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Acanthea Grimscythe (300 KP) rated The Bone Witch (The Bone Witch, #1) in Books
May 16, 2018
The Bone Witch is set in a fantasy world comprised of eight kingdoms, each with their own distinct customs. Some of these kingdoms echo the cultures of the Middle East and others, namely Kion and the asha-ka, the home of the female magic users, are heavily influenced by Asian traditions. In fact, reading The Bone Witch was, in a way, a lot like reading Memoirs of a Geisha, only instead of preparing a girl's virginity for auction, the Houses of the asha-ka sell a much cleaner form of entertainment: performances and magic, to be specific. When they are discovered, the soon-to-be asha are taken away and trained so that they can properly use their abilities. Because of their talents, they are often respected - except for the bone witches, or Dark asha. These are the necromancers of the world that Chupeco has created.
Chupeco has spared nothing in the creation of her world, from elaborate cities and countries, to detailed garb, to the daeva, creatures of supposedly evil origin. She's even created a unique tradition among the denizens of her world, where they quite literally wear their hearts - only it is on their necks, rather than their sleeves. An individual's heartsglass reflects who and what they are, allowing potential asha and Deathseekers to begin their training early in their lives.
It is because of the daeva that bone witches are an unwanted necessity among the eight kingdoms, and it is by accident that we are introduced to Tea, a young girl who, after learning of her older brother's death, becomes so distraught that she accidentally raises him from his grave. From there, we follow Tea's journey to becoming a full-fledged asha, and while the story does have a bit of a lull in its center where nothing happens (I would have put it down if it weren't for the fact that I tend to do my best to finish advance copies), the ending picks up and twists in ways that are surprising. In fact, I found myself completely surprised by not one, but two of the revelations the reader encounters near the end of the book.
The Bone Witch switches between two perspectives in each chapter, with the first portion, the "flashback" for lack of a better word, told from Tea's perspective. At the end of each chapter, in italics, is a few short passages told from the perspective of a bard that has been exiled from his homeland. The italics take place in present day and hint at something much, much larger arriving in the near future while introducing the reader to the young woman that Tea has become.
There does seem to be lack of depth to many of the characters. Tea's brother, Fox, after he is risen from the grave, appears to lack personality. His only drive seems to be protecting his sister, though it is alluded to that in the future, we may see a lot of development to his character (or so I hope). Aside from those asha that belong to House Valerian, only a few of the characters seem to have truly dynamic characteristics.
In regards to that "lull" in the book, I must admit that it is nearly impossible to get through - especially if the reader has a short attention span. Too much time is spent on details that appear to be largely unimportant to the story - such as the fine tuning of Tea's training. Also, while the descriptions of the hua, the garb worn by the asha, are beautifully written, they are a bit too detailed. I could do with a bit less exposition in that regard.
Needless to say, it is going to be a long wait for the next book, and I can't wait for it - those last few chapters really made a difference. Thanks to NetGalley, the publisher, and Rin Chupeco for providing me with an advance copy of the book in exchange for an unbiased and honest review.
Chupeco has spared nothing in the creation of her world, from elaborate cities and countries, to detailed garb, to the daeva, creatures of supposedly evil origin. She's even created a unique tradition among the denizens of her world, where they quite literally wear their hearts - only it is on their necks, rather than their sleeves. An individual's heartsglass reflects who and what they are, allowing potential asha and Deathseekers to begin their training early in their lives.
It is because of the daeva that bone witches are an unwanted necessity among the eight kingdoms, and it is by accident that we are introduced to Tea, a young girl who, after learning of her older brother's death, becomes so distraught that she accidentally raises him from his grave. From there, we follow Tea's journey to becoming a full-fledged asha, and while the story does have a bit of a lull in its center where nothing happens (I would have put it down if it weren't for the fact that I tend to do my best to finish advance copies), the ending picks up and twists in ways that are surprising. In fact, I found myself completely surprised by not one, but two of the revelations the reader encounters near the end of the book.
The Bone Witch switches between two perspectives in each chapter, with the first portion, the "flashback" for lack of a better word, told from Tea's perspective. At the end of each chapter, in italics, is a few short passages told from the perspective of a bard that has been exiled from his homeland. The italics take place in present day and hint at something much, much larger arriving in the near future while introducing the reader to the young woman that Tea has become.
There does seem to be lack of depth to many of the characters. Tea's brother, Fox, after he is risen from the grave, appears to lack personality. His only drive seems to be protecting his sister, though it is alluded to that in the future, we may see a lot of development to his character (or so I hope). Aside from those asha that belong to House Valerian, only a few of the characters seem to have truly dynamic characteristics.
In regards to that "lull" in the book, I must admit that it is nearly impossible to get through - especially if the reader has a short attention span. Too much time is spent on details that appear to be largely unimportant to the story - such as the fine tuning of Tea's training. Also, while the descriptions of the hua, the garb worn by the asha, are beautifully written, they are a bit too detailed. I could do with a bit less exposition in that regard.
Needless to say, it is going to be a long wait for the next book, and I can't wait for it - those last few chapters really made a difference. Thanks to NetGalley, the publisher, and Rin Chupeco for providing me with an advance copy of the book in exchange for an unbiased and honest review.
Ben Howkins (7 KP) rated Alita: Battle Angel (2019) in Movies
Feb 17, 2019
Muddled plot (1 more)
Forced ending
Alita's more mortal than angel
The basic plot of the film is: about 300 years after a large war called “The Fall” a cyborg repairer/ doctor called Dr Dyson Ido finds the dismembered but still functioning body of a young girl in the scrapheap of rubbish dumped from Zalem, the last remaining sky city from before “The Fall”. After Ido is able to connect the remains to a cyborg body he had made for his late daughter, the girl awakes with no memories of who or what she is. To help her, Ido decides to look after, treating her as if she had a new start in life, even giving her a new name, Alita, after his late daughter whose body she had. Unfortunately though whilst creating her new life in Iron City, Alita starts to remember things about her past and who she truly is, learns that some of the people who she thinks she knows aren’t quite what they seem and most worryingly starting to attract the attention of some bad people.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
Inky Books (3 KP) rated The Queen of the Tearling in Books
Jun 21, 2018
Here’s the book I’ve been looking for! I’ve been waiting and searching and looking for a book that would hold my interest long enough to get through it. While I listened to the book instead of reading it because of the little time I have because of school and work (six classes plus 20 hours a week, why do I do this to myself?) plus trying to train my new puppy, I just haven’t had enough time to sleep, let alone read a book. So listening to books on my 1 hour + commute to and from school and work six days a week was the only option.
