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Peter Shephard (2821 KP) rated Game Of Thrones - Season 8 in TV
Jun 1, 2019
Mixed ending to the epic
Contains spoilers, click to show
I enjoyed Season 8.
It was a good distance away from the best seasons. I cant actually think of a season I liked less, but it wasnt a BAD season.
The set piece battles were visually amazing (even if the tactics were a bit suspect...), the story was "wrapped up" satisfactorily. It would have benefitted massively from an extra 1 or 2 episodes, even if just to get a sense of the scale of the undertaking - remember in Season 1 it took a month to travel from Kings Landing to Winterfell? Well apart from a fade-to-black and a comment about "three weeks" in the final episode, all the events could have been taking place in neighbouring cities. That's something which S7 and S8 have been guilty of, actually - the sense of scale was horribly lost (a quick marathon to the Wall, warp-speed ravens to Dragonstone, and a dragon flight back up, all within about 12h...?). It was also never explained how so many Dothraki and Unsullied survived the Battle of Winterfell - I have heard people saying that there was a comment that "only half of our forces are at Winterfell; the rest are at Dragonstone" but I've rewatched it and I must have missed it every time. Literally a 10 second clip would have made it all much more acceptable.
It is really unfortunate that S8 (and S7) felt rushed. I fully expect there to be a "viewers cut" on YouTube at some point which reuses scenes from other seasons to make it feel right.
I did enjoy it though.
It was a good distance away from the best seasons. I cant actually think of a season I liked less, but it wasnt a BAD season.
The set piece battles were visually amazing (even if the tactics were a bit suspect...), the story was "wrapped up" satisfactorily. It would have benefitted massively from an extra 1 or 2 episodes, even if just to get a sense of the scale of the undertaking - remember in Season 1 it took a month to travel from Kings Landing to Winterfell? Well apart from a fade-to-black and a comment about "three weeks" in the final episode, all the events could have been taking place in neighbouring cities. That's something which S7 and S8 have been guilty of, actually - the sense of scale was horribly lost (a quick marathon to the Wall, warp-speed ravens to Dragonstone, and a dragon flight back up, all within about 12h...?). It was also never explained how so many Dothraki and Unsullied survived the Battle of Winterfell - I have heard people saying that there was a comment that "only half of our forces are at Winterfell; the rest are at Dragonstone" but I've rewatched it and I must have missed it every time. Literally a 10 second clip would have made it all much more acceptable.
It is really unfortunate that S8 (and S7) felt rushed. I fully expect there to be a "viewers cut" on YouTube at some point which reuses scenes from other seasons to make it feel right.
I did enjoy it though.
Merissa (11704 KP) rated Winterian Sky (Ninety Planets) in Books
Nov 6, 2023
WINTERIAN SKY is the first book in the new Ninety Planets science fiction series. In it, we find a planet besieged on two fronts - one is by an incoming attack force, the other is by a virus with no known cure that is decimating the population.
Chesterfield is the lone scientist dedicated to finding a cure. Danacio is a Guard of Winterian, prepared to lay down his life for his planet. Together, these two go on a journey to figure out where the virus originated from and how to cure it. They meet a brilliant couple who have suffered their own losses, just as determined as Chesterfield to find the answers and the cure.
This is a fast-paced book that will keep you turning the pages. All of the characters are well-rounded and I loved how they all worked together, meshing with purpose. As the first book in a new series, there is world-building but also worlds-building. You get an idea of the Alliance and the things they stand for. I can't wait to read more in this series, and I'm seriously hoping for an update on Winterian and how their war is going on.
Love plays a big role in this story - whether it is familial love or romantic. There are moments of closeness between our two MCs but it is closed-door/fade-to-black which worked perfectly in this story.
A great read that I thoroughly enjoyed and I can't wait to return to the Ninety Planets!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 6, 2023
Chesterfield is the lone scientist dedicated to finding a cure. Danacio is a Guard of Winterian, prepared to lay down his life for his planet. Together, these two go on a journey to figure out where the virus originated from and how to cure it. They meet a brilliant couple who have suffered their own losses, just as determined as Chesterfield to find the answers and the cure.
