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Gareth von Kallenbach (971 KP) rated A Christmas Carol (2009) in Movies
Aug 9, 2019
The timeless classic A Christmas Carol by Charles Dickens has been one of the most beloved and adapted stories in history. There have been numerous movies, plays, radio, and television shows that have told the story for several generations as well as adapted films such as “Scrooged” and “Ghosts of Girlfriends Past” which were inspired by the timeless tale of redemption.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
Eilidh G Clark (177 KP) rated My Name is Leon in Books
Jul 2, 2019
Contains spoilers, click to show
Shortlisted for the Costa First Novel Award, My Name is Leon (2016) by Kit De Waal is a heart tugging, sad yet hopeful book. Set in England the late 1970's - early 1980's, Leon and his baby brother Jake are living with single mother Carol. Leon's father is in prison and Jakes father is married and wants nothing to do with Carol or the child. Carol is terribly lonely and desperately unhappy. Struggling with deep depression, the mother's fragile state leaves her unable to care for her children :
Leon has begun to notice things what make his mum cry: when Jake makes a lot of noise; when she hasn't got any money; when she comes back from the phone box; when Leon asks too many questions; and when she's staring at Jake, (p.12).
After Carol takes to her bed, Leon, at just nine years old, takes on the role of carer and parent. Through the eyes of this young boy, the reader watches his world fall apart, fragment by fragment.
Eventually the boys are taken into care and find solace in the home of Maureen, an experienced foster carer with a deep love for both cakes and children. Maureen is a lovable character who feels a deep affinity for Leon, even though Leon is highly suspicious of anyone in the care system, but when Jake is adopted, it is Maureen who picks up the pieces. It is perhaps her honesty rather than her role as parent that soothes Leon in his most difficult times:
'Now listen carefully because I want you to understand something and I don't say this to all the children because it's not always true but with you it's true so you have to believe it. And when you believe it you will stop grinding your teeth [...] You will be all right, Leon.' (p.55-56).
But when Maureen is taken into hospital, Leon is left with Maureen's sister Sylvia, a less motherly role model than Maureen but with a desire to please her sister none the less. Their relationship is strained and often uncomfortable, but soon enough Leon finds comfort in a new friend, Tufty. Tufty is a young man who looks after a plot in his father's allotment. The man and the boy form a friendship that grows alongside the seeds that they plant in the garden, so when they both find themselves in the midst of the Birmingham riots, they naturally come together to save each other.
This is a coming of age story unlike any other, it is not a happy ever after but hope for a child and his future.
I love this novel, it is clearly written with believable characters and honest emotions. At the start of the novel I was concerned about the character's point of view - a third person limited perspective from the child's perspective - but it is cleverly done. While the reader gathers glimpses of emotions from inside Leon's head, there is still enough distance to feel the tug of the story from the outside. It is as if the reader is holding the child's hand and experiencing his life with him as it unfolds. Brilliantly done and brilliantly written. Go Leon.
Leon has begun to notice things what make his mum cry: when Jake makes a lot of noise; when she hasn't got any money; when she comes back from the phone box; when Leon asks too many questions; and when she's staring at Jake, (p.12).
After Carol takes to her bed, Leon, at just nine years old, takes on the role of carer and parent. Through the eyes of this young boy, the reader watches his world fall apart, fragment by fragment.
Eventually the boys are taken into care and find solace in the home of Maureen, an experienced foster carer with a deep love for both cakes and children. Maureen is a lovable character who feels a deep affinity for Leon, even though Leon is highly suspicious of anyone in the care system, but when Jake is adopted, it is Maureen who picks up the pieces. It is perhaps her honesty rather than her role as parent that soothes Leon in his most difficult times:
'Now listen carefully because I want you to understand something and I don't say this to all the children because it's not always true but with you it's true so you have to believe it. And when you believe it you will stop grinding your teeth [...] You will be all right, Leon.' (p.55-56).
