"And the last movie I want to recommend is a movie that I’m a part of and it’s called American Gangster. I started to say Man with the Iron Fists. [laughs] Man with the Iron Fists because of the power of dreams, to show that a kid who watched movies and loved movies could one day grow and work with his favorite actors, and bring a movie to life. But that’d be number six, alright? Number five would be American Gangster, because not only is it a film that I’m a part of, but the reason I’m so invested into this movie is because Hollywood invested over $100 million into a black man’s story. This doesn’t happen a lot. It’s a story that captured a time in Harlem when drugs were rampant, music was growing, this whole culture was building up. And even though it shows a negative black man, it still showed the same thing The Godfather showed: the power of family. He did it for family. And it also showed the genius of the black criminal mind when it comes to being an entrepreneur and branding. He had a brand. And being a guy that started a brand like Wu-Tang Clan, when I heard how he made his brand Blue Magic and how he tried to protect his brand, and how he had to fight against others who were infringing upon his brand, it really resonated with me. Denzel Washington gave a great performance, Russell Crowe did as well, and that was a big breakout role for me as well, that movie."

"This had a massive impact on the way my parents brought us up, especially my dad, who's a singer himself. Here were a family from the North digging into old songs and traditions, and it made Dad really interested in doing the same. He became a member of a longsword team – I know – and then he got into reviving Mummers' plays, including the only surviving Mummers' play including its own dance. Every Boxing Day, us kids would be dragged down to see it, Dad playing this character who would be killed and brought to life again [laughs]. So many of our rituals as a family were about similar things: carolling on the green, singing folk in the pub and having this real passion for the seasons. For me, revisiting tradition is very rooted in wanting to recognise social struggles, the situations of the working classes, and the pastoral. These songs aren't about looking backwards and inwards, but about learning about the realities of your culture and wanting to share it with others. I remembering going to a Swedish festival some time ago, being encouraged to share songs from where I was from, and realising then what a very powerful currency those songs were. They help you connect with other countries' forgotten stories and emotions – and actually, that's something that happened to me in Harare doing Africa Express as well. These Ethiopian women encouraging me to sing for them, and then watching their reactions… it's very moving seeing people respond to these songs from different parts of the world. It makes you realise there's so much that connects us."