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Darren (1599 KP) rated A Monster Calls (2016) in Movies
Jun 20, 2019
Story – The story here is clear for everyone watching, this is one family a son, mother, grandmother and dad dealing with the impending death of a loved one. We get to see how Conor the son deals with everything in his own way that means he doesn’t get punished for anything, we get to see how the mother must stay strong for her son until the very end and how the grandmother must deal with the upcoming death of her daughter while being the only one there for grandson. This will make you cry it is as simple as that because his is one of the hardest hitting emotional punches you will ever receive.
Fantasy – We are thrown into a fantasy world that Conor creates to help him deal with the tragic events that are happening within his life, we are left to decide for ourselves which side of the story is real or not with the fantasy element too.
Characters/Performance – Conor is a character that we could see in so many situations when a parent is terminally ill, he struggles to find his place when he knows his future but can’t face it. When we look at the adults we get to see the struggling mother with her health, the father who isn’t around and the grandmother who doesn’t really know how to act because she will be losing her daughter but needing to be strong for her grandson. The tree monster is a great character in its own right, even if it is created to help Conor deal with the problems in his life.
When you look at the performance youngest Lewis MacDougall is brilliant in this role going through the full range of emotions while the bigger name actors let him take the centre stage.
Settings – The settings used make us feel like this is just a normal family that has had to deal with its ups and downs but now it will be taking on the biggest down. We don’t get any iconic settings but we get everything we need to feel the pain the characters go through.
Special Effects – The special effects here are brilliant making us fully believe there is in fact a monster with Conor helping him through this difficult time.
Final Thoughts – This is easily one of the most heart-breaking films of the year but shows just how difficult the situation would be for a young boy.
Overall: Bring your tissues to this film that will leave you emotional exhausted by the end.
https://moviesreview101.com/2017/01/26/a-monster-calls-2016/
Fantasy – We are thrown into a fantasy world that Conor creates to help him deal with the tragic events that are happening within his life, we are left to decide for ourselves which side of the story is real or not with the fantasy element too.
Characters/Performance – Conor is a character that we could see in so many situations when a parent is terminally ill, he struggles to find his place when he knows his future but can’t face it. When we look at the adults we get to see the struggling mother with her health, the father who isn’t around and the grandmother who doesn’t really know how to act because she will be losing her daughter but needing to be strong for her grandson. The tree monster is a great character in its own right, even if it is created to help Conor deal with the problems in his life.
When you look at the performance youngest Lewis MacDougall is brilliant in this role going through the full range of emotions while the bigger name actors let him take the centre stage.
Settings – The settings used make us feel like this is just a normal family that has had to deal with its ups and downs but now it will be taking on the biggest down. We don’t get any iconic settings but we get everything we need to feel the pain the characters go through.
Special Effects – The special effects here are brilliant making us fully believe there is in fact a monster with Conor helping him through this difficult time.
Final Thoughts – This is easily one of the most heart-breaking films of the year but shows just how difficult the situation would be for a young boy.
Overall: Bring your tissues to this film that will leave you emotional exhausted by the end.
https://moviesreview101.com/2017/01/26/a-monster-calls-2016/
JT (287 KP) rated Sinister (2012) in Movies
Mar 10, 2020
Has the found footage genre been done to death? Some would very much say it has, yet they keep on churning the films out. One thing to note with many of these is the budget, films like Paranormal Activity and Insidious were made for a pittance yet generated millions at the box office.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
Pic Scanner: Scan photos and albums
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Scan MULTIPLE photos with one touch. All cropped and saved individually. UNLIMITED use. No locked...
Hazel (1853 KP) rated White Petals in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
First her father died, then her Nana, and to top it all off her mother has been placed in a psychiatric hospital. Life for Emmeline Rose has not been easy but the unfortunate circumstances are going to lead her to the discovery of a secret gift. In this young adult novel, <i>White Petals</i>, Maria Grace creates a heartwarming tale of grief, friendship and fantasy.
Fourteen-year-old Em has been placed in a children’s home whilst her mother recovers from a psychotic breakdown. Here she begins to make friends with some of the other children, however she finds herself being bullied at school. Yet, what she cannot understand is why she gets a painful ringing in her ears whenever the school bully is around. But when her mother starts explaining mind-boggling things about their family, things start to make more sense.
The novel is a first person narrative therefore everything is shown from Em’s point of view. This, however, results in the story sounding like a young teenager has written it, which can be rather annoying. On the other hand, this aspect helps relate to the intended target audience.
The biggest issue with <i>White Petals</i> is the way mental illness is described. Phrases such as “off her tree”, “crazy”, “psycho” and “nutter” are frequently used throughout the narrative. Mental health stigma is a growing problem that many charities and organizations are challenging. Although many teenagers may genuinely think this way due to a lack of understanding, there is no attempt in this book to contradict these beliefs and educate the reader.
Overall I personally do not think this book is anything special, however many teenagers may enjoy the humour some of the characters bring to the story. Each chapter is headed by illustrations that were the result of a competition held in Wales for eleven to eighteen year olds. Despite certain misgivings, the story was still interesting to read.
First her father died, then her Nana, and to top it all off her mother has been placed in a psychiatric hospital. Life for Emmeline Rose has not been easy but the unfortunate circumstances are going to lead her to the discovery of a secret gift. In this young adult novel, <i>White Petals</i>, Maria Grace creates a heartwarming tale of grief, friendship and fantasy.
Fourteen-year-old Em has been placed in a children’s home whilst her mother recovers from a psychotic breakdown. Here she begins to make friends with some of the other children, however she finds herself being bullied at school. Yet, what she cannot understand is why she gets a painful ringing in her ears whenever the school bully is around. But when her mother starts explaining mind-boggling things about their family, things start to make more sense.
The novel is a first person narrative therefore everything is shown from Em’s point of view. This, however, results in the story sounding like a young teenager has written it, which can be rather annoying. On the other hand, this aspect helps relate to the intended target audience.
The biggest issue with <i>White Petals</i> is the way mental illness is described. Phrases such as “off her tree”, “crazy”, “psycho” and “nutter” are frequently used throughout the narrative. Mental health stigma is a growing problem that many charities and organizations are challenging. Although many teenagers may genuinely think this way due to a lack of understanding, there is no attempt in this book to contradict these beliefs and educate the reader.
Overall I personally do not think this book is anything special, however many teenagers may enjoy the humour some of the characters bring to the story. Each chapter is headed by illustrations that were the result of a competition held in Wales for eleven to eighteen year olds. Despite certain misgivings, the story was still interesting to read.
JT (287 KP) rated The Hunter (2012) in Movies
Mar 10, 2020
There’s something about Willem Dafoe that unnerves me a little and I’ve never been able to quite understand the reason why? Putting my bizarre fears aside for a second The Hunter is a subtle thriller set against the backdrop of the Tasmanian wilderness.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
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Gareth von Kallenbach (980 KP) rated Christopher Robin (2018) in Movies
Jul 8, 2019
Winnie the Pooh, the much love bear created by A.A. Milne and E.H. Shepard, has been brought by Disney in enchantingly live action in Christopher Robin. The story begins in the hundred acre woods where little Christopher Robin is spending his last day having a picnic with his dear friends: Eeyore(Brad Garrett), Owl(Toby Jones), Rabbit(Peter Capaldi), Kanga(Sophie Okonedo) and Roo(Sara Sheen), Piglet(Nick Mohammed) Tigger and Pooh(Both beautifully voiced by Jim Cummings). The voice actor cast was rather surprising, but quite spot on for each character. I was absolutely drawn into Christopher Robin’s world.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.