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Kevin Phillipson (10021 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Dec 25, 2018
Michael cera (2 more)
Mary elizabeth winstead
Plot
Scott vs 7 evil exes
Rewatching right now amazing movie one of my favourite movies from the makers Shawn of the dead and hot fuzz which tells what type of movie u are gonna get the music the acting the imagery always worth a rewatch
Kevin Phillipson (10021 KP) rated Charlie's Angels (2019) in Movies
Dec 5, 2019
Elizabeth Banks (3 more)
Easter eggs
Namoi scott
Patrick Stewart
Just come from the cinema I thought I wasn't gonna like the movie but it's not as bad as they say it is did it really need another reboot probably not but I liked it none the less there are some Easter eggs scatted throughout the movie but I won't give them away here Kristen Stewart isnt bad for change never a fan of the twight movies but here she's good but the star for me was Naomi Scott totally badass. anyway decent movie
BookInspector (124 KP) rated Beast (Six Stories, #4) in Books
Sep 24, 2020
I find it hard to determine, who was the protagonist of this story. Scott King is interviewing people, who knew Youtube Vlogger Elizabeth or her killers, and trying to find out why and who locked Elizabeth in the Vampire Tower, where she was found dead. The characters in this novel are absolutely brilliant. They are diverse, complex, incredibly absorbing and mysterious. I really liked the way Scott King was choosing the people he interviewed, it showed different opinions and views, that kept me immensely intrigued.
The narrative was told from multiple sources, I should say. We are able to read what Elizabeth was saying to her followers, while she is doing an online challenge, as well as to read what Scott King uncovers during his interviews. I loved everything about this narrative, the way vampires were incorporated, giving this book a dark and ghostly feeling, the kind of Q&A writing style, and all the twists and discoveries that unravel as we read along. The topics discussed in this book were very dark, troublesome but at the same time very modern and realistic. Such as need of validation, the power of manipulation, abuse and bullying, social exclusion, social degradation and many, many more.
I really loved the setting of this book as well. It is set in Ergarth, a miserable town, that feels forgotten by the world, where unemployment and homelessness thrive, where the trouble is always next to you, and it is haunted by the Vampire Tower. LOVED IT! The whole book is divided into six chapters, and they are quite long, but the story absorbed me so much, that the pages just flew by. (And that comes from a person who despises long chapters
The narrative was told from multiple sources, I should say. We are able to read what Elizabeth was saying to her followers, while she is doing an online challenge, as well as to read what Scott King uncovers during his interviews. I loved everything about this narrative, the way vampires were incorporated, giving this book a dark and ghostly feeling, the kind of Q&A writing style, and all the twists and discoveries that unravel as we read along. The topics discussed in this book were very dark, troublesome but at the same time very modern and realistic. Such as need of validation, the power of manipulation, abuse and bullying, social exclusion, social degradation and many, many more.
I really loved the setting of this book as well. It is set in Ergarth, a miserable town, that feels forgotten by the world, where unemployment and homelessness thrive, where the trouble is always next to you, and it is haunted by the Vampire Tower. LOVED IT! The whole book is divided into six chapters, and they are quite long, but the story absorbed me so much, that the pages just flew by. (And that comes from a person who despises long chapters
Gareth von Kallenbach (980 KP) rated Bad Teacher (2011) in Movies
Aug 7, 2019
Recently jilted by the sugar daddy of her dreams apathetic schoolteacher Elizabeth Halsey (Cameron Diaz) must return to her day job. Just as Elizabeth has settled in to her listless career reality, a single and wealthy substitute teacher (Scott Delacorte played by Justin Timberlake) appears. Elizabeth must now prove that she is the best teacher in the school to win Delecorte’s attention and wallet. However her nemesis the overachieving and oddly bubbly educator, Amy Squirrel (Lucy Punch) also has eyes for the new faculty member.
Rounding out the eccentric cast of characters is the shy teacher Lynn Davies (Phyllis Smith), the lazy yet funny gym teacher Russell Gettis (Jason Segel), and the dolphin obsessed principal Wally Snur (John Michael Higgins). Further supporting the leads are a number of up and coming child-actors such as Kaitlyn Dever who plays know-it-all student Shasha Abernathy to crush obsessed sad sack Garrett Tiara (Matthew J. Evans).
Despite the strong cast, “Bad Teacher” will likely become associated with Cameron Diaz who uses her intense and direct comedic strength to shine in the nefarious role. Portrayed by Diaz, the character of Elizabeth comes across as wickedly manipulative yet manages to remain likeable.