I’m so glad I found this book because I could borrow it right away from the library. I had seen it, decided a few times not to buy the book because of the books I still haven’t read, so I just jumped at the chance.
So, let us start at the beginning. It was slow to start. I wasn’t connected to any of the characters, I didn’t have much of an interest other than just entertainment. There were a lot of people introduced at once and I had a hard time keeping them straight at first. Over time the characters got sorted out and each had their own personality.
This book was told from a few different perspectives, but for the most part it added important details to the story. It was interesting to see the thoughts of some people other than Kelsea, and it rounded out the story better than if it would have been just her perspective.
However, with the change in perspectives I found that I had a few issues with one character in particular. Javel is a complicated character, and not in the way most people like. His inner monologue has him come off as a strong character, one that doesn’t take crap. His actions and words tell a completely different story. Javel is a weak man. I was very unimpressed with his character and his story until the very, very end. He only had that one redeeming quality, but it paled against everything else about him.
Kelsea is a character I can defiantly stand behind, though there are two things that irked me. This is more about the writing of the book than it is about Kelsea herself, but that fact that she’s plain, not beautiful, was mentioned so often that I got very annoyed. She’s not as beautiful as her mother was, so what? She looked plain standing next to this woman. Yeah, so what’s your point? I get that she is plain but it doesn’t need to be mentioned multiple times in the first chapter and at least once in all the other chapters. The second was that she sees beauty as vanity. Just because a women is beautiful doesn’t mean she’s automatically a rival or that she’s worthless. It annoyed me that every woman was more beautiful than Kelsea could have imagined. Yeah, well get used to it. You’re the queen now, you’re going to be surrounded by beautiful people.
The one other issue I had was with the timing of everything. I can’t get a sense of how long it was from the begging of the book to the end, and it jumps forward weeks ahead with little explanation.
Despite those problems that I have with the book I really enjoyed it. Very rarely do I get to read about queens taking their keep by storm and upturning everything in her wake. Usually Princesses or other random girls are the main character, and this made me happy. It gave me an insight to what her life was like as queen without boring me.
The plot twist was rather predictable, I had it figured out from halfway through the book, but the way it was handled in the end was interesting.
This author isn’t afraid of killing her characters or going into details most would just briefly skim over. It was refreshing. I can’t wait to listen to or read the next book to see what happens from here!
I’m so glad I found this book because I could borrow it right away from the library. I had seen it, decided a few times not to buy the book because of the books I still haven’t read, so I just jumped at the chance.
So, let us start at the beginning. It was slow to start. I wasn’t connected to any of the characters, I didn’t have much of an interest other than just entertainment. There were a lot of people introduced at once and I had a hard time keeping them straight at first. Over time the characters got sorted out and each had their own personality.
This book was told from a few different perspectives, but for the most part it added important details to the story. It was interesting to see the thoughts of some people other than Kelsea, and it rounded out the story better than if it would have been just her perspective.
However, with the change in perspectives I found that I had a few issues with one character in particular. Javel is a complicated character, and not in the way most people like. His inner monologue has him come off as a strong character, one that doesn’t take crap. His actions and words tell a completely different story. Javel is a weak man. I was very unimpressed with his character and his story until the very, very end. He only had that one redeeming quality, but it paled against everything else about him.
Kelsea is a character I can defiantly stand behind, though there are two things that irked me. This is more about the writing of the book than it is about Kelsea herself, but that fact that she’s plain, not beautiful, was mentioned so often that I got very annoyed. She’s not as beautiful as her mother was, so what? She looked plain standing next to this woman. Yeah, so what’s your point? I get that she is plain but it doesn’t need to be mentioned multiple times in the first chapter and at least once in all the other chapters. The second was that she sees beauty as vanity. Just because a women is beautiful doesn’t mean she’s automatically a rival or that she’s worthless. It annoyed me that every woman was more beautiful than Kelsea could have imagined. Yeah, well get used to it. You’re the queen now, you’re going to be surrounded by beautiful people.
The one other issue I had was with the timing of everything. I can’t get a sense of how long it was from the begging of the book to the end, and it jumps forward weeks ahead with little explanation.
Despite those problems that I have with the book I really enjoyed it. Very rarely do I get to read about queens taking their keep by storm and upturning everything in her wake. Usually Princesses or other random girls are the main character, and this made me happy. It gave me an insight to what her life was like as queen without boring me.
The plot twist was rather predictable, I had it figured out from halfway through the book, but the way it was handled in the end was interesting.
This author isn’t afraid of killing her characters or going into details most would just briefly skim over. It was refreshing. I can’t wait to listen to or read the next book to see what happens from here!
Gareth von Kallenbach (971 KP) rated Cinderella Man (2005) in Movies
Aug 14, 2019
In the late 1920’s Jim Braddock was a boxer with a future. After many wins, he was poised to take his place as one of the greatest boxers of his time. Things took a bad turn for Jim in 1929 when he first lost a 15 round decision to Tommy Loughran, and then lost everything in the Stock Market Crash.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.
Gareth von Kallenbach (971 KP) rated Grindhouse (2007) in Movies
Aug 14, 2019
Back in the 70’s cheaply made independent films often came into their own. The studio released films were drawing smaller audiences’ thanks in large part to the arrival of color television and a greater variety of entertainment that people could view in their homes.
