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Nick Rhodes recommended Aladdin Sane by David Bowie in Music (curated)

 
Aladdin Sane by David Bowie
Aladdin Sane by David Bowie
7.0 (1 Ratings)
Album Favorite

"I would say that David Bowie had the biggest single influence on all music that came out of the time period when I started at the beginning of the 1980s. And all other bands in that modern music zone were influenced most by David Bowie. Throughout the seventies we could safely say that he pretty much owned it. If The Beatles owned the sixties, Bowie owned the seventies. I could have picked any one of his albums. I thought about Hunky Dory which I have played most, or Ziggy Stardust... which was the first album I ever bought. I thought about Station To Station which changed things as his influences morphed and then the whole Berlin trilogy which were extraordinary records. I decided on Aladdin Sane as I think it is the ultimate glam album. Musically, it was fuelled with seventies energy. Mick Ronson’s guitar work is spectacular, the tracks all have an anxiety to them – songs like ‘Cracked Actor’ and ‘Panic In Detroit’ really had an edginess. The singles ‘The Jean Genie’ and ‘Drive-In Saturday’ were probably not even the best tracks on the album – ‘Lady Grinning Soul’ is my favourite track on the album – but had an attitude. You could taste the air they were recorded in. It was the album that turned Bowie into an absolute superstar worldwide. I played it a lot when I was a kid and it was one of those records that made me want to be in a band. Also, it’s by far the greatest cover of the 1970s. The image of the flash across Bowie’s face really resonates. It’s held up – I see that the V&A museum are having a big show of Bowie’s career and memorabilia (and so they should) and the image they are using to advertise it is the front cover of Aladdin Sane."

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JT (287 KP) rated Brightburn (2019) in Movies

Mar 10, 2020  
Brightburn (2019)
Brightburn (2019)
2019 | Horror
8
7.0 (63 Ratings)
Movie Rating Watch
What if superheroes didn’t arrive on earth with the soul purpose of saving humanity? What if their main intention was to cause pain and suffering? This is the unique premise used in Brightburn to great effect and turns the superhero genre on its head.

Kansas couple Tori (Elizabeth Banks) and Kyle Breyer (David Denman) have been desperately trying to have a child, without success. When a mysterious object lands on their property they discover that all of their prayers have been answered – sound familiar? What begins as the perfect family life starts to unravel in sheer terror as their little bundle of joy turns out to be something far sinister, despite their denial that he might just might be a little misunderstood.

“It’s a boy”
I wasn’t sure what to expect with this one, but I was pleasantly surprised by how well it unfolded. There was a solid amount of tension packed with good levels of gore. The jump scare is a staple part of the horror genre but it can become tiresome if not delivered in the right way. Thankfully in this instance it works and works well.

Post credits deliver more to the story which has the potential to spawn a sequel, although I prefer the idea that this is a one off.