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Samuel Byrne (31 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Apr 23, 2017
Mary Elizabeth Winstead wih with Blue hair! Really what more could you ask for in a female supporting actress (8 more)
Michael Cera in a role that suited him perfectly
Gideon Graves was a fantastic villain
The soundtrack was exceptional. A real highlight of the film.
The Gaming references were spot on
On-screen graphics made the film feel like an Augmented reality experience
Special effects were very good
Edgar Wright as director is always a positive
Overall, the casting was fantastic, with some big names showing up
The film unfortunately left out a number of 'Vital' scenes from the source material (1 more)
Some of the humour just didn't work as intended
Michael Cera CAN ACT!
Andy K (10821 KP) rated Baby Driver (2017) in Movies
Jan 21, 2018
When I first began watching this, I was not convinced it was going to be good.
I have to say, the fast pace, stylized action/music score scenes and the witty screenplay had enough to win me over. Very entertaining throughout other than maybe the ending was a little far-fetched I guess.
If Kevin Spacey is never going to act again (seems almost certain at this point) this film is a fitting swan song for him and his memorable list of acting credits.
Director Edgar Wright continues his streak of entertaining quirky hits like his previous films Shaun of the Dead and Scott Pilgrim vs. the World.
Going to iTunes now to download some songs!
I have to say, the fast pace, stylized action/music score scenes and the witty screenplay had enough to win me over. Very entertaining throughout other than maybe the ending was a little far-fetched I guess.
If Kevin Spacey is never going to act again (seems almost certain at this point) this film is a fitting swan song for him and his memorable list of acting credits.
Director Edgar Wright continues his streak of entertaining quirky hits like his previous films Shaun of the Dead and Scott Pilgrim vs. the World.
Going to iTunes now to download some songs!
Awix (3310 KP) rated Baby Driver (2017) in Movies
Feb 12, 2018
Criminal Records
Edgar Wright's high-energy jukebox thriller may be your last chance to see Kevin Spacey in a new movie. Brilliant young music-loving hearing-impaired getaway driver ends up in hock to criminal mastermind; must decide whether to run for it with his lovely new girlfriend or carry out one last job with some rather suspect associates.
Slightly retro crime thriller with a central gimmick - action sequences are frequently choreographed to the soundtrack - that isn't quite as innovative as it thinks it is. As technically proficient as you would expect from Wright; what's unusual is that the film has a degree of heart you wouldn't expect, not to mention an impressively twisty-turny plotline - just who the main bad guy will turn out to be is not at all clear until quite late on. Good performances all round, too.
Slightly retro crime thriller with a central gimmick - action sequences are frequently choreographed to the soundtrack - that isn't quite as innovative as it thinks it is. As technically proficient as you would expect from Wright; what's unusual is that the film has a degree of heart you wouldn't expect, not to mention an impressively twisty-turny plotline - just who the main bad guy will turn out to be is not at all clear until quite late on. Good performances all round, too.
Bob Mann (459 KP) rated Last Night in Soho (2021) in Movies
Nov 11, 2021
Edgar Wright’s Haunting Love Letter to the Swinging Sixties.
A young 21st-century teen walks in her nightclothes down a darkened alley emerging into a bustling 60’s Soho street across from a theatre showing “Thunderball”. She enters the Cafe de Paris with a reflection mimicking her actions but showing a very different girl. So it was that the trailer for Edgar Wright’s “Last Night in Soho” hit earlier this year.
The trailer grabbed me by the gut and firmly cemented it as a “must see” in my movie-watching schedule. Frustratingly, Covid got in my way. But now free of the wretched virus, this had just HAD be my first outing.
Plot Summary:
Eloise (Thomasin McKenzie) is a Cornish teen whose fashion and music tastes are firmly rooted in the ’60s. She is also blessed (or plagued) with having visions of people who’ve passed, including her dead mother.
Travelling to a London fashion school, Eloise is a lost soul in a raucous world. But at night, she is mystically transported back to the swinging 60’s into the body of aspiring singer Sandie (Anya Taylor-Joy). Sandie is under the thrall of ‘manager’ Jack (Matt Smith), and Eloise witnesses events that she needs to tell people about. But who would possibly believe such a tale?
Certification:
US: R. UK: 18.
Talent:
Starring: Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, Diana Rigg.
Directed by: Edgar Wright.
Written by: Krysty Wilson-Cairns (based on a story by Edgar Wright).
“Last Night in Soho” Review: Positives:
This is SUCH a tour de force of filmmaking. Honestly, there were moments in here, particularly in the first half of the movie, where I was beaming from ear to ear at the audacity of it all. That ‘time travel’ reveal is even better in ‘the flesh’ than it was in the trailer, enhanced by the vibrant cinematography of Chung-hoon Chung.
