Search
Search results

BankofMarquis (1832 KP) rated It: Chapter Two (2019) in Movies
Sep 7, 2019
Hader steals the film
The "secret sauce" of the first chapter of IT (based on the horror novel by Stephen King) was NOT the gore or scares that were thrown at the audience, it was the characters and the performances that made that first film work. The young members of the "Loser's Club" - and especially the young actors populating these characters - created people that you wanted to root and cheer for throughout their ordeal with Pennywise the Clown and the bullies of Derry.
So...it should have been a "no-brainer" for Director Andy Muschietti and the filmmakers to repeat that pattern - it worked very, very well. But, somewhere along the way they forgot what made the first film good and Muschietti and new screenwriter Gary Dauberman decided to focus on the horror, gore and frights and let their talented group of adult actors inhabit the characters with little (maybe no) help from the screenplay.
And...the result is a "fine" film that wraps up the first film just "fine", but ultimately falls short of that first film and definitely falls short of what "could have been".
IT: CHAPTER TWO picks up 27 years later when Pennywise the Dancing Clown comes back (per his cycle) to terrorize the children of Derry once again. The Loser's Club from the first film band back together (per their pact at the end of the first film) to battle - and finally destroy - this dark threat.
The filmmakers pull a strong group of actors together to play the adult versions of the Loser's Club - headlined by Jessica Chastain (ZERO DARK THIRTY) as the adult Beverly Marsh and James McAvoy (Professor X in the recent run of X-MEN films) as the adult Bill Denborough. I find McAvoy to be (for the most part) a solid, if unspectacular, actor and he is true to from here. Solid, but unspectacular in a role that was written that way. Chastain, perhaps, is the biggest disappointment for me in this film as the young Beverly Marsh (as portrayed by Sophia Lillis) was the highlight of the first film but here this character is...bland and somewhat boring. I don't fault Chastain (an actress that I usually enjoy very, very much), I blame the screenplay which saddles these two characters with an underwritten "love triangle" with the adult Ben Hascombe (Jay Ryan - somewhat of a newcomer, who has smoldering good looks, but not much else going for him). It was rumored that Chris Pratt was circling this character (I would imagine he walked away when he saw the screenplay). That's too bad, for he might have brought some life to all 3 of these characters.
Faring better is the usually reliable Isiah Mustafa (TV's SHADOWHUNTERS) as the adult Mike Hanlon, the only one of the Loser's Club who stayed in Derry to keep a vigilant watch against Pennywise' return. He has a haunted air about him - certainly in keeping with the the past that only he remembers. And Andy Bean (SWAMP THING) has a nice couple of moments as the adult Stanley Uris.
The only truly interesting dynamic of the returning Loser's Club is the characters and love/hate relationship between the older Eddie Kaspbrak, the hypochondriac (played by James Ransome, TV's THE WIRE) and smart-mouth Richie Tolzier (inhabited by SNL vet Bill Hader). While Ransome's Eddie is quite a bit more interesting than he was as a youth (and that's no slight on Jack Dylan Grazer who played the younger Eddie, I just found Ransome's portrayal more nuanced and somewhat more interesting). But it is Hader who steals this film. His Richie is constantly using humor to cover his emotions building on the interesting characterization that Finn Wolfhard brought to the younger version and giving us more. Hader is a master comedian, so handles the comedy parts as deftly as you would think he would, but it is when the other emotions - fear, rage, love - come barreling out of him that Hader elevates this character (and the movie) to a higher level. I would be thrilled if Hader was nominated for an Oscar for this role - he is that good.
Also coming back are all of the "kids" from the first film to flesh out some scenes - and set up some other scenes/moments by the adults - they are a welcome addition and shine a spotlight at how weak - and underwritten - most of the adult characters are in this film.
Bill Skarsgard is seen quite a bit more as Pennywise - and that makes him less menacing and threatening (but still scary) and there are 2 fun cameos along the way by 2 prominent individuals, so that was fun.
There is a running gag throughout the film about author Bill Denborough (the surrogate for Stephen King) not being able to write a decent ending - a critique that King receives constantly - and they changed the ending of this film from the book. I am a big fan of the book, but would agree that the ending of the book was not that good, so was open to this trying a different way to end things...and...this new ending lands about as well as the original ending (oh well...).