During this time, the Blaxploitation era as it became known, saw many films become big hits thanks to the films modest budgets and subject matter that was quite different from the films of the day. Aside from Blaxploitation, there were also sexploitation films as well as action and horror films that embraced the urban and youth cultures of the time and were loaded with sex, violence, and anti-establishment themes.
The films were often show nonstop in all night theaters known as “Grind houses”, where repeated showings of prints caused them to have image blemishes as films were usually shown in a city for a week before the same print was whisked off to a new city for even more wear and tear.
Inspired by the classic exploitation films of old, Directors Quentin Tarantino and Robert Rodriguez have teamed up to treat audience to a modern day ” Grind house” experience that comes complete with nostalgic intros and credits as well as movie trailers for exploitation films that the duo has not yet created.
The first film is “Planet Terror” and stars Rose McGowan as a Go Go Dancer named Cherry who is about to have a very bad night thanks to a deal gone wrong between a shadowy soldier (Bruce Willis), and a mysterious scientist (Naveen Andrews).
Before long, Cherry is minus a leg, and living in a town overrun by zombie like creatures, which forces her and a band of survivors to fight the deadly invaders to get to the bottom of the mystery.
The film is packed with gore, action, and enough cheesy lines to make even the most jaded moviegoer wince, yet all is done with loving reverence to the genre films that inspired it.
Rodriguez even includes little glitches in the film to give a sense of realism to the film. Were it not for the starts of today and some slightly better effects work, you could easily believe that this was a film from the era.
The second film is “Death Proof” and it stars Kurt Russell as Stuntman Mike. A man who drives a souped up hotrod and spreads mayhem wherever he goes. While the film does not have much of the signature dialogue that marks past Tarantino films,
it does have its moments and is one of the most demented, and intense car chase stories you will ever see.
I have gone very light on the plot recaps as to be honest, the films both have paper thin plots and characters which do not really warrant much examination.
To do so would be to miss the point of Grind House as the goal was to create two modern exploitation films that were true in character and form to the films that inspired them. Yes, this film had a budget that could have created well over a thousand such films back in the day, and has more stars than Hollywood Bld. But despite this, still would be worthy of those famed theaters of old.
There were many times that I noted the bad acting, lines, and other problems in the films, but reminded myself that flaws were for the most part intended.
I compare the experience to watching “Mystery Science Theater 3000”, in that you need to be familiar with the types of film being featured in order to get the full benefit.
I for one really enjoyed myself and I loved the false trailers that were included in the film as it was great fun not only watching them, but seeing the big name stars who helped create them getting in on the fun.
If you set your expectations accordingly, than Grind House may be the most nostalgic fun you have had at the movies in a long time.
During this time, the Blaxploitation era as it became known, saw many films become big hits thanks to the films modest budgets and subject matter that was quite different from the films of the day. Aside from Blaxploitation, there were also sexploitation films as well as action and horror films that embraced the urban and youth cultures of the time and were loaded with sex, violence, and anti-establishment themes.
The films were often show nonstop in all night theaters known as “Grind houses”, where repeated showings of prints caused them to have image blemishes as films were usually shown in a city for a week before the same print was whisked off to a new city for even more wear and tear.
Inspired by the classic exploitation films of old, Directors Quentin Tarantino and Robert Rodriguez have teamed up to treat audience to a modern day ” Grind house” experience that comes complete with nostalgic intros and credits as well as movie trailers for exploitation films that the duo has not yet created.
The first film is “Planet Terror” and stars Rose McGowan as a Go Go Dancer named Cherry who is about to have a very bad night thanks to a deal gone wrong between a shadowy soldier (Bruce Willis), and a mysterious scientist (Naveen Andrews).
Before long, Cherry is minus a leg, and living in a town overrun by zombie like creatures, which forces her and a band of survivors to fight the deadly invaders to get to the bottom of the mystery.
The film is packed with gore, action, and enough cheesy lines to make even the most jaded moviegoer wince, yet all is done with loving reverence to the genre films that inspired it.
Rodriguez even includes little glitches in the film to give a sense of realism to the film. Were it not for the starts of today and some slightly better effects work, you could easily believe that this was a film from the era.
The second film is “Death Proof” and it stars Kurt Russell as Stuntman Mike. A man who drives a souped up hotrod and spreads mayhem wherever he goes. While the film does not have much of the signature dialogue that marks past Tarantino films,
it does have its moments and is one of the most demented, and intense car chase stories you will ever see.
I have gone very light on the plot recaps as to be honest, the films both have paper thin plots and characters which do not really warrant much examination.
To do so would be to miss the point of Grind House as the goal was to create two modern exploitation films that were true in character and form to the films that inspired them. Yes, this film had a budget that could have created well over a thousand such films back in the day, and has more stars than Hollywood Bld. But despite this, still would be worthy of those famed theaters of old.
There were many times that I noted the bad acting, lines, and other problems in the films, but reminded myself that flaws were for the most part intended.
I compare the experience to watching “Mystery Science Theater 3000”, in that you need to be familiar with the types of film being featured in order to get the full benefit.
I for one really enjoyed myself and I loved the false trailers that were included in the film as it was great fun not only watching them, but seeing the big name stars who helped create them getting in on the fun.
If you set your expectations accordingly, than Grind House may be the most nostalgic fun you have had at the movies in a long time.
Phillip McSween (751 KP) rated Toy Story 3 (2010) in Movies
Jul 25, 2019
Character-Driven Masterpiece
There aren’t a lot of movie series’ that get better with each movie, but the Toy Story franchise has definitely accomplished that. Toy Story 3 is not just the best movie of the franchise to date, but it’s also one of the greatest movies ever made. Also, before I go any further: DAMN, it feels good to be posting another review. To quote John Wick: “Yeah, I’m thinking I’m back!” But I digress…In this third installment, Andy is all grown up and the gang sets their sights on a preschool where they hope to get played with everyday for eternity.
Acting: 10
It’s almost unfair when you think about the amazing cast of the Toy Story franchise. Tom Hanks and Tim Allen as Woody ad Buzz really have a way of putting you dead in the moment. These are toys, yet, somehow, the phenomenal acting jobs truly brings them to life as sentient beings. Their pain as well as their triumphs are felt throughout.