But, “Bad Teacher” will not have you gasping for air between fits of laughter. The film has slow moments and a number of letdowns. Among the worst is the lackluster comical styling of Justin Timberlake as Scott Delacorte. While the role is critical to the film’s plot, the character is underdeveloped. Moreover Justin Timberlake does nothing for the part which is an unwelcome shock to audiences who associate his name with some of the funniest moments in recent “Saturday Night Live” history as well as his impressive performance in “The Social Network”.
Brimming with vulgar language and shockingly bold comedic scene choices “Bad Teacher” will surely offend bashful audiences. Still, the film is funnier than “There’s Something About Mary” and the recently disappointing “The Hangover: Part II”.
It is not a slam-dunk but “Bad Teacher” will give audiences some unexpected summer laughs, if they are prepared for the onslaught of vulgarity that this film hinges upon.
Rounding out the eccentric cast of characters is the shy teacher Lynn Davies (Phyllis Smith), the lazy yet funny gym teacher Russell Gettis (Jason Segel), and the dolphin obsessed principal Wally Snur (John Michael Higgins). Further supporting the leads are a number of up and coming child-actors such as Kaitlyn Dever who plays know-it-all student Shasha Abernathy to crush obsessed sad sack Garrett Tiara (Matthew J. Evans).
Despite the strong cast, “Bad Teacher” will likely become associated with Cameron Diaz who uses her intense and direct comedic strength to shine in the nefarious role. Portrayed by Diaz, the character of Elizabeth comes across as wickedly manipulative yet manages to remain likeable.
But, “Bad Teacher” will not have you gasping for air between fits of laughter. The film has slow moments and a number of letdowns. Among the worst is the lackluster comical styling of Justin Timberlake as Scott Delacorte. While the role is critical to the film’s plot, the character is underdeveloped. Moreover Justin Timberlake does nothing for the part which is an unwelcome shock to audiences who associate his name with some of the funniest moments in recent “Saturday Night Live” history as well as his impressive performance in “The Social Network”.
Brimming with vulgar language and shockingly bold comedic scene choices “Bad Teacher” will surely offend bashful audiences. Still, the film is funnier than “There’s Something About Mary” and the recently disappointing “The Hangover: Part II”.
It is not a slam-dunk but “Bad Teacher” will give audiences some unexpected summer laughs, if they are prepared for the onslaught of vulgarity that this film hinges upon.
Film and stuff (30 KP) rated Power Rangers (2017) in Movies
May 15, 2019
Nostalgia goes a long way
Starring:
Elizabeth Banks, Bill Cranston, Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin and Becky G.
Director: Dean Israelite
Plot: Five troubled teens get super powers. Join forces with an interdimensional being and living robot to battle an enemy called Rita
Result:
A huge amount of fun and nostalgia for those who grew up with the TV show.
Whilst the film overall is on the scale of "not as bad as you might expect," it is a tremendous amount of fun and I enjoyed it from start to finish.
Low expectations and a disengaged brain will help a great deal with this.
Elizabeth Banks, Bill Cranston, Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin and Becky G.
Director: Dean Israelite
Plot: Five troubled teens get super powers. Join forces with an interdimensional being and living robot to battle an enemy called Rita
Result:
A huge amount of fun and nostalgia for those who grew up with the TV show.
Whilst the film overall is on the scale of "not as bad as you might expect," it is a tremendous amount of fun and I enjoyed it from start to finish.
Low expectations and a disengaged brain will help a great deal with this.
Gareth von Kallenbach (980 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Aug 8, 2019
Scott Pilgrim, played by Michael Cera, is a young man whose life is going nowhere fast. At 23, he describes himself as in between jobs and spends his free time playing bass in a struggling band. But Scott does have a girlfriend named Knives Chau (Ellen Wong), never mind that she is still in high school and things are about as chaste as they can get. Undaunted, Scott keeps plugging away despite the supportive taunts of his gay roomie Wallace (Kieran Culkin), and the members of his band.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Christine A. (965 KP) rated Hark! the Herald Angels Scream: An Anthology in Books
Jan 22, 2019
Anthology of Christmas or winter themed horror stories
I was provided with a complimentary copy of this book so I could give an honest review.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
Awix (3310 KP) rated Charlie's Angels (2019) in Movies
Dec 4, 2019
Attempt to make the notably leer-tastic exploitation TV show into a piece of weaponised feminism ends up understandably conflicted, but it has bigger problems to worry about. Somebody wants to steal a maguffin with evil potential, Angels want to stop him, much whizzing about in Germany, Istanbul, and so forth.
