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Caitlin Kuhwald recommended The Royal Tenenbaums (2001) in Movies (curated)
Phil Leader (619 KP) rated The Pilgrims (Pendulum #1) in Books
Nov 25, 2019
The Pilgrims is the second book by Will Elliott and the first in the Pendulum trilogy. It follows Eric (a down on his luck journalist) and Case (an old vagrant that Eric befriends) who discover that a small door under a bridge leads to a different world.
The story follows them as they travel across this new land of Levaal and encounters various inhabitants - human and other races. There has been a war simmering between The Castle - ruled by the (not to beat about the bush) insane Vous - and a coalition of still-free cities governed by their respective mayors. Eric and Case arrive just as the war is about to become a full battle, and it's clear that this is not a coincidence.
I'm always wary of fantasy books where people cross from this world into the world of the writer's imagination, it always seems like a bit of a fanboy's wet dream and sometimes it isn't handled well and leaves a lot of holes. Elliott does adequately well in addressing these - Eric (at least) does not cross by accident, the magic that brings them to the world allows them to speak the correct language and so on. Elliott also wisely immediately plunges the antagonists into action, revealing the wonders of Levaal rather than letting them frolic on some untouched green hillside.
The other notable deviation from this being any sort of wish fulfillment fantasy is that Levaal actually isn't very.... nice. Danger, intrigue and double dealing abound. Vous could be nominally labelled as the 'bad guy' but it's clearly described that he is doing what are bad things for what he considers the right reasons. There are no 'dark lords' here and by the same token the 'good guys' really aren't particularly good.
Eric and Case are not spared from this. Neither is a paragon of virtue, Eric has some distinct character flaws, which are made very clear to him by other characters and perhaps at least some of the arc of the trilogy will be Eric becoming a 'better' person. Case has served time in prison for murder and is an alcoholic, the latter fact makes him behave erratically at best.
The inhabitants of Levaal do not deviate far from stock fantasy races, but all are unique and the world does seem to fit together and work quite well as a 'real' place, I did like the mechanism of how the magic worked and its limitations. Elliott has really put some thought into this.
The writing is hard to find fault with; the descriptive passages have real atmosphere, the dialogue is sharp and always in keeping with the characters, which in themselves are complex and nobody is represented as a cipher or standard trope. The story is engaging and moves at a terrific pace, covering a lot of ground (both metaphorically and across Levaal).
The ending is a real cliff hanger with a sting in the tail and it will be interesting to see where the story goes in the next volume, Shadow.
Highly recommended, though not for younger readers due to explicit sexual references.
The story follows them as they travel across this new land of Levaal and encounters various inhabitants - human and other races. There has been a war simmering between The Castle - ruled by the (not to beat about the bush) insane Vous - and a coalition of still-free cities governed by their respective mayors. Eric and Case arrive just as the war is about to become a full battle, and it's clear that this is not a coincidence.
I'm always wary of fantasy books where people cross from this world into the world of the writer's imagination, it always seems like a bit of a fanboy's wet dream and sometimes it isn't handled well and leaves a lot of holes. Elliott does adequately well in addressing these - Eric (at least) does not cross by accident, the magic that brings them to the world allows them to speak the correct language and so on. Elliott also wisely immediately plunges the antagonists into action, revealing the wonders of Levaal rather than letting them frolic on some untouched green hillside.
The other notable deviation from this being any sort of wish fulfillment fantasy is that Levaal actually isn't very.... nice. Danger, intrigue and double dealing abound. Vous could be nominally labelled as the 'bad guy' but it's clearly described that he is doing what are bad things for what he considers the right reasons. There are no 'dark lords' here and by the same token the 'good guys' really aren't particularly good.
Eric and Case are not spared from this. Neither is a paragon of virtue, Eric has some distinct character flaws, which are made very clear to him by other characters and perhaps at least some of the arc of the trilogy will be Eric becoming a 'better' person. Case has served time in prison for murder and is an alcoholic, the latter fact makes him behave erratically at best.
The inhabitants of Levaal do not deviate far from stock fantasy races, but all are unique and the world does seem to fit together and work quite well as a 'real' place, I did like the mechanism of how the magic worked and its limitations. Elliott has really put some thought into this.
The writing is hard to find fault with; the descriptive passages have real atmosphere, the dialogue is sharp and always in keeping with the characters, which in themselves are complex and nobody is represented as a cipher or standard trope. The story is engaging and moves at a terrific pace, covering a lot of ground (both metaphorically and across Levaal).
The ending is a real cliff hanger with a sting in the tail and it will be interesting to see where the story goes in the next volume, Shadow.