Thomasin McKensie again impressed me immensely. She was of course the ‘girl in the attic’ from “Jojo Rabbit” and the best thing in the lacklustre M. Night Shyamalan feature “Old“. Anya Taylor-Joy is as spectacular as you would expect and Matt Smith also delivers, although I wasn’t completely convinced by Smith’s cockney accent. And what a wonderful thing to watch veteran actors Terence Stamp and Diana RIgg strut their stuff on the big screen. (This was Rigg’s final screen performance, and the film is dedicated to her: “For Diana”. RIP Ms Rigg.)
The combination of ‘in camera’ and special effects here are gob-smackingly effective. Some of the ‘mirror’ effects involving Eloise, Sandie and Jack in the club are gleeful. And I’m not sure how they were all done. And a dance sequence where Eloise switches to Sandie and back again is just so clever.
The Production Design is just brilliant. It oozes a combination of 60’s style and sleaze. Surely an Oscar nomination is due here.
As with other Edgar Wright movies (like “Baby Driver“) the choice of music is superb. The score is by Oscar winning composer Steven Price, but you can be sure that Wright was heavily involved in the track selections. These prominently feature a Cilla Black track – heralded by 15 string beats of total perfection – that is in my top 5 songs from the 60’s. And Anya Taylor-Joy’s haunting version of “Downtown” is just superb.
Acting Royalty…. Diana Rigg in her last role, and….
Negatives:
The second half of the film just doesn’t *quite* live up to the promise of the first half (which was running as a clear 5*s).
While the inevitable twist in the tale is clever (and unexpected), I thought it was rather clumsily introduced. (I can’t go into details without introducing spoilers, but an envelope is involved). Something more subliminal would have been my preference; something that you would have had to watch the film again to catch.
A stunning starring role for Thomasin McKenzie. Just wonderful.
Summary Thoughts on “Last Night in Soho”
I loved this one. It lived up to my expectations, and came close to “classic status”. I need to give this careful consideration as to where this sits in my “Top 10 Films of the Year”, but it is undoubtedly up there in the list.
Highly recommended, if you are content to stomach some violent (and quite disturbing) horror imagery.
The trailer grabbed me by the gut and firmly cemented it as a “must see” in my movie-watching schedule. Frustratingly, Covid got in my way. But now free of the wretched virus, this had just HAD be my first outing.
Plot Summary:
Eloise (Thomasin McKenzie) is a Cornish teen whose fashion and music tastes are firmly rooted in the ’60s. She is also blessed (or plagued) with having visions of people who’ve passed, including her dead mother.
Travelling to a London fashion school, Eloise is a lost soul in a raucous world. But at night, she is mystically transported back to the swinging 60’s into the body of aspiring singer Sandie (Anya Taylor-Joy). Sandie is under the thrall of ‘manager’ Jack (Matt Smith), and Eloise witnesses events that she needs to tell people about. But who would possibly believe such a tale?
Certification:
US: R. UK: 18.
Talent:
Starring: Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, Diana Rigg.
Directed by: Edgar Wright.
Written by: Krysty Wilson-Cairns (based on a story by Edgar Wright).
“Last Night in Soho” Review: Positives:
This is SUCH a tour de force of filmmaking. Honestly, there were moments in here, particularly in the first half of the movie, where I was beaming from ear to ear at the audacity of it all. That ‘time travel’ reveal is even better in ‘the flesh’ than it was in the trailer, enhanced by the vibrant cinematography of Chung-hoon Chung.
Thomasin McKensie again impressed me immensely. She was of course the ‘girl in the attic’ from “Jojo Rabbit” and the best thing in the lacklustre M. Night Shyamalan feature “Old“. Anya Taylor-Joy is as spectacular as you would expect and Matt Smith also delivers, although I wasn’t completely convinced by Smith’s cockney accent. And what a wonderful thing to watch veteran actors Terence Stamp and Diana RIgg strut their stuff on the big screen. (This was Rigg’s final screen performance, and the film is dedicated to her: “For Diana”. RIP Ms Rigg.)
The combination of ‘in camera’ and special effects here are gob-smackingly effective. Some of the ‘mirror’ effects involving Eloise, Sandie and Jack in the club are gleeful. And I’m not sure how they were all done. And a dance sequence where Eloise switches to Sandie and back again is just so clever.
The Production Design is just brilliant. It oozes a combination of 60’s style and sleaze. Surely an Oscar nomination is due here.
As with other Edgar Wright movies (like “Baby Driver“) the choice of music is superb. The score is by Oscar winning composer Steven Price, but you can be sure that Wright was heavily involved in the track selections. These prominently feature a Cilla Black track – heralded by 15 string beats of total perfection – that is in my top 5 songs from the 60’s. And Anya Taylor-Joy’s haunting version of “Downtown” is just superb.
Acting Royalty…. Diana Rigg in her last role, and….
Negatives:
The second half of the film just doesn’t *quite* live up to the promise of the first half (which was running as a clear 5*s).
