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Merissa (13979 KP) rated Reborn (Semiramis #2) in Books
Feb 8, 2019
Reborn (Semiramis, #2) by Maya Daniels
Reborn is the second book in the Semiramis series, and we continue where we left off. Alexia is training hard, determined to find her sisters, Philip, and Derik. Lucifer is training her for his own reasons, and I'm happy to say Daisy makes a reappearance. Alexia is changing, not very surprising considering what happened at the end of the first book, but she is struggling with it. She is full of anger and guilt about what happened to her sisters.
This book is full of ideas on how to be 'reborn', and I think Alexia does most of them. It all runs true with the story though, and in each case it is more interesting, giving the reader more of an idea of what is going on, whilst still leaving me wanting more. I loved seeing the interplay between Alexia and Lucifer, but I will admit to loving when Remi and the others come back into play. There is something about how they spark off each other that makes it perfect. Although I understood Alexia's internal monologues, I loved how she was once they were all reunited.
There is no middle book slump with this book. It is a fantastic addition to the series. The world-building continues to excel, and the characters are interesting and fully-dimensional. There is layer upon layer of intrigue, and I really can't wait to continue with The Vessel. This is one story that I am thoroughly enjoying, and I need to finish it. I need to see where it is going, what will be the outcome, and of course, just how Lucifer and Alexia finish their... training. ?
If you love #Fantasy #Romance, then I have absolutely no hesitation in recommending either this book, or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This book is full of ideas on how to be 'reborn', and I think Alexia does most of them. It all runs true with the story though, and in each case it is more interesting, giving the reader more of an idea of what is going on, whilst still leaving me wanting more. I loved seeing the interplay between Alexia and Lucifer, but I will admit to loving when Remi and the others come back into play. There is something about how they spark off each other that makes it perfect. Although I understood Alexia's internal monologues, I loved how she was once they were all reunited.
There is no middle book slump with this book. It is a fantastic addition to the series. The world-building continues to excel, and the characters are interesting and fully-dimensional. There is layer upon layer of intrigue, and I really can't wait to continue with The Vessel. This is one story that I am thoroughly enjoying, and I need to finish it. I need to see where it is going, what will be the outcome, and of course, just how Lucifer and Alexia finish their... training. ?
If you love #Fantasy #Romance, then I have absolutely no hesitation in recommending either this book, or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kristy H (1252 KP) rated You Will Know Me in Books
Jan 10, 2018
Suspenseful (1 more)
Well-written
Katie Knox's life basically revolves around her teenage daughter, Devon, an extremely talented gymnast who is on a path to the Olympics. Katie and her husband, Eric, have given up their lives, their time, and their money for Devon's dream. But when a sudden death hits their close gymnastic community a few weeks before an important competition, this dream suddenly seems in jeopardy. Devon's fellow gymnasts and their families are awash in gossip as their beloved coach and his family deal with an unexpected loss. Katie wants only to focus on healing and moving on, but she finds her family drawn into the swirl, as each day reveals more surprises about her daughter and husband.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
Kristy H (1252 KP) rated You Will Know Me in Books
Feb 8, 2018
Katie Knox's life basically revolves around her teenage daughter, Devon, an extremely talented gymnast who is on a path to the Olympics. Katie and her husband, Eric, have given up their lives, their time, and their money for Devon's dream. But when a sudden death hits their close gymnastic community a few weeks before an important competition, this dream suddenly seems in jeopardy. Devon's fellow gymnasts and their families are awash in gossip as their beloved coach and his family deal with an unexpected loss. Katie wants only to focus on healing and moving on, but she finds her family drawn into the swirl, as each day reveals more surprises about her daughter and husband.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
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Kirk Bage (1775 KP) rated Death to 2020 in TV
Jan 22, 2021
The annual event of Charlie Brooker’s Yearly Wipe is the one piece of satire I have been sure not to miss over the years. But 2020 has been a bit different, and finding himself in lockdown like everyone else, Brooker re-imagines the format into a full on talking-heads mockumentary that does away with himself as host in favour of a cross Atlantic vibe and a narration from the bass tones of Laurence Fishburne, no less.
