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Gareth von Kallenbach (980 KP) rated Sabotage (2014) in Movies
Jun 19, 2019
Action icon Arnold Schwarzenegger is back in “Sabotage”, with an ensemble film that is part thriller, part action, and part western. Schwarzenegger plays John Breacher, the leader of a top D.E.A. squad who take on the worst of the criminal underworld in the war on drugs.
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Gareth von Kallenbach (980 KP) rated Bruno (2009) in Movies
Aug 9, 2019
Life is good for Austrian fashonista Bruno (Sacha Baron Cohen). As the star of the top Austrian fashion show, he is a fixture at all of the social events and is the flamboyant highpoint of any event he graces.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
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Janeeny (200 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Jun 18, 2021
I received an ARC of this book in exchange for an honest review.
It’s taken me three days to write this review, as I’ve tried to find something clever and witty to say about it when the simple truth is, I like this book and it’s hard to explain why without giving too much away.
It has all the elements you’d expect and enjoy from a fantasy novel, and even though most people I know who enjoy this genre feel it bridges the gap between YA and adult fiction, I should still probably say that the only thing that gives it away that this is a YA book is the teenage protagonist. Novik has gone with the canny technique of a YA voice and theme with an adult backdrop. (I know it’s school but I don’t think even Harry Potter had THIS many near-death experiences)
The protagonist is a girl called El who goes to a special school called The Scholomance. What makes this school so special is the fact that it’s for magically gifted children, it’s held between realities, there are no teachers, the school itself assesses your progress and provides your work accordingly. However, where there are magical beings there are beasties and there are some right nasty ones in this school. Luckily El is constantly rescued by resident hero Orion, which she is especially aggrieved by, considering that El herself is potentially the most dangerous thing in the school.
Oddly enough, one of my favourite aspects of this book was the one thing that most reviewers found annoying about it, and that’s what they’re calling the ‘info-dumping’. There’s a strong feeling amongst the reviews that there is constantly just too much information being thrown at you. In hindsight, I can see their point, and if you’re a fan of Novik and were expecting her usual standard this may be annoying. However, for me as my first foray into her style, I didn’t mind it. In fact, I think it contributed to her world-building and just made me even keener to read the next book. Maybe now that the base is established the next book won’t have so much of it, but it didn’t detract from the story at all for me. I can’t help it, I like information. Sure if a bunch of schoolroom chairs have just come to life and chased after our main characters I want to know how that turns out as quickly as possible, but I do also like to know why.
There is so much going on here, that not only is Novik giving you an entertaining story but it feels like she’s laying the groundwork for what could be (hopefully) an epic new series. El is at times annoying and frustrating, but refreshingly consistent. Orion is the reluctant hero, despite being provided with a bit of background for him he still feels a little 2 dimensional to me, but I hope he’ll be fleshed out a bit more in the next book. They are supported by a range of diverse characters, speaking of which . . .
I’d be remiss if I didn’t mention the controversy around the book regarding some racist claims. I am by no means qualified to comment on this point, but what I would say is that the issue is a sin of omission rather than intention, and has been addressed by the author. If this is an issue that has you reconsidering adding this to your TBR pile, please do read a broad selection of reviews before making up your mind. As it is a fantastic book and could potentially be my favourite new series
It’s taken me three days to write this review, as I’ve tried to find something clever and witty to say about it when the simple truth is, I like this book and it’s hard to explain why without giving too much away.
It has all the elements you’d expect and enjoy from a fantasy novel, and even though most people I know who enjoy this genre feel it bridges the gap between YA and adult fiction, I should still probably say that the only thing that gives it away that this is a YA book is the teenage protagonist. Novik has gone with the canny technique of a YA voice and theme with an adult backdrop. (I know it’s school but I don’t think even Harry Potter had THIS many near-death experiences)
The protagonist is a girl called El who goes to a special school called The Scholomance. What makes this school so special is the fact that it’s for magically gifted children, it’s held between realities, there are no teachers, the school itself assesses your progress and provides your work accordingly. However, where there are magical beings there are beasties and there are some right nasty ones in this school. Luckily El is constantly rescued by resident hero Orion, which she is especially aggrieved by, considering that El herself is potentially the most dangerous thing in the school.
Oddly enough, one of my favourite aspects of this book was the one thing that most reviewers found annoying about it, and that’s what they’re calling the ‘info-dumping’. There’s a strong feeling amongst the reviews that there is constantly just too much information being thrown at you. In hindsight, I can see their point, and if you’re a fan of Novik and were expecting her usual standard this may be annoying. However, for me as my first foray into her style, I didn’t mind it. In fact, I think it contributed to her world-building and just made me even keener to read the next book. Maybe now that the base is established the next book won’t have so much of it, but it didn’t detract from the story at all for me. I can’t help it, I like information. Sure if a bunch of schoolroom chairs have just come to life and chased after our main characters I want to know how that turns out as quickly as possible, but I do also like to know why.
There is so much going on here, that not only is Novik giving you an entertaining story but it feels like she’s laying the groundwork for what could be (hopefully) an epic new series. El is at times annoying and frustrating, but refreshingly consistent. Orion is the reluctant hero, despite being provided with a bit of background for him he still feels a little 2 dimensional to me, but I hope he’ll be fleshed out a bit more in the next book. They are supported by a range of diverse characters, speaking of which . . .