Elizabeth Banks puts together a generic sub-Mission Impossible action thriller reasonably well, but when the gunfire and revving engines dies away you are just left with the sound of comic banter failing to spark and the occasional unsubtle you-go-girl message. The plot feels very familiar, and the rest doesn't do enough to cover up for this. Mixed work from the cast: Banks herself is working hard, Kristen Stewart proves she genuinely does have star quality, Naomi Scott can probably look forward to a healthy career playing the kooky best friend, and while Ella Balinska can deliver neither a joke nor a line of exposition to save her life, she is about nine feet tall which helps with the fight choreography. Patrick Stewart turns up and twinkles a lot; one presumes CGI has been used to erase the dollar signs in his eyes. Admittedly, I am probably not the target audience for this movie, but even so: too often this feels leaden when it should be light, and treacly when it should froth.
Elizabeth Banks puts together a generic sub-Mission Impossible action thriller reasonably well, but when the gunfire and revving engines dies away you are just left with the sound of comic banter failing to spark and the occasional unsubtle you-go-girl message. The plot feels very familiar, and the rest doesn't do enough to cover up for this. Mixed work from the cast: Banks herself is working hard, Kristen Stewart proves she genuinely does have star quality, Naomi Scott can probably look forward to a healthy career playing the kooky best friend, and while Ella Balinska can deliver neither a joke nor a line of exposition to save her life, she is about nine feet tall which helps with the fight choreography. Patrick Stewart turns up and twinkles a lot; one presumes CGI has been used to erase the dollar signs in his eyes. Admittedly, I am probably not the target audience for this movie, but even so: too often this feels leaden when it should be light, and treacly when it should froth.
Gareth von Kallenbach (980 KP) rated Darkest Hour (2017) in Movies
Jul 11, 2019
As the Nazi’s sweep through Europe at the beginning of World War II the British face the difficult issue of replacing their Prime Minister. The people and members of Parliament have become disenchanted with Prime Minister Neville Chamberlain (Ronald Pickup). They feel his lack of action lead to the rise of Hitler and the Nazis. He agrees to step down and has to name a replacement. While he would prefer to have his protégé, Foreign Secretary Viscount Halifax (Stephen Dillane), there is only one member of his party that all of Parliament will accept, Winston Churchill (Gary Oldman). King George VI (Ben Mendelsohn) is also opposed to the brash and opinionated Churchill. Bowing to the will of the opposition Churchill the King agrees to appoint him the next Prime Minister. Although he is thrilled at finally achieving his lifelong dream he has no delusions that he is facing extremely difficult times ahead. The Nazis are tearing through Europe. They have already taken Belgium and Holland they now are invading France. The Nazis have also managed to surround nearly the entire British ground force on the French beaches with no way home. Not only does he have to worry about foreign foes but also his numerous political enemies in his own party. Many oppose his brash and unpredictable nature, while others think of him as heavy drinker that is no more than an exceptional orator with little capacity to make hard decisions. He must overcome all of this to protect the English people and prepare them for the tough days ahead.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
Gareth von Kallenbach (980 KP) rated Prometheus (2012) in Movies
Aug 7, 2019
After nearly 2 years of waiting and rampant speculation, director Ridley Scott’s science-fiction epic Prometheus has finally arrived. The project initially started as a prequel to Alien, and in doing so got the attention of the Alien fan community. After the last two sequels and two disastrous Alien Versus Predator spinoffs, this fan community was eager for the director who started the series to bring the series back to prominence. However, hopes were dashed when it was announced that Prometheus would not be a prequel but instead a standalone film that “shared” DNA with Alien. As production of the film developed under very tight conditions, fans could only speculate as to the nature of the film even when leaked photos and eventually trailers seem to indicate more than a passing connection to the Alien franchise.
The film follows the story of Dr. Elizabeth Shaw (Noomi Rapace), who in the late 21st century makes a startling discovery with her boyfriend Charlie Halloway (Logan Marshall-Green). Their discovery leads to an extremely expensive expedition to an unknown area of space aboard the state-of-the-art research vessel Prometheus. The eclectic but talented crew of experts along for the ride are under the stern watch of Meredith Vickers (Charlize Theron), who has been appointed by the Weyland Corporation to oversee the expedition even though she is highly skeptical about the expected goals that set the crew on the journey.
Holloway and Shaw believe that a series of paintings they discovered at several archaeological sites throughout the world indicated that ancient man had been visited and guided by beings from beyond the stars and that said beings may very well be responsible for engineering humanity as well.
After a journey of nearly 2.5 years the crew arrives at the star system depicted in the paintings and soon find themselves exploring a temple-like structure on an otherwise desolate and apparently lifeless moon. Despite the misgivings of the crew, when the true nature of their expedition is revealed upon their arrival, Shaw and Holloway are vindicated when remains of alien life forms and other technology are discovered by the crew.