This is a fast-paced book that will keep you turning the pages. All of the characters are well-rounded and I loved how they all worked together, meshing with purpose. As the first book in a new series, there is world-building but also worlds-building. You get an idea of the Alliance and the things they stand for. I can't wait to read more in this series, and I'm seriously hoping for an update on Winterian and how their war is going on.
Love plays a big role in this story - whether it is familial love or romantic. There are moments of closeness between our two MCs but it is closed-door/fade-to-black which worked perfectly in this story.
A great read that I thoroughly enjoyed and I can't wait to return to the Ninety Planets!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 6, 2023
Becs (244 KP) rated Words That Kill in Books
Oct 2, 2019
I’ve always had a thing for poetry and have loved every single poetry collection that I have gotten my hands on. My husband got me Words That Kill by Vivid Vega for this past Christmas. When I started to read it, I couldn’t put it down, it was just so good and so emotional. But I eventually had to take a break because it was starting to mess with me. There are not many poetry collections that touch on the mental health subject and I’m glad that there is now one available to the public.
Genre: Mental Health, Young Adult
Audience: Young Adult but also mature audiences as well
Reading level: Middle to High School
Interests: Depression, Mental Health, Anxiety, Suicide, Abuse, Hope, and Love.
Style: Light to hard – depending on the person.
Point of view: First person
Difficulty reading: Very easy to read but be warned, it does make you very emotional.
Promise: Words That Kill promises a poetry collection that talks about mental health and it delivers.
Quality: I believe everybody should read this even if they haven’t dealt with mental health.
Insights: Not taking the grammatical and spelling errors, the poems were a lot lighter to read compared to Rupi Kuar or even Shakespeare.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. This is only because it wasn’t really a story, more of a poem that brings memories of the past back to life.
Favorite quote: “There is no need to hide in the shade, the light will come and your pain will fade.” – This is a great representation of how depression works. You have your good and your bad moments.
Aesthetics: The thing that drew me to the book in the first place, minus the topic of mental health of course, was the fact that the entire book is white words on an entirely black background. I’ve never seen a book have that aesthetically pleasing style and I love it!
“Like a flower, I will bloom again – depression.”
Genre: Mental Health, Young Adult
Audience: Young Adult but also mature audiences as well
Reading level: Middle to High School
Interests: Depression, Mental Health, Anxiety, Suicide, Abuse, Hope, and Love.
Style: Light to hard – depending on the person.
Point of view: First person
Difficulty reading: Very easy to read but be warned, it does make you very emotional.
Promise: Words That Kill promises a poetry collection that talks about mental health and it delivers.
Quality: I believe everybody should read this even if they haven’t dealt with mental health.
Insights: Not taking the grammatical and spelling errors, the poems were a lot lighter to read compared to Rupi Kuar or even Shakespeare.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. This is only because it wasn’t really a story, more of a poem that brings memories of the past back to life.
Favorite quote: “There is no need to hide in the shade, the light will come and your pain will fade.” – This is a great representation of how depression works. You have your good and your bad moments.
Aesthetics: The thing that drew me to the book in the first place, minus the topic of mental health of course, was the fact that the entire book is white words on an entirely black background. I’ve never seen a book have that aesthetically pleasing style and I love it!
“Like a flower, I will bloom again – depression.”
BankofMarquis (1832 KP) rated Lake Placid (1999) in Movies
Jan 7, 2022
Betty White Steals This Film
I have to admit, I actually saw LAKE PLACID in the movie theaters when it came out in 1999. I am a huge JAWS fan and am a sucker for any film that takes the elements of Jaws (or some of them, anyway) and tries to rip-off that classic film.