Highly recommended, though not for younger readers due to explicit sexual references.
graveyardgremlin (7194 KP) rated Kilmeny of the Orchard in Books
Feb 15, 2019
Kilmeny of the Orchard is the tale of Eric Marshall, who as a favor to a sick friend comes to the small town of Lindsay on Prince Edward Island to teach at the school. While walking one day, he wanders into a long forgotten orchard and hears beautiful violin music being played by a beguiling young lady, the book's namesake, Kilmeny. Frightened, Kilmeny flees the orchard and though Eric comes back the next night and then the next, she doesn't return. Disappointed and intrigued, he asks his landlady about the girl he has seen, not yet knowing her name, and in doing so learns the story of Kilmeny. Mute since birth, she lives sequestered at home with her aunt and uncle who the town considers odd because they keep to themselves, so no one in the town has ever laid eyes on her. Soon after that first meeting, she comes back to the orchard and a friendship between the two begins to bloom towards love.
I went into Kilmeny of the Orchard expecting a sweet love story, which is basically what I got, but I wanted to love the book and unfortunately only ended up finding it so-so. The writing was as lovely as you would expect from L.M. Montgomery and the descriptions brought a certain life to most scenes. However, while I enjoyed the story for the most part, I didn't become immersed into either it or the characters. This may have to due with how perfect both Eric and Kilmeny were and there was really no "impossible obstacles" to overcome (as the book put it). While I expected a slight fairy tale feel to the book, I was disappointed that there really wasn't depth to the overall story or the characters, especially whenever Eric thought about Kilmeny it was mostly to mention her looks or how innocent and without guile she was. Okay, so it's a new love and his first true love, but a little more interaction rather than rhapsodizing over her perfections would have been preferable. Because the book is a product of a different time and place, a few remarks about "foreigners", such as Neil Gordon who was born in Lindsay to Italian peddlers, Kilmeny's "defect", and other mindsets stood out. I wouldn't say they alienated me from the book but they occasionally took me out of the story. Even though I understand those views in context to the time this was written, it can still be a hard adjustment for a modern reader. So while this was at times a nice read, it's hardly something I'll remember back upon.
I went into Kilmeny of the Orchard expecting a sweet love story, which is basically what I got, but I wanted to love the book and unfortunately only ended up finding it so-so. The writing was as lovely as you would expect from L.M. Montgomery and the descriptions brought a certain life to most scenes. However, while I enjoyed the story for the most part, I didn't become immersed into either it or the characters. This may have to due with how perfect both Eric and Kilmeny were and there was really no "impossible obstacles" to overcome (as the book put it). While I expected a slight fairy tale feel to the book, I was disappointed that there really wasn't depth to the overall story or the characters, especially whenever Eric thought about Kilmeny it was mostly to mention her looks or how innocent and without guile she was. Okay, so it's a new love and his first true love, but a little more interaction rather than rhapsodizing over her perfections would have been preferable. Because the book is a product of a different time and place, a few remarks about "foreigners", such as Neil Gordon who was born in Lindsay to Italian peddlers, Kilmeny's "defect", and other mindsets stood out. I wouldn't say they alienated me from the book but they occasionally took me out of the story. Even though I understand those views in context to the time this was written, it can still be a hard adjustment for a modern reader. So while this was at times a nice read, it's hardly something I'll remember back upon.
Lyndsey Gollogly (2893 KP) rated The Trees Grew Because I Bled There in Books
Apr 14, 2024
71 of 220
Book
The Trees Grew Because I Bled There: collected stories
By Eric LaRocca
⭐️⭐️⭐️⭐️
Eight stories of dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. A woman imagines horrific scenarios whilst caring for her infant niece; on-line posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution…
This was a compilation of stories from a very talented authors. You get taken on a journey with these short stories. A few stories stood out from the crowd! The Strange things we become a story of how cancer destroys everything it touches and plays with the mind.
You’re not supposed to be here l, I think this is my favourite of them all a parents worst nightmare and a dark tale of secrets and desperation.
I’d also mention Where Flames Burned as Grass, would you sacrifice your child on the word of a complete stranger?
Really enjoyed these stories and the writing style.
Book
The Trees Grew Because I Bled There: collected stories
By Eric LaRocca
⭐️⭐️⭐️⭐️
Eight stories of dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. A woman imagines horrific scenarios whilst caring for her infant niece; on-line posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution…
This was a compilation of stories from a very talented authors. You get taken on a journey with these short stories. A few stories stood out from the crowd! The Strange things we become a story of how cancer destroys everything it touches and plays with the mind.
