Search
Search results
Gareth von Kallenbach (965 KP) rated Gemini Man (2019) in Movies
Oct 13, 2019
In the world of Covert Ops; Henry Brogan (Will Smith) is the go to man. He is a highly-skilled assassin who answers the call when he is asked to dispatch dangerous individuals that threaten the peace and stability of the world.
Henry is so skilled that he takes on impossible tasks and completes them as if they were routine as he was recruited from the Military as he stood out as a unique and talented soldier.
When a successful mission does not go as precise as he would have liked; Henry decides to retire much to the chagrin of his supervisor who wishes him well despite being upset over losing such a highly-valued asset.
Henry meets with an old friend from the military who has done very well for himself financially since his service days. He tells Henry that his last target was not a dangerous threat to the population but rather a respected genetics worker. Henry has some misgiving but realizes there may be some truth to what is being told to him and agrees to meet with a contact of the departed scientist in Hungary.
Henry’s meeting does not go unnoticed as he soon has teams of soldiers attacking him and he is forced to flee with his undercover surveillance Danny (Mary Elizabeth Winstead) as they are pursued by deadly agents at every turn.
As the pair make their way to Columbia to try to plan their next move; an elite assassin makes a move on Henry and it takes all of his skills to barely survive and encounter which leaves them scrambling for answers. As suspicions mount, Henry and his team look for answers and what the eventually discover rocks the core of their very foundation.
Henry soon finds himself facing his most dangerous enemy yet as his past has come back to haunt him and there may be no escaping the threat it poses.
The film is directed by Ang Lee and while fairly linear in plot and character development and progression; the movie does offer a fresh take on some Science Fiction staples and does raise some interesting questions in the process.
The action sequences are solid and allow for the film at moments to break into a frantic pace before throttling back. The cast is solid and Will Smith continues his impressive comeback and it was nice to see him playing a more hardened and world-weary individual despite the occasional lapses into his normal screen persona.
In the end “Gemini Man” offers some flawed but entertaining escapist entertainment that delivers all the best of what fans have come to expect from Will Smith and more.
3.5 stars out of 5
http://sknr.net/2019/10/11/gemini-man-2/
Henry is so skilled that he takes on impossible tasks and completes them as if they were routine as he was recruited from the Military as he stood out as a unique and talented soldier.
When a successful mission does not go as precise as he would have liked; Henry decides to retire much to the chagrin of his supervisor who wishes him well despite being upset over losing such a highly-valued asset.
Henry meets with an old friend from the military who has done very well for himself financially since his service days. He tells Henry that his last target was not a dangerous threat to the population but rather a respected genetics worker. Henry has some misgiving but realizes there may be some truth to what is being told to him and agrees to meet with a contact of the departed scientist in Hungary.
Henry’s meeting does not go unnoticed as he soon has teams of soldiers attacking him and he is forced to flee with his undercover surveillance Danny (Mary Elizabeth Winstead) as they are pursued by deadly agents at every turn.
As the pair make their way to Columbia to try to plan their next move; an elite assassin makes a move on Henry and it takes all of his skills to barely survive and encounter which leaves them scrambling for answers. As suspicions mount, Henry and his team look for answers and what the eventually discover rocks the core of their very foundation.
Henry soon finds himself facing his most dangerous enemy yet as his past has come back to haunt him and there may be no escaping the threat it poses.
The film is directed by Ang Lee and while fairly linear in plot and character development and progression; the movie does offer a fresh take on some Science Fiction staples and does raise some interesting questions in the process.
The action sequences are solid and allow for the film at moments to break into a frantic pace before throttling back. The cast is solid and Will Smith continues his impressive comeback and it was nice to see him playing a more hardened and world-weary individual despite the occasional lapses into his normal screen persona.
In the end “Gemini Man” offers some flawed but entertaining escapist entertainment that delivers all the best of what fans have come to expect from Will Smith and more.
3.5 stars out of 5
http://sknr.net/2019/10/11/gemini-man-2/
Sarah (7798 KP) rated Tenet (2020) in Movies
Aug 28, 2020 (Updated Aug 28, 2020)
Confusingly brilliant
When it comes to Christopher Nolan, I may be a little biased. I’ve loved every film he’s ever made, and most of his films feature in my list of favourite films of all time. So unsurprisingly, I loved Tenet even if it did completely mess up my head.