I’d be remiss if I didn’t mention the controversy around the book regarding some racist claims. I am by no means qualified to comment on this point, but what I would say is that the issue is a sin of omission rather than intention, and has been addressed by the author. If this is an issue that has you reconsidering adding this to your TBR pile, please do read a broad selection of reviews before making up your mind. As it is a fantastic book and could potentially be my favourite new series
Gareth von Kallenbach (980 KP) rated Power Rangers (2017) in Movies
Jul 12, 2019
When I first heard that The Mighty Morphin Power Rangers would be getting a film adaptation, I was a bit apprehensive. Hollywood has had a bit of trouble converting many of the themes and issues brought up in a variety of shows into films that stay loyal to their respective franchises.
Fans on social media have often expressed their dissatisfaction with films not staying true to the origin stories or their inabil;ity to retain much of the character and charm that endeared them to their fans. Power Rangers does not suffer from this dilemma. As someone who watched the series as it first hit American markets in the 1990s, I was unsure of how this story would transfer onto the big screen.
It wasn’t something that I was too personally invested in. It was a series in which I considered myself to be a casual fan understanding the background, characters, and general direction of the show. I wasn’t prepared for what the film version offered.
This adaptation is near perfect in the way that it is able to create a modern, mature version that incorporates many aspects into weaving their story.
The basics of the film are roughly the same as the show: it is based in Angel Grove, there are five teenagers serving the role of rangers whose goal is to save the world, and all the complexities that come with being a superhero who has a “real life.”
One of the more remarkable issues related to the film is how the writers and director are able to be inclusive with their characters without being condescending to their audiences old and new. We get a glimpse of a team that is more colorful and diverse. Where the original crew showed a group of youths of different races, the film version does not stop with race as demonstrating the variety that exists within our world. The film allows for the inclusion of people on the autism spectrum, as well as, allowing for the inclusion of the LGBT community. The film shows audiences that there are people just like them or people that they know in the superhero realm. It is not limited by race, gender, sexual orientation, or cognitive development.
Power Rangers itself is a fun movie with depth. As the film continued, I tried to look for areas to pick it apart and find those pieces that really detracted from the story. The film has its faults in a simply developing storyline, but that goes with the franchise. It isn’t supposed to be complex or overbearing. The humor ranges from sophomoric to sophisticated. The film is accessible to those who are new to the franchise and those who have been watching since its inception. Additionally, it is a superhero movie it is not insulting to its audience. It demonstrates the difficulties that exist with teen life, presents real problems that they have to deal with in contrast to the fantasy that they are living out as part of this team.
The film is beautifully shot and the CGI is nearly seamless (the film is not overly reliant on it, either). The fighting and action sequences are as much a part of the story as the characters themselves. Power Rangers allows for audiences to be entertained visually and comedically. Additionally, it allows for those of us who have not watched or followed the Power Rangers in a while to be a bit nostalgic and look back to when we ourselves could not get home quickly enough for “Morphin’ Time.” The film is updated, mature, and will have fans young and old beaming with delight.
Fans on social media have often expressed their dissatisfaction with films not staying true to the origin stories or their inabil;ity to retain much of the character and charm that endeared them to their fans. Power Rangers does not suffer from this dilemma. As someone who watched the series as it first hit American markets in the 1990s, I was unsure of how this story would transfer onto the big screen.
It wasn’t something that I was too personally invested in. It was a series in which I considered myself to be a casual fan understanding the background, characters, and general direction of the show. I wasn’t prepared for what the film version offered.
This adaptation is near perfect in the way that it is able to create a modern, mature version that incorporates many aspects into weaving their story.
The basics of the film are roughly the same as the show: it is based in Angel Grove, there are five teenagers serving the role of rangers whose goal is to save the world, and all the complexities that come with being a superhero who has a “real life.”
One of the more remarkable issues related to the film is how the writers and director are able to be inclusive with their characters without being condescending to their audiences old and new. We get a glimpse of a team that is more colorful and diverse. Where the original crew showed a group of youths of different races, the film version does not stop with race as demonstrating the variety that exists within our world. The film allows for the inclusion of people on the autism spectrum, as well as, allowing for the inclusion of the LGBT community. The film shows audiences that there are people just like them or people that they know in the superhero realm. It is not limited by race, gender, sexual orientation, or cognitive development.
Power Rangers itself is a fun movie with depth. As the film continued, I tried to look for areas to pick it apart and find those pieces that really detracted from the story. The film has its faults in a simply developing storyline, but that goes with the franchise. It isn’t supposed to be complex or overbearing. The humor ranges from sophomoric to sophisticated. The film is accessible to those who are new to the franchise and those who have been watching since its inception. Additionally, it is a superhero movie it is not insulting to its audience. It demonstrates the difficulties that exist with teen life, presents real problems that they have to deal with in contrast to the fantasy that they are living out as part of this team.
The film is beautifully shot and the CGI is nearly seamless (the film is not overly reliant on it, either). The fighting and action sequences are as much a part of the story as the characters themselves. Power Rangers allows for audiences to be entertained visually and comedically. Additionally, it allows for those of us who have not watched or followed the Power Rangers in a while to be a bit nostalgic and look back to when we ourselves could not get home quickly enough for “Morphin’ Time.” The film is updated, mature, and will have fans young and old beaming with delight.
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