You’re not supposed to be here l, I think this is my favourite of them all a parents worst nightmare and a dark tale of secrets and desperation.
I’d also mention Where Flames Burned as Grass, would you sacrifice your child on the word of a complete stranger?
Really enjoyed these stories and the writing style.
Merissa (11631 KP) rated Waves (Inhuman Love Collection #1) in Books
Jun 21, 2023
WAVES is the first book in the Inhuman Love Collection and we start off with a selkie and a marine biologist. I loved how the first bit with Ezra was titled with his name, but the first bit with Kai was titled with what he was. A small detail, but one I liked.
There were a few things in this I didn't like - the ex-fiance for one, but then, I wasn't supposed to. I thought there would be more to his storyline as it seemed like a big deal but then it sort of fizzled out. Also Mary and Eric. I know Mary was Ezra's BFF but it felt like she was a little pushy. Eric was nice most of the time but jumping to conclusions when someone is injured isn't a good way to be. Some of the side characters didn't add anything to the story either in my opinion.
What I did like was the constant affection between Kai and Ezra. The forehead touches were so sweet and I loved those. And things like the pool and trying to get the pH levels right to imitate the sea. That's a love language right there. There was an occasion when Ezra is being slightly forward with Kai, but Kai did agree and ended up enjoying it, so I guess it worked out. It just felt a little icky considering Kai's preferences up to that point.
On the whole, I enjoyed this story and that epilogue was so sad! It left me with so many questions though, I'll admit! I definitely recommend this book and look forward to reading more in the series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 21, 2023
There were a few things in this I didn't like - the ex-fiance for one, but then, I wasn't supposed to. I thought there would be more to his storyline as it seemed like a big deal but then it sort of fizzled out. Also Mary and Eric. I know Mary was Ezra's BFF but it felt like she was a little pushy. Eric was nice most of the time but jumping to conclusions when someone is injured isn't a good way to be. Some of the side characters didn't add anything to the story either in my opinion.
What I did like was the constant affection between Kai and Ezra. The forehead touches were so sweet and I loved those. And things like the pool and trying to get the pH levels right to imitate the sea. That's a love language right there. There was an occasion when Ezra is being slightly forward with Kai, but Kai did agree and ended up enjoying it, so I guess it worked out. It just felt a little icky considering Kai's preferences up to that point.
On the whole, I enjoyed this story and that epilogue was so sad! It left me with so many questions though, I'll admit! I definitely recommend this book and look forward to reading more in the series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 21, 2023
Amy Curtis (49 KP) rated Four: A Divergent Collection in Books
Jan 12, 2019
The follow-on we all needed
The novel contains 5 short stories set in Tobias Eaton’s (Four’s) perspective. Some of the stories are events that you have seen from Tris’ point of view during the Divergent series. Throughout the series, he is quite a mysterious character and the only thing you really know is the small bits of information that he decides to reveal to Tris.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
Heather Cranmer (2721 KP) rated The Children on the Hill in Books
Jul 28, 2022
I read Jennifer McMahon's book The Invited and liked it, so when I read the synopsis for her new book, The Children on the Hill, I was well intrigued. I decided to give it a read and ended up liking it.
The plot of The Children on the Hill definitely piqued my interest. The book switches between two different years. I was drawn into each time frame. I felt like I was right beside each narrator as their story was being told. Most of the story takes place in Vermont, and I felt that through McMahon's writing, I was transported to each location in Vermont. I was interested in Vi's and Eric's monsters. I also was rooting for Vi to solve Lily's mystery of where she came from. I wanted to know what Gran's secret was for being super successful. I had to know more. This book left no cliff hangars, and I was glad that all my questions were answered. I would have liked to know more about certain characters such as where they came from, but I understand why the author didn't include it in the book. There are a couple of big plot twists in The Children on the Hill. I guessed one right before it was mentioned, but I really didn't see the other one coming. (Kudos to Jennifer McMahon on that!) As for the pacing, there were times that it slowed down to the point where I would get a little bored and take a break. However, the pacing would quickly pick back up. In the last quarter or so of the book, the pacing is done brilliantly, and I didn't want to put the book down at all!
I enjoyed the characters from The Children on the Hill. McMahon did a fabulous job with making each and every character feel realistic instead of make believe. Violet was such a vibrant child, and I enjoyed reading about her quest for knowledge no matter the cost. She was definitely quite the detective! Lily was an enigma that I couldn't figure out at first, but I really liked reading about her. It was interesting to watch her grow each day around Vi and Eric. Lizzy was also a likeable character, and I admired how determined she was to find her sister and solve the mysteries of the missing girls. Gran/Dr. Hildreth came across as a sweet old woman, but I always suspected she was up to something. I had my reservations about her, so I enjoyed reading to find out if my suspicions were correct. McMahon did an excellent job presenting Gran/Dr. Hildreth as a sweet grandmotherly type to Eric and Vi.