Their initial exploration cut short due to a violent storm, the crew returns the safety of the ship to wait out the storm, save for two members of the team who remained at the temple after becoming lost. A series of events follow which soon indicate that not only are there hidden agendas at play but that the crew has stumbled upon a discovery that they are ill-prepared for.
Bizarre and horrific revelations and events follow which cause the crew members to question their motivations and the expedition’s purpose as well as examine their place in a much more complex and dangerous universe, where their petty human concerns and conflicts now seem much more insignificant.
It would be very difficult to go into further detail with spoiling key elements to the film. Suffice it to say that there are some real twist and turns along the way as well as some thrills and action that keep things moving along nicely as the film makes its way towards the conclusion. But, yes, Prometheus does have a very clear connection to the Alien films.
Scott had said that he wanted to do something epic in scale and in that he has, for the most part, succeeded. Shot using the latest 3-D technology, the film is amazing to watch. The opening sequence, as well as some footage of the ship in-flight, are truly gorgeous to look at and the amazing attention to detail not only on the alien world but on the ship itself is truly spectacular.
Early in the film, the android David (Michael Fassbender) is seen going through his various routines on the ship as the crew sleeps in suspended animation. His various activities range from monitoring the crew and their dreams, to watching old movies and studying ancient languages and keeping an eye on the ship systems. All that seems fairly routine, but it is his skill with a basketball that was fascinating and establishes the complex and dynamic character that he portrays.
This introduction underscores the diversity of the crew. We are given bits and pieces about all of them to help them stand out from the usual stock characters in this type of film. While we are not given as complete a background set up as I would’ve liked, little touches such as Capt. Janik (Idris Elba), insisting upon celebrating Christmas as well as the crew running side bets, help to underscore that these are people we can easily relate to, just doing their job in extraordinary situations. This was something that Scott mastered in the original Alien, giving you average Joe’s who had to deal with extraterrestrial horror.
I mention this because Prometheus is not an action film, nor is it a horror film. I wonder if perhaps this film had not had the production costs that it does, if it would be better suited for fall release. I say this not as a criticism of the movie, simply to emphasize the fact this is a movie that requires thought, something your typical summer blockbuster doesn’t. Scott does not lay it out on a plate for the audience and say “Here it is, take it.” He presents a story filled with questions, and instead of giving you answers, gives you even more questions as the film goes along.
At first, this was more than a bit frustrating as I wanted answers to questions I’ve had since seeing the original Alien back in 1979. I wanted to know more about some of the plot lines and characters as well as certain situations that were in the film. At one point the captain shares some very important information. I asked myself how this piece of news was arrived at, as certainly a discovery of this magnitude would have been a very interesting scene. However much like the film’s premise, faith is an underlying and key component. Just as the characters discuss and act based on faith, or lack thereof, audience members asked to have faith in the storyline and the sequence of events that lead up to the finale. There will be those who will be unwilling to do so and will be quick to find fault with the film, cast, and plot. But I hope there will be more who accept that they are seeing the first part of a larger journey and understand that there are things that they are meant to know, as well as things hey are not meant to know and in time more may be revealed.
Scott has indicated that he would like to do another film in the series and scuttlebutt indicates the studio would very much like to entertain thoughts of a trilogy. I would certainly like to see this, as would a few of my fellow critics. Following our screening, three of us stood around discussing aspects of the film, trying to figure out what it really meant and how it connected to the Alien series as well as potential future films in the series. If nothing else, this movie will spark interesting conversation.
As the days have passed since seeing the film I’ve appreciated it more and more with each passing day. Scott could have taken the easy way out and given a straight up prequel to Alien complete with all manner of monsters and CGI creatures on the loose wrecking havoc upon a crew of unfortunate victims. Instead he opted to take a much larger look at life, the universe, and our place in it and wove a complex and open-ended framework that not only provided fantastic entertainment but also provided an opportunity for intelligent conversation and introspection.
From the incredible visuals to the engaging and enjoyable cast, Prometheus is a refreshing and enjoyable film and an extremely welcome and much-needed addition to the alien franchise.
The film follows the story of Dr. Elizabeth Shaw (Noomi Rapace), who in the late 21st century makes a startling discovery with her boyfriend Charlie Halloway (Logan Marshall-Green). Their discovery leads to an extremely expensive expedition to an unknown area of space aboard the state-of-the-art research vessel Prometheus. The eclectic but talented crew of experts along for the ride are under the stern watch of Meredith Vickers (Charlize Theron), who has been appointed by the Weyland Corporation to oversee the expedition even though she is highly skeptical about the expected goals that set the crew on the journey.