But that's just a quibble, for by that time you've ridden with these characters for over 5 hours and while the first chapter is stronger than the first, the journey is good (enough) for an enjoyable (enough) time at the Cineplex.
Come for the Loser's Club and the scares - stay for Hader's Oscar worthy performance.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...it should have been a "no-brainer" for Director Andy Muschietti and the filmmakers to repeat that pattern - it worked very, very well. But, somewhere along the way they forgot what made the first film good and Muschietti and new screenwriter Gary Dauberman decided to focus on the horror, gore and frights and let their talented group of adult actors inhabit the characters with little (maybe no) help from the screenplay.
And...the result is a "fine" film that wraps up the first film just "fine", but ultimately falls short of that first film and definitely falls short of what "could have been".
IT: CHAPTER TWO picks up 27 years later when Pennywise the Dancing Clown comes back (per his cycle) to terrorize the children of Derry once again. The Loser's Club from the first film band back together (per their pact at the end of the first film) to battle - and finally destroy - this dark threat.
The filmmakers pull a strong group of actors together to play the adult versions of the Loser's Club - headlined by Jessica Chastain (ZERO DARK THIRTY) as the adult Beverly Marsh and James McAvoy (Professor X in the recent run of X-MEN films) as the adult Bill Denborough. I find McAvoy to be (for the most part) a solid, if unspectacular, actor and he is true to from here. Solid, but unspectacular in a role that was written that way. Chastain, perhaps, is the biggest disappointment for me in this film as the young Beverly Marsh (as portrayed by Sophia Lillis) was the highlight of the first film but here this character is...bland and somewhat boring. I don't fault Chastain (an actress that I usually enjoy very, very much), I blame the screenplay which saddles these two characters with an underwritten "love triangle" with the adult Ben Hascombe (Jay Ryan - somewhat of a newcomer, who has smoldering good looks, but not much else going for him). It was rumored that Chris Pratt was circling this character (I would imagine he walked away when he saw the screenplay). That's too bad, for he might have brought some life to all 3 of these characters.
Faring better is the usually reliable Isiah Mustafa (TV's SHADOWHUNTERS) as the adult Mike Hanlon, the only one of the Loser's Club who stayed in Derry to keep a vigilant watch against Pennywise' return. He has a haunted air about him - certainly in keeping with the the past that only he remembers. And Andy Bean (SWAMP THING) has a nice couple of moments as the adult Stanley Uris.
The only truly interesting dynamic of the returning Loser's Club is the characters and love/hate relationship between the older Eddie Kaspbrak, the hypochondriac (played by James Ransome, TV's THE WIRE) and smart-mouth Richie Tolzier (inhabited by SNL vet Bill Hader). While Ransome's Eddie is quite a bit more interesting than he was as a youth (and that's no slight on Jack Dylan Grazer who played the younger Eddie, I just found Ransome's portrayal more nuanced and somewhat more interesting). But it is Hader who steals this film. His Richie is constantly using humor to cover his emotions building on the interesting characterization that Finn Wolfhard brought to the younger version and giving us more. Hader is a master comedian, so handles the comedy parts as deftly as you would think he would, but it is when the other emotions - fear, rage, love - come barreling out of him that Hader elevates this character (and the movie) to a higher level. I would be thrilled if Hader was nominated for an Oscar for this role - he is that good.
Also coming back are all of the "kids" from the first film to flesh out some scenes - and set up some other scenes/moments by the adults - they are a welcome addition and shine a spotlight at how weak - and underwritten - most of the adult characters are in this film.
Bill Skarsgard is seen quite a bit more as Pennywise - and that makes him less menacing and threatening (but still scary) and there are 2 fun cameos along the way by 2 prominent individuals, so that was fun.
There is a running gag throughout the film about author Bill Denborough (the surrogate for Stephen King) not being able to write a decent ending - a critique that King receives constantly - and they changed the ending of this film from the book. I am a big fan of the book, but would agree that the ending of the book was not that good, so was open to this trying a different way to end things...and...this new ending lands about as well as the original ending (oh well...).
But that's just a quibble, for by that time you've ridden with these characters for over 5 hours and while the first chapter is stronger than the first, the journey is good (enough) for an enjoyable (enough) time at the Cineplex.
Come for the Loser's Club and the scares - stay for Hader's Oscar worthy performance.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)