There are also some random big names delivering the sarcastic views on the headlines too: Samuel L. Jackson kicks it all off; Hugh Grant adds to his list of heavily made up characters (and is probably the highlight) as a crusty old historian who struggles to put it all into context; Lisa Kudrow represents the Trump mentality in the form of a Republican press officer who plays hard and loose with the facts and the enforcement of facts; and even Tracey Ullman is dragged out of obscurity to play The Queen (which I didn’t entirely see the point of).
Last, but actually far from least, is Joe Keery, who most will recognise as Steve Harrington in Stranger Things – he represents all youth and the social media generation, claiming some of the most pertinent lines of observation about attitudes and the need to be noticed and relevant, using the news as a basis to flaunt your own opinion and gain followers, as well as a soapbox to show the world how much you have suffered as the world suffers.
Diane Morgan, known for her hilarious regilar turns as Philomena Cunk, tries out an alternate role as the world’s most average woman, who has “finished” Netflix, but understands little of what has happened around her own bubble in the world at large. I mean, it is baffling, all of it! And together these voices and others fairly represent a lot of different types of fool to be lampooned. I missed Cunk, but essentially it served the same purpose.
You can expect from the Brooker team there will be no punches pulled, and at its best moments, Death to 2020, is almost worth standing up and applauding for making sense of things we have all been thinking for almost a year. Of course, part of the joke being that to make an historical documentary about a year that wasn’t even over at the time it was released on Netflix is as bizarre and ridiculous as the way any other news item has been the entire time we have experienced it in reality.
There is a British slant on things for a while, but inevitably the target becomes the US election and the Trump administration, which is a gold mine for all things silly, because it barely needs admonishing to become entirely bonkers! I felt like it could have been a little longer than just over an hour, to fit every angle of Covid and Trump and Boris and everything else in, but it also almost outstays its welcome as it is, so in the end I think they made the right call in leaving some issues out. Despite that it does move along at such a pace that often the joke flies past you before you can properly think about it.
The problem with it as a production is that it is neither a movie or a TV show, but some kind of inbetween thing, with as many ideas that don’t work as the ones that do, and not as many laugh out loud moments as there maybe should have been. Nor were there many moments of real weight, where the rug of comedy is pulled from under your feet and the truth and gravity of events is seen in terrifying reality and perspective for a moment – a trick Brooker usually employs on Yearly Wipe. And that was a shame. I missed that part of it, and felt it needed it.
For me, it was a take it or leave it kind of thing. Sure, it killed an hour or so and wasn’t bad in any way, but it wasn’t anything you’re gonna be shouting from the rooftops about. Maybe one or two moments will come up in conversation between two friends that saw it, but no one is saying “wow, that really hit the nail on the head”. Rather, it was a little silly, somewhat distracting and entirely throw-away.
Bring back the old format, Charlie, when you can. It was much more effective, and funny! I think you know that yourself.
There are also some random big names delivering the sarcastic views on the headlines too: Samuel L. Jackson kicks it all off; Hugh Grant adds to his list of heavily made up characters (and is probably the highlight) as a crusty old historian who struggles to put it all into context; Lisa Kudrow represents the Trump mentality in the form of a Republican press officer who plays hard and loose with the facts and the enforcement of facts; and even Tracey Ullman is dragged out of obscurity to play The Queen (which I didn’t entirely see the point of).
Last, but actually far from least, is Joe Keery, who most will recognise as Steve Harrington in Stranger Things – he represents all youth and the social media generation, claiming some of the most pertinent lines of observation about attitudes and the need to be noticed and relevant, using the news as a basis to flaunt your own opinion and gain followers, as well as a soapbox to show the world how much you have suffered as the world suffers.