While the inevitable twist in the tale is clever (and unexpected), I thought it was rather clumsily introduced. (I can’t go into details without introducing spoilers, but an envelope is involved). Something more subliminal would have been my preference; something that you would have had to watch the film again to catch.
A stunning starring role for Thomasin McKenzie. Just wonderful.
Summary Thoughts on “Last Night in Soho”
I loved this one. It lived up to my expectations, and came close to “classic status”. I need to give this careful consideration as to where this sits in my “Top 10 Films of the Year”, but it is undoubtedly up there in the list.
Highly recommended, if you are content to stomach some violent (and quite disturbing) horror imagery.
Simon Pegg recommended Raising Arizona (1987) in Movies (curated)
Awix (3310 KP) rated American Ultra (2015) in Movies
Sep 3, 2020 (Updated Sep 3, 2020)
Competent but slightly underwhelming action comedy feels like one of those films which invites an 'it's .... meets ....' kind of description. My attempt would be that it's Clerks colliding with the Bourne Identity, as useless stoner Jesse Eisenberg discovers he is actually a brainwashed CIA assassin in line for termination by his employers. What will his girlfriend Kristen Stewart (yes, he's probably punching above his weight a bit) say?
The basic idea is sort of funny, but for this to work as a comedy it would need considerably better jokes, and while the action is competently staged (gory, though) it's not done with the style or scope to make the film distinctive. Not actually bad - reasonable performances and the script has a solid structure - but not accomplished or entertaining enough to really stand out. As it is, feels like an Edgar Wright pastiche, if there's such a thing, but very pedestrian.
The basic idea is sort of funny, but for this to work as a comedy it would need considerably better jokes, and while the action is competently staged (gory, though) it's not done with the style or scope to make the film distinctive. Not actually bad - reasonable performances and the script has a solid structure - but not accomplished or entertaining enough to really stand out. As it is, feels like an Edgar Wright pastiche, if there's such a thing, but very pedestrian.
Awix (3310 KP) rated Ant-Man (2015) in Movies
Jun 9, 2018 (Updated Jun 9, 2018)
Long-in-the-works Marvel movie gets around lack of big names and (if we're totally honest) significance to the ongoing MCU meta-plot through sheer good humour, inventiveness, and charm. Loveable rogue gets recruited by curmudgeonly ex-superhero to take on his mantle as very tiny special operative Ant-Man. Possibly most famous for the fact that original writer-director Edgar Wright was fired from the movie, allegedly for refusing to stick with the Marvel house style - his influence over the movie is still very noticeable to the discerning, though.
Absolute originality probably isn't the movie's strong point (it is sort of vaguely reminiscent of various other movies in the series), but the caper-heist plot structure is at least a little bit different, as is the 'people get really tiny' schtick. Also, compared to the movies on either side of this one it's a relief to see something not in danger of buckling under its own weight. Doesn't take itself too seriously; piles of fun.
Absolute originality probably isn't the movie's strong point (it is sort of vaguely reminiscent of various other movies in the series), but the caper-heist plot structure is at least a little bit different, as is the 'people get really tiny' schtick. Also, compared to the movies on either side of this one it's a relief to see something not in danger of buckling under its own weight. Doesn't take itself too seriously; piles of fun.
LeftSideCut (3778 KP) rated Hot Fuzz (2007) in Movies
Aug 3, 2019
An instant classic
Hot Fuzz is a glorious film, plain and simple.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
Blazing Minds (92 KP) rated Baby Driver (2017) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Baby Driver tells the story of a “Baby“, after being coerced into working for a crime boss, the young getaway driver finds himself taking part in a heist doomed to fail.
From Edgar Wright, the director of Hot Fuzz, comes a movie that has mixed an all-out action movie with breathtaking car chases, humour and one hell of a soundtrack that is beautifully edited into the scenes of the movie to create something that is not only a pleasure to watch but also has your heart thumping and your toes tapping.
Right from the very start of Baby Driver the film lifts you up, as Baby and the crew stop to do a heist, Baby stays in the car ready for the getaway, he selects Bellbottoms by The John Spencer Blues Experience and sings along and drops some moves in the car, with a great track to start the film with and Baby (Ansel Elgort) showing that this movie is going to rock, how could we not look forward to more.
From Edgar Wright, the director of Hot Fuzz, comes a movie that has mixed an all-out action movie with breathtaking car chases, humour and one hell of a soundtrack that is beautifully edited into the scenes of the movie to create something that is not only a pleasure to watch but also has your heart thumping and your toes tapping.
Right from the very start of Baby Driver the film lifts you up, as Baby and the crew stop to do a heist, Baby stays in the car ready for the getaway, he selects Bellbottoms by The John Spencer Blues Experience and sings along and drops some moves in the car, with a great track to start the film with and Baby (Ansel Elgort) showing that this movie is going to rock, how could we not look forward to more.