Beginning: 10
Yet another thing this franchise has gotten down to a science. The first five minutes of the movie puts you in a grand adventure where all the toys are facing off against each other. Then the next five minutes are heartbreaking. It’s a pleasant rollercoaster that sets the story up perfectly.
Characters: 10
The gang’s all here, including Cowgirl Jessie from the last movie and her horse Bullseye. In addition to having their own flavor and personality, I can really appreciate how Buzz and Woody continue to develop as characters. Buzz continues to try and be the voice of reason while Woody relies mainly on his emotion. I really enjoyed Lotso (Ned Beatty) as well, a purple teddy who smells like strawberries and walks with a cane. If those were his only interesting quirks that would be enough, but there is so much more to appreciate about his character that I won’t give away.
Cinematography/Visuals: 10
You know the visuals are at masterpiece levels when I’m marveling at a trash bag. A trash bag for God’s sake! But man the detail on this bag, the way it moved just so perfectly. I know, I’m a nutcase, but this trash bag! It’s the sheer attention to detail that blows my mind. There is another shot, and this one is probably my favorite, of Lotso stepping into the lights of a Tonka truck with his cronies to approach Buzz and the gang. The way the light hits perfectly casting shadows definitely tells me there are no shortages of geniuses at Pixar.
Conflict: 10
Entertainment Value: 10
Toy Story 3 is why I love movies. From bottom to top, it checks all the boxes. You will experience a wave of emotions and have fun the whole way.
Memorability: 10
The movie casts a memorable message about our ability to let go and move on. Watching this at different points in my life, every single time I could relate to Woody and his struggles with letting go. Oh yeah, and the film is super fun too. I can’t count the number of moments where I marveled at how this movie does things that creatively surpass the other two. Like Up, this is a movie that sticks with you long after you watch it.
Pace: 10
The longest of the three, yet it somehow feels like the shortest. There is always something exciting that’s happening. Its ebbs and flows move the story along with every single detail somehow feeling important.
Plot: 10
Watching this made me think, “Oh my goodness, they could do a hundred more of these and it would never get old.” This story stands alone and has actual plausibility…well, as toy stories go anyway. At one point, the movie moves from new adventure to crazy heist to prison break. And I’m here for all of it, every last piece.
Resolution: 10
Overall: 100
Watching a movie like this is like watching a talented gymnast perform an unforgettable routine. You know you want to give it a perfect score provided they stick the landing. Beginning, middle, and end Toy Story 3 establishes credibility as being epic and damn-near perfect. Landing stuck.
Acting: 10
It’s almost unfair when you think about the amazing cast of the Toy Story franchise. Tom Hanks and Tim Allen as Woody ad Buzz really have a way of putting you dead in the moment. These are toys, yet, somehow, the phenomenal acting jobs truly brings them to life as sentient beings. Their pain as well as their triumphs are felt throughout.
Beginning: 10
Yet another thing this franchise has gotten down to a science. The first five minutes of the movie puts you in a grand adventure where all the toys are facing off against each other. Then the next five minutes are heartbreaking. It’s a pleasant rollercoaster that sets the story up perfectly.
Characters: 10
The gang’s all here, including Cowgirl Jessie from the last movie and her horse Bullseye. In addition to having their own flavor and personality, I can really appreciate how Buzz and Woody continue to develop as characters. Buzz continues to try and be the voice of reason while Woody relies mainly on his emotion. I really enjoyed Lotso (Ned Beatty) as well, a purple teddy who smells like strawberries and walks with a cane. If those were his only interesting quirks that would be enough, but there is so much more to appreciate about his character that I won’t give away.
Cinematography/Visuals: 10
You know the visuals are at masterpiece levels when I’m marveling at a trash bag. A trash bag for God’s sake! But man the detail on this bag, the way it moved just so perfectly. I know, I’m a nutcase, but this trash bag! It’s the sheer attention to detail that blows my mind. There is another shot, and this one is probably my favorite, of Lotso stepping into the lights of a Tonka truck with his cronies to approach Buzz and the gang. The way the light hits perfectly casting shadows definitely tells me there are no shortages of geniuses at Pixar.
Conflict: 10
Entertainment Value: 10
Toy Story 3 is why I love movies. From bottom to top, it checks all the boxes. You will experience a wave of emotions and have fun the whole way.
Memorability: 10
The movie casts a memorable message about our ability to let go and move on. Watching this at different points in my life, every single time I could relate to Woody and his struggles with letting go. Oh yeah, and the film is super fun too. I can’t count the number of moments where I marveled at how this movie does things that creatively surpass the other two. Like Up, this is a movie that sticks with you long after you watch it.
Pace: 10
The longest of the three, yet it somehow feels like the shortest. There is always something exciting that’s happening. Its ebbs and flows move the story along with every single detail somehow feeling important.
Plot: 10
Watching this made me think, “Oh my goodness, they could do a hundred more of these and it would never get old.” This story stands alone and has actual plausibility…well, as toy stories go anyway. At one point, the movie moves from new adventure to crazy heist to prison break. And I’m here for all of it, every last piece.
Resolution: 10
Overall: 100
Watching a movie like this is like watching a talented gymnast perform an unforgettable routine. You know you want to give it a perfect score provided they stick the landing. Beginning, middle, and end Toy Story 3 establishes credibility as being epic and damn-near perfect. Landing stuck.
Darren (1599 KP) rated Knives Out (2019) in Movies
Nov 26, 2019
Verdict: Pure Fun
Story: Knives Out starts with the apparent suicide of Harlan Thrombey (Plummer) on his 85th birthday, the family Linda (Curtis), Walt (Shannon), Richard (Johnson), Joni (Collette) Meg (Langford), Jacob (Martell) and Ransom (Evans) were all in attendance along with Harlan’s nurse Marta (Armas).