Trigger warnings for The Children on the Hill include some profanity, murder, violence, torture, kidnapping, and gaslighting.
All in all, The Children on the Hill is a book with a solid plot featuring a small cast of characters that are interesting to read about and how far they'll go for their cause. The plot will leave you guessing as you try to make it all make sense (though everything will be explained by the end of the book). I would absolutely recommend The Children on the Hill by Jennifer McMahon to those aged 17+ who love trying to figure out a thrilling mystery. This is one book you'll definitely want to pick up!
The plot of The Children on the Hill definitely piqued my interest. The book switches between two different years. I was drawn into each time frame. I felt like I was right beside each narrator as their story was being told. Most of the story takes place in Vermont, and I felt that through McMahon's writing, I was transported to each location in Vermont. I was interested in Vi's and Eric's monsters. I also was rooting for Vi to solve Lily's mystery of where she came from. I wanted to know what Gran's secret was for being super successful. I had to know more. This book left no cliff hangars, and I was glad that all my questions were answered. I would have liked to know more about certain characters such as where they came from, but I understand why the author didn't include it in the book. There are a couple of big plot twists in The Children on the Hill. I guessed one right before it was mentioned, but I really didn't see the other one coming. (Kudos to Jennifer McMahon on that!) As for the pacing, there were times that it slowed down to the point where I would get a little bored and take a break. However, the pacing would quickly pick back up. In the last quarter or so of the book, the pacing is done brilliantly, and I didn't want to put the book down at all!
I enjoyed the characters from The Children on the Hill. McMahon did a fabulous job with making each and every character feel realistic instead of make believe. Violet was such a vibrant child, and I enjoyed reading about her quest for knowledge no matter the cost. She was definitely quite the detective! Lily was an enigma that I couldn't figure out at first, but I really liked reading about her. It was interesting to watch her grow each day around Vi and Eric. Lizzy was also a likeable character, and I admired how determined she was to find her sister and solve the mysteries of the missing girls. Gran/Dr. Hildreth came across as a sweet old woman, but I always suspected she was up to something. I had my reservations about her, so I enjoyed reading to find out if my suspicions were correct. McMahon did an excellent job presenting Gran/Dr. Hildreth as a sweet grandmotherly type to Eric and Vi.
Trigger warnings for The Children on the Hill include some profanity, murder, violence, torture, kidnapping, and gaslighting.
All in all, The Children on the Hill is a book with a solid plot featuring a small cast of characters that are interesting to read about and how far they'll go for their cause. The plot will leave you guessing as you try to make it all make sense (though everything will be explained by the end of the book). I would absolutely recommend The Children on the Hill by Jennifer McMahon to those aged 17+ who love trying to figure out a thrilling mystery. This is one book you'll definitely want to pick up!
Darren (1599 KP) rated The Expendables (2010) in Movies
Jul 25, 2019
Story: The Expendables starts as we get to see Barney Ross (Stallone) and his team Lee (Statham), Yin (Li), Gunner (Lundgren), Toll (Couture) and Hale (Crews) eliminate a threat, to show just how capable they are at dealing with international threats.
Once home Barney is given a new assignment, to take out General Garza (Zayas) and James Munroe (Roberts) who are controlling an asset the government require, this soon turns into the five-man army taking on a full army.
Thoughts on The Expendables
Characters – Barney Ross is the leader of the mercenaries, he does play by a rule book, which sees him needing make a difficult decision with one of his team. He takes the latest job once he realizes that sometimes the impossible can make a big difference being a better all-around combat asset. Lee Christmas is Barney’s second in command, the one that Barney will turn to most, during this story he finds himself having lady problems and shows a man what will happen if you beat one up, he is also the knife expert on the team. Yin is the smallest member of the team, he is the martial artist of the team and is always worried about enough money for his family. Gunner is the member of the team which gets kicked out because he wants too much brutality in the missions, he has a drug problem which needs to be cleaned up before he could ever be considered back on the team. Eric Roberts is the businessman that has taken over the island, he is paying for everything even if it makes enemies out of the locals, he will strike fear into them with fear. Paine is the strongest member of Munroe’s team, he has been waiting for a challenge which Barney and his team will offer him.