Diane Morgan, known for her hilarious regilar turns as Philomena Cunk, tries out an alternate role as the world’s most average woman, who has “finished” Netflix, but understands little of what has happened around her own bubble in the world at large. I mean, it is baffling, all of it! And together these voices and others fairly represent a lot of different types of fool to be lampooned. I missed Cunk, but essentially it served the same purpose.
You can expect from the Brooker team there will be no punches pulled, and at its best moments, Death to 2020, is almost worth standing up and applauding for making sense of things we have all been thinking for almost a year. Of course, part of the joke being that to make an historical documentary about a year that wasn’t even over at the time it was released on Netflix is as bizarre and ridiculous as the way any other news item has been the entire time we have experienced it in reality.
There is a British slant on things for a while, but inevitably the target becomes the US election and the Trump administration, which is a gold mine for all things silly, because it barely needs admonishing to become entirely bonkers! I felt like it could have been a little longer than just over an hour, to fit every angle of Covid and Trump and Boris and everything else in, but it also almost outstays its welcome as it is, so in the end I think they made the right call in leaving some issues out. Despite that it does move along at such a pace that often the joke flies past you before you can properly think about it.
The problem with it as a production is that it is neither a movie or a TV show, but some kind of inbetween thing, with as many ideas that don’t work as the ones that do, and not as many laugh out loud moments as there maybe should have been. Nor were there many moments of real weight, where the rug of comedy is pulled from under your feet and the truth and gravity of events is seen in terrifying reality and perspective for a moment – a trick Brooker usually employs on Yearly Wipe. And that was a shame. I missed that part of it, and felt it needed it.
For me, it was a take it or leave it kind of thing. Sure, it killed an hour or so and wasn’t bad in any way, but it wasn’t anything you’re gonna be shouting from the rooftops about. Maybe one or two moments will come up in conversation between two friends that saw it, but no one is saying “wow, that really hit the nail on the head”. Rather, it was a little silly, somewhat distracting and entirely throw-away.
Bring back the old format, Charlie, when you can. It was much more effective, and funny! I think you know that yourself.
Leanne Crabtree (480 KP) rated Obscura Burning in Books
Jan 12, 2021
3.5 stars.
I love the cover of this. It's very sci-fi-y and drew my attention straight away before I even read the synopsis.
So I found this to be a bit confusing with the continuous switching between realities and it took me a while to get used to it, especially keeping up with how all the other characters interacted with Kyle between the two realities he was living. In one people are alive who should have been dead, in the other he was friends with a girl who treated him like crap in the former. Another strange fact is that while he's in one alternate universe, he continues to function in the other, so he zips back and forth and can be in the middle of doing something that he then doesn't remember starting.
The girl I just mentioned above, Mya, tries to help Kyle figure out what's happening by taking him to a scientist/professor who did a paper on multiverses. In the "Danny's dead" world, I really like her, she's friendly and fun, while in "Shira's dead" world, well, she's not. (I think I got that right...)
As for Danny and Shira, I don't think I was a fan of them from the start. I'm not sure why, maybe it was because we never really saw enough of them, or the them before the fire that injured/killed them. But by the end, I definitely didn't like them.
The writing style was easy to get into and I kinda devoured the book when I finally just sat back and let myself read it without any distractions.
Don't be put off with it having a gay relationship in it, there's nothing overtly graphic between Danny and Kyle, just references, it doesn't go into great detail. It doesn't go into detail with Kyle's female relationships either.
This was probably a little too sci-fi for me; alternate universes? Erm...not really my thing but I did enjoy it. If you like sci-fi and mystery then you'll probably like this.
I love the cover of this. It's very sci-fi-y and drew my attention straight away before I even read the synopsis.
So I found this to be a bit confusing with the continuous switching between realities and it took me a while to get used to it, especially keeping up with how all the other characters interacted with Kyle between the two realities he was living. In one people are alive who should have been dead, in the other he was friends with a girl who treated him like crap in the former. Another strange fact is that while he's in one alternate universe, he continues to function in the other, so he zips back and forth and can be in the middle of doing something that he then doesn't remember starting.