This film is a complete mind f**k. Excuse the language, but there’s no better way to describe it. Right from the opening scene, you can appreciate the sheer brilliance of this whilst being totally confused at the same time. And I’ll admit I spent the majority of this film wondering what on earth was going on, but that doesn’t make it any less of an enjoyable thrill ride. As with all of Nolan’s films, the cinematography is top notch and you really can’t fault it. The action scenes are epic and hugely impressive, especially when you consider that they’ve been done without CGI. I wish other filmmakers would take not when it comes to their over reliance on CGI! The score and soundtrack are fantastic too, so dramatic and really help with the increasing the suspense and tension.
Cast-wise, I had been concerned about John David Washington mainly because I haven’t seen him in much, but my concerns were unwarranted. He makes for a likeable lead and action hero and can definitely hold the weight of this film. Robert Pattinson, who I’ve never really liked thanks to Twilight, is also rather good and I actually wish his character had been in this more. And I spent the last part of the film debating if Aaron Taylor-Johnson was Ives (he was) who also should’ve been in this a lot more.
Despite my gushing, this film isn’t perfect, I found Elizabeth Debicki’s character Kat rather irritating at times and felt like her character could have been made into someone better. I also felt when there were dips in the action and the film ran into some quieter moments, my mind tended to wander to try and dissect and understand everything I’d already seen so far which probably made me miss more! The science behind the inversion is pretty deep and confusing, especially if you try and overthink it like I did.
That said, how this film unfolds and it’s ending are brilliantly done. There are a lot of lightbulb moments in this towards the end that made me go “ohhh” when I realised it explained or referred to an earlier moment in the film. And the ending itself was both unpredicted, genius, and also tugged on the old heartstrings a little. I loved this film a lot, but I definitely need to watch it again to really appreciate it fully.
This film is a complete mind f**k. Excuse the language, but there’s no better way to describe it. Right from the opening scene, you can appreciate the sheer brilliance of this whilst being totally confused at the same time. And I’ll admit I spent the majority of this film wondering what on earth was going on, but that doesn’t make it any less of an enjoyable thrill ride. As with all of Nolan’s films, the cinematography is top notch and you really can’t fault it. The action scenes are epic and hugely impressive, especially when you consider that they’ve been done without CGI. I wish other filmmakers would take not when it comes to their over reliance on CGI! The score and soundtrack are fantastic too, so dramatic and really help with the increasing the suspense and tension.
Cast-wise, I had been concerned about John David Washington mainly because I haven’t seen him in much, but my concerns were unwarranted. He makes for a likeable lead and action hero and can definitely hold the weight of this film. Robert Pattinson, who I’ve never really liked thanks to Twilight, is also rather good and I actually wish his character had been in this more. And I spent the last part of the film debating if Aaron Taylor-Johnson was Ives (he was) who also should’ve been in this a lot more.
Despite my gushing, this film isn’t perfect, I found Elizabeth Debicki’s character Kat rather irritating at times and felt like her character could have been made into someone better. I also felt when there were dips in the action and the film ran into some quieter moments, my mind tended to wander to try and dissect and understand everything I’d already seen so far which probably made me miss more! The science behind the inversion is pretty deep and confusing, especially if you try and overthink it like I did.
That said, how this film unfolds and it’s ending are brilliantly done. There are a lot of lightbulb moments in this towards the end that made me go “ohhh” when I realised it explained or referred to an earlier moment in the film. And the ending itself was both unpredicted, genius, and also tugged on the old heartstrings a little. I loved this film a lot, but I definitely need to watch it again to really appreciate it fully.
Bob Mann (459 KP) rated Saint Maud (2020) in Movies
Oct 6, 2020
Morfydd Clark - astonishingly good as Maud (1 more)
Expert pacing from debut director Rose Glass
"My Little Saviour": Astonishing Saint Maud delivers psycho-religious chills
Saint Maud is the debut feature from writer/director Rose Glass, and it packs a punch. The film was first seen at last year's London Film Festival, but was due for broader nationwide release soon. What a crushing disappointment it must be for Ms Glass that so few people will likely get to see it in the current climate... at least, not for a while. Since it is an effective little chiller.
