Search
Search results
The Lawsons bought a house before the boom and are now sitting ‘asset rich’ in a leafy London suburb. Fi Lawson arrives home one afternoon to find her house has been sold and new people are moving in. Her estranged husband Bram has disappeared, and she is facing this chaos alone. Candlish opens with this almost farcical beginning and pulls you into the story. Things take a darker turn when Fi starts to relay her situation on a popular radio podcast. This timeline is spliced between paragraphs of a letter from Bram. As both sides of the story unfold and both characters think they know all the facts, this novel is an interesting twist on domestic noir. Thoroughly enjoyable.
Milleen (47 KP) rated The Girl Before in Books
Nov 14, 2018
A twist on the popular domestic noir novels that have dominated the bestseller list. This psychological thriller revolves around Jane, recovering after a traumatic loss, she moves into an architectural showhome, an austere house with strict rules. One Folgate Street is a formidable fortress of technology that promotes, sleek, sterile, minimalist living but it hides a murky past. Jane is not the first resident to enjoy the stark lifestyle and her interest is piqued when a stranger leaves flowers at the door. Who was the girl before and will the same fate befall Jane?
This narrative uses the two women’s perspectives to draw you into the plot. The film is being directed by Ron Howard so there’s time to read the book before you see the movie. One for your travels.
This narrative uses the two women’s perspectives to draw you into the plot. The film is being directed by Ron Howard so there’s time to read the book before you see the movie. One for your travels.
Sassy Brit (97 KP) rated Pretty Ugly Lies in Books
Jun 5, 2019
In “Pretty Ugly Lies” Pamela Crane reveals the lives of four very different women in this dramatic, intimate domestic noir, of which I could not put down, especially upon opening the book to suddenly discover how someone is killing a whole family!
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
ClareR (5556 KP) rated Nasty Little Cuts in Books
Feb 24, 2022
I learnt a new phrase today: Domestic Noir. My ignorance is probably down to the fact that I would never normally read a book in this category. I’d avoid it. I’m glad that I didn’t let it put me off this time though, and after reading Tina’s previous book ‘Call Me Mummy’, I knew that I was going to be in for one hell of a good read.
This book is phenomenal. It’s read-it-thorough-your-fingers-with-your-eyes-shut kind of phenomenal.
Reading it on The Pigeonhole, one stave a day for 10 days was a feat of endurance - the wait between staves was tortuous. This is NOT an easy read, and should probably come with some sort of trigger warning. It’s dark, emotional, visceral. It’s violent and frankly traumatic.
Debs and Marc should probably have never got together, never mind got married and had children. They’re both emotionally scarred from terrible childhoods and have never confronted, or been treated for, these psychological and physical injuries. And now they just seem to vent their feelings on one another with physical violence.
There’s loads of backstory that explains why they are in their current predicament, and honestly, I did feel some sympathy for them. But then, and Tina Baker does this so well, she gives with one hand, and snatches away with the other. Every past revelation of abuse or trauma, is bookended by domestic violence.
Honestly, it sounds horrendous, doesn’t it? But I couldn’t stop reading. As I said on The Pigeonhole: What a reading experience this has been. I’ll leave a review, but what can I say that will do this book justice?
Well, I can say this: Read It.
This book is phenomenal. It’s read-it-thorough-your-fingers-with-your-eyes-shut kind of phenomenal.
Reading it on The Pigeonhole, one stave a day for 10 days was a feat of endurance - the wait between staves was tortuous. This is NOT an easy read, and should probably come with some sort of trigger warning. It’s dark, emotional, visceral. It’s violent and frankly traumatic.
Debs and Marc should probably have never got together, never mind got married and had children. They’re both emotionally scarred from terrible childhoods and have never confronted, or been treated for, these psychological and physical injuries. And now they just seem to vent their feelings on one another with physical violence.
There’s loads of backstory that explains why they are in their current predicament, and honestly, I did feel some sympathy for them. But then, and Tina Baker does this so well, she gives with one hand, and snatches away with the other. Every past revelation of abuse or trauma, is bookended by domestic violence.
Honestly, it sounds horrendous, doesn’t it? But I couldn’t stop reading. As I said on The Pigeonhole: What a reading experience this has been. I’ll leave a review, but what can I say that will do this book justice?
Well, I can say this: Read It.
Isabel Smith (34 KP) rated The House Swap in Books
Jun 26, 2018
Tension, tension, so much tension!
From start to finish The House Swap is a taut and edgy examination of the rocky marriage between a young English couple, Caroline and Francis. When the opportunity arises for them to swap their city flat in Leeds with someone else’s suburban home in Chiswick they eagerly plan a week-long getaway for two so they can focus on repairing their relationship. Caroline soon starts finding signs that the owner of the suburban home she and Francis are currently occupying may very well be the person she’s tried so desperately to put behind her: her ex-lover, Carl. Francis, who knows about Caroline’s past affair, begins to notice that his wife is acting strange and inattentive; it’s putting him on edge, which is no place for a former pill-popper like himself to be. With both of their past obsessions threatening to burst back into their lives, Caroline and Francis brace themselves for the ultimate test in their marriage.