Lieutenant Elliott (Stanfield) lets private investigator Benoit Blanc (Craig) look at the events of the night after he gets an anonymous request to investigate the death believing it was murder, with the whole family have cause to potentially murder.
Thoughts on Knives Out
Characters – Benoit Blanc is a private investigator that has a connection to the family and has been given an anonymous letter to investigate the death, he has his way which unlike the normal police will push the family for the truth, knowing most are lying when they talk to him. Marta Cabrera is the nurse to Harlan, she has the closest relationship to him, knowing most of the family secrets, while just working to make sure her family is secure. Harlan is the self-made millionaire author that has started to get disappointed by the behaviour of his own children. Linda is the eldest daughter who has her own real estate business that she is proud of her work, believing she has done better than the other siblings. Walt is the youngest son who runs the publication of the books, which has always seen him try to push his father into selling the rights to entertainment sources. Richard is the husband to Linda that has been caught by Harlan being forced into telling the truth or being exposed. Joni is the daughter in the law of the deceased son that is an influencer and has been getting an allowance since her husband’s death. Ransom is the black sheep of the family, son of Linda and Richard, he has always lived the life of luxury never having to work on anything himself. Meg is the daughter of Joni that is the closest of any of the younger family members to Marta, she has seen herself be put through school but Harlan. LT Elliott is leading the investigation to the death, he is happy to put it down as suicide, but will let Benoit lead his own investigate.
Performances – The performances here are a pure joy, Daniel Craig gives us a career best, Ana De Armas continues to rise up the Hollywood name list, proving herself with a sweet innocent figure, Chris Evans brings to light a character complete against the type we are used to seeing form him. Jamie Lee Curtis, Michael Shannon, Don Johnson and Toni Collette are wonderful too showing they can become anybody like we know from them. Everybody in this film is wonderful to watch.
Story – The story here follows a private investigator who decides to investigate an apparent suicide where he will dig up the family secrets to learn there might have been foul play. This story is a who-dun-it where everybody could be a suspect as nobody wants to tell the truth and everybody is hiding the truth too. There is a unique way of telling the story that will surprise you and turn the usual flow on its head, almost pointing out just how predictable certain TV shows involving a murder are. We do have plenty to unpack through the story, though there is a slight drag through the middle of the film.
Comedy/Crime/Mystery – The comedy comes from the colourful characters we get to meet and their actions, while the crime mystery mix together to keep us guessing to the complete truth of what happened, we get plenty of references to other crime stories too.
Settings – The film is mostly set on the grounds of the death, we have the luxury mansion, when we stay in this location everything does feel like ‘Clue’ but whether we leave it does take a little bit away from the quirky style.
Scene of the Movie – Ambulance arrives.
That Moment That Annoyed Me – We never learn where Marta is from, with the on running joke she is South American, each character claims she is from a different country.
Final Thoughts – This is a quirky joyful comedy that leaves you guessing to the truth with performances that shine throughout the film.
Overall: Entertaining Mystery.
Story: Knives Out starts with the apparent suicide of Harlan Thrombey (Plummer) on his 85th birthday, the family Linda (Curtis), Walt (Shannon), Richard (Johnson), Joni (Collette) Meg (Langford), Jacob (Martell) and Ransom (Evans) were all in attendance along with Harlan’s nurse Marta (Armas).
Lieutenant Elliott (Stanfield) lets private investigator Benoit Blanc (Craig) look at the events of the night after he gets an anonymous request to investigate the death believing it was murder, with the whole family have cause to potentially murder.
Thoughts on Knives Out
Characters – Benoit Blanc is a private investigator that has a connection to the family and has been given an anonymous letter to investigate the death, he has his way which unlike the normal police will push the family for the truth, knowing most are lying when they talk to him. Marta Cabrera is the nurse to Harlan, she has the closest relationship to him, knowing most of the family secrets, while just working to make sure her family is secure. Harlan is the self-made millionaire author that has started to get disappointed by the behaviour of his own children. Linda is the eldest daughter who has her own real estate business that she is proud of her work, believing she has done better than the other siblings. Walt is the youngest son who runs the publication of the books, which has always seen him try to push his father into selling the rights to entertainment sources. Richard is the husband to Linda that has been caught by Harlan being forced into telling the truth or being exposed. Joni is the daughter in the law of the deceased son that is an influencer and has been getting an allowance since her husband’s death. Ransom is the black sheep of the family, son of Linda and Richard, he has always lived the life of luxury never having to work on anything himself. Meg is the daughter of Joni that is the closest of any of the younger family members to Marta, she has seen herself be put through school but Harlan. LT Elliott is leading the investigation to the death, he is happy to put it down as suicide, but will let Benoit lead his own investigate.
Performances – The performances here are a pure joy, Daniel Craig gives us a career best, Ana De Armas continues to rise up the Hollywood name list, proving herself with a sweet innocent figure, Chris Evans brings to light a character complete against the type we are used to seeing form him. Jamie Lee Curtis, Michael Shannon, Don Johnson and Toni Collette are wonderful too showing they can become anybody like we know from them. Everybody in this film is wonderful to watch.
Story – The story here follows a private investigator who decides to investigate an apparent suicide where he will dig up the family secrets to learn there might have been foul play. This story is a who-dun-it where everybody could be a suspect as nobody wants to tell the truth and everybody is hiding the truth too. There is a unique way of telling the story that will surprise you and turn the usual flow on its head, almost pointing out just how predictable certain TV shows involving a murder are. We do have plenty to unpack through the story, though there is a slight drag through the middle of the film.
Comedy/Crime/Mystery – The comedy comes from the colourful characters we get to meet and their actions, while the crime mystery mix together to keep us guessing to the complete truth of what happened, we get plenty of references to other crime stories too.
Settings – The film is mostly set on the grounds of the death, we have the luxury mansion, when we stay in this location everything does feel like ‘Clue’ but whether we leave it does take a little bit away from the quirky style.
Scene of the Movie – Ambulance arrives.