Maud (Morfydd Clark) is a palliative nurse looking after ex-choreographer Amanda (Jennifer Ehle). Maud is extremely religious and feels God move in her... regularly. Acting on His guidance, Maud sets out to save the soul of her ailing bohemian charge. But is Amanda beyond reach, and how will the zealot-like Maud react to that rejection?
Morfydd Clark appears so young in this film that you would think this was her debut film. But she's actually 30 years old and has quite an impressive filmography already. Although this is her movie-lead debut, she's had a substantial part alongside Kate Beckinsale in the excellent "Love and Friendship" and smaller parts in "Crawl", "The Personal History of David Copperfield" and the fun "Pride and Prejudice and Zombies". She's likely to get more worldwide exposure soon as a young Galadriel in Amazon's new version of "Lord of the Rings".
As Maud she is simply superb - expressing such a range of joy, hurt and despair that you must think a BAFTA Rising Star nomination should be on the cards.
Clark is ably supported in the leading role by the splendid Jennifer Ehle, still so memorable to me as Elizabeth Bennett from the BBC's "Pride and Prejudice".
Scarborough is also a star of "Saint Maud". The Yorkshire seaside town is another star of the movie. Clearly filmed before lockdown, the rainy and windswept resort looks bleak and unwelcoming. And that's before Covid! Many of those struggling bars and amusement centres, as in other resorts all around the UK, are now on their last legs.
Adam Janota Bzowski supplies the impressively claustrophobic music, which deserves recognition. A scene with Maud, flicking a lighter rhythmically in time with the sonorous beat, is a masterpiece in musical choreography and editing (by Mark Towns).
At the heart of this horror-thriller is whether, following a Dawkins-style argument, fervent religious followers are less insightfully correct and more mentally unstable and misguided. When is the voice of God just the voice in your head? And how would you tell the difference anyway? Piecing together the plot and motivations of Maud was intellectually challenging and rewarding.
I always get a little tense and nervous when I see the word "horror" on a movie bill. I am NOT a great horror fan! But for me, as a 'horror movie', "Saint Maud" is of the 'horror-lite' variety. Highly watchable, it builds more in the way of creeping dread than cheap shocks. There were only a couple of jump-scares (but for me, the one in the finale was a doozy!).
A BBC interview with Rose Glass I just saw says she relates Maud's relationship with God as like many people's relationship with social media. Always looking for support, guidance and affirmation. Interesting.
This is also an obviously female-led picture. All the men are complete tools. no, really, literally they are. It makes me feel ashamed to be among their number.
Overall, "Saint Maud" is a minor classic. I didn't go in with great expectations of this one, but I was pleasantly surprised. As a small British movie, it packs a punch significantly above its weight. When I came out I was at about a 7* rating. But this is one that really stayed with me, and I've subconsciously thought about little else all day. So for that reason I am going to escalate my rating to something more appropriate.
You might struggle now to see it on the big screen, but if you can do so, it comes with a recommendation from me. I think this one could REALLY be a "Marmite film".... so if you see it, let me know what you thought with a comment on One Mann's Movies here https://rb.gy/9k93ck . (Thanks).
Maud (Morfydd Clark) is a palliative nurse looking after ex-choreographer Amanda (Jennifer Ehle). Maud is extremely religious and feels God move in her... regularly. Acting on His guidance, Maud sets out to save the soul of her ailing bohemian charge. But is Amanda beyond reach, and how will the zealot-like Maud react to that rejection?
Morfydd Clark appears so young in this film that you would think this was her debut film. But she's actually 30 years old and has quite an impressive filmography already. Although this is her movie-lead debut, she's had a substantial part alongside Kate Beckinsale in the excellent "Love and Friendship" and smaller parts in "Crawl", "The Personal History of David Copperfield" and the fun "Pride and Prejudice and Zombies". She's likely to get more worldwide exposure soon as a young Galadriel in Amazon's new version of "Lord of the Rings".
As Maud she is simply superb - expressing such a range of joy, hurt and despair that you must think a BAFTA Rising Star nomination should be on the cards.
Clark is ably supported in the leading role by the splendid Jennifer Ehle, still so memorable to me as Elizabeth Bennett from the BBC's "Pride and Prejudice".