Performances – This movie does have an all-star cast of action heroes, Sylvester Stallone does take centre stage here and does what he knows how to be, a lead action star, Jason Statham does this too, with a little more subtle side to his outside the business performance. These two both get the best action moments in the film. Jet Li does well with the action, but gets wasted outside of these moments, while Dolph Lundgren does what he can with a character that does have plenty more to offer to this film. Eric Roberts fits the generic villainous role, he doesn’t get enough time to make his character as memorable as he could have been.
Story – The story follows a group of mercenaries that are hired to solve the militant control of a small island in the Gulf of Mexico. When it comes to the story, we don’t need too much, this film is more designed to show of the action stars of the movie industry. By keeping everything on the simple side we get an enjoyable story to see unfold, though it would have been nice to get some sort of character development about the crew. This story is easy to watch without ever needing to test us.
Action/Adventure – The action in the film is wildly over the top with a mix of guns, knives and hand to hand combat, all you would want from the cast we have here. The adventure side of the film does take our crew to a new island that they haven’t heard of before to make the events of the film happen.
Settings – The film mixes the home that the men have back in America with the island that needs freeing, showing how they can and will adapt to any landscape they are placed in.
Scene of the Movie – Fly by.
That Moment That Annoyed Me – We don’t get enough Jet Li.
Final Thoughts – This is one movie that is purely for the action fans, it goes well over the top and deliveries you favourite action stars doing what they do best, shooting gun and fighting.
Overall: Fun Filled Action Film.
Once home Barney is given a new assignment, to take out General Garza (Zayas) and James Munroe (Roberts) who are controlling an asset the government require, this soon turns into the five-man army taking on a full army.
Thoughts on The Expendables
Characters – Barney Ross is the leader of the mercenaries, he does play by a rule book, which sees him needing make a difficult decision with one of his team. He takes the latest job once he realizes that sometimes the impossible can make a big difference being a better all-around combat asset. Lee Christmas is Barney’s second in command, the one that Barney will turn to most, during this story he finds himself having lady problems and shows a man what will happen if you beat one up, he is also the knife expert on the team. Yin is the smallest member of the team, he is the martial artist of the team and is always worried about enough money for his family. Gunner is the member of the team which gets kicked out because he wants too much brutality in the missions, he has a drug problem which needs to be cleaned up before he could ever be considered back on the team. Eric Roberts is the businessman that has taken over the island, he is paying for everything even if it makes enemies out of the locals, he will strike fear into them with fear. Paine is the strongest member of Munroe’s team, he has been waiting for a challenge which Barney and his team will offer him.
Performances – This movie does have an all-star cast of action heroes, Sylvester Stallone does take centre stage here and does what he knows how to be, a lead action star, Jason Statham does this too, with a little more subtle side to his outside the business performance. These two both get the best action moments in the film. Jet Li does well with the action, but gets wasted outside of these moments, while Dolph Lundgren does what he can with a character that does have plenty more to offer to this film. Eric Roberts fits the generic villainous role, he doesn’t get enough time to make his character as memorable as he could have been.
Story – The story follows a group of mercenaries that are hired to solve the militant control of a small island in the Gulf of Mexico. When it comes to the story, we don’t need too much, this film is more designed to show of the action stars of the movie industry. By keeping everything on the simple side we get an enjoyable story to see unfold, though it would have been nice to get some sort of character development about the crew. This story is easy to watch without ever needing to test us.
Action/Adventure – The action in the film is wildly over the top with a mix of guns, knives and hand to hand combat, all you would want from the cast we have here. The adventure side of the film does take our crew to a new island that they haven’t heard of before to make the events of the film happen.
Settings – The film mixes the home that the men have back in America with the island that needs freeing, showing how they can and will adapt to any landscape they are placed in.
Scene of the Movie – Fly by.
That Moment That Annoyed Me – We don’t get enough Jet Li.
Final Thoughts – This is one movie that is purely for the action fans, it goes well over the top and deliveries you favourite action stars doing what they do best, shooting gun and fighting.
Overall: Fun Filled Action Film.
Bob Mann (459 KP) rated Arrival (2016) in Movies
Sep 29, 2021
Wow – what a surprise.
Sometimes I can get very irritated by a trailer for giving too much away (case in point, “Room” – which I recut – and more recently “Passengers”). Sometimes I can get very excited by a really good teaser trailer (case in point, “10 Cloverfield Lane”). But most of the time a “ho hum” trailer typically drives the expectation of a “ho hum” film: “Jack Reacher: Never Look Back” being a good recent example. Then there is “Arrival”…
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.