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Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
9
7.8 (24 Ratings)
Movie Rating
Bela Lugosi (0 more)
I am Dracula
Dracula- such a classic film, such a excellent film. It is so perfect, its a masterpeice. This film really started "the unviersal monsters franchise", this and "Frankenstien". Without those two films, we would have no "unverisal monsters", we would have no "monster/creature films", i mean we still would but their wouldnt be good/the same. So thanks to this film and frankenstein, we got "the universal monster franchise" and films about "monsters/creatures". Also if it wasnt for "Dracula" and "Nosferatu", we wouldnt have any movies about vampires. So once again thanks to "Dracula" and "Nosferatu" we have movies about vampires.

The plot: The dashing, mysterious Count Dracula (Bela Lugosi), after hypnotizing a British soldier, Renfield (Dwight Frye), into his mindless slave, travels to London and takes up residence in an old castle. Soon Dracula begins to wreak havoc, sucking the blood of young women and turning them into vampires. When he sets his sights on Mina (Helen Chandler), the daughter of a prominent doctor, vampire-hunter Van Helsing (Edward Van Sloan) is enlisted to put a stop to the count's never-ending bloodlust.

And of course, you cant forgot about the amazing and fantasic Bela Lugosi. When you think of Dracula, you think of him. He was so perfect as Dracula.

Like i said before this film is a masterpiece and my second favorite film of "the unverisal monster franchise".
  
Frankenstein (1931)
Frankenstein (1931)
1931 | Horror
Look! It’s moving. It’s alive. It’s alive!
Frankenstien- a classic unversial monster horror movie with Boris Karloff as the monster. Him, Bela, Claude and Lon are the classic monsters. Than came Vincent, Christopher and Peter. Than came Robert, Kane, Tony and Tobin. Over the decedes people played monsters, but it started with the oringal monsters.

The plot: This iconic horror film follows the obsessed scientist Dr. Henry Frankenstein (Colin Clive) as he attempts to create life by assembling a creature from body parts of the deceased. Aided by his loyal misshapen assistant, Fritz (Dwight Frye), Frankenstein succeeds in animating his monster (Boris Karloff), but, confused and traumatized, it escapes into the countryside and begins to wreak havoc. Frankenstein searches for the elusive being, and eventually must confront his tormented creation.

 It Was named the 87th greatest movie of all time on 100 Years... 100 Movies. The line "It's alive! It's alive!" was ranked as the 49th greatest movie quote in American cinema. The film was on the ballot for several of AFI's 100 series lists, including AFI's 10 Top 10 for the sci-fi category, 100 Years... 100 Movies (10th Anniversary Edition), and twice on 100 Years... 100 Heroes and Villains for both Henry Frankenstein and the Monster in the villains category.

The film was ranked number 56 on AFI's 100 Years... 100 Thrills, a list of America's most heart-pounding movies. It was also ranked number 27 on Bravo's 100 Scariest Movie Moments. Additionally, the Chicago Film Critics Association named it the 14th scariest film ever made.

Its a classic excellent phenomenal monster horrror movie.
  
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Rob Zombie recommended Dracula (1958) in Movies (curated)

 
Dracula (1958)
Dracula (1958)
1958 | Horror
7.8 (6 Ratings)
Movie Favorite

"""I could go on forever with the list, so I just picked five random ones, because I go through periods where I watch certain movies a lot. I don’t know why — I’ll get on a kick. I’ve been on a kick lately of watching Dracula, the 1931 version with Bela Lugosi, over and over and over and over. You know? I love everything from the ’30s. The 1930s is my absolute favorite time period for horror movies, because they were just so demented and sick. Sometimes you watch them and go, “Wow, they get away with a lot.” Then, of course, the codes came in and it ruined the party. When you watch movies from the 1940s, they seem so tame and so dry, but everything from the ’30s is just amazing. Lugosi in that film is so iconic, he doesn’t even seem like an actor giving a performance. Some of these people transcend to something else. It’s like Marilyn Monroe or something. They became something else. Sometimes people will make fun of his performance because of his accent, but he’s so… It’s so funny. I love watching him, because his performances are so unique. Sometimes there’s other people in the film — like David Manners, who’s like the lead, good-looking guy, and he’s so wooden and so 1930s-stiff acting, and Lugosi seems like Brando. You can see he’s so in it that when they yelled, “Cut!,” he didn’t cut. You can just see it. He’s so committed that his performance is funny, because it’s on such another level from anyone else in the film. Everybody in those movies back then, you watch them and it’s just — it’s that feeling like, “Eh, you know, even though they’re supposed to be boyfriend/girlfriend, husband/wife, they don’t [seem] like they’re having sex or something.” Lugosi seems like he wants to f— everything in the movie constantly. He just has that vibe. Really weird, man. You know? He does, essentially, I guess. Yeah, he does. He’s just not tame. I don’t know, maybe because he was Hungarian or whatever, he just has a different way of approaching, but he does not have that “uptight American actor from the ’30s” vibe at all. He just steals every moment. Not just him; Dwight Frye as Renfield is amazing. It’s funny — actors seem like they don’t want to do these types of movies, but as soon as you play a villain in something that’s like a horror movie, that’s what you’re going to be remembered for. Even if Anthony Hopkins won an Oscar for whatever — Remains of the Day or Howard’s End or I can’t even remember what it was — he’s Hannibal Lecter. Doesn’t matter if Jack Nicholson won an Oscar for Cuckoo’s Nest or whatever; he’s Jack Torrance. It’s so funny, these roles are just so — they stick."""

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