Scarborough is also a star of "Saint Maud". The Yorkshire seaside town is another star of the movie. Clearly filmed before lockdown, the rainy and windswept resort looks bleak and unwelcoming. And that's before Covid! Many of those struggling bars and amusement centres, as in other resorts all around the UK, are now on their last legs.
Adam Janota Bzowski supplies the impressively claustrophobic music, which deserves recognition. A scene with Maud, flicking a lighter rhythmically in time with the sonorous beat, is a masterpiece in musical choreography and editing (by Mark Towns).
At the heart of this horror-thriller is whether, following a Dawkins-style argument, fervent religious followers are less insightfully correct and more mentally unstable and misguided. When is the voice of God just the voice in your head? And how would you tell the difference anyway? Piecing together the plot and motivations of Maud was intellectually challenging and rewarding.
I always get a little tense and nervous when I see the word "horror" on a movie bill. I am NOT a great horror fan! But for me, as a 'horror movie', "Saint Maud" is of the 'horror-lite' variety. Highly watchable, it builds more in the way of creeping dread than cheap shocks. There were only a couple of jump-scares (but for me, the one in the finale was a doozy!).
A BBC interview with Rose Glass I just saw says she relates Maud's relationship with God as like many people's relationship with social media. Always looking for support, guidance and affirmation. Interesting.
This is also an obviously female-led picture. All the men are complete tools. no, really, literally they are. It makes me feel ashamed to be among their number.
Overall, "Saint Maud" is a minor classic. I didn't go in with great expectations of this one, but I was pleasantly surprised. As a small British movie, it packs a punch significantly above its weight. When I came out I was at about a 7* rating. But this is one that really stayed with me, and I've subconsciously thought about little else all day. So for that reason I am going to escalate my rating to something more appropriate.
You might struggle now to see it on the big screen, but if you can do so, it comes with a recommendation from me. I think this one could REALLY be a "Marmite film".... so if you see it, let me know what you thought with a comment on One Mann's Movies here https://rb.gy/9k93ck . (Thanks).
BankofMarquis (1832 KP) rated Wind River (2017) in Movies
Mar 14, 2018
Thoughtful, provocative murder mystery
The back 1/2 of August has traditionally been a dumping ground for bad motion pictures. One exception to this was last year when the deserved Oscar nominated film HELL OR HIGH WATER was released (if you still haven't caught up with this, I highly recommend you do). So when I saw that the writer of HHW, Taylor Sheridan, was coming out with another modern sheriff murder mystery, I was intrigued to say the least.
And, I am happy to report, that this film did not disappoint. While it is not at the level of HHW, it certainly is a thoughtful, provocative murder mystery that is a refreshing change from the normal SuperHero, GGI-fests that festoon the cineplex throughout the course of the summer months.
Written and Directed by Sheridan (the screenwriter of HHW and SICARIO), WIND RIVER tells the tale of a murder on the Wind River Indian Reservation in Wyoming. Coming in to investigate is young, city girl, Florida native, Elizabeth Olsen who teams up with aTribal Police Captain (Graham Greene) and a veteran tracker (Jeremy Renner) to find out what happened.
This could have been a by-the-book murder mystery with the naive, "fish-out-of-water" Olsen learning to love and understand the world she is thrust into, but in the hands (and pen) of Sheridan, it is much, much more. Sheridan creates a mood throughout this film, one of slow, lingering dread and hopelessness - and how he accomplishes this was intriguing to me. He uses the setting of the Indian Reservation to show the "smallness" of the people living there, juxtaposing scenes of vast, wild, cold wilderness with scenes of squalor in the settlement of Native American people living there.
The acting is solid - Olsen is turning into a very good actress and her performance sets the right tone. Greene is, as always, a steady hand on the screen with a pragmatic approach to the inhabitants of the Reservation, but it is Jeremy Renner as the quiet, taciturn tracker who has a loss of his own that parallels the murder investigation, that shines. I've always liked Renner and was high on his potential after his breakout performance in THE HURT LOCKER in 2008. While his performances in the blockbusters that followed have been solid, but not spectacular - you saw glimpses of it in films like THE TOWN - but I've felt that he never quite lived up to that potential - until now. This is a very strong performance (falling just short of Oscar material) but one that anchors this film and mirrors the mood that Sheridan sets up through the location of WIND RIVER.