But when Maureen is taken into hospital, Leon is left with Maureen's sister Sylvia, a less motherly role model than Maureen but with a desire to please her sister none the less. Their relationship is strained and often uncomfortable, but soon enough Leon finds comfort in a new friend, Tufty. Tufty is a young man who looks after a plot in his father's allotment. The man and the boy form a friendship that grows alongside the seeds that they plant in the garden, so when they both find themselves in the midst of the Birmingham riots, they naturally come together to save each other.
This is a coming of age story unlike any other, it is not a happy ever after but hope for a child and his future.
I love this novel, it is clearly written with believable characters and honest emotions. At the start of the novel I was concerned about the character's point of view - a third person limited perspective from the child's perspective - but it is cleverly done. While the reader gathers glimpses of emotions from inside Leon's head, there is still enough distance to feel the tug of the story from the outside. It is as if the reader is holding the child's hand and experiencing his life with him as it unfolds. Brilliantly done and brilliantly written. Go Leon.
Phil Leader (619 KP) rated The Court of the Air (Jackelian, #1) in Books
Nov 11, 2019
The land of Jackals is under threat. Ancient foes are threatening its people and its borders. Who can save the land?
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Phil Leader (619 KP) rated A Night Inn Hell in Books
Nov 21, 2019
This is the first book in a trilogy about a remote and haunted inn - the Hang Inn - where each book tells the story of how some of the souls came to be trapped there. The bulk of the story is set at the end of the 19th century, with the first and last chapters set in contemporary times and told from the point of view of one of the haunting spirits. In preparing to scare a couple of tourists visiting the notorious haunted in, the narrator tells the reader their story.
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Darren (1599 KP) rated The King (2019) in Movies
Nov 27, 2019
Verdict: Another King Fighting Film
Story: The King starts as the war between the English and the Scots continues to rage on, King Henry IV (Mendlesohn) is getting tired of the bloodshed and disloyalty being found in his own soldiers and with his health getting worse he recalls his son Hal (Chalamet) to his side.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Hello, I Love You in Books
Jan 23, 2020
<b>I listen to far too much kpop songs for my own good.</b> When I heard that <i>Hello, I Love You</i> is a book about kpop, I just <i>had</i> to read the book.
<b>I despise this. Katie Stout's debut novel isn't about kpop</b> – that's just a small element. It's just about <b>an American girl trying to run away from her past and ends up falling in love with a Korean superstar</b>. Oh, and <b>that Korean superstar is also running away from HIS past,</b> so hooray! Past runners colliding.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/--1WHSx-iaa4/Vcu_9iIqSpI/AAAAAAAAE5w/ZOJm3UkK-e8/s1600/sigh.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/sigh.gif"; width="188" height="200" border="0" /></a></div>
It's obvious <b>Grace didn't do much "research." She's tired of eating rice every day, and she wrinkles her nose in disgust at fish</b> – does she realize that <b>rice and seafood is quite <i>literally</i> associated with every part of Asian culture</b> or what? How else do Koreans or Japanese survive when they're surrounded by ocean all around (the seafood part)?
Grace's <b>research basically consisted of typing in "international boarding schools," clicking on the first result that seemed interesting and decided, "Why not? It's the way out."</b> She doesn't even know <i>why</i> she chose Korea. It's <b>all about running away from the past,</b> and that was probably repeated multiple times in the book. <b>I just want to throw a book at Grace and say, "Suck it up, buttercup."</b>
<blockquote>I've kept a big distance from it because it reminds me too much of my past, too much of what I left behind.</blockquote>
Methinks the lady doth protest too much.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-FXuDDyyknZc/Vcu_2-_rRRI/AAAAAAAAE5o/8E4pJbSzM1Q/s1600/angry-gif-o.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/angry-gif-o.gif"; border="0" /></a></div>
I suppose I can't blame her because <b>the mom's worse – she's all, "Hi, Korea. I'm FARRR more superior than you."</b> *sticks nose up and saunters away in ten-inch heels* <b>If Grace is so "language impaired," she could have considered England, Canada, Australia or New Zealand where English is the primary language, thank you very much. -_-</b>
<div class="separator" style="clear: both; text-align: center;"><b><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-D4yvObK8a5g/VcvAC60UhSI/AAAAAAAAE58/wJW7gAeQ96c/s1600/you%2Bgot%2Bproblems.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/yougotproblems.gif"; width="320" height="180" border="0" /></a></b></div>
<b>
I'm not happy at all. I'm not even Korean. I'm Chinese and Vietnamese. I don't know if my Asian meter has been insulted or not.</b> I suppose I'll applaud Stout for trying to write a book about kpop, but that's about as far as I'll go for <i>Hello, I Love You</i>.
