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Z For Zachariah (2015)
Z For Zachariah (2015)
2015 | Drama, Sci-Fi
Drop-dead gorgeous, it's so refreshing to see a post-apocalyptic drama that doesn't turn its characters into flat, unfeeling beings nor mostly take place in some crusty, rehashed wasteland. Not that this is secretly some masterpiece or anything, it isn't - it really begins to wake up (expectedly) as soon as Chris Pine enters the picture - but it flows along unwaveringly at a low, melodic hum with breathtaking locales and invigorating music. All three leads are exceptional, and while it isn't even a fraction of the thematic powerhouse it could have been it still manages to wring a commendable amount of captivating intrigue out of its simplistic setup. Can't stress enough how addictive the atmosphere is: calm and homey, beautiful, yet inevitable and bleak as hell. Meets some sort of transcendent crossroads between "The Last of Us" and "Unravel", in video game speak. This Craig Zobel guy really knew what he was doing with this, god damn - one heck of a genre tonic.
  
That Obscure Object of Desire (1977)
That Obscure Object of Desire (1977)
1977 | Comedy, Drama
(0 Ratings)
Movie Favorite

"I am convinced that Buñuel had intimate conversations with God throughout his life, wherein they would share their observations on humanity and tell lots of jokes. Buñuel’s movies are evidence of these dialogues. That Obscure Object of Desire is about a little man like you and me, self-satisfied and lustful. He is in love with a woman who refuses to give herself to him physically. This 1977 movie (Buñuel’s last) is irreverent, sexual, funny, elegant, shocking, embarrassing, political, and light as a feather. The way to enjoy it is to just let it happen to you, rather than to harbor any preconceived thoughts. To try to analyze why the director uses two actresses to play the same character and the motivation behind when he chooses to use each one is to miss the movie entirely (and to be the butt of a Buñuel practical joke—that’s him laughing at you while you are engaged in this fruitless exercise). As the story unfolds, you begin to feel that these two physically opposite actresses (the drop-dead gorgeous Carole Bouquet and the sultry, exotic Angela Molina) are the same woman and represent Buñuel’s complete male fantasy. Like many of his great films, this one includes a pig, a few nuns, a dwarf, and Fernando Rey."

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