Not the fastest moving of films, but a thoughtful, intelligent mystery that left me grateful for a film with some meat on the bone after a summer of "Cotton Candy" action flicks
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And, I am happy to report, that this film did not disappoint. While it is not at the level of HHW, it certainly is a thoughtful, provocative murder mystery that is a refreshing change from the normal SuperHero, GGI-fests that festoon the cineplex throughout the course of the summer months.
Written and Directed by Sheridan (the screenwriter of HHW and SICARIO), WIND RIVER tells the tale of a murder on the Wind River Indian Reservation in Wyoming. Coming in to investigate is young, city girl, Florida native, Elizabeth Olsen who teams up with aTribal Police Captain (Graham Greene) and a veteran tracker (Jeremy Renner) to find out what happened.
This could have been a by-the-book murder mystery with the naive, "fish-out-of-water" Olsen learning to love and understand the world she is thrust into, but in the hands (and pen) of Sheridan, it is much, much more. Sheridan creates a mood throughout this film, one of slow, lingering dread and hopelessness - and how he accomplishes this was intriguing to me. He uses the setting of the Indian Reservation to show the "smallness" of the people living there, juxtaposing scenes of vast, wild, cold wilderness with scenes of squalor in the settlement of Native American people living there.
The acting is solid - Olsen is turning into a very good actress and her performance sets the right tone. Greene is, as always, a steady hand on the screen with a pragmatic approach to the inhabitants of the Reservation, but it is Jeremy Renner as the quiet, taciturn tracker who has a loss of his own that parallels the murder investigation, that shines. I've always liked Renner and was high on his potential after his breakout performance in THE HURT LOCKER in 2008. While his performances in the blockbusters that followed have been solid, but not spectacular - you saw glimpses of it in films like THE TOWN - but I've felt that he never quite lived up to that potential - until now. This is a very strong performance (falling just short of Oscar material) but one that anchors this film and mirrors the mood that Sheridan sets up through the location of WIND RIVER.
Not the fastest moving of films, but a thoughtful, intelligent mystery that left me grateful for a film with some meat on the bone after a summer of "Cotton Candy" action flicks
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
BankofMarquis (1832 KP) rated The Invisible Man (2020) in Movies
Mar 6, 2020
Pleasantly Surprised with a Great Lead Performance by Moss
I really had no desire to check out the Blumhouse re-imaging of the classic Universal horror classic THE INVISIBLE MAN, but I was hearing positive comments on it - especially about the lead performance - so I figured I'd better check it out.
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
Gareth von Kallenbach (965 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 3, 2022
When audiences last saw Doctor Strange (Benedict Cumberbatch) he had accidentally opened a portal into
other universe or as they are known, Multiverses in an attempt to help Spider-man.
In the new Marvel film “Doctor Strange in the Multiverse of Madness” the Sorcerer finds himself disturbed by dreams of himself and a mysterious girl battling an evil presence but something about it does not seem right and he puts it down to conflicted feelings over attending the wedding of his ex-Christine (Rachel McAdams).
Before he can fully process his feelings, Strange is soon battling a giant creature that appears to be trying to capture the very girl from his dreams. With the help of Wong (Benedict Wong), they are able to save the day and learn that the girl whose name is America Chavez (Xochitl Gomez) has an uncontrolled ability to travel across the Multiverse and that a demon is after her as he wants her powers for himself.
Facing a threat to their very existence, the group seeks the help of Wanda Maximoff (Elizabeth Olson) and attempts to convince the former Avenger to aid them. Things take a very dark turn soon after as the true nature of the threat facing them comes to light and Strange and America flees into the Multiverse in an attempt to save the universe as they know it.
The film hits the ground running with a great action sequence which is followed a bit later by another before it becomes a bit bogged down in metaphysical and multi-dimensional conversations. Thankfully the strong characters help hold your interest during the slower parts of the film and the finale plays out well giving fans the action and character development that they would want.
Much has been made about the cameos in the film and while I will confirm that they are there I will not spoil them and I will say that several of the wilder theories are not true.
Director Sam Raimi has made a triumphant return to Super Hero movies as this outing combines what fans expect from a comic book-based film and blends it with supernatural horror to create a darker and more intense Marvel film than many have been used to.