Scott Tostik (389 KP) rated It (2017) in Movies
Sep 28, 2017
Bill Skarsgard (2 more)
Awesome cast of kids
The first ten minutes was amazing
Was amazed and deeply disturbed by this movie
I went into this movie thinking it couldn't possibly top the 90's version, and in some ways i was correct.
First and foremost the first ten minutes of the movie had me on the edge of my seat... From the second Georgie meets our favorite clown from down under the streets you just know something is going to happen... something more than what happened in the previous version of the film. And boy did this deliver in a gruesome and disturbing fashion.
This movie had me waiting in anticipation for every appearance of Pennywise, played masterfully by Bill Skarsgard. He brought the dread and fear to the part and Tim Curry must be proud of his adaptation of a character that he defined in the earlier film as an iconic horror villian. Skarsgard, while bringing his own terrorizing portrayal to the movie, plays the part with the same gusto as Curry did. Making the viewer shudder with his every appearance on screen.
The children almost steal the show from Skarsgard, especially Finn Wolfhard, who's reimaging of Richie is spot on to what I thought he should have been in the old film. Wolfhard was hilarious in his delivery of the "your mom" jokes with Eddie, played by the extremely talented Jack Grazer, and he was also completely believable in his fear. All of these kids were amazing in their respective roles. And I can not wait to see who they will have play them in Chapter 2.
So if your looking for a good time film that will have you amazed as well as revolted, look no further than this movie.
IT was exactly what i was looking for in a date movie.
It scared me, tickled my funny bone, and had me waiting for more.
First and foremost the first ten minutes of the movie had me on the edge of my seat... From the second Georgie meets our favorite clown from down under the streets you just know something is going to happen... something more than what happened in the previous version of the film. And boy did this deliver in a gruesome and disturbing fashion.
This movie had me waiting in anticipation for every appearance of Pennywise, played masterfully by Bill Skarsgard. He brought the dread and fear to the part and Tim Curry must be proud of his adaptation of a character that he defined in the earlier film as an iconic horror villian. Skarsgard, while bringing his own terrorizing portrayal to the movie, plays the part with the same gusto as Curry did. Making the viewer shudder with his every appearance on screen.
The children almost steal the show from Skarsgard, especially Finn Wolfhard, who's reimaging of Richie is spot on to what I thought he should have been in the old film. Wolfhard was hilarious in his delivery of the "your mom" jokes with Eddie, played by the extremely talented Jack Grazer, and he was also completely believable in his fear. All of these kids were amazing in their respective roles. And I can not wait to see who they will have play them in Chapter 2.
So if your looking for a good time film that will have you amazed as well as revolted, look no further than this movie.
IT was exactly what i was looking for in a date movie.
It scared me, tickled my funny bone, and had me waiting for more.
Before I started this book, I had never read any of the other books in this series. What grabbed me was the blurb and a lot of recommendations from my friends.
Eddie Flynn is a defence lawyer, good at what he does, he has made a name for himself, whilst annoying the NYPD. When Robert Solomon gets arrested for murder, Flynn gets an invite to be on the defence team. With all the evidence stacked up against Robert, Flynn knows he has a fight in court. But the further Flynn investigates, he quickly comes to realise that it is not a simple case of murder.
From the start, you know that Joshua Kane was a master of his work. Everything he did was planned to the finest detail. He was one of the cleverest serial killers I have read about and I did have an admiration for him.
The story swaps between Flynn and Kane’s story, there is no confusion as Kane is in 3rd POV. This helped the story flow and you learn about the characters in detail. This story is fast paced and the tension builds throughout. I do not read many courtroom dramas but I found this intriguing, even down to the jury selection and after I found out what they have to go through to get selected, I admired Joshua more.
When I am reading thrillers I like to guess where the story was going, but with this story, I was wrong in every case. The story was well plotted and there was a lot of detail to the story. Even if you have not read the others in the series, you do not miss out on any of the stories as this can be read as a stand-alone and for me a good introduction to this author’s work. An intriguing plot and a must for thriller lovers and you will get to find out why thirteen as there are only twelve on the jury.
Eddie Flynn is a defence lawyer, good at what he does, he has made a name for himself, whilst annoying the NYPD. When Robert Solomon gets arrested for murder, Flynn gets an invite to be on the defence team. With all the evidence stacked up against Robert, Flynn knows he has a fight in court. But the further Flynn investigates, he quickly comes to realise that it is not a simple case of murder.
From the start, you know that Joshua Kane was a master of his work. Everything he did was planned to the finest detail. He was one of the cleverest serial killers I have read about and I did have an admiration for him.
The story swaps between Flynn and Kane’s story, there is no confusion as Kane is in 3rd POV. This helped the story flow and you learn about the characters in detail. This story is fast paced and the tension builds throughout. I do not read many courtroom dramas but I found this intriguing, even down to the jury selection and after I found out what they have to go through to get selected, I admired Joshua more.
When I am reading thrillers I like to guess where the story was going, but with this story, I was wrong in every case. The story was well plotted and there was a lot of detail to the story. Even if you have not read the others in the series, you do not miss out on any of the stories as this can be read as a stand-alone and for me a good introduction to this author’s work. An intriguing plot and a must for thriller lovers and you will get to find out why thirteen as there are only twelve on the jury.