This psychological thriller definitely delivers on nail-biting suspense, calculated misdirection, and hair-raising shocks. There were more than a couple of well-placed red herrings which made the plot twists all the more juicy and exciting. Some of the content was a bit difficult to stomach, but it added to the domestic noir feel of the novel. Overall, The House Swap is a solid option for anyone looking for a fast-paced and multilayered novel that goes behind closed doors.
This psychological thriller definitely delivers on nail-biting suspense, calculated misdirection, and hair-raising shocks. There were more than a couple of well-placed red herrings which made the plot twists all the more juicy and exciting. Some of the content was a bit difficult to stomach, but it added to the domestic noir feel of the novel. Overall, The House Swap is a solid option for anyone looking for a fast-paced and multilayered novel that goes behind closed doors.
BookInspector (124 KP) rated The Unmaking of Ellie Rook in Books
Sep 24, 2020
The protagonist in this novel was Ellie, and the whole story was told from her perspective. Ellie comes back to her hometown after the news, that her mother drowned. But as I was going through the pages, it was clear, that Rook family is a very dysfunctional one, hiding many horrible secrets. I really liked the way the author chose her characters, they all have a story to tell, they all are interesting and play very important parts in this book. I liked the way Ellie opened up and shared her story throughout the pages. She seemed fearless but used to crumble after her father’s words. I think she represents many of those, who grew up with abusive, controlling parent.
The narrative was very fast paced, and every chapter allowed to see a little bit more of Ellie’s past, and what shaped her to be the way she is now. The topics covered in this book were emotional and physical abuse, bullying, teenage romance, controlling behaviour and many more. This book has some very cleverly written surprises and twists and was an easy and pleasant read for me.
The atmosphere of this book is very dark, gloomy and messy, filled with scrap cars, crows, and violence. I liked the writing style of this novel, it was complex and layered. The chapters were short, and the ending of this book left me very satisfied indeed. Even though a single perspective was sufficient for me, I would’ve liked to read Imelda’s thoughts as well. I don’t really know how I feel about all that folk story about Finella, it adds a nice touch to the story, but making it a core of this book wasn’t really necessary.
So, to conclude, it is a really good domestic noir, filled with complex characters and difficult situations. I really enjoyed this book and the topics it discussed, and I recommend it to people who are looking for a quick but important read. I hope you will enjoy it as much as I did. 🙂
The narrative was very fast paced, and every chapter allowed to see a little bit more of Ellie’s past, and what shaped her to be the way she is now. The topics covered in this book were emotional and physical abuse, bullying, teenage romance, controlling behaviour and many more. This book has some very cleverly written surprises and twists and was an easy and pleasant read for me.
The atmosphere of this book is very dark, gloomy and messy, filled with scrap cars, crows, and violence. I liked the writing style of this novel, it was complex and layered. The chapters were short, and the ending of this book left me very satisfied indeed. Even though a single perspective was sufficient for me, I would’ve liked to read Imelda’s thoughts as well. I don’t really know how I feel about all that folk story about Finella, it adds a nice touch to the story, but making it a core of this book wasn’t really necessary.
So, to conclude, it is a really good domestic noir, filled with complex characters and difficult situations. I really enjoyed this book and the topics it discussed, and I recommend it to people who are looking for a quick but important read. I hope you will enjoy it as much as I did. 🙂
Nick Friesen (96 KP) rated Blade Runner (1982) in Movies
Jul 13, 2017
Dark and gorgeous setting (4 more)
Harrison Ford
Thought-provoking premise
That moody Vangelis score
Rutger Hauer
Best in Class Cyberpunk Neo-Noir
Most Sci-Fi fans these days probably rank Blade Runner somewhere in their top five favorites. Its status and influence on Sci-Fi, especially in the Cyberpunk sub-genre, is undeniable. When it was first released in 1982, however, it was not so well appreciated. It was met with polarized reviews and underwhelming domestic box office figures. This was probably due to some misplaced expectations of the movie. The studio erroneously marketed Blade Runner as an action/adventure, and not to mention, Harrison Ford was riding the fame of another Sci-Fi franchise that was much more action-oriented. It's no surprise then, that audiences and critics alike were initially turned off by the slow-burn pacing of detective noir that Blade Runner pulled into a science fiction setting. Today, Blade Runner is a celebrated masterpiece of filmmaking and adored by fans around the world. However, with a sequel coming soon, those new to the franchise might be a little confused due to the existence of multiple versions of the film. Let's clear that up a bit.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
BookInspector (124 KP) rated After He Died in Books
Sep 24, 2020
The main protagonist in this novel is Paula, a middle-class housewife, who just became a widow. A young woman – Cara, is trying to shine a different light on Paula’s deceased husband Thomas. This novel is told from two different perspectives – Paula’s and Cara’s. This book is soaked with grief, both of these characters lost people in their past, and they are still dealing with their grief. I really liked Paula in this book. I could feel her pain and her confusion, and to be honest, I was confused with her because all those little clues and words left me as much baffled as Paula herself. I really wanted to like Cara in this novel, but I couldn’t bond with her. I did like what she represented and I did like her attitude, but I couldn’t warm up to her.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.