The effects in the film are top-notch but it is the strong performances that drive the film not the effects and the movie opens up so many possibilities for the future. There are two bonus scenes in the credits and a promise that Doctor Strange will return. It has been reported that Marvel Producer Kevin Feige and his team have already plotted out the next ten years of Marvel films beyond what has already been announced and I cannot wait to see where they go next as Marvel has once again shown that by giving fans inter-connected stories that are well-planned and part of a living-universe, or in this case Multiverse, that they have plenty of material to come.
4 stars out of 5
other universe or as they are known, Multiverses in an attempt to help Spider-man.
In the new Marvel film “Doctor Strange in the Multiverse of Madness” the Sorcerer finds himself disturbed by dreams of himself and a mysterious girl battling an evil presence but something about it does not seem right and he puts it down to conflicted feelings over attending the wedding of his ex-Christine (Rachel McAdams).
Before he can fully process his feelings, Strange is soon battling a giant creature that appears to be trying to capture the very girl from his dreams. With the help of Wong (Benedict Wong), they are able to save the day and learn that the girl whose name is America Chavez (Xochitl Gomez) has an uncontrolled ability to travel across the Multiverse and that a demon is after her as he wants her powers for himself.
Facing a threat to their very existence, the group seeks the help of Wanda Maximoff (Elizabeth Olson) and attempts to convince the former Avenger to aid them. Things take a very dark turn soon after as the true nature of the threat facing them comes to light and Strange and America flees into the Multiverse in an attempt to save the universe as they know it.
The film hits the ground running with a great action sequence which is followed a bit later by another before it becomes a bit bogged down in metaphysical and multi-dimensional conversations. Thankfully the strong characters help hold your interest during the slower parts of the film and the finale plays out well giving fans the action and character development that they would want.
Much has been made about the cameos in the film and while I will confirm that they are there I will not spoil them and I will say that several of the wilder theories are not true.
Director Sam Raimi has made a triumphant return to Super Hero movies as this outing combines what fans expect from a comic book-based film and blends it with supernatural horror to create a darker and more intense Marvel film than many have been used to.
The effects in the film are top-notch but it is the strong performances that drive the film not the effects and the movie opens up so many possibilities for the future. There are two bonus scenes in the credits and a promise that Doctor Strange will return. It has been reported that Marvel Producer Kevin Feige and his team have already plotted out the next ten years of Marvel films beyond what has already been announced and I cannot wait to see where they go next as Marvel has once again shown that by giving fans inter-connected stories that are well-planned and part of a living-universe, or in this case Multiverse, that they have plenty of material to come.
4 stars out of 5
BankofMarquis (1832 KP) rated Cocaine Bear (2023) in Movies
Mar 21, 2023
A Ton of Fun
When one decides to watch a film entitled COCAINE BEAR, one pretty much knows what one is getting themselves into.
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Jamie (131 KP) rated The Handmaid's Tale - Season 1 in TV
Jul 15, 2017
Phenomenal casting (4 more)
Changes to the plot add more to the characters and world of Gilead
Gorgeous technicolor visuals
Retains the dark tone of it's source material
Wonderful original soundtrack
June's character is changed in a way that goes against one of the original messages of the book (1 more)
Soundtrack sometimes included pop songs that were jarring and obnoxiously loud
Adds new depth to an already incredible story
I LOVE The Handmaid's Tale. Both the book and now the television show. The show is stunningly beautiful in terms of it's visuals and soundtrack. The casting was outstanding, it is everything I ever wanted from an adaptation of this marvelous book.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
BookwormMama14 (18 KP) rated Dawn at Emberwilde (Treasures of Surrey, #2) in Books
Jan 2, 2019
★★★☆☆ - "I've been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow."
A new story, a new mystery and a new adventure. Dawn at Emberwilde is a charming story of a young woman who is offered a new life. What will she do with the choices laid before her?
"And yet the very sight of her
dislodged his sense of time and space."
- Dawn at Emberwilde
(Location 3620)
About the Book
Isabel Creston has grown up at Fellsworth School, training for a teaching position. Knowing she would someday become a governess. She has resigned to her lot in life, but her spirit wishes to soar free. When an unexpected visitor shows up at Fellsworth School, life as she knew it changed forever. Unknown relatives have been searching for Isabel since the death of her father. They were finally able to track her down and open their home to her. Filled with apprehensions, Isabel and her younger sister, Elizabeth, travel to their new home of Emberwilde. With stories of the Emberwilde Forest being haunted and of her past that differ from her own knowledge, Isabel does not know who or what to believe. When not one, but two men begin to occupy her thoughts, her heart is thrown into a tumult whirlwind. Will she embrace the endearments of Mr. Bradley? Or find comfort in the silent strength of Mr. Galloway? Who is she really? Will she find herself in the forest of Emberwilde?
