family. Is it real, or is it not. You will have to read or listen to find out for yourself.
This book had me going and wondering who would kill a whole family, including a law officer. There are a few main characters. We meet two of them right at the beginning of the story. Erica and Dusty.
I love the fact that mysteries are going on throughout the book. I enjoy that Erica and her friends seem to need to help the new local deputy chief. David gets some time with his wife and newborn. I recall David meeting a woman and a little boy I thought was introduced to him as his son?
Mac is pulled into a Chao once he returns from Europe with Archie. His son Tristain brings to life the disappearance of a missing person, a woman named Konnor Langston. Why did she disappear? It goes on from there. There are many mysteries and curses and stories of witches as the book goes on. I wonder who killed Erica's parents and why? Who taking advance of Larry? Why were Erica Hart's parents killed, and will Erica get justice for her childhood friend Konnor?
If you are looking for a good versus evil? This book has it. Once a dark shadow tries to harm Erica. Dusty seems to fall for a bird guiding him to help Erica. Will Erica and Dusty get together? There may be some romance for more than just two folks in the book. How will Dusty's father-law decide to find some love as well? There seems to be the talk of angels and demons? They're a bit supernatural in this book; that is a nice change to the story.
This book had me going and wondering who would kill a whole family, including a law officer. There are a few main characters. We meet two of them right at the beginning of the story. Erica and Dusty.
I love the fact that mysteries are going on throughout the book. I enjoy that Erica and her friends seem to need to help the new local deputy chief. David gets some time with his wife and newborn. I recall David meeting a woman and a little boy I thought was introduced to him as his son?
Mac is pulled into a Chao once he returns from Europe with Archie. His son Tristain brings to life the disappearance of a missing person, a woman named Konnor Langston. Why did she disappear? It goes on from there. There are many mysteries and curses and stories of witches as the book goes on. I wonder who killed Erica's parents and why? Who taking advance of Larry? Why were Erica Hart's parents killed, and will Erica get justice for her childhood friend Konnor?
If you are looking for a good versus evil? This book has it. Once a dark shadow tries to harm Erica. Dusty seems to fall for a bird guiding him to help Erica. Will Erica and Dusty get together? There may be some romance for more than just two folks in the book. How will Dusty's father-law decide to find some love as well? There seems to be the talk of angels and demons? They're a bit supernatural in this book; that is a nice change to the story.
LeftSideCut (3776 KP) rated Stranger Things - Season 1 in TV
Jul 5, 2019 (Updated Jul 5, 2019)
Welcome to Hawkins
For me, the first season of Stranger Things is perfect, and I really, and truly mean that.
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Matthew Krueger (10051 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
May 5, 2020
May The Force Be With You: The Beginning
A New Hope- man this movie is a classic. A real classic. Everything about this movie is great. The plot, the action, the sci-fi, the death-star, Dark Vader and of course R2-D2. Its only downfall is that its slow at some points. But other than thats its a excellent movie.
The plot: The Imperial Forces -- under orders from cruel Darth Vader (David Prowse) -- hold Princess Leia (Carrie Fisher) hostage, in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford), captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) to rescue the beautiful princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
The film has been reissued multiple times with Lucas's support—most significantly with its 20th-anniversary theatrical "Special Edition"—incorporating many changes including modified computer-generated effects, altered dialogue, re-edited shots, remixed soundtracks and added scenes. This is also its downfall, cause its not the oringal film, its the speical edition.
AFI 100 Years... series:
AFI's 100 Years...100 Movies (1998) – #15
AFI's 100 Years...100 Thrills (2001) – #27
AFI's 100 Years...100 Heroes & Villains (2003): Han Solo – #14 Hero
Obi-Wan Kenobi – #37 Hero
AFI's 100 Years...100 Movie Quotes (2004):
"May the Force be with you." – #8
AFI's 100 Years of Film Scores (2005) – #1
AFI's 100 Years...100 Cheers (2006) – #39
AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13
AFI's 10 Top 10 (2008) – #2 Sci-Fi Film
Like i said before its a excellent sci-fi action adventure movie.
May The Force Be With You.
The plot: The Imperial Forces -- under orders from cruel Darth Vader (David Prowse) -- hold Princess Leia (Carrie Fisher) hostage, in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford), captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) to rescue the beautiful princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
The film has been reissued multiple times with Lucas's support—most significantly with its 20th-anniversary theatrical "Special Edition"—incorporating many changes including modified computer-generated effects, altered dialogue, re-edited shots, remixed soundtracks and added scenes. This is also its downfall, cause its not the oringal film, its the speical edition.