<a href="https://bookwyrmingthoughts.com/review-hello-i-love-you-by-katie-m-stout/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>I despise this. Katie Stout's debut novel isn't about kpop</b> – that's just a small element. It's just about <b>an American girl trying to run away from her past and ends up falling in love with a Korean superstar</b>. Oh, and <b>that Korean superstar is also running away from HIS past,</b> so hooray! Past runners colliding.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/--1WHSx-iaa4/Vcu_9iIqSpI/AAAAAAAAE5w/ZOJm3UkK-e8/s1600/sigh.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/sigh.gif"; width="188" height="200" border="0" /></a></div>
It's obvious <b>Grace didn't do much "research." She's tired of eating rice every day, and she wrinkles her nose in disgust at fish</b> – does she realize that <b>rice and seafood is quite <i>literally</i> associated with every part of Asian culture</b> or what? How else do Koreans or Japanese survive when they're surrounded by ocean all around (the seafood part)?
Grace's <b>research basically consisted of typing in "international boarding schools," clicking on the first result that seemed interesting and decided, "Why not? It's the way out."</b> She doesn't even know <i>why</i> she chose Korea. It's <b>all about running away from the past,</b> and that was probably repeated multiple times in the book. <b>I just want to throw a book at Grace and say, "Suck it up, buttercup."</b>
<blockquote>I've kept a big distance from it because it reminds me too much of my past, too much of what I left behind.</blockquote>
Methinks the lady doth protest too much.
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I suppose I can't blame her because <b>the mom's worse – she's all, "Hi, Korea. I'm FARRR more superior than you."</b> *sticks nose up and saunters away in ten-inch heels* <b>If Grace is so "language impaired," she could have considered England, Canada, Australia or New Zealand where English is the primary language, thank you very much. -_-</b>
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I'm not happy at all. I'm not even Korean. I'm Chinese and Vietnamese. I don't know if my Asian meter has been insulted or not.</b> I suppose I'll applaud Stout for trying to write a book about kpop, but that's about as far as I'll go for <i>Hello, I Love You</i>.
<a href="https://bookwyrmingthoughts.com/review-hello-i-love-you-by-katie-m-stout/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Spellhacker in Books
Jan 23, 2020
Review going live on the blog at midnight EST because UBB doesn't want to get along with block editor.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.
Gareth von Kallenbach (971 KP) rated The Finest Hours (2016) in Movies
Aug 6, 2019
The Finest Hours tells the story of four men who, in February of 1952, undertook one of the most daring rescue attempts in the history of the Unites States Coast Guard. A tanker, the SS Pendleton, is caught in a storm off the coast of New England and is ripped in half, leaving more than 30 sailors adrift and sinking. While Bernard Webber (Chris Pine) leads an impossible rescue in a lifeboat designed to hold only 12, his fiancée, Miriam (Holliday Grainger), struggles to come to terms with what it means to be the wife of a man who has to willingly risk his life for others.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
Sean Freese (4 KP) rated The Witch (2015) in Movies
Jun 25, 2020
THE VVITCH
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
Gareth von Kallenbach (971 KP) rated Jungle Cruise (2021) in Movies
Jul 28, 2021
Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5