"The important thing to remember is that no experience is ever wasted. It is being used to fashion you into the person you are meant to be, and to move you to the place where you are supposed to go."
- Dawn at Emberwilde
(Location 3115)
My Thoughts
I have to admit that although I did enjoy the overall story line, I was a bit let down with Dawn at Emberwilde. First of all I was under the impression that this series would have treasures such as gems and jewelry playing a significant role. In the first book (The Curiosity Keeper) we have the mystery of the Bevoy (a giant ruby), which was a thrilling tale! However there is no mystery of that kind in Dawn at Emberwilde. Don't get me wrong though, there is plenty of mystery and devious behavior to make a good story. But of a fashion that I was not quite expecting. I kept waiting for something else into come into play (like a chest of gold). Although, I suppose the treasure itself is supposed to be Isabel Creston. While the outline of this story was good, I felt that the pace could have been a bit quicker. The last 80 pages are full of action and I really couldn't put it down until I finished it. But the first 240 pages or so were not nearly as exciting. This book had a Cinderella feel to it, being a rags to riches type of story. The description of the clothing and styles was extremely detailed. The cover is exceptional, depicting the Emberwilde Forest perfectly! With its sense of haunting and mystery. Recommended if you are looking for a nice book to occupy some down time. These books can stand alone. There was very little reference to The Curiosity Keeper in Dawn at Emberwilde.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review. All opinions expressed are mine alone.
A new story, a new mystery and a new adventure. Dawn at Emberwilde is a charming story of a young woman who is offered a new life. What will she do with the choices laid before her?
"And yet the very sight of her
dislodged his sense of time and space."
- Dawn at Emberwilde
(Location 3620)
About the Book
Isabel Creston has grown up at Fellsworth School, training for a teaching position. Knowing she would someday become a governess. She has resigned to her lot in life, but her spirit wishes to soar free. When an unexpected visitor shows up at Fellsworth School, life as she knew it changed forever. Unknown relatives have been searching for Isabel since the death of her father. They were finally able to track her down and open their home to her. Filled with apprehensions, Isabel and her younger sister, Elizabeth, travel to their new home of Emberwilde. With stories of the Emberwilde Forest being haunted and of her past that differ from her own knowledge, Isabel does not know who or what to believe. When not one, but two men begin to occupy her thoughts, her heart is thrown into a tumult whirlwind. Will she embrace the endearments of Mr. Bradley? Or find comfort in the silent strength of Mr. Galloway? Who is she really? Will she find herself in the forest of Emberwilde?
"The important thing to remember is that no experience is ever wasted. It is being used to fashion you into the person you are meant to be, and to move you to the place where you are supposed to go."
- Dawn at Emberwilde
(Location 3115)
My Thoughts
I have to admit that although I did enjoy the overall story line, I was a bit let down with Dawn at Emberwilde. First of all I was under the impression that this series would have treasures such as gems and jewelry playing a significant role. In the first book (The Curiosity Keeper) we have the mystery of the Bevoy (a giant ruby), which was a thrilling tale! However there is no mystery of that kind in Dawn at Emberwilde. Don't get me wrong though, there is plenty of mystery and devious behavior to make a good story. But of a fashion that I was not quite expecting. I kept waiting for something else into come into play (like a chest of gold). Although, I suppose the treasure itself is supposed to be Isabel Creston. While the outline of this story was good, I felt that the pace could have been a bit quicker. The last 80 pages are full of action and I really couldn't put it down until I finished it. But the first 240 pages or so were not nearly as exciting. This book had a Cinderella feel to it, being a rags to riches type of story. The description of the clothing and styles was extremely detailed. The cover is exceptional, depicting the Emberwilde Forest perfectly! With its sense of haunting and mystery. Recommended if you are looking for a nice book to occupy some down time. These books can stand alone. There was very little reference to The Curiosity Keeper in Dawn at Emberwilde.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review. All opinions expressed are mine alone.