That Moment That Annoyed Me – We never learn where Marta is from, with the on running joke she is South American, each character claims she is from a different country.
Final Thoughts – This is a quirky joyful comedy that leaves you guessing to the truth with performances that shine throughout the film.
Overall: Entertaining Mystery.
Darren (1599 KP) rated 6 Underground (2019) in Movies
Dec 13, 2019
Verdict: Completely Bonkers Entertainment
Story: 6 Underground starts as we meet the agents, One (Reynolds) the billionaire, Two (Laurent) the Spook, Three (Garcia-Rulfo) a hitman, Four (Hardy) the skywalker, Five (Arjona) the doctor and Six (Franco) the driver, whose latest mission in Italy has gone sour, seeing them use their skills to escape the threat coming their way, only to lose a member of the team, needing to find a new member to become a seven.
Recruiting Seven (Hawkins) we learn about the plans they group have, they look to eliminate dictators that nobody else would touch, placing the rightful person in charge of the country, with the latest mission being to head to Turgistan.
Thoughts on 6 Underground
Characters – One is the leader of the squad, he is a billionaire that faked his own death to build the squad which will fight against the dictators of the world, he recruits the very best, he uses the code name, he wants to use his wealth to solve the problems in the world, in a way being known really works, often given commentary on what is going on. Two is the ex-CIA spook that is the most deadly with a weapon, she is willing to lead any assault the team goes on. Three is a hitman that has been given a new life, he is the most reckless of the crew, he will break the rules, but give him a gun and he will get the job done. Four is known as the skywalker, he parkour skills are unbelievable, he will run through building roof tops, searching for routes for the team, getting involved when required, he is easily the most entertaining character of the squad. Five is the doctor, while she might have the weakest character development of the whole squad. Six is the driver that enjoys the thrills that come from the high speed chases. Seven is the newest member of the team, a former soldier bought in for his own skills, he does question the true identity of One, unlike anybody else.
Performances – Ryan Reynolds, is like he always is, wise cracking, fun to watch and always confident, something he needs to be for this role, thinking Deadpool, without the costume. Melanie Laurent does an excellent job in the spook role, with Manuel Garcia-Rulfo, Adria Arjona, Dave Franco and Corey Hawkins are strong too, though it is Ben Hardy that seems to steal the show.
Story – The story here follows an elite group of soldiers that have come from around the world to work together to stop dictators from maintaining their reigns of terror over their nations. While this story is hugely ambition and original, it shows how wealthy people could use their money for the right reasons, to help the world instead of just watching it get destroyed. Outside of just dealing with the problems in the world, the story is very simple, go from one mission to the next, with plenty of banter between the squad, usually revolving around film references, which if you understand add humour to scenes through the film.
Action – The action in this film is massive, it is almost relentless for large parts of the film, we see so much happening, from car chases, the gun battles, parkour on rooftops and that boat sequences, well wow.
Settings – The film does take us all over the world, with the main country being fictional, it is implied which country we are seeing wanting to have a change. The film does make the most of the locations, with the environment playing a big part in how each scene can be won.
Scene of the Movie – The Parkour rooftop.
That Moment That Annoyed Me – Sometimes it does feel like it is just Deadpool commenting on an action film.
Final Thoughts – This is a truly bonkers action film that you can switch off and just let everything unfold to the crazy levels it is meant to reach.
Overall: Wildly Over the Top.
Story: 6 Underground starts as we meet the agents, One (Reynolds) the billionaire, Two (Laurent) the Spook, Three (Garcia-Rulfo) a hitman, Four (Hardy) the skywalker, Five (Arjona) the doctor and Six (Franco) the driver, whose latest mission in Italy has gone sour, seeing them use their skills to escape the threat coming their way, only to lose a member of the team, needing to find a new member to become a seven.
Recruiting Seven (Hawkins) we learn about the plans they group have, they look to eliminate dictators that nobody else would touch, placing the rightful person in charge of the country, with the latest mission being to head to Turgistan.
Thoughts on 6 Underground
Characters – One is the leader of the squad, he is a billionaire that faked his own death to build the squad which will fight against the dictators of the world, he recruits the very best, he uses the code name, he wants to use his wealth to solve the problems in the world, in a way being known really works, often given commentary on what is going on. Two is the ex-CIA spook that is the most deadly with a weapon, she is willing to lead any assault the team goes on. Three is a hitman that has been given a new life, he is the most reckless of the crew, he will break the rules, but give him a gun and he will get the job done. Four is known as the skywalker, he parkour skills are unbelievable, he will run through building roof tops, searching for routes for the team, getting involved when required, he is easily the most entertaining character of the squad. Five is the doctor, while she might have the weakest character development of the whole squad. Six is the driver that enjoys the thrills that come from the high speed chases. Seven is the newest member of the team, a former soldier bought in for his own skills, he does question the true identity of One, unlike anybody else.
Performances – Ryan Reynolds, is like he always is, wise cracking, fun to watch and always confident, something he needs to be for this role, thinking Deadpool, without the costume. Melanie Laurent does an excellent job in the spook role, with Manuel Garcia-Rulfo, Adria Arjona, Dave Franco and Corey Hawkins are strong too, though it is Ben Hardy that seems to steal the show.
Story – The story here follows an elite group of soldiers that have come from around the world to work together to stop dictators from maintaining their reigns of terror over their nations. While this story is hugely ambition and original, it shows how wealthy people could use their money for the right reasons, to help the world instead of just watching it get destroyed. Outside of just dealing with the problems in the world, the story is very simple, go from one mission to the next, with plenty of banter between the squad, usually revolving around film references, which if you understand add humour to scenes through the film.
Action – The action in this film is massive, it is almost relentless for large parts of the film, we see so much happening, from car chases, the gun battles, parkour on rooftops and that boat sequences, well wow.
Settings – The film does take us all over the world, with the main country being fictional, it is implied which country we are seeing wanting to have a change. The film does make the most of the locations, with the environment playing a big part in how each scene can be won.
Scene of the Movie – The Parkour rooftop.
