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Andy K (10821 KP) created a video about Finding Nemo (2003) in Movies
Mar 9, 2018 (Updated Mar 9, 2018)
Selena Gomez recommended Heads Up! in Apps (curated)
MelanieTheresa (997 KP) created a post in Bookworms
Jan 10, 2019
Oprah Winfrey recommended The Power of Now: A Guide to Spiritual Enlightenment in Books (curated)
David McK (3162 KP) rated Finding Dory (2016) in Movies
May 26, 2020 (Updated Jul 2, 2023)
"Just keep swimming … just keep swimming …"
Set after Finding Nemo, this see's Ellen DeGeneres Blue Tang - the undisputed start (for me, at least, of that earlier movie) in her own headline movie, when - due to events - she suddenly remembers her family and sets off on a quest to reunite with the same.
As always with Pixar, impeccably animated with a strong message about the importance of family (even 'found' family), this - perhaps - suffers somewhat in comparison with Finding Nemo in that we've been there, done that.
That, and the fact that the Human world (seemingly, or at least, that's it how it felt to me!) plays a larger role than in the previous.
Gotta love Dory's friend Sigourney Weaver, though!
Set after Finding Nemo, this see's Ellen DeGeneres Blue Tang - the undisputed start (for me, at least, of that earlier movie) in her own headline movie, when - due to events - she suddenly remembers her family and sets off on a quest to reunite with the same.
As always with Pixar, impeccably animated with a strong message about the importance of family (even 'found' family), this - perhaps - suffers somewhat in comparison with Finding Nemo in that we've been there, done that.
That, and the fact that the Human world (seemingly, or at least, that's it how it felt to me!) plays a larger role than in the previous.
Gotta love Dory's friend Sigourney Weaver, though!
Gareth von Kallenbach (962 KP) rated Finding Nemo (2003) in Movies
Aug 7, 2019
“Finding Nemo” is the fifth Disney/Pixar film ever made and when it released in May of 2003, and it had the biggest opening weekend for an animated film. How could it not with a heartwarming story and an outstanding cast including; Albert Brooks (Marlin), Ellen DeGeneres (Dory), Willem Dafoe (Gill), and many other big names providing the voices. Like many other Disney/Pixar films, “Finding Nemo” has once again swam to the big screen in Disney Digital 3-D using digital projection to bring the audience along on the journey to help an overly cautious father and his forgetful sidekick find his son Nemo.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
Movie Metropolis (309 KP) rated Finding Dory (2016) in Movies
Jun 11, 2019
Is it a return to form for Pixar/
For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
LeftSideCut (3778 KP) rated Finding Dory (2016) in Movies
Apr 19, 2020
Finding Dory taught me this - Pixar are a company who can sell you the same film twice, and then annoyingly get away with it by making said film pretty damn good.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.
Gareth von Kallenbach (962 KP) rated Finding Dory (2016) in Movies
Aug 6, 2019
The first time I saw Finding Nemo I was amazed. The beauty in every single tiny detail of the underwater sea life was absolutely stunning. From the largest fish to the tiniest krill just mesmerized me. When it was announced that the Pixar team was working on a sequel to the beloved tale, I was thrilled. I couldn’t wait to see the story about Dory and her new adventure.
In this installment, it is Nemo and Marlin who help Dory locate her family. Though it has been thirteen years since the last film, we are transported right back to where the action left off. A year has gone by after Nemo (Hayden Rolence) and his father Marlin (Albert Brooks) were reunited with the help of a very loving yet very forgetful Dory (Ellen DeGeneres). She begins to dream of memories she once had with her parents. At first we get to see an extremely adorable tiny Dory. Her small voice but big loving and outgoing personality will make your heart melt. Dory’s parents helped guide her through life all while they also had to learn to cope with her impairment. When snippets of these memories begin rushing in, Dory sets out to try and reunite with her parents. With the help of some old friends, their path leads the trio to the Marine Life Institute of Morro Bay. This is where she and her parents once called her home. On the way the trio meet a bunch of new characters. My favorite of these newest members is Hank, a seven tentacled octopus who can camouflage and escape out of pretty much any situation, proving that he is probably the best sidekick for the task. The cutest new additions are a gang of cuddling otters that can stop traffic with their cuteness.
The film in a whole was brilliantly thought out and well conceived. Little did we know that the comedic situation of Dory’s impairment in the first film would become the core of her story in the second film. Though I’m not a fan of Cars and or The Incredibles, I am still a fan of Pixar and the ideas they create. Especially that of the short film prior to the showing of the main film entitled “Piper”. Pixar certainly has a way with bringing up issues of disabilities, weaknesses and problems within our world today. This makes it easy for film goers to relate to the stories that they tell and find deep meaning in the overall outcome of the story. Finding Dory is filled with all the emotions that make up a fantastic film. Perfect for every age and is best seen with the 3D option. I adored this film and I think I just might have to see it again in theaters when it comes out. Also be sure to stay after the credits!
In this installment, it is Nemo and Marlin who help Dory locate her family. Though it has been thirteen years since the last film, we are transported right back to where the action left off. A year has gone by after Nemo (Hayden Rolence) and his father Marlin (Albert Brooks) were reunited with the help of a very loving yet very forgetful Dory (Ellen DeGeneres). She begins to dream of memories she once had with her parents. At first we get to see an extremely adorable tiny Dory. Her small voice but big loving and outgoing personality will make your heart melt. Dory’s parents helped guide her through life all while they also had to learn to cope with her impairment. When snippets of these memories begin rushing in, Dory sets out to try and reunite with her parents. With the help of some old friends, their path leads the trio to the Marine Life Institute of Morro Bay. This is where she and her parents once called her home. On the way the trio meet a bunch of new characters. My favorite of these newest members is Hank, a seven tentacled octopus who can camouflage and escape out of pretty much any situation, proving that he is probably the best sidekick for the task. The cutest new additions are a gang of cuddling otters that can stop traffic with their cuteness.
The film in a whole was brilliantly thought out and well conceived. Little did we know that the comedic situation of Dory’s impairment in the first film would become the core of her story in the second film. Though I’m not a fan of Cars and or The Incredibles, I am still a fan of Pixar and the ideas they create. Especially that of the short film prior to the showing of the main film entitled “Piper”. Pixar certainly has a way with bringing up issues of disabilities, weaknesses and problems within our world today. This makes it easy for film goers to relate to the stories that they tell and find deep meaning in the overall outcome of the story. Finding Dory is filled with all the emotions that make up a fantastic film. Perfect for every age and is best seen with the 3D option. I adored this film and I think I just might have to see it again in theaters when it comes out. Also be sure to stay after the credits!
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.