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Fade to Black (Rojan Dizon, #1) in Books
Apr 27, 2018
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
Goddess in the Stacks (553 KP) rated Beasts Made of Night in Books
Apr 19, 2018
Terrible characters (3 more)
Lack of explanation of terms
Stupid cliffhanger
Confusing geography
So this Nigerian-influenced fantasy made enough of a splash when it was released in October that I JUST got it in my hands from the library. That long wait....was not actually justified, sadly. The cover is GORGEOUS and the concept is really, really cool - the execution is lacking. I can tell that the author had the world pretty fleshed out in his mind, from the geography to the vocabulary - but he didn't actually pass that knowledge on to the reader. Kos is a walled city, but I'm not sure whether the Palace is within the walls or not? In one scene our protagonist LEAPS out of the castle and runs back the city - but in another scene he mentions that looking out the castle wall, Kos fits behind his fingernail. Kos is made up of several neighborhood plus a market - it's not small. So either his fingernail is HUGE or Kos is a pretty decent distance away. But it's written as if it only takes him about ten minutes to run there? Not to mention that he cracked a rib in the room that he leaped from (which is never mentioned again).
Oh and he winds up landing in an ivy maze out of nowhere - he couldn't see it from the palace? Let's see....the King regularly bombards neighborhoods with catapults in what's called a "baptism" but the people haven't revolted against this, for some reason. They talk about something called a "kanselo" but never define it. I -think- it's like an organized group or coalition, but I'm really not entirely sure.
The male protagonist treats every woman his age as a potential love interest, debating whether to give them his heart-stone, or whether people will think he's already given one girl or another his heart-stone - but never stops to ask if the girls are interested in HIM that way. Because of COURSE they would be, right? He's the Sky-Fist! The Lightbringer! The one whose tattoos never fade! (Eating sin-beasts causes a black tattoo to appear on your skin - on most sin-eaters these fade eventually.) Also he's just DUMB. He recalls that the sin-eater who ate his mother's sin had a certain tattoo, and when he runs across her years later, it takes him three or four encounters before realizing it's the same sin-eater. (The tattoo is a spider. Covering her FACE. It hasn't faded.) He makes stupid decisions - after nightmares of one love-interest being attacked by sin-beasts, he LEAVES HER SURROUNDED BY THEM to go run out into the city. He has at least FIVE love interests in this book. And only ONE of them seems interested in him in return.
I really wanted to like this book. The concept of sin-eating is great. But the main character and all the one-dimensional characters that surrounded him, along with the confusing geography, just turned me off. And I'm not even getting into the "ending." Yeah. Definitely throwing quotes on that because that was not an ending. The book just stops.
Skip this. It was a terrible book wrapped in a deceptively pretty package.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Oh and he winds up landing in an ivy maze out of nowhere - he couldn't see it from the palace? Let's see....the King regularly bombards neighborhoods with catapults in what's called a "baptism" but the people haven't revolted against this, for some reason. They talk about something called a "kanselo" but never define it. I -think- it's like an organized group or coalition, but I'm really not entirely sure.
The male protagonist treats every woman his age as a potential love interest, debating whether to give them his heart-stone, or whether people will think he's already given one girl or another his heart-stone - but never stops to ask if the girls are interested in HIM that way. Because of COURSE they would be, right? He's the Sky-Fist! The Lightbringer! The one whose tattoos never fade! (Eating sin-beasts causes a black tattoo to appear on your skin - on most sin-eaters these fade eventually.) Also he's just DUMB. He recalls that the sin-eater who ate his mother's sin had a certain tattoo, and when he runs across her years later, it takes him three or four encounters before realizing it's the same sin-eater. (The tattoo is a spider. Covering her FACE. It hasn't faded.) He makes stupid decisions - after nightmares of one love-interest being attacked by sin-beasts, he LEAVES HER SURROUNDED BY THEM to go run out into the city. He has at least FIVE love interests in this book. And only ONE of them seems interested in him in return.
I really wanted to like this book. The concept of sin-eating is great. But the main character and all the one-dimensional characters that surrounded him, along with the confusing geography, just turned me off. And I'm not even getting into the "ending." Yeah. Definitely throwing quotes on that because that was not an ending. The book just stops.
Skip this. It was a terrible book wrapped in a deceptively pretty package.
You can find all my reviews at http://goddessinthestacks.wordpress.com
BankofMarquis (1832 KP) rated Us (2019) in Movies
Mar 25, 2019
Jordan Peele does it again
2 years ago at this time, the comedian known as Jordan Peele was all the talk as his feature film Directorial debut, GET OUT was scaring mainstream audiences. This was quite the accomplishment for a first time African-American Director with a film that was, predominantly, cast with African American actors.