That Moment That Annoyed Me – Sometimes it does feel like it is just Deadpool commenting on an action film.
Final Thoughts – This is a truly bonkers action film that you can switch off and just let everything unfold to the crazy levels it is meant to reach.
Overall: Wildly Over the Top.
Phillip McSween (751 KP) rated Blade Runner 2049 (2017) in Movies
Aug 1, 2019
Great Introspection On What it Means to Be Human
Thirty years after the events of the first movie, Blade Runner 2049 follows the story of replicant K (Ryan Gosling) who unearths a secret that could rock the world to its core. I remember watching this for the first time and scoring it high 90’s. While I still think it’s a damn good movie, I feel it falls just out of Masterpiece range.
Acting: 10
Gosling was stellar in his performance as K. Replicants walk the line of being human, but robotic at the same time. In some cases Gosling provides responses that are straight out of the mouth of a program while there are some scenes that require him to capture raw emotion, both unexpected and welcomed by me as a viewer. There were some other memorable performances as well, particularly by Sylvia Hoeks in her role as Luv. I’ll be honest, she frightened the hell out of me, but in a good way. She was calculated and controlled, but you could always sense a rage waiting to surface. I love what she did with this character.
Beginning: 10
The opening scene of this movie sees K tracking down a replicant that’s been trying to fly under the radar. The tension is built slowly before it bubbles over. In the climax of this scene, we get a taste of what is to come for the rest of the movie. That’s what beginnings are all about: Leave us wanting more!
Characters: 10
Cinematography/Visuals: 10
While the entire film as a whole may not qualify as a masterpiece, the visuals and cinematography most certainly are. Throughout the movie, you get a chique futuristic feel that’s also dreary and dank at the same time. It’s like you’re watching two worlds collide. I love their play on robotics and weaponry here as well, definitely a step up from the first film.
Conflict: 10
It’s not just about the action here, but also K unravelling a mystery before our eyes. You want him to get to the bottom of everything going on and you’re taken on a wild ride along the way. Between the shootouts with hi-tech guns and the hand-to-hand fights, there is more than enough to keep you entertained.
My favorite scene in particular occurs when K and Rick Deckard (Harrison Ford) meet for the first time and square off. They are in some kind of concert hall where holograms are performing. Both are relying on the singing of the holograms to improve their striking position. It really is fun to watch.
Entertainment Value: 9
It doesn’t take you long into this movie to realize you’re watching something special. The time and energy that went into the creation of this movie shows up on screen. Yes, it could have been shortened, but I still had a great experience.
Memorability: 10
There is a scene that sticks out in my head where replicant creator Niander Wallace (Jared Leto) is looking over one of his creations. It’s unsettling to put it lightly and you feel like it’s just an average monologue…until it’s not. There are a number of scenes just like this that press on my brain. I also loved the continued exploration from the last movie of what it means to be human.
Pace: 8
I do appreciate that the story took its time to unfold. However, I do feel like it could have been a smidge faster in spots. There were a few moments where I was thinking, “Man, I got things to do! Let’s go!” Mostly forgivable save for a few instances.
Plot: 10
Resolution: 1
Without giving anything away, I will just say that this is my least favorite part of the movie. To have started so strong only to end like this? Not impressed. I wanted more for K is all I will say.
Overall: 88
There’s nothing like good sci-fi when done well. Blade Runner 2049 will take you on highs and lows while giving you a visual feast in the process. I was not disappointed in the least and you won’t be either.
Acting: 10
Gosling was stellar in his performance as K. Replicants walk the line of being human, but robotic at the same time. In some cases Gosling provides responses that are straight out of the mouth of a program while there are some scenes that require him to capture raw emotion, both unexpected and welcomed by me as a viewer. There were some other memorable performances as well, particularly by Sylvia Hoeks in her role as Luv. I’ll be honest, she frightened the hell out of me, but in a good way. She was calculated and controlled, but you could always sense a rage waiting to surface. I love what she did with this character.
Beginning: 10
The opening scene of this movie sees K tracking down a replicant that’s been trying to fly under the radar. The tension is built slowly before it bubbles over. In the climax of this scene, we get a taste of what is to come for the rest of the movie. That’s what beginnings are all about: Leave us wanting more!
Characters: 10
Cinematography/Visuals: 10
While the entire film as a whole may not qualify as a masterpiece, the visuals and cinematography most certainly are. Throughout the movie, you get a chique futuristic feel that’s also dreary and dank at the same time. It’s like you’re watching two worlds collide. I love their play on robotics and weaponry here as well, definitely a step up from the first film.
Conflict: 10
It’s not just about the action here, but also K unravelling a mystery before our eyes. You want him to get to the bottom of everything going on and you’re taken on a wild ride along the way. Between the shootouts with hi-tech guns and the hand-to-hand fights, there is more than enough to keep you entertained.
My favorite scene in particular occurs when K and Rick Deckard (Harrison Ford) meet for the first time and square off. They are in some kind of concert hall where holograms are performing. Both are relying on the singing of the holograms to improve their striking position. It really is fun to watch.
Entertainment Value: 9
It doesn’t take you long into this movie to realize you’re watching something special. The time and energy that went into the creation of this movie shows up on screen. Yes, it could have been shortened, but I still had a great experience.
Memorability: 10
There is a scene that sticks out in my head where replicant creator Niander Wallace (Jared Leto) is looking over one of his creations. It’s unsettling to put it lightly and you feel like it’s just an average monologue…until it’s not. There are a number of scenes just like this that press on my brain. I also loved the continued exploration from the last movie of what it means to be human.
Pace: 8
I do appreciate that the story took its time to unfold. However, I do feel like it could have been a smidge faster in spots. There were a few moments where I was thinking, “Man, I got things to do! Let’s go!” Mostly forgivable save for a few instances.
Plot: 10
Resolution: 1
Without giving anything away, I will just say that this is my least favorite part of the movie. To have started so strong only to end like this? Not impressed. I wanted more for K is all I will say.
