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Louis Garrel recommended Basic Instinct (1992) in Movies (curated)
David Betteridge (327 KP) rated Basic Instinct (1992) in Movies
May 26, 2020
Ice pick!
Contains spoilers, click to show
Having a Michael Douglas week, and this was the second film we watched, it a good classic thriller, plenty of sex and just enough of a twist to keep you guessing, only downside is it never truly explains what happens and why.
Matthew Krueger (10051 KP) rated Romancing the Stone (1984) in Movies
Apr 10, 2021
All About The Stone
Romancing The Stone- is a classic action-adventure film. It has a great cast and director.
The plot: A dowdy romantic-adventure writer is hurled into a real-life adventure in the Colombian jungle in order to save her sister, who will be killed if a treasure map is not delivered to her captors. She is helped out by a brash mercenary, and together they search for the priceless gem located in the map.
Micheal Douglas and Danny DeVito are the best parts of this film. Also Robert Zemeckis directed it. Its a good film.
The plot: A dowdy romantic-adventure writer is hurled into a real-life adventure in the Colombian jungle in order to save her sister, who will be killed if a treasure map is not delivered to her captors. She is helped out by a brash mercenary, and together they search for the priceless gem located in the map.
Micheal Douglas and Danny DeVito are the best parts of this film. Also Robert Zemeckis directed it. Its a good film.
Matthew Krueger (10051 KP) rated Basic Instinct (1992) in Movies
Apr 17, 2021
Love The Way You Lie
Basic Instinct- is a excellent erotic thriller. Both Micheal Douglas and Sharon Stone are excellent in it.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for “graphic depictions of extremely explicit violence, sexual content, and strong language”, but under pressure from TriStar and Carolco, Verhoeven cut 35–40 seconds to gain an R rating.
Its a excellent thriller and a must watch.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for “graphic depictions of extremely explicit violence, sexual content, and strong language”, but under pressure from TriStar and Carolco, Verhoeven cut 35–40 seconds to gain an R rating.
Its a excellent thriller and a must watch.
David McK (3485 KP) rated Total Recall (1990) in Movies
Jun 21, 2019 (Updated Sep 16, 2019)
Forget the rather pointless Colin Farrell-starring 2012 remake, this is the original (and best) of the 2 movies to share the name, itself based on the Philip K Dick short story 'We Can Remember It for You Wholesale' - it bears little in common with that story, however, other than the idea of false memory implants!
Starring a pre-T2 Arnold Schwarzenegger alongside Sharon Stone and Michael Ironside, the main plot of this is actually open to interpretation: are these events actually happening, or is Arnie's character of Douglas Quaid dreaming them? Every thing that happens after he visits Rekall is left deliberately open to interpretation, even down to the film ending with a white out instead of a black out ...
Starring a pre-T2 Arnold Schwarzenegger alongside Sharon Stone and Michael Ironside, the main plot of this is actually open to interpretation: are these events actually happening, or is Arnie's character of Douglas Quaid dreaming them? Every thing that happens after he visits Rekall is left deliberately open to interpretation, even down to the film ending with a white out instead of a black out ...
Matthew Krueger (10051 KP) rated The Jewel of the Nile (1985) in Movies
Apr 10, 2021
Eat Rock!
The Jewel of the Nile- is a good film, the cast is back, the action, the romance, the adventure, the drama and the stone. Its now a jewel.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
RəX Regent (349 KP) rated Wall Street (1987) in Movies
Feb 19, 2019
When looking to review a film like this, there are two distinct points of view to take in to a account:
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
BankofMarquis (1832 KP) rated The Lost City (2022) in Movies
Jun 4, 2022
Charming...with Charismatic Leads
Like most folks, I barely gave THE LOST CITY any notice when it came and went in movie theaters earlier in 2022. This Sandra Bullock/Channing Tatum vehicle looked derivative from earlier films (most notably 1984’s ROMANCING THE STONE with Michael Douglas and Kathleen Turner) and it blew in and out of theaters with hardly a notice. But…sitting on an airplane…I ran across this flick and thought I’d give it a go.