Vicki Gooderson (18 KP) rated The Wastelands - Dark Tower III in Books
Jul 10, 2018
A good entry in the series
Contains spoilers, click to show
I’ll start with an admission - I love these books so much I have a dark tower tattoo. The Wastelands was the first book in the series I read. I found the book in the library at school and took it home with me. Anyway I’m just rereading the series and thought I’d post some thoughts.
So, the book itself. Roland, Susannah & Eddie have started their quest towards the tower in MidWorld but Roland, their dinh (leader) is slowly going insane due to the paradox he created by saving Jake in New York (see book 2 The Drawing of the Three).
Safe to say during the book perils are faced, sanity is restored, Jake joins the quest and there’s a deadly train.
Ok so what I like - the plot moves along nice and swiftly. I never got bored reading this. Stephen King has occasions where I loathe his style (Gerald’s Game as an example) but this moves along quickly and flows really well. I like the characters, they’re all fully formed people and not just plot devices. They take actions because of who they are not just because the plot needs them to. The world King has created is absorbing, interesting and I always wanted to know more.
The bad - that cliffhanger. Blaine is a pain. I read this a few years before Wizard and Glass came out and I was raging about the cliffhanger. There’s zero resolution. It’s not so bad now you can move straight on but at the time I was really annoyed. Also, I’m not a big fan of the illustrations just because they don’t match the pictures in my head. Have to admit I’m never a fan of illustrations though, I think imagination is much more powerful.
Anyway, I do recommend it. I love these books. It’s maybe not the best jumping on point (though it got me when I first found it) but it is an excellent book.
So, the book itself. Roland, Susannah & Eddie have started their quest towards the tower in MidWorld but Roland, their dinh (leader) is slowly going insane due to the paradox he created by saving Jake in New York (see book 2 The Drawing of the Three).
Safe to say during the book perils are faced, sanity is restored, Jake joins the quest and there’s a deadly train.
Ok so what I like - the plot moves along nice and swiftly. I never got bored reading this. Stephen King has occasions where I loathe his style (Gerald’s Game as an example) but this moves along quickly and flows really well. I like the characters, they’re all fully formed people and not just plot devices. They take actions because of who they are not just because the plot needs them to. The world King has created is absorbing, interesting and I always wanted to know more.
The bad - that cliffhanger. Blaine is a pain. I read this a few years before Wizard and Glass came out and I was raging about the cliffhanger. There’s zero resolution. It’s not so bad now you can move straight on but at the time I was really annoyed. Also, I’m not a big fan of the illustrations just because they don’t match the pictures in my head. Have to admit I’m never a fan of illustrations though, I think imagination is much more powerful.
Anyway, I do recommend it. I love these books. It’s maybe not the best jumping on point (though it got me when I first found it) but it is an excellent book.