The girl I just mentioned above, Mya, tries to help Kyle figure out what's happening by taking him to a scientist/professor who did a paper on multiverses. In the "Danny's dead" world, I really like her, she's friendly and fun, while in "Shira's dead" world, well, she's not. (I think I got that right...)
As for Danny and Shira, I don't think I was a fan of them from the start. I'm not sure why, maybe it was because we never really saw enough of them, or the them before the fire that injured/killed them. But by the end, I definitely didn't like them.
The writing style was easy to get into and I kinda devoured the book when I finally just sat back and let myself read it without any distractions.
Don't be put off with it having a gay relationship in it, there's nothing overtly graphic between Danny and Kyle, just references, it doesn't go into great detail. It doesn't go into detail with Kyle's female relationships either.
This was probably a little too sci-fi for me; alternate universes? Erm...not really my thing but I did enjoy it. If you like sci-fi and mystery then you'll probably like this.
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Near-future Britain is not just a nation under surveillance but one built on it: a radical...
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Erika Kehlet (21 KP) rated Eden at the Edge of Midnight (The Vara Volumes, #1) in Books
Feb 21, 2018
***NOTE: I received a free copy of this book from StoryCartel in exchange for an honest review***
This was a well-written fantasy with well defined and realistic characters. That always makes it so much easier to be concerned for their well-being, and I did care what happened to Sammy and her companions. Sammy is an average human teenage girl who finds herself alone on a strange world, trying to survive and find her way home. Along with her new-found companion Mehrak and his dinosaur/house Louis, Sammy has to escape crabmen, decide which of those trying to help her are really on her side, and find the book that will show her the way to get back to Earth.
I started to panic about 20 pages from the end because I knew there was not enough time for everything that I wanted to happen, to happen! Thankfully book 2 is on the way, but I will have to wait until October to read Back to the Vara.
This was a well-written fantasy with well defined and realistic characters. That always makes it so much easier to be concerned for their well-being, and I did care what happened to Sammy and her companions. Sammy is an average human teenage girl who finds herself alone on a strange world, trying to survive and find her way home. Along with her new-found companion Mehrak and his dinosaur/house Louis, Sammy has to escape crabmen, decide which of those trying to help her are really on her side, and find the book that will show her the way to get back to Earth.
I started to panic about 20 pages from the end because I knew there was not enough time for everything that I wanted to happen, to happen! Thankfully book 2 is on the way, but I will have to wait until October to read Back to the Vara.
ClareR (6225 KP) rated The Shapeshifter’s Daughter in Books
May 25, 2026
The Shapeshifters Daughter is a thoroughly enjoyable story, where Hel, Norse Goddess of the Underworld, escapes and makes her way to Midgard (the human world). Hel’s story is told alongside that of Helen, a woman in her 50’s, who on finding out that she has terminal cancer, decides to return to Orkney to make peace with her past and die there. Helen reconnects with Thorfinn (Thor), who helps her to navigate her final weeks with both friendship and love.
Hel and Helen’s stories are told pretty much separately, and they work well as such. It was interesting how they later became connected via a community grief group, and Hel’s role in Helen’s death.
It’s all beautifully told: Helen’s story is tragic, Hel’s is equally so but from a different perspective (it seems Gods are never very nice to one another).
I’ll warn you now: it’s a sad story, and I’m very sure that you can guess what happens in the end - the journey is worth it though!
Hel and Helen’s stories are told pretty much separately, and they work well as such. It was interesting how they later became connected via a community grief group, and Hel’s role in Helen’s death.
It’s all beautifully told: Helen’s story is tragic, Hel’s is equally so but from a different perspective (it seems Gods are never very nice to one another).
I’ll warn you now: it’s a sad story, and I’m very sure that you can guess what happens in the end - the journey is worth it though!