Overall: 88
There’s nothing like good sci-fi when done well. Blade Runner 2049 will take you on highs and lows while giving you a visual feast in the process. I was not disappointed in the least and you won’t be either.
Gareth von Kallenbach (971 KP) rated Lockout (2012) in Movies
Aug 7, 2019
In the later part of the 21st-century the worst criminals the planet has to offer are kept safely away from public in stasis aboard an orbiting prison known as MS: One. Although it is never explained in the film, it does not take a rocket scientist to guess that “MS” stands for Maximum Security and much like the rest of the movie “Lockout”, this is a film that does not aspire to be more than the sum of its heavily borrowed parts.
The film stars Guy Pearce as Snow, a special agent who has been wrongly accused in the killing of a high-ranking operative. Railroaded through the system, Snow is looking at a lengthy sentence.
At the same time, the presidents daughter Emily (Maggie Grace), has visited MS: One on a goodwill tour. One of her special causes is to confirm the truth that long-term stasis has damaging psychological and neurological effects for the prisoners. Since the prison is funded by a deep space research development she definitely sees conflict of interest in how prisoners are being treated.
Things take a turn for the worse when a violent prisoner goes off during his interview and proceeds to release pent-up inmate population and take the crew hostage. The prisoners run amok and for the time being are unaware that they had president’s daughter in their midst. Snow was given an ultimatum that the successful retrieval of the first daughter will help him avoid becoming a future resident of the orbiting prison.
Despite his misgivings, Snow accepts the assignment as he learns that one of his friends is incarcerated on board. This friend holds valuable information that can exonerates Snow from his charges. Once on board the station, Snow must battle mobs of psychopaths as he attempts to locate and rescue Emily.
While one would think this premise would hold plenty of excitement, thrills, and suspense, the film is essentially undone by its inability to sustain any real momentum for any developed and real tension.
While the prisoners do a great job of appearing menacing, torturing and killing the hostages, we really never learn of their true objective. At no time do they really make any serious demands for freedom, material goods, and so on which basically leaves them vulnerable to an all-out attack from the amassing forces around the prison.
One would think they would’ve asked for something as simple as pardons but they seem more interested in glaring threats to the president and the authorities via videoconference, not truly grasping the magnitude of their situation.
Pearce does a good job as the gruff Snow but sadly the script gives him very little to do other than smug one-liners and occasionally shoot the bad guys. Smith does show some spark and personality in her performance but she is given little to do aside from playing the damsel in distress although she doesn infuse the role with some strength and humor.
What really surprised me about the movie was even though it borrowed very heavily from Fortress 1 & 2 as well as an escape from New York, and have surprisingly little new to offer. It was clear that the intention was to create a diehard style film in space but unfortunately it fell relatively flat.
This was a huge surprise to me as one would think that Luc Besson and many of the creative talents that made “Taken” such a thrilling smash would have been able to come up with a better action film.
This is not to say that “Lockout” is a bad film more than it is a disappointment considering the premise, cast, and the potential that it had going for it.
I can certainly overlook plot holes, thinly crafted stock characters, and run-of-the-mill action sequences in my action films as long as they can get me some solid entertainment.
Sadly this is not the case and it plays out more like a direct to DVD release that’s certainly would be extremely welcome us and Netflix are red box rental but for my taste thanks to the lo-res and dated special effects did not warrant a major theatrical release.
The film stars Guy Pearce as Snow, a special agent who has been wrongly accused in the killing of a high-ranking operative. Railroaded through the system, Snow is looking at a lengthy sentence.
At the same time, the presidents daughter Emily (Maggie Grace), has visited MS: One on a goodwill tour. One of her special causes is to confirm the truth that long-term stasis has damaging psychological and neurological effects for the prisoners. Since the prison is funded by a deep space research development she definitely sees conflict of interest in how prisoners are being treated.
Things take a turn for the worse when a violent prisoner goes off during his interview and proceeds to release pent-up inmate population and take the crew hostage. The prisoners run amok and for the time being are unaware that they had president’s daughter in their midst. Snow was given an ultimatum that the successful retrieval of the first daughter will help him avoid becoming a future resident of the orbiting prison.
Despite his misgivings, Snow accepts the assignment as he learns that one of his friends is incarcerated on board. This friend holds valuable information that can exonerates Snow from his charges. Once on board the station, Snow must battle mobs of psychopaths as he attempts to locate and rescue Emily.
While one would think this premise would hold plenty of excitement, thrills, and suspense, the film is essentially undone by its inability to sustain any real momentum for any developed and real tension.
While the prisoners do a great job of appearing menacing, torturing and killing the hostages, we really never learn of their true objective. At no time do they really make any serious demands for freedom, material goods, and so on which basically leaves them vulnerable to an all-out attack from the amassing forces around the prison.
One would think they would’ve asked for something as simple as pardons but they seem more interested in glaring threats to the president and the authorities via videoconference, not truly grasping the magnitude of their situation.
Pearce does a good job as the gruff Snow but sadly the script gives him very little to do other than smug one-liners and occasionally shoot the bad guys. Smith does show some spark and personality in her performance but she is given little to do aside from playing the damsel in distress although she doesn infuse the role with some strength and humor.
What really surprised me about the movie was even though it borrowed very heavily from Fortress 1 & 2 as well as an escape from New York, and have surprisingly little new to offer. It was clear that the intention was to create a diehard style film in space but unfortunately it fell relatively flat.
This was a huge surprise to me as one would think that Luc Besson and many of the creative talents that made “Taken” such a thrilling smash would have been able to come up with a better action film.
This is not to say that “Lockout” is a bad film more than it is a disappointment considering the premise, cast, and the potential that it had going for it.
I can certainly overlook plot holes, thinly crafted stock characters, and run-of-the-mill action sequences in my action films as long as they can get me some solid entertainment.
Sadly this is not the case and it plays out more like a direct to DVD release that’s certainly would be extremely welcome us and Netflix are red box rental but for my taste thanks to the lo-res and dated special effects did not warrant a major theatrical release.