AFI 100 Years... series:
AFI's 100 Years...100 Movies (1998) – #15
AFI's 100 Years...100 Thrills (2001) – #27
AFI's 100 Years...100 Heroes & Villains (2003): Han Solo – #14 Hero
Obi-Wan Kenobi – #37 Hero
AFI's 100 Years...100 Movie Quotes (2004):
"May the Force be with you." – #8
AFI's 100 Years of Film Scores (2005) – #1
AFI's 100 Years...100 Cheers (2006) – #39
AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13
AFI's 10 Top 10 (2008) – #2 Sci-Fi Film
Like i said before its a excellent sci-fi action adventure movie.
May The Force Be With You.
Lee (2222 KP) rated Glass (2019) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
A strong start to this concluding chapter but ultimately Glass fails to deliver
Kevin Wendell Crumb, or more specifically the Horde within him, are up to their old tricks again - kidnapping and chaining up four cheerleaders in a disused warehouse, subjecting them to the impressive and unsettling array of characters so brilliantly introduced to us in Split. Meanwhile, David Dunn runs a security company with his son, venturing out on walks to try and get a sense of any bad guys out on the streets, continuing the work he began in Unbreakable. Delivering justice in his hooded poncho, he's earned himself many names but social media seem to have settled on 'The Overseer'. He's keen to find and save the cheerleaders and following a brush with their captor on a nearby street, manages to discover their location with the help of his son, who provides help and direction over an earpiece. He sets them free, just as The Beast returns. A fight breaks out and Glass gets off to an impressive start, finally bringing together two distinct parts of a movie universe that's been very slowly built over the last 19 years.
But their fight is cut short by Dr Ellie Staple, a psychiatrist specialising in people who believe they are superheroes. She's brought with her a team of heavily armed soldiers who capture both men and take them to the hospital where Dr Staple works, Raven Hill Memorial. Mr Glass is already being held in the hospital, slumped in a wheelchair - motionless and with just the occasional facial tic to show that he's still alive. Is he faking it? Spoiler alert: yes he is, but then I'm sure you knew that anyway!
With Kevin and David both trapped in specially designed cells, preventing any outbursts of strength or transformations into violent personalities, the movie immediately slows in pace while Dr Ellie sets about evaluating them, trying to prove that they're delusional in their beliefs regarding their abilities. It's another chance for James McAvoy to shine, showcasing 20 of the 24 personalities within him, while David Dunn takes a bit of a backseat, brooding in his cell for the most part. Meanwhile, Mr Glass is quietly masterminding something bigger than anyone can imagine. Pretty much the remainder of the movie is set within the confines of the hospital - a tricky juggling act combining the slow burn mystery of Unbreakable with the thrilling horror of Split, which for the most part I found to be enjoyable, entertaining and at times thrilling. The problems began for me when Mr Glass begins executing his big plan, and all three break free from their cells. This latter part of the movie is full of tension and repeatedly builds towards something that it never manages to fully deliver on, ultimately resulting in disappointment. It kind of just fizzles out, with a few twists and turns along the way that are nowhere near as impressive or inventive as previous M Night Shyamalan offerings. And while I fully appreciate and understand what he was aiming for with regards to the ending, it just didn't quite work for me at all. A bit of an anticlimax to what was a very strong and promising start to the concluding chapter of the trilogy.
But their fight is cut short by Dr Ellie Staple, a psychiatrist specialising in people who believe they are superheroes. She's brought with her a team of heavily armed soldiers who capture both men and take them to the hospital where Dr Staple works, Raven Hill Memorial. Mr Glass is already being held in the hospital, slumped in a wheelchair - motionless and with just the occasional facial tic to show that he's still alive. Is he faking it? Spoiler alert: yes he is, but then I'm sure you knew that anyway!
With Kevin and David both trapped in specially designed cells, preventing any outbursts of strength or transformations into violent personalities, the movie immediately slows in pace while Dr Ellie sets about evaluating them, trying to prove that they're delusional in their beliefs regarding their abilities. It's another chance for James McAvoy to shine, showcasing 20 of the 24 personalities within him, while David Dunn takes a bit of a backseat, brooding in his cell for the most part. Meanwhile, Mr Glass is quietly masterminding something bigger than anyone can imagine. Pretty much the remainder of the movie is set within the confines of the hospital - a tricky juggling act combining the slow burn mystery of Unbreakable with the thrilling horror of Split, which for the most part I found to be enjoyable, entertaining and at times thrilling. The problems began for me when Mr Glass begins executing his big plan, and all three break free from their cells. This latter part of the movie is full of tension and repeatedly builds towards something that it never manages to fully deliver on, ultimately resulting in disappointment. It kind of just fizzles out, with a few twists and turns along the way that are nowhere near as impressive or inventive as previous M Night Shyamalan offerings. And while I fully appreciate and understand what he was aiming for with regards to the ending, it just didn't quite work for me at all. A bit of an anticlimax to what was a very strong and promising start to the concluding chapter of the trilogy.