Gareth von Kallenbach (980 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Jun 19, 2019
Newt Scamander (Eddie Redmayne), is back in the second installment of the
Fantastic Beasts series. The film opens with Grinderlwald (Johnny Depp),
conducting an elaborate escape from custody which in turn starts off a
search to find him and bring him to justice.
After a few months of fruitless searching; the Ministry of Magic offers
Newt a chance to have his travel ban lifted if he will locate and
eliminate Grindelwald. Newt refuses especially since he would have to
join his brother’s division as an Orator and instead opts to travel to
Paris to help Jacob and Queeenie find Tina. Newt still has strong
feelings for Tina and is eager to resolve a misunderstanding which has
arisen.
At the same time, Grindelwald as well as forces from the Ministry are
eagerly trying to find Credence (Ezra Miller), who has become obsessed
with finding his mother.
To say there is a lot going on would be an understatement as I have not
even touched upon Dumbledore (Jude Law) and his conflicts with the
Ministry over his unwillingness to fight Grindlelwald and you can get a
sense of just how busy and at times convoluted the plot can be.
There are plenty of nice visuals and the cast works well with one another
but the film has a darker tone than the previous one and there are aspects
of the film which will appeal to the hardcore fans but will be lost by
newer or more casual fans.
The entire films plays more as a setup to the next chapter in the series
so aside from a few moments, there is little real resolution as most of
the film is simply setting up what is to be the focus of the remaining
films.
While it does entertain; it does seem to be better suited to the hardcore
versus the casual fan who might need more than the magical splendor it
offers.
http://sknr.net/2018/11/15/fantastic-beasts-the-crimes-of-grindlewald/
Fantastic Beasts series. The film opens with Grinderlwald (Johnny Depp),
conducting an elaborate escape from custody which in turn starts off a
search to find him and bring him to justice.
After a few months of fruitless searching; the Ministry of Magic offers
Newt a chance to have his travel ban lifted if he will locate and
eliminate Grindelwald. Newt refuses especially since he would have to
join his brother’s division as an Orator and instead opts to travel to
Paris to help Jacob and Queeenie find Tina. Newt still has strong
feelings for Tina and is eager to resolve a misunderstanding which has
arisen.
At the same time, Grindelwald as well as forces from the Ministry are
eagerly trying to find Credence (Ezra Miller), who has become obsessed
with finding his mother.
To say there is a lot going on would be an understatement as I have not
even touched upon Dumbledore (Jude Law) and his conflicts with the
Ministry over his unwillingness to fight Grindlelwald and you can get a
sense of just how busy and at times convoluted the plot can be.
There are plenty of nice visuals and the cast works well with one another
but the film has a darker tone than the previous one and there are aspects
of the film which will appeal to the hardcore fans but will be lost by
newer or more casual fans.
The entire films plays more as a setup to the next chapter in the series
so aside from a few moments, there is little real resolution as most of
the film is simply setting up what is to be the focus of the remaining
films.
While it does entertain; it does seem to be better suited to the hardcore
versus the casual fan who might need more than the magical splendor it
offers.
http://sknr.net/2018/11/15/fantastic-beasts-the-crimes-of-grindlewald/

The Stone Killer (1973)
Movie Watch
A new breed of anti-hero appeared in 1970s cinema. Obsession, violence and instability characterized...

Gene Simmons recommended Electric Ladyland by Jimi Hendrix / Jimi Experience Hendrix in Music (curated)

Johnny Marr recommended Slider by T Rex in Music (curated)

Begin Again
Book
James Baldwin grew disillusioned by the failure of the Civil Rights movement to force America to...

Gareth von Kallenbach (980 KP) rated Spider-Man 3 (2007) in Movies
Aug 14, 2019
The most anticipated film of the summer, Spider-Man 3 has arrived to the delight of moviegoers the world over. It has been roughly a little more than a year since Spider-Man (Tobey Maguire), defeated Dr. Octopus and saved the city from certain doom.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.