And…I’m glad I did! For THE LOST CITY is a fun, charming film with 2 charismatic lead actors that you will want to go on this adventure with.
Written by Oren Uziel, Dana Fox and Adam Nee and Directed by Adam and Aaron Nee, THE LOST CITY tells the tale of Romance Novel Writer Loretta Sage (Bullock) who gets caught up in a treasure hunt when a crazed Mega-Millionaire (played with a spry twinkle in his eye by Harry Potter himself, Daniel Radcliffe) kidnaps Loretta for she had written something in her latest novel that he thinks is a clue to find the titular LOST CITY. Coming to her rescue? Her clue-less Fabio-like Cover Model (played with charming density by Channing Tatum). What could possibly go wrong?
With that sort of premise, the rest of the story is fairly predictable and pedestrian, so the weight of the entertainment value of this film falls squarely on the shoulders of the charm, charisma and chemistry of the 2 leads - and the Direction of the Nee’s.
And…I’m surprised (and happy) to state that these all come through with flying colors making THE LOST CITY a pretty enjoyable romp.
Let’s start with Bullock and Tatum. They are really looking like they are enjoying themselves - and each other. Bullock is no stranger to playing emotionally repressed intellectuals and Tatum is no stranger to playing dumb lugs…and they both embrace these stereotypes and had fun brining these two to life. Add to this the aforementioned performance of Radcliffe as the comedic villain and an extended cameo from a very recognizable “A-List” performer - and the charm and charisma meter in this film is off the hook.
The Nees, then, play to the strengths of these performers and move the film quickly from set piece to set piece, wisely only slowing down the action to let these performers play. The Directors show a light touch to this piece - and the audience is rewarded by this.
Not the type of movie that will cause focus groups to sit around and discuss it after, but if you are looking for a fun romp, summer action/comedy flick to sit on the couch some summer afternoon/evening with a bowl of popcorn and your favorite beverage, look no further than THE LOST CITY.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I did! For THE LOST CITY is a fun, charming film with 2 charismatic lead actors that you will want to go on this adventure with.
Written by Oren Uziel, Dana Fox and Adam Nee and Directed by Adam and Aaron Nee, THE LOST CITY tells the tale of Romance Novel Writer Loretta Sage (Bullock) who gets caught up in a treasure hunt when a crazed Mega-Millionaire (played with a spry twinkle in his eye by Harry Potter himself, Daniel Radcliffe) kidnaps Loretta for she had written something in her latest novel that he thinks is a clue to find the titular LOST CITY. Coming to her rescue? Her clue-less Fabio-like Cover Model (played with charming density by Channing Tatum). What could possibly go wrong?
With that sort of premise, the rest of the story is fairly predictable and pedestrian, so the weight of the entertainment value of this film falls squarely on the shoulders of the charm, charisma and chemistry of the 2 leads - and the Direction of the Nee’s.
And…I’m surprised (and happy) to state that these all come through with flying colors making THE LOST CITY a pretty enjoyable romp.
Let’s start with Bullock and Tatum. They are really looking like they are enjoying themselves - and each other. Bullock is no stranger to playing emotionally repressed intellectuals and Tatum is no stranger to playing dumb lugs…and they both embrace these stereotypes and had fun brining these two to life. Add to this the aforementioned performance of Radcliffe as the comedic villain and an extended cameo from a very recognizable “A-List” performer - and the charm and charisma meter in this film is off the hook.
The Nees, then, play to the strengths of these performers and move the film quickly from set piece to set piece, wisely only slowing down the action to let these performers play. The Directors show a light touch to this piece - and the audience is rewarded by this.
Not the type of movie that will cause focus groups to sit around and discuss it after, but if you are looking for a fun romp, summer action/comedy flick to sit on the couch some summer afternoon/evening with a bowl of popcorn and your favorite beverage, look no further than THE LOST CITY.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)