Holloway and Shaw believe that a series of paintings they discovered at several archaeological sites throughout the world indicated that ancient man had been visited and guided by beings from beyond the stars and that said beings may very well be responsible for engineering humanity as well.
After a journey of nearly 2.5 years the crew arrives at the star system depicted in the paintings and soon find themselves exploring a temple-like structure on an otherwise desolate and apparently lifeless moon. Despite the misgivings of the crew, when the true nature of their expedition is revealed upon their arrival, Shaw and Holloway are vindicated when remains of alien life forms and other technology are discovered by the crew.
Their initial exploration cut short due to a violent storm, the crew returns the safety of the ship to wait out the storm, save for two members of the team who remained at the temple after becoming lost. A series of events follow which soon indicate that not only are there hidden agendas at play but that the crew has stumbled upon a discovery that they are ill-prepared for.
Bizarre and horrific revelations and events follow which cause the crew members to question their motivations and the expedition’s purpose as well as examine their place in a much more complex and dangerous universe, where their petty human concerns and conflicts now seem much more insignificant.
It would be very difficult to go into further detail with spoiling key elements to the film. Suffice it to say that there are some real twist and turns along the way as well as some thrills and action that keep things moving along nicely as the film makes its way towards the conclusion. But, yes, Prometheus does have a very clear connection to the Alien films.
Scott had said that he wanted to do something epic in scale and in that he has, for the most part, succeeded. Shot using the latest 3-D technology, the film is amazing to watch. The opening sequence, as well as some footage of the ship in-flight, are truly gorgeous to look at and the amazing attention to detail not only on the alien world but on the ship itself is truly spectacular.
Early in the film, the android David (Michael Fassbender) is seen going through his various routines on the ship as the crew sleeps in suspended animation. His various activities range from monitoring the crew and their dreams, to watching old movies and studying ancient languages and keeping an eye on the ship systems. All that seems fairly routine, but it is his skill with a basketball that was fascinating and establishes the complex and dynamic character that he portrays.
This introduction underscores the diversity of the crew. We are given bits and pieces about all of them to help them stand out from the usual stock characters in this type of film. While we are not given as complete a background set up as I would’ve liked, little touches such as Capt. Janik (Idris Elba), insisting upon celebrating Christmas as well as the crew running side bets, help to underscore that these are people we can easily relate to, just doing their job in extraordinary situations. This was something that Scott mastered in the original Alien, giving you average Joe’s who had to deal with extraterrestrial horror.
I mention this because Prometheus is not an action film, nor is it a horror film. I wonder if perhaps this film had not had the production costs that it does, if it would be better suited for fall release. I say this not as a criticism of the movie, simply to emphasize the fact this is a movie that requires thought, something your typical summer blockbuster doesn’t. Scott does not lay it out on a plate for the audience and say “Here it is, take it.” He presents a story filled with questions, and instead of giving you answers, gives you even more questions as the film goes along.
At first, this was more than a bit frustrating as I wanted answers to questions I’ve had since seeing the original Alien back in 1979. I wanted to know more about some of the plot lines and characters as well as certain situations that were in the film. At one point the captain shares some very important information. I asked myself how this piece of news was arrived at, as certainly a discovery of this magnitude would have been a very interesting scene. However much like the film’s premise, faith is an underlying and key component. Just as the characters discuss and act based on faith, or lack thereof, audience members asked to have faith in the storyline and the sequence of events that lead up to the finale. There will be those who will be unwilling to do so and will be quick to find fault with the film, cast, and plot. But I hope there will be more who accept that they are seeing the first part of a larger journey and understand that there are things that they are meant to know, as well as things hey are not meant to know and in time more may be revealed.
Scott has indicated that he would like to do another film in the series and scuttlebutt indicates the studio would very much like to entertain thoughts of a trilogy. I would certainly like to see this, as would a few of my fellow critics. Following our screening, three of us stood around discussing aspects of the film, trying to figure out what it really meant and how it connected to the Alien series as well as potential future films in the series. If nothing else, this movie will spark interesting conversation.
As the days have passed since seeing the film I’ve appreciated it more and more with each passing day. Scott could have taken the easy way out and given a straight up prequel to Alien complete with all manner of monsters and CGI creatures on the loose wrecking havoc upon a crew of unfortunate victims. Instead he opted to take a much larger look at life, the universe, and our place in it and wove a complex and open-ended framework that not only provided fantastic entertainment but also provided an opportunity for intelligent conversation and introspection.
From the incredible visuals to the engaging and enjoyable cast, Prometheus is a refreshing and enjoyable film and an extremely welcome and much-needed addition to the alien franchise.