Director/Writer Peele is at it again with the horror film (predominantly filled with African-American actors )US - and audiences, I'm sure, are going to go back in to the theater hoping that they will get scared again. And they will, but they will also get something else - a truly unique film.
I see a lot of movies, so for me to be (1) scared and (2) completely surprised by what is going on in a film is a rarity, indeed. And Jordan Peele has done both of these things with US - he has scared and surprised me, and I mean this in a a good way.
US stars Lupito Nyong'o as Adelaide Wilson, a young mother who had a traumatic experience at the beach as a child. Now, as 30-ish mother of two who is visiting that same beach with her husband and 2 children, the traumatic experience comes rushing back. To tell anymore of the story would be to spoil it and to spoil this film for anyone would be a shame, for the fun in this film is trying to figure out what will happen next. Even when you think you know what's going to happen, something else happens instead and you are kept guessing throughout the film.
As far as the acting goes, Nyong'o shows that she can carry a film. I was beginning to fear that she would be one of those former Oscar winners (for 12 YEARS A SLAVE) who fade into obscurity, but this film puts her right back - front and center - on the map, a map that she deserves to be on. She carries this film - and she carries it well. Winston Duke (M'Baku in BLACK PANTHER) ably plays her husband, but is reserved (for the most part) as needed comic relief. I am always concerned when a heavy part of a film falls into the hands of unknown child actors, but Evan Alex (as their son) and - especially - Shahadi Wright Joseph (as their daughter) pull off the acting they need to do.
Credit for all this falls on Jordan Peele who's direction and script shows that GET OUT was no fluke. As I said before, this is a truly ORIGINAL film in plot and content and Peele keeps the action moving forward in interesting ways.
This is a film that needs to be seen more than once. I, for one, can't wait to go back into the theater and check out US again.
Letter Grade A- (but it might move to an A after a 2nd viewing)
8 out of 10 stars and you can take that to the Bank(ofMarquis)
Director/Writer Peele is at it again with the horror film (predominantly filled with African-American actors )US - and audiences, I'm sure, are going to go back in to the theater hoping that they will get scared again. And they will, but they will also get something else - a truly unique film.
I see a lot of movies, so for me to be (1) scared and (2) completely surprised by what is going on in a film is a rarity, indeed. And Jordan Peele has done both of these things with US - he has scared and surprised me, and I mean this in a a good way.
US stars Lupito Nyong'o as Adelaide Wilson, a young mother who had a traumatic experience at the beach as a child. Now, as 30-ish mother of two who is visiting that same beach with her husband and 2 children, the traumatic experience comes rushing back. To tell anymore of the story would be to spoil it and to spoil this film for anyone would be a shame, for the fun in this film is trying to figure out what will happen next. Even when you think you know what's going to happen, something else happens instead and you are kept guessing throughout the film.
As far as the acting goes, Nyong'o shows that she can carry a film. I was beginning to fear that she would be one of those former Oscar winners (for 12 YEARS A SLAVE) who fade into obscurity, but this film puts her right back - front and center - on the map, a map that she deserves to be on. She carries this film - and she carries it well. Winston Duke (M'Baku in BLACK PANTHER) ably plays her husband, but is reserved (for the most part) as needed comic relief. I am always concerned when a heavy part of a film falls into the hands of unknown child actors, but Evan Alex (as their son) and - especially - Shahadi Wright Joseph (as their daughter) pull off the acting they need to do.
Credit for all this falls on Jordan Peele who's direction and script shows that GET OUT was no fluke. As I said before, this is a truly ORIGINAL film in plot and content and Peele keeps the action moving forward in interesting ways.
This is a film that needs to be seen more than once. I, for one, can't wait to go back into the theater and check out US again.
Letter Grade A- (but it might move to an A after a 2nd viewing)
8 out of 10 stars and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1087 KP) rated Crushed Ice (Hockey Ever After #4) in Books
Feb 6, 2024
Russ fell for Liam, but hadn't been able to put a name to the feelings.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Hockey Ever After series. I have only read book 1 and 2, and missed book 3. It's not necessary to read those books before this one. Dante and Gabe play a part here (from book 1) but neither Ryan and Nico (book 2) or Max and Grady (book 3) play a part except there is a wedding.
I really liked book 1 and I loved book 2. I can't say I loved this one, but I did, for the most part, enjoy this. It was great to catch up with Gabe and Dante!
Russ is already playing for the Caimans when Liam joins them. There is attraction, right from the start, but Russ is not fully out and Liam is his rookie. I loved how Liam set Russ off kilter. The one-liners from Baller made me chuckle. It gets the point across, that Russ fell for Liam but hadn't been able to put a name to the feelings.
It's on the sweeter side, and fairly low angst. There is an age gap, but not a massive one. It's emotional, though, in places, but I didn't get that sucker punch I got from book 2, Scoring Position. Steamy and smexy in palces, but fade to black in others and I did like that.
So, what didn't I like? There are detailed hockey match descriptions. I know, I KNOW this is a hockey romance, but books 1 and 2 didn't have the long descriptions of the matches like there are here. Or I don't think they did. I said in my review for book one, that I liked that book because there were not huge long descriptions of hockey matches. So, for ME, and I stress the ME, those matches that are here were too much for me. I'm a UK native, and ice hockey is not the massive sport it is on the North American continent.
Still, an enjoyable read, that was on a par with book one, but not book 2, which I gave the full 5 stars.
So, 4 very good stars
*same worded review will appear elsewhere
This is book 4 in the Hockey Ever After series. I have only read book 1 and 2, and missed book 3. It's not necessary to read those books before this one. Dante and Gabe play a part here (from book 1) but neither Ryan and Nico (book 2) or Max and Grady (book 3) play a part except there is a wedding.
I really liked book 1 and I loved book 2. I can't say I loved this one, but I did, for the most part, enjoy this. It was great to catch up with Gabe and Dante!
Russ is already playing for the Caimans when Liam joins them. There is attraction, right from the start, but Russ is not fully out and Liam is his rookie. I loved how Liam set Russ off kilter. The one-liners from Baller made me chuckle. It gets the point across, that Russ fell for Liam but hadn't been able to put a name to the feelings.
It's on the sweeter side, and fairly low angst. There is an age gap, but not a massive one. It's emotional, though, in places, but I didn't get that sucker punch I got from book 2, Scoring Position. Steamy and smexy in palces, but fade to black in others and I did like that.
So, what didn't I like? There are detailed hockey match descriptions. I know, I KNOW this is a hockey romance, but books 1 and 2 didn't have the long descriptions of the matches like there are here. Or I don't think they did. I said in my review for book one, that I liked that book because there were not huge long descriptions of hockey matches. So, for ME, and I stress the ME, those matches that are here were too much for me. I'm a UK native, and ice hockey is not the massive sport it is on the North American continent.
Still, an enjoyable read, that was on a par with book one, but not book 2, which I gave the full 5 stars.
So, 4 very good stars
*same worded review will appear elsewhere
Bob Mann (459 KP) rated Pixie (2020) in Movies
Nov 2, 2020
Olivia Cooke - utterly enchanting (1 more)
Just the right balance of black humour and Tarantino-esque violence
Once upon a Time in the West... of Ireland
You know sometimes when you see a trailer you think "oh yeah - this is a must see"! The trailer for "Pixie" (see below) was one such moment for me. A spaghetti western set in Sligo? With Alec Baldwin as a "deadly gangster priest"? Yes, yes, yes!
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
Goddess in the Stacks (553 KP) rated The Wrong Stars in Books
Aug 26, 2018 (Updated Aug 26, 2018)
Diversity (2 more)
World-building
Amazing alien species
I've watched my fair share of Space Opera (Firefly, Dark Matter, Farscape, Star Trek, Star Wars - don't try to tell me those last two aren't Space Opera, THEY TOTALLY ARE) - but I haven't read much of it. I picked up The Wrong Stars mostly because reviews said it had a demisexual main character, rather than because it's a Space Opera. Regardless, I am SO GLAD I DID. The book is excellent.
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com