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Awix (3310 KP) rated Dracula Untold (2014) in Movies
Jan 10, 2021
Untold, uninspired, and underwhelming take on a Dracula origin story, very much in the style of a comic book movie. Historians look away: Vlad Tepes is a client king of the Turks, who is forced to rebel against them and seeks out demonic, blood-sucking powers to help him defeat his opponents. (Charles Dance, playing his mentor in evil, is the best thing in the movie.)
Mildly diverting as an empty spectacle (gasp as Superdrac uses his FIST OF BATS power to squish the Turks!) but essentially useless: the film fails to engage with either the historical Vlad the Impaler or the iconic Dracula. Luke Evans fails to communicate any essential darkness lurking in his character, just coming across as a nice guy who makes a bad decision under pressure. If Dracula's not going to be a properly evil monster, what's the point of him? Good effects and reasonable art direction, but misses the point in every narrative sense.
Mildly diverting as an empty spectacle (gasp as Superdrac uses his FIST OF BATS power to squish the Turks!) but essentially useless: the film fails to engage with either the historical Vlad the Impaler or the iconic Dracula. Luke Evans fails to communicate any essential darkness lurking in his character, just coming across as a nice guy who makes a bad decision under pressure. If Dracula's not going to be a properly evil monster, what's the point of him? Good effects and reasonable art direction, but misses the point in every narrative sense.
Paul Tyrrell (139 KP) rated Salem's Lot in Books
Apr 19, 2020
Maine style Dracula
2nd book from the great man based around vampires. Good story with decent characters and King already has found the ease of a seasoned writer as you are hooked very early on. As usual the book is better than the movie/TV series although that's worth a watch as it has David Soul (70's heart throb from Starsky & Hutch)as one of the leads.
Devil's Cry : Shade of Devil Book 2
10.0
Rate It
Book
The greatest trick the First Vampire ever pulled was convincing the world that he didn’t exist. ...
Chris Sawin (602 KP) rated Hotel Transylvania 4 (2021) in Movies
Jan 22, 2022
The transformation sequences. (1 more)
The 2D animated end credits
Genndy Tartakovsky not directing (2 more)
Humor exchanged for annoying behavior
Feels almost like a soft reboot for a final film.
A Monstrous Monstrosity
Hotel Transylvania: Tranformania is the final film in the Hotel Transylvania franchise. With Genndy Tartakavsky no longer directing (he co-writes and executive produces this time around) and Adam Sandler and Kevin James not returning (Brian Hull and Brad Abrell now voice Dracula and Frankenstein), Transformania takes an awkward step back from the previous three films.
Despite some character designs (Bela in the second film, the Kraken in the third) and some tremendous end credit animations that are done in a very recognizable Tartakavsky style (think Dexter’s Lab or Powerpuff Girls), the films are mediocre at best and yet became a billion dollar franchise.
Hull and Abrell do a decent job matching their voices to the Drac and Frank characters. You may not have noticed the characters were voiced by someone else if you hadn’t known beforehand. However, the animation looks noticeably different. Maybe new directors Jennifer Kluska and Derek Drymon are to credit for that. Kluska was a storyboard artist on Hotel Transylvania 2 and 3 while Drymon was an executive producer of Adventure Time and was a storyboard artist on The Spongebob Squarepants Movie.
The film was also moved around several times thanks to COVID and the pandemic. Sony Pictures Releasing eventually nixed the film’s theatrical run and sold distribution rights to Amazon Studios. This is the only Hotel Transylvania film to be released directly to a streaming platform.
Considering that this is the fourth film, Transformania basically rewrites several characters to an extent that it ignores key details from other films. Johnny is now akin to Homer Simpson since he is dumber than he has ever been here. He had a stoner or frat boy with a heart of gold kind of vibe about him originally. He was very mellow by nature, but had seen a good chunk of the world and knew more than his behavior let on. He had stories even though he was young and he was likeable. Transformania turns him into a dumb and unfunny dork that is borderline offensive due to how annoying he is.
Dracula has lost whatever made him somewhat charming in the previous three films, as well. In Transformania, he’s looking to settle down with Ericka and retire from running the hotel. The intention is to give the hotel to Mavis and Johnny, but all of a sudden Dracula hates Johnny. The first three films are built around how close Johnny and Dracula become. Now Dracula just finds Johnny unbearable.
After establishing in the second film that Dennis is part vampire and has powers, that concept is totally erased in Transformania. Dracula hypnotizes Dennis in the beginning of the film and he remains that way for the bulk of the film without ever utilizing any sort of power or doing anything remotely relevant.
Instead of downright telling Johnny that he can’t stand him, Dracula lies and says that he can’t leave the hotel in the hands of a human; it can only be inherited by monsters. Johnny then discusses the matter with Abraham Van Helsing who uses his Monsterfication Ray to turn Johnny into a giant lizard-like monster. But the ray can also turn monsters into humans. Once Dracula discovers what Johnny has done, he attempts to turn Johnny back before Mavis finds out. The plan backfires and Dracula gets hit with the ray and is turned human. His friends Wayne, Griffin, Murray, and Frankenstein are also turned human. If a cure isn’t found, the results may be permanent.
The highlight of the film is the transformation sequences since they are noticeably inspired by the horror film genre; specifically An American Werewolf in London. The end credits sequence is also done in a similar style to the first three films, so that sequence is fairly entertaining as well.
Transformania otherwise feels like a downgrade all around and the bar wasn’t all the high to begin with. As expected, there is a dancing sequence that may or may not be something you look forward to. None of the gags come off as humorous as every character mostly seems to be aiming to be more obnoxious than the other. The “fun” lies within seeing the monster characters as humans. The most notable is Griffin who has been totally invisible until now.
Hotel Transylvania: Transformania had a lot of obstacles relating to its release and after viewing the film you can understand why. It’s a lukewarm sendoff that mostly feels like a lethargic attempt to recapture its former glory. It’s built around an entertaining concept that it doesn’t fully capitalize on. It ultimately obliterates character traits for trite gags and cliché punch lines.
Despite some character designs (Bela in the second film, the Kraken in the third) and some tremendous end credit animations that are done in a very recognizable Tartakavsky style (think Dexter’s Lab or Powerpuff Girls), the films are mediocre at best and yet became a billion dollar franchise.
Hull and Abrell do a decent job matching their voices to the Drac and Frank characters. You may not have noticed the characters were voiced by someone else if you hadn’t known beforehand. However, the animation looks noticeably different. Maybe new directors Jennifer Kluska and Derek Drymon are to credit for that. Kluska was a storyboard artist on Hotel Transylvania 2 and 3 while Drymon was an executive producer of Adventure Time and was a storyboard artist on The Spongebob Squarepants Movie.
The film was also moved around several times thanks to COVID and the pandemic. Sony Pictures Releasing eventually nixed the film’s theatrical run and sold distribution rights to Amazon Studios. This is the only Hotel Transylvania film to be released directly to a streaming platform.
Considering that this is the fourth film, Transformania basically rewrites several characters to an extent that it ignores key details from other films. Johnny is now akin to Homer Simpson since he is dumber than he has ever been here. He had a stoner or frat boy with a heart of gold kind of vibe about him originally. He was very mellow by nature, but had seen a good chunk of the world and knew more than his behavior let on. He had stories even though he was young and he was likeable. Transformania turns him into a dumb and unfunny dork that is borderline offensive due to how annoying he is.
Dracula has lost whatever made him somewhat charming in the previous three films, as well. In Transformania, he’s looking to settle down with Ericka and retire from running the hotel. The intention is to give the hotel to Mavis and Johnny, but all of a sudden Dracula hates Johnny. The first three films are built around how close Johnny and Dracula become. Now Dracula just finds Johnny unbearable.
After establishing in the second film that Dennis is part vampire and has powers, that concept is totally erased in Transformania. Dracula hypnotizes Dennis in the beginning of the film and he remains that way for the bulk of the film without ever utilizing any sort of power or doing anything remotely relevant.
Instead of downright telling Johnny that he can’t stand him, Dracula lies and says that he can’t leave the hotel in the hands of a human; it can only be inherited by monsters. Johnny then discusses the matter with Abraham Van Helsing who uses his Monsterfication Ray to turn Johnny into a giant lizard-like monster. But the ray can also turn monsters into humans. Once Dracula discovers what Johnny has done, he attempts to turn Johnny back before Mavis finds out. The plan backfires and Dracula gets hit with the ray and is turned human. His friends Wayne, Griffin, Murray, and Frankenstein are also turned human. If a cure isn’t found, the results may be permanent.
The highlight of the film is the transformation sequences since they are noticeably inspired by the horror film genre; specifically An American Werewolf in London. The end credits sequence is also done in a similar style to the first three films, so that sequence is fairly entertaining as well.
Transformania otherwise feels like a downgrade all around and the bar wasn’t all the high to begin with. As expected, there is a dancing sequence that may or may not be something you look forward to. None of the gags come off as humorous as every character mostly seems to be aiming to be more obnoxious than the other. The “fun” lies within seeing the monster characters as humans. The most notable is Griffin who has been totally invisible until now.
Hotel Transylvania: Transformania had a lot of obstacles relating to its release and after viewing the film you can understand why. It’s a lukewarm sendoff that mostly feels like a lethargic attempt to recapture its former glory. It’s built around an entertaining concept that it doesn’t fully capitalize on. It ultimately obliterates character traits for trite gags and cliché punch lines.
Awix (3310 KP) rated Dracula (English) (1931) in Movies
Feb 11, 2020
The first official screen version of Dracula has a reputation for being sluggish and stagey that is not entirely undeserved; we should bear in mind it was adapted from a play and released at a time when some cinemas were still not wired for sound (a silent version with intertitles was produced from the same footage). Nevertheless this is in many ways the version of the story that nearly all the others have been made in response to, whether they are riffing on it or reacting against it.
It's slow, and camp, and there are some interesting performance styles on display, but every now and then a moment slips through which is genuinely interesting, and which you can tell has inspired some of the movies that followed. Virtually no actual blood or visual horror, of course, but then it's not in and of itself actually scary. It is, however, the template and raw material from which most other Dracula movies (and many other vampire movies) have been drawn, and worth watching just for that reason.
It's slow, and camp, and there are some interesting performance styles on display, but every now and then a moment slips through which is genuinely interesting, and which you can tell has inspired some of the movies that followed. Virtually no actual blood or visual horror, of course, but then it's not in and of itself actually scary. It is, however, the template and raw material from which most other Dracula movies (and many other vampire movies) have been drawn, and worth watching just for that reason.
Awix (3310 KP) rated Nosferatu (Eine Symphonie Des Grauens) (1922) in Movies
Jan 28, 2021
Hugely influential unauthorised adaptation of Dracula. Young estate agent's helper Hutter trots off to Transylvania to oversee the sale of a house to the reclusive (and rather repulsive) Count Orlok; Orlok takes a fancy to Hutter's wife; bad things ensue.
Basically just handles the first half of the book, and bolts a different ending on, but you can still see why the Stoker estate sued. Nevertheless, the presentation of Dracula/Orlok as a near-feral atavism is striking (and also much closer to the book than most films get); the film was designed by practising occultists which may explain the carefully composed visual sense of it (also the use of genuine magical script in some of the scenes). Very creepy and effective, though you have to take the age of the thing into account, not to mention the performance styles. Which soundtrack you listen to may also make a big difference (I recommend James Bernard's Hammer-style offering from the late 1990s). One of the great foundational horror films.
Basically just handles the first half of the book, and bolts a different ending on, but you can still see why the Stoker estate sued. Nevertheless, the presentation of Dracula/Orlok as a near-feral atavism is striking (and also much closer to the book than most films get); the film was designed by practising occultists which may explain the carefully composed visual sense of it (also the use of genuine magical script in some of the scenes). Very creepy and effective, though you have to take the age of the thing into account, not to mention the performance styles. Which soundtrack you listen to may also make a big difference (I recommend James Bernard's Hammer-style offering from the late 1990s). One of the great foundational horror films.
BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Turn Undead: Monster Hunter
Games
App Watch
Take on Dracula and his legion of monsters in this turn based action puzzle platformer. Features:...
games
An interesting take on the tale
If you take for granted that the makers of this short series have taken some liberties with the classic tale, then you will enjoy this adaptation all the more. My wife, who hasn't read the book and barely remembers the Gary Oldman film, really enjoyed this series. I, who have read and loved the book and a few prequel/sequel attempts, enjoyed it a little less. However, for what it is, it's a very clever and witty interpretation of the story.
The three episodes are largely standalone and in a different setting. The first episode we are in familiar territory with Jonathan Harker in Castle Dracula. Here the makers explored Harker's passive imprisonment and gradual blood-draining far more than in other adaptations, giving the viewer a real confused, frustrated and claustrophobic feeling. The second episode takes place on the Count's journey to the UK. Again previous adaptations have skipped over this, and the crew's gradual diminution, which was a bigger factor of the book. This is when Dracula's psychological twisting and sick sense of humour start to feature more heavily, with some good head-scratching twists.
The third episode covers Dracula's time in the UK, but not as you've ever seen before. I thought this part was brilliant, but won't give any spoilers. The main features of this part of the original story are retained (Dracula's mutual obsession with Lucy Westenra), but Dracula is now revealed like never before, with some of his weaknesses explored and exposed for what they are.
Like I say, if you can accept the liberties taken, this is a great adaptation with a really sassy Dracula.
The three episodes are largely standalone and in a different setting. The first episode we are in familiar territory with Jonathan Harker in Castle Dracula. Here the makers explored Harker's passive imprisonment and gradual blood-draining far more than in other adaptations, giving the viewer a real confused, frustrated and claustrophobic feeling. The second episode takes place on the Count's journey to the UK. Again previous adaptations have skipped over this, and the crew's gradual diminution, which was a bigger factor of the book. This is when Dracula's psychological twisting and sick sense of humour start to feature more heavily, with some good head-scratching twists.
The third episode covers Dracula's time in the UK, but not as you've ever seen before. I thought this part was brilliant, but won't give any spoilers. The main features of this part of the original story are retained (Dracula's mutual obsession with Lucy Westenra), but Dracula is now revealed like never before, with some of his weaknesses explored and exposed for what they are.
Like I say, if you can accept the liberties taken, this is a great adaptation with a really sassy Dracula.
The League of Extraordinary Gentlemen (2003)
6.3
Rate It
Movie Watch
A team of extraordinary figures culled from great adventure